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A SyFy success story (you're not gonna like this...)

:p
Good dialogue wouldn't affect the ratings - that's hardly what anyone's watching those movies for - so why bother with things like good dialogue, non-stupid characters, intelligent plotlines, etc?

Because some writers just do that as a matter of course - it's kind of our raison d'etre, regardless of whether it'd affect the ratings. It'd just be more fun

Funny how writers like that never seem to get any work. Instead, we get the wonderful people who screwed up Heroes unbelievably, like they were sabotaging the show on purpose, and are now giving us such gems as The Event and The Cape. Or the catastrophe of SG:U. Someday, somebody must explain this phenomenon to me. :rommie:
 
I so want to write one of those cheesy creature features...

It's not like it'd take more than an afternoon... it's basically monster Mad-Libs. :D

Actually, a friend of mine wrote one--and there were multiple drafts and revisions. It sounded like a lot of work.

I'm jealous anyway.

I know what happened. Your friend's draft was too good. They had to hammer it down to Skiffy quality.
 
"There are no more good Hollywood writers , all you get are a bunch of dumbasses who smoke weed around a table and put shit down on paper!!"

Sounds like a Skiffy producers roundtable ..
 
:p
Good dialogue wouldn't affect the ratings - that's hardly what anyone's watching those movies for - so why bother with things like good dialogue, non-stupid characters, intelligent plotlines, etc?

Because some writers just do that as a matter of course - it's kind of our raison d'etre, regardless of whether it'd affect the ratings. It'd just be more fun

Funny how writers like that never seem to get any work.

No, they just get work writing books.

speaking of rubbish films, here's a random true story - back in Spring of 2008, Uwe Boll actually asked me if I could write a sequel to In The Name Of the King, set in China.

Three years on, I still never got beyond two paragraphs of brainstorming, so I guess the answer to that one is no, I bloody can't!

(I'm not sure whether this is because I just couldn't come up with that sort of story, can't handle the medium, or just couldn't do it for *him*)

But a cheapo creature feature I could!
 
Okay, how do I get invited to the red-carpet premiere of "Mega Python versus Gatoroid"?

Me too, just to get that close to Debbie Gibson.

(All together now: "ewwwww...")

Hell, I'd watch this movie three times before I'd sit through another hour of Stargate: Universe. Good going, SyFy.

And yeah, writing any script that's filmable is a lot of creative work and just plain work - a lot more work than, say, generating five thousand clever "ideas for the next Star Trek series" to post on an Internet BBS.
 
speaking of rubbish films, here's a random true story - back in Spring of 2008, Uwe Boll actually asked me if I could write a sequel to In The Name Of the King, set in China.

Just as well. I like your work, and if you wrote that film I might have been tempted to watch it.
 
:p
Because some writers just do that as a matter of course - it's kind of our raison d'etre, regardless of whether it'd affect the ratings. It'd just be more fun

Funny how writers like that never seem to get any work.

No, they just get work writing books.

speaking of rubbish films, here's a random true story - back in Spring of 2008, Uwe Boll actually asked me if I could write a sequel to In The Name Of the King, set in China.


!

More randomness:

I remember when Somtow did "Bram Stoker's THE BURIAL OF RATS" for Corman. That sounded like an interesting challenge!
 
I so want to write one of those cheesy creature features...

It's not like it'd take more than an afternoon... it's basically monster Mad-Libs. :D

Actually, a friend of mine wrote one--and there were multiple drafts and revisions. It sounded like a lot of work.

I'm jealous anyway.

They are very specific in what they are looking for in a script. Certain things have to happen, and at specific times in the script. A friend of mine worked on one, and it's a very tough template to follow.
 
It's not like it'd take more than an afternoon... it's basically monster Mad-Libs. :D

Actually, a friend of mine wrote one--and there were multiple drafts and revisions. It sounded like a lot of work.

I'm jealous anyway.

They are very specific in what they are looking for in a script. Certain things have to happen, and at specific times in the script. A friend of mine worked on one, and it's a very tough template to follow.

Plus, as I understand it, there are tight budget restraints. You can't just write a pitched battle between the entire U.S. Navy and two dozen giant lobster-sharks without figuring out how to film it in Slovenia with only three actors and one rowboat.

This can require some creativity . . . .
 
speaking of rubbish films, here's a random true story - back in Spring of 2008, Uwe Boll actually asked me if I could write a sequel to In The Name Of the King, set in China.

Three years on, I still never got beyond two paragraphs of brainstorming, so I guess the answer to that one is no, I bloody can't!

(I'm not sure whether this is because I just couldn't come up with that sort of story, can't handle the medium, or just couldn't do it for *him*)

Well In the Name of a King 2 got made... in Vancouver... with Dolph Lundgren.

Speaking of Uwe Boll:

[yt]http://www.youtube.com/watch?v=FPgkwRvC1ZM[/yt]

:lol:
 
i'm still waiting for one of you guys to write the script for ZomBEES!

I'm working on it, but right now with our budget constraints, we're trying to decide if we want to spread out the money so we can cast Richard Greico, Don "The Dragon" Wilson and Debbie Gibson and make it an ensemble, or spend all that money on one big name and get Corey Feldman.
 
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