This might be a little jarring since it's never really appeared, but when they say "evasive maneuvers," how about we see said ship actually looking like it's trying.
If we were to see that like in the ENT episode where Captain Archer orders the airlock decompressed with the 2 Borg drones blown out to space and we see it happen from space. ENT #223 RegenerationAlso. The shot in Q-Who, where the borg slice in to the saucer section, how about we see those twelve people go missing?
This might be a little jarring since it's never really appeared, but when they say "evasive maneuvers," how about we see said ship actually looking like it's trying.
Yes.
Also. The shot in Q-Who, where the borg slice in to the saucer section, how about we see those twelve people go missing?
Can we CG out Pulaski altogether and replace her with something less offensive. Like Jar-Jar Binks?
Can we CG out Pulaski altogether and replace her with something less offensive. Like Jar-Jar Binks?
Oh boy, I just got hit with the thought of seeing her face in high definition.
Start a petition, and I'll sign it.
This might be a little jarring since it's never really appeared, but when they say "evasive maneuvers," how about we see said ship actually looking like it's trying.
Yes.
Also. The shot in Q-Who, where the borg slice in to the saucer section, how about we see those twelve people go missing?
Actually, I hope they can leave that original shot. I thought that was one of the most impressive effects shots in all of TNG.
Doug
This might be a little jarring since it's never really appeared, but when they say "evasive maneuvers," how about we see said ship actually looking like it's trying.
Yes.
Also. The shot in Q-Who, where the borg slice in to the saucer section, how about we see those twelve people go missing?
Actually, I hope they can leave that original shot. I thought that was one of the most impressive effects shots in all of TNG.
Doug
Can we CG out Pulaski altogether and replace her with something less offensive. Like Jar-Jar Binks?
Oh boy, I just got hit with the thought of seeing her face in high definition.
Start a petition, and I'll sign it.
Better be ready for the pancake makeup all the ladies wore in the 80's.![]()
Yes.
Also. The shot in Q-Who, where the borg slice in to the saucer section, how about we see those twelve people go missing?
Actually, I hope they can leave that original shot. I thought that was one of the most impressive effects shots in all of TNG.
Doug
It was a great shot, but unfortunatly it also looks like one of those shots that was done almost entirely in the video realm, meaning that there aren't any filmed elements to reuse.
Actually, I hope they can leave that original shot. I thought that was one of the most impressive effects shots in all of TNG.
Doug
It was a great shot, but unfortunatly it also looks like one of those shots that was done almost entirely in the video realm, meaning that there aren't any filmed elements to reuse.
I'm pretty sure it was a special model they built, which was filmed. In compositing, they then added some beams and other lighting effects. Can someone please remind me to check my books tonight when I get home?
Doug
It was a great shot, but unfortunatly it also looks like one of those shots that was done almost entirely in the video realm, meaning that there aren't any filmed elements to reuse.
I'm pretty sure it was a special model they built, which was filmed. In compositing, they then added some beams and other lighting effects. Can someone please remind me to check my books tonight when I get home?
Doug
Check your books!
I suppose that the saucer and deck section could have been filmed, but the whole shot has a strong video look to it. I've been looking for some sort of definative resource showing what was filmed and what was done on video, because I'm pretty sure that not all of the model shots for the series were filmed and then composited on video. I think that at least some existed on video only.
I'm pretty sure it was a special model they built, which was filmed. In compositing, they then added some beams and other lighting effects. Can someone please remind me to check my books tonight when I get home?
Doug
Check your books!
I suppose that the saucer and deck section could have been filmed, but the whole shot has a strong video look to it. I've been looking for some sort of definative resource showing what was filmed and what was done on video, because I'm pretty sure that not all of the model shots for the series were filmed and then composited on video. I think that at least some existed on video only.
Alright. I checked Nemecek's Companion and the Reeves-Stevenses The Continuing Mission. Neither one definitively states it either way. Describing the Borg ship, Nemecek writes on page 86: "The models for the ship were built..." so we know the Borg ship was a model. On page 93, the Reeves-Stevenses include storyboards of the "carving" scene along with some frames (their term) from the finished show. The caption for the storyboards states "...demand detailed planning before a single frame is shot."
We know that there was no CGI used to create ships throughout TNG. This has been stated numerous times. The frames from the scene that are shown in the book don't appear to be any type of primitive digital animation, and it's also been stated numerous times that the animation was used only for phaser beams, beaming effects, and the like.
I feel confident that it was a model, but I'll let those with more specific knowledge either support or refute me.
Doug
It's certainty a model. What I'm wondering is if it was shot on film or on video.
It's certainty a model. What I'm wondering is if it was shot on film or on video.
Oh, I see what you meant. I misunderstood. Everything was shot on film. Nothing was shot on video.
Doug
Due to the costs involved in locating and telecining any film that is not live action would probably not be telecined and thus all visual effects would be done CGI like TOS-R. Here is why I believe why:if all of the model shots were done on film, and those elements still exist in the archives, then TNG-R could rescan those elements, re-composite them, and retain the nice model work and lighting.
if they remaster ST:TNG and recreate all of the ship shots and visual effects I can assure you it is easier for them to do ALL of them in CGI for consistency. The animators could just refer to the original show for camera angle and ship movement.
Even if they could locate the original camera negative of the 6ft. ship model for each shot and telecine to HD and then adding the CGI stars and phasers anyway would negate using the film source to do it in a timely manner.
The ILM work was good enought to be reused in STVII:Generations for some shots blown up projected on the cinema screen.I'd love to see the
Encounter At Farpoint effects shot done by ILM used. The 35mm shots of the ENT-D as ILM work is a lot better than just the weekly episodes...
We use essential cookies to make this site work, and optional cookies to enhance your experience.