Kegg said:What, you want to see D.W. Griffith's sound films? Because he's pretty off the rails at that point.
I have a book somewhere which holds the opinion that DeMille's silents are his best work... but for my money, that's his early sound flick Cleopatra. One disgresses.
So many people around me seemed to get into HP and from day one it just didn't interest me. A kid who can do magic. Okay there might be more to it, but basically the appeal or idea or hook just didn't click for me.What does that mean?
Yes but your terminology suggests that you think the HP fans are following it blindly, without any discrimination. This is strange since by definition a 'fan' will gravitate towards whatever pleases them most. Are you saying all fans of all genres are the same? Or is it just Harry Potter fans that are kool-aid drinkers?
The Searchers is weighed down by plenty of racism...
(Ebert told me Juno was better than No Country for Old Men and he still failed to get me into the theatre.)
Sounds to me likeSo many people around me seemed to get into HP and from day one it just didn't interest me. A kid who can do magic. Okay there might be more to it, but basically the appeal or idea or hook just didn't click for me.
Yes but your terminology suggests that you think the HP fans are following it blindly, without any discrimination. This is strange since by definition a 'fan' will gravitate towards whatever pleases them most. Are you saying all fans of all genres are the same? Or is it just Harry Potter fans that are kool-aid drinkers?
I know exactly what he means. It could be applied to Twilight or Star Wars or any big-name franchise.
Well, the majority viewpoint is generally helpful. Besides, added to Ebert, the film was directed by the guy who did Thank You For Smoking, which I loved, and also recieved generally high plaudits across the critical spectrum and a nod for best picture (back when nods for best picture were, ah, a little more competitive).Ebert is a douche who increasingly represents nothing more than an expression of the majority viewpoint.
Ebert is a douche who increasingly represents nothing more than an expression of the majority viewpoint. His opinions are formulated by reading other critics' reviews and those of blog commenters.
All of this is patently untrue, and as fabrications go isn't even observant.
Ebert is an astute reviewer with an absolute passion for movies, a wealth of experience and understanding of film history and technique and virtually no interest in pleasing any constituency with his opinions other than himself.
That's good, because I wouldn't recommend going by anything he says.
Ebert is a douche who increasingly represents nothing more than an expression of the majority viewpoint.
Ebert is an astute reviewer with an absolute passion for movies, a wealth of experience and understanding of film history and technique and virtually no interest in pleasing any constituency with his opinions other than himself. He's also possessed of considerable personal courage in other respects.
That he treats popular hobbyhorses so dismissively or occasionally with such deserved disdain that it leaves some amongst the fanboise nursing grudges is hardly a fault on his part.![]()
So sayeth the legend. But the truth is that he's merely a typical product of his insecure generation, with a cult following comprised of those who let him do their thinking for them instead of coming up with their own judgment of a film. Since he's doing the same thing himself, it's a classic case of the blind leading the blind. So-called film critics these days are like a bunch of school kids cheating off of one another's papers because they know there's no consequences for getting caught. If they wanted me to respect their opinions they'd come up with them independently of outside input. I'd give Ebert whistleblower points for admitting the situation, but those points are outweighed by disgust.
I know that THE GODFATHER and GOODFELLAS and THE SOPRANOS are classics and all, and I suppose I'll have to watch them one of these days just to complete my cultural education...
That's how I feel. The Sopranos is especially daunting because it's a long TV series.Similarly, the Godfather movies have never interested me. As a film fan I know I should see them.
Those Pixar and Disney films don't interest me, but I did see The Incredibles and Kung Fu Panda, and want to see Up.
The Searchers is weighed down by plenty of racism...
Very little, actually. The behavior of the Indians is easy enough to understand, but for the most part they're seen through the eyes of the white characters and their actions discussed almost exclusively by whites. The whites are bigots - and Wayne does play an unsympathetically and explicitly racist character, which was a departure for him.
Ah, but, unfortunately, there are some idiots apparently putting out a revised Huck Finn book, that cleans up the RacismThe Searchers is weighed down by plenty of racism...
Very little, actually. The behavior of the Indians is easy enough to understand, but for the most part they're seen through the eyes of the white characters and their actions discussed almost exclusively by whites. The whites are bigots - and Wayne does play an unsympathetically and explicitly racist character, which was a departure for him.
Yes. Complaining about the racism in the Searchers is a little like complaining about the racism in Huckleberry Finn. In neither case is the depiction of racism intended as an endorsement of it.
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