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2014 Hugo Nominees - Best Novel

I think theenglish may have been asking specifically about multi-year memberships not being available. If so: I doubt that information is given anywhere in so many words. But each Worldcon is a separate event with its own administrative staff; there's no overall governing body that could manage and distribute funds for multi-year memberships.
 
Members also get to participate in site selection for an upcoming Worldcon. Right now selection is two years out, so members this year will be picking the location for the 2016 Worldcon.
 
I can't believe the entire WoT series is nominated as a single text. How do you even compare that to any of the other books?
 
My non-spoilery thoughts on Ancillary Justice by Anne Leckie: This was certainly one of the more inventive novels I've read in awhile. It's a space opera involving a general humanity, taking place sometime in the distance future, but with no real connection to Earth or our timeline, kind of in the same way the Asimov's Foundation series does. The main character is a 2000 year old spaceship/AI that also exists in hundreds or thousands of ancillary bodies, which aren't androids, but are reanimated corpses. The other distinctive feature is that the primary society does not consider "gender" a distinctive trait. Their language uses gender neutral pronouns, although since we're reading in English, for our benefit, all pronouns are female (she, her) regardless of the actual gender of the characters involved.

I liked this book a lot and think it certainly deserved the nomination, though I don't think I am as enamored with it as much as others seem to be. Despite it being human, the author creates a really alien society that takes some time to understand as a reader. There's no real narrative description of how the society functions, you really have to pick it up through context as the story goes along, which can be a challenge. In the first 50 pages or so I found myself having to go back to reread entire paragraphs or pages to understand what was happening. While this seems like a pain initially, the depth and uniqueness of the world is ultimately one of the book's strong points. I thought the plot was engaging, and the action, though sparse, was well done.

One complaint I have is that at the end of the day, I couldn't tell you what any of the characters actually look like. I could not form any kind of picture in my head because of the gender thing. The characters have gender, but as an AI living in a society that doesn't distinguish gender, the main character has a hard time telling gender apart and just always uses the gender neutral "she" and "her" for all characters. Sometimes through context clues or interaction with characters from other societies that do have gender distinctions you'll learn what gender one of the main characters is, but even then, it's hard to keep a picture of those characters in your head when the main character just continues referring to them as "she" regardless.
 
That sounds very interesting and reminds me a little bit how Usurla Le Guin plays with skin colour in novels like Earthsea or Left Hand of Darkness. She makes only passing references to the shade of a persons skin but the passing reference still played a huge role in questioning preconceptions when those novels were written.
 
It's interesting to the extent that it takes gender out of the equation as far as evaluating a character's actions, abilities, personalities, whatever. The character is who the character is and there aren't any preconceptions about that character based on gender.

That being said, I'm very visual when I read. I imagine, like I do, most people see the scenes play out in their head as they read. The better an author is at creating strong and unique characters that feel real, the better the picture I can get. I lose a lot of that here because I have no conception of what anyone looks like.
 
I can't believe the entire WoT series is nominated as a single text. How do you even compare that to any of the other books?

It wouldn't deserve to win anyway. But to tell the truth, when the Hugos does shit like this it comes across as pandering to what's popular instead of rewarding something that's genuinely excellent.
 
I can't believe the entire WoT series is nominated as a single text. How do you even compare that to any of the other books?

It wouldn't deserve to win anyway. But to tell the truth, when the Hugos does shit like this it comes across as pandering to what's popular instead of rewarding something that's genuinely excellent.

Actually, "The Hugos" don't do anything. There isn't any board or anything like that making nominating decisions, it's fan vote to begin with. So while I'm also not a huge fan of WoT being nominated as a single novel, it's not pandering to what's popular, it's reflecting what's popular. That's the essence of what the Hugos are. Can't fault a scorpion for being a scorpion.
 
Out of the Silent Planet by C.S. Lewis

I loved that book--even though I'm not a religious person at all. Lewis' names for planets were lovely. I think there was a tune on Music From The Hearts Of Space with the name Perelandra.

That name itself is soothing to me, like a summer breeze outside your window, the susurrus of a window unit air conditioner--its white noise lulling one to sleep.
 
An update on the voter packet: Orbit Books has announced that its three nominated novels (the Leckie, the Stross, and the Grant) will be represented in the packet by "extended previews" rather than by full versions. A statement from the three authors is here.
 
I just finished Neptune's Brood. I have a lot of mixed feelings about this novel. The best part is the premise. Stross is really imaginative in the world he's created. It's 7000 years in the future and humanity as we know it is nearly extinct. Society is populated mostly by posthumans or metahumans. Essentially robots mimicking humanity in every way, down to being made of party organic and partly bionic cells. More interesting though is the intergalatic society. Humanity exists in about 50 different solar systems spread out over hundreds of light years. Without faster than light travel, Stross creates a really cool way society functions, including a very specific economic structure.

However, once we get into the nitty gritty, specifically plot and character, I wasn't as much of a fan. The protagonist is bland. She's goes through most of the book, never really doing anything, mostly letting events drag her along. The plot too, I found to be fairly un-engaging for the first two thirds or so of the book. The one thing I will say is that it comes together well in the last third of the book. The plot starts moving a lot faster, and all the disparate elements that I thought were more world building really came together in an interesting way. But then it just kind of ends really abruptly. I felt like there should have been another 30 pages or so.

I'd probably give it two and a half out of five stars, maybe three if I'm being generous.
 
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