He can be IN a story without meeting up with the familiar characters. Have him involved in a parallel plot.
One of these days I should sit down and make a list of the characters (from the shows) that he hasn't met up with yet.
What if they read another one and he is a main character and they go Ah-ha! It's the same guy from 60 years ago! Neat!
I like my universes large.
I like my universes large.
The larger the universe, in order to be more believable for you, the less commercially viable. Tie-ins rely on recognizable figures featuring in the main action.
^ What other fictional universe, ever, is the size of this one?
I mean, really, it's a lot less coincidental than a lot of stuff in the shows themselves. Picard is the first captain to encounter the Romulans on their return to galactic affairs and the first human chosen as a Borg spokesman and the only human ever to be the Klingon Arbiter of Succession? It's a huge contrivance that one person would get involved with all those high-level events in just a few years. Vaughn meeting various familiar people over the course of decades is far more believable.
But is Elias Vaughn isn't recognizable to anyone outside of TrekLit.
Like I said, different strokes. I like a large universe where I can connect the pieces once they're laid out. Other people want everything connected with solid dark lines with a big arrow. And then there's the middle group who don't care one way or the other.
I prefer the feel of a big city and we're getting a small town.
But they characters DIDN'T always bump into each other all the time. That's a rut that the novels have. I could watch TNG and then DS9 and then Voyager and know that they all worked for the same organization but they didn't all know each other. It made Starfleet seem like a vast organization rather than Wednesday night bowling.
Other people want everything connected with solid dark lines with a big arrow.
Like I said, different strokes. I like a large universe where I can connect the pieces once they're laid out. Other people want everything connected with solid dark lines with a big arrow. And then there's the middle group who don't care one way or the other.
I prefer the feel of a big city and we're getting a small town.
But they characters DIDN'T always bump into each other all the time. That's a rut that the novels have. I could watch TNG and then DS9 and then Voyager and know that they all worked for the same organization but they didn't all know each other. It made Starfleet seem like a vast organization rather than Wednesday night bowling.
I think TNG made it seem like the only ship in the Federation that wasn't flying in circles in bumfuck nowhere was the Enterprise, which accomplished or was present at every major political event...
...until DS9 showed up, and then in the most important event in Trek history up to that point (the Dominion War) the Enterprise was nowhere to be found, but funnily enough, the DS9 crew was absolutely essential.
You just get more annoyed by some instances of "small universe" than others, and it seems pretty arbitrary to me.
Imagine if Solok and the crew of the T'Kumbra had stuck around for a few episodes.
Imagine if Solok and the crew of the T'Kumbra had stuck around for a few episodes.
Which may well have blown the budget. Actors having to keep several weeks aside for filming, rather than just the one, protracted contract negotiations, increased royalties for recurring original characters, etc.
The Romulan T'Rul (Martha Hackett) was planned as a possible semi-regular when the cloaking device was introduced, but the writers lost interest in the character (but not the actress, because she ended up going to VOY).
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