Also I don't think the series are conected there are too many difference,SM takes place in a version of the Ultimate Universe while Avengers is a variation of the Main Marvel Universe 616.
Nrama: Though Brian Michael Bendis is involved and the show starts with Peter in high school, like the Ultimate Spider-Man comic book, it looks like it's not strictly tied to that series — is it something of a mélange of different Spidey eras, all kind of working together?
Seagle: I think it's important to say — Brian Bendis works with us on the show, Paul Dini also — great contributors, but especially in that Brian let go of all that. He let us take the fun parts of Ultimate Spider-Man the comic book, but Ultimate Spider-Man the TV show is totally different. It's a completely new reinvention, in the way his was a reinvention of the comic.
Kelly: It's just taking what works from all the eras that we love, and that spirit Brian had of "anything goes;" just doing that in animation.
^It's too bad Marvel refuses to credit the audience with enough intelligance to handle having the real Nick Fury in a project for once.\
^It's too bad Marvel refuses to credit the audience with enough intelligance to handle having the real Nick Fury in a project for once.\
You want intelligence? Here's one of the most intelligent things ever said:
"I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character." -- Rev. Dr. Martin Luther King, Jr.
The content of Nick Fury's character is the same regardless of his complexion or whether he has hair (and the version of Fury in Avengers: EMH and Wolverine and the X-Men is a mix of both versions, African-American but with a full head of hair and gray temples like the 616 version). And I think intelligent viewers would not find it desirable to perpetuate the lack of ethnic diversity in the '60s Marvel universe.
^Not sure what the correlation there is. The black Nick Fury is not a creation of the movies, it's from the "Ultimate" line of comics, from which the movies have borrowed very heavily, so it does come from the source material.
Besides, there is really nothing intinsic about the modern Nick Fury that states he must be played by a white man. If they were doing the WW2 "Sgt. Fury" version of character, then race might be an issue, but as long as the character is well-written and portrayed, I wouldn't care what race of actor portrayed him in the modern context.
Hell, one of the only good parts of the Daredevil movie was casting Ving Rhames as Wilson Fisk.
The Last Airbender, on the other hand is specifically portrayed as taking place in a culture with asian influences, asian names, and asian people. So the casting of caucasians in the starring roles is a bit more glaring in that instance, and was basically just pulled out of M. Night Shalayman's ass without any regard to the source material.
I don't know if you misstated that or not, but that's incorrect. African American men were indeed allowed into combat during World War II. The 92nd Infantry Division was composed mainly of African American soldiers (with white senior officers, of course) and saw heavy action in Italy. The 93rd ID was another African American unit, and they fought in the Pacific. And of course there were also the Tuskegee Airmen.Sure, in real life, an African-American wouldn't have been allowed in combat in WWII, but then, in real life, a soldier from WWII wouldn't have had his aging artificially slowed so he'd still be young and vigorous in the 2010s. So one shouldn't demand absolute realism anyway.Besides, there is really nothing intinsic about the modern Nick Fury that states he must be played by a white man. If they were doing the WW2 "Sgt. Fury" version of character, then race might be an issue, but as long as the character is well-written and portrayed, I wouldn't care what race of actor portrayed him in the modern context.
Hell, one of the only good parts of the Daredevil movie was casting Ving Rhames as Wilson Fisk.
Actually that was Michael Clarke Duncan.
I don't know if you misstated that or not, but that's incorrect. African American men were indeed allowed into combat during World War II.
Yeah, I haven't seen you make many flubs like that, so I figured that was the case.You're right; in my haste, I did misspeak. What I meant was that they weren't integrated with white soldiers like Gabe Jones was in the Sgt. Fury comic and Captain America: The First Avenger, or as Nick Fury's father Jack was in the Avengers: EMH WWII flashbacks.I don't know if you misstated that or not, but that's incorrect. African American men were indeed allowed into combat during World War II.
The content of Nick Fury's character is the same regardless of his complexion
All good points, but neither Fury is real. The role they play is the tough as nails military man turned superspy. That's their character.The content of Nick Fury's character is the same regardless of his complexion
Culture does affect a person, though; if that were untrue, then black comedians would meet silence in response to their impersonations of how white people act. Instead, we all laugh because we know there is a difference and the exaggeration of that difference is good for a laugh.
if we were all so interchangeable that we need only put on make-up to be a new race, then we truly would lose our character. Our differences should be celebrated and not homogenized.
That said, the black Nick Fury has shown me that Fury probably should have been black in the first place. It works; and the white Fury now comes across to me as the cheaper version. Of course, it doesn't help that I think about David Hasselhoff whenever I see white Fury.
All good points, but neither Fury is real. The role they play is the tough as nails military man turned superspy. That's their character.
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