Then we have to assume that Starfleet in the prime universe doesn't necessarily care about drunken bar fights on space stations with other species and does not take the repercussions seriously. Because we're making broad assumptions based on one or two minor things, right?
You have to get that it’s a comedy. I thought you did?
Why should it? What purpose to the story would it serve? Who do you think honestly even cares what happens to Cupcake and his two friends?
It would tell you the kind of organisation you are dealing with. Which it does either way of course. If the writers aren’t willing to tidy up when they have finished playing because it would hurt the story (no guarantee of that, it could be a dramatic moment if done well) then don’t make the bad guys Star Fleet personnel. Simple.
It was 30 seconds earlier. When was it established that those characters were not dealt with accordingly?
When we didn’t see it on screen. When we saw them on the shuttle the next day. When not one of them complains about being demoted etc.
So what examples do you have that Starfleet did not uphold its humanitarian or peacekeeping values here? I can probably grant you Kirk's firing on the Narada (but that's Kirk though and we know what he's done before.) What else?
I don't recall Kirk doing that before (Nice try, but don't even bother trying to make the ST3 scene into something it isn't) However that’s my point, they tell us SF is about peace and light but give us a war movie.
So it’s a plot hole.
Don't assume that it did. For all we know they still had to deal with it after Spock disappeared.
I think that is what Spock said he was doing so still a plot hole.
Why was it impossible for Kirk and Spock to be dropped off on the nearest planet? What made that impossible?
When did I say it was? Its just very convenient. Meeting each other is nearly impossible.
They may be implausible to you, but not impossible, ...
They were implausible to my neighbours cat! And they don’t have to be impossible to be plot holes, just ridiculous.
... and some even explained with logic like the Transwarp beaming and why red matter behaves the way it does (which was even touched on in the bridge scene.)
Scotty just happened to be on planet. He just happened to be into experimental beaming. He just happened to be working on the very thing they need. Spock just happened to have the formula. The hardware just happened to be compatible with no significant alterations. It didn’t take six months and a research project to sort the bugs out given (even with the formula) he had never tried it before. In short it’s the way things keep fall into place that’s a plot hole. But you knew that right?
There might be one or two of similar proportions in most ST movies but I think its fair to say this one had ten movies worth.
It wouldn't be fair to say so. You only came up with 7 examples of what you thought they might be.
I was lazy OK?

Besides one of these days I will learn to count propa. I see this is turning into a comedy as well.
That feeling of revulsion you got when the cadets were wailing on a defenceless Kirk? That's the point. That "younger set" experienced the same emotions. We also saw an unhappy Kirk suffering in the aftermath.
Perhaps, I can’t claim to know what the writers intended. It seemed to me like Star Fleet personnel were used as a low rent way to "characterise" Kirk so it seems more believable when he is redeemed by Pike. I'm not sure there was any other point. It just seemed trite and tacky.
It didn't portray Starfleet in the best light (I'd still pick this version over the one that allows the genocidal Section 31 any day), ...
Thanks for acknowledging that. You have a good point about 31, though my objection is mainly to the lack of reaction (bad things do happen after-all). I seem to recall there was at least a debate about the actions of section 31, although one source I found states:
(
http://en.wikipedia.org/wiki/Section_31)
Throughout the series, several Deep Space Nine officers, including Captain Sisko infiltrate Section 31, aiming to obtain from it a cure for the disease in order to save the life of Odo, but themselves collude in hiding the crime. This is part of a pattern of overall loss of moral credibility by Starfleet, in comparison to that which it had in the original series and
The Next Generation. The
Deep Space Nine series and the film Star Trek: Insurrection position the Starfleet authorities in a very dubious light".
It would seem as time went on Star Fleet became more questionable, perhaps reflecting our social cynicism. This film seemed to carry that into star fleet proper (to a less obnoxious but more in your face degree), perhaps in the name of realism but I don’t think our current military thinking supports that view.
By the way, isn't there a section 31 in the new universe?
... but it did portay the bar fight as an unpleasent and undesirable experience. "The Trouble With Tribbles", on the other hand, portrayed their bar fight as a bit of harmless fun, where no-one gets hurt and there are no real consequences - hardly a good message for the impressionable youth.
I guess they though people had more common sense when viewing a comedy back then. In STXI, as I said, it’s a more gratuitous affair, and as far as we can see, they pretend it didn’t happen.
UFO, if you think this new Trek's version of Starfleet is bad/immoral/whatever, and that the new writers and director are to blame, I direct you to
this review of Harve Bennett's script for his aborted early-90's prequel movie,
Star Trek: The Academy Years. Institutionalized racism at Starfleet Academy, from the man behind the TOS movies.
That was great. Thanks very much! I see what you mean about the racism though it doesn’t appear to be promoted by Star Fleet. By the sound of it, it seemed to be an issue that the script addressed, not a problem to be treated as acceptable or brushed under the carpet because it didn't move the film forward or something. Classic Trek.
PS. I wondered how STXI writers got the idea everyone was at the academy together. Shame they didn't do that movie.