• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Where does the Star Trek go from here?

It really boils down to what works for the bottom line. XI made money--quite a bit of it, in fact--and generated lots of press, which in turn generates more money.
In the minds of TPTB, Star Trek is successful as a big-budget action flick. The last television show was such a flop for various reasons that it was the first Trek to be cancelled since TOS.

Big Budget Action movie--money.

Insightful (trying) television show--no money.

The producers of JJTrek found out what Berman couldn't--how to get people who weren't at least casual Trek fans to watch. Unfortunatly, it's a format that doesn't work well on TV (Has anybody ever seen a good episodic action show recently?).

IMO, it'll be the movies until they stop making money, and then maybe they'll try to reboot it again on TV.

Okay, that's enough rambling by me.
 
The producers of JJTrek found out what Berman couldn't--how to get people who weren't at least casual Trek fans to watch.

Yep wait long enough and even the most jaded person will turn to see what the fuss is about (plus the fans will go rabid for ANY new material for their god-awful slash fiction).
 
But no one in their right mind loves the reboot.
A lot of people do. Fans or former fans who turned away from the franchise because of VOY loved it. People who never had interest in Star Trek before loved it. (And they are now the ones to buy the TOS dvds and fall in love with oldTrek for the first time) Even hardcore trekkers love the reboot. The only people I know that don't love the new movie are a very tiny minority on a random internet message board...
 
Not only that, but if interest in the JJTrek movies really did peter out, that would only decrease the likelihood of a new trek show, regardless of the timeline. Yes, if the next two trek movies from JJ were to tank at the box office, that would make a show set in the JJverse alot less likely. But it would almost certainly decrease any interest whatsoever in Star Trek on TV.

So like it or not, the continued financial success of JJTrek is important to getting more Trek TV, no matter who makes the show or what timeline they say its in.
 
The producers of JJTrek found out what Berman couldn't--how to get people who weren't at least casual Trek fans to watch. Unfortunatly, it's a format that doesn't work well on TV (Has anybody ever seen a good episodic action show recently?).
Who says it needs to be an episodic action show?

TV is a very different medium from movies, and it's also a very different medium from what it used to be when TNG was a big hit. There are two strategies that work on TV for dramas now: to go really mass market - police procedurals and soapy doctor shows - on the major networks; or to chase a niche market and give it exactly what it wants, on basic or premium cable.

Star Trek is locked out of the mass market strategy because sci fi on TV is not mass market by definition. So the second strategy is the only one that's viable. It's the strategy that's created cable hits like Dexter and True Blood. The latter, being at least in the sf/f genre, is a good template to generally follow in terms of strong characters, strong storytelling and arc-based storytelling, which is pretty much expected on cable dramas.

HBO and Showtime might not touch Star Trek, but AMC and Starz just might. Or even much maligned Skiffy.
 
After 21 overlapping seasons of the 24th century Trek and 4 TNG movies ending with the bomb Nemesis, the 24th century got ran totally into the ground like the Enterprise-D saucer on Veridian III.

As much as I'd like to see a 22nd century movie or series dealing with The Romulan War and/or the formation of the Federation, Enterprise had low ratings so there would be no business sense in making a sequel to it.

And besides, the old TV and film sets have been dismantled, and much of the costumes, props and models have been auctioned off so it wouldn't make much sense to try to revisite the old Trek in TV or films from a cost perspective.

With the exception of non-canon novels, etc., Trek-prime is dead. It was dead before the new Trek, it is still dead now, and it is never coming back. As difficult as it may be, it would be best if we all just accepted that it is dead gone for good...


However, with the new universe, they created all new sets, props, costumes and CGI models with a bigger budget. And we have a whole new 23rd century to explore that is largely reset and not already so full of continuity to maintain (or violate). A TV series set in the same universe and time as the new movies would benefit from all of the new stuff, and they could cross-over and cross-market. That makes the most business sense.

So I feel they should create a new Trek TV show set in the new universe concurrent to the new film series.

They should create an all-new ship (of an newly designed class) with an all-new crew. So it will be like when the Trek franchise was TOS movies and TNG TV, except that the two will set in the same exact time period, not in different centuries. But since the TV ship will not be another Enterprise, I guess it will be more like when TNG was in the movies while Voyager was on TV (except it will be the mid-23rd century of the new universe).

That way we can have our dramatic sci-fi story hour type of Trek that we all love, and still also have our big-budget epic action-adventure movies too.
 
It's easy to bash Nemesis and all of the other Trek movies when they didn't have nearly as large of a budget as the Trek-reboot. Paramount invested a tremendous amount more into this because they knew it would pay-off no matter what. They dumbed-down the storyline so it wouldn't turn-away the average viewer. Apparently, most people don't want to think when they see a movie, today, when they 're trying to enjoy all of the dazzling special effects. The hi-tech, dazzling stunts/effects were just icing on the top of the cake...it doesn't matter what the story is about as long as they people say 'wow'. Again, with larger budgets in the previous movies (and better directing talent), they all probably would have been more successful. What made the 'reboot' more special was the appeal of resurrecting the original characters for the aging Baby Boomers. Afterall, isn't it all about making them feel good by reliving they're childhoods...and spending more of their money to experience this? And, at the same time, dumb it down for they younger generation because their attention spans won't last very long if they don't get instant gratification through some dazzling special effects! Oh, and while we're at it, lets forget about all of the other franchises and pretend they didn't exist; it worked for 'Dallas'! Oh, but make sure that you tell ALL of the die-hard fans out there that THIS is what Gene Roddenberry wanted....they won't remeber that he was involved in all of the other franchises except Enterprise.
This is but another attempt of the Baby Boomer legacy to 'do things better'. I've watched them do this with everything. They don't have their parents to rebel against anymore so the decided to pick on one of the last institutions of the previous generation...Star Trek. The only 'true' science-based genre that could be thought-provoking and intellectual, wrapped in a good storyline. This is just like the 're-invented' Battlestar Galactica...a rip-off of someone elses work...and America bought into it. If the storyline needed to be changed, why even use the original characters? Why not create a whole new crew with new personalities and identities?
Where's the originality? Why not put a different name on it all together if it's so much better than the original?
They had to do it this way because they lack the creativity..but, no one wants to say it. As for any movie coming out of Hollywood, today, I'll admit that Trek-reboot was entertaining, but why even associate it with the original if it is 'improved'? It still could have used the Star Trek label...but, why use the Enterprise, Kirk, Spock, etc.?
Because,they are devoid of original thought. However, they were creative enough to fool the general audience with the terms 'reboot' and, my personal favorite, 're-imagined'. This is the very reason why Enterprise didn't make it (besides being shown on a the defunct UPN network) as a series. If you give it a chance, and watch it, it was well acted with very good storylines. It failed because it did not follow the true spirit of Star Trek. What is that you may ask? Gene Roddenberry always kept Star Trek moving forward while he was alive....looking towards the future. Star Trek always has been about moving forward..not backward. Enterprise, as well-produced as it was, did not follow the pattern. The 'reboot' probably would have failed without all of the special effects and action...it's success had nothing to do with the storyline outside of the fact that it didn't require much intelligence to understand.
Now, to the question of this post....where does it go from here?....I guess you know it will go the way of the 'reboot' until Paramount can't make a decent profit off it. Then it will get trashed like the rest of it. Paramount doesn't care about it's devoted fans anymore...they just want your money. If they thought the audience would accept CGI actors, you can bet that the entire cast would be fired. Gene Roddenberry gave us much more than a 'good' series. There was a time when I was a die-hard TOS fan and wouldn't accept TNG,DS9, and Voyager. When I did finally give them a chance, I think I finally realized what Gene was trying to say. But, this new-and-improved Star Trek wasn't it.
You'll get your sequel to the 'Trek-reboot'...but, ask yourself, does it do justice to the man who created this vision and shared it with the world?
To me...it's an insult to his memory.
 
It's easy to bash Nemesis and all of the other Trek movies when they didn't have nearly as large of a budget as the Trek-reboot.
The budget was the least of the things that were wrong with that movie. :rommie: The script was moronic and the TNG characters were played out.

Paramount invested a tremendous amount more into this because they knew it would pay-off no matter what.
No, it was a huge gamble. Big-name franchise movies bomb all the time. Trek's recent history on movies and TV stunk. The only reason it was made at all was that JJ Abrams threw his immense credibility behind it.

They dumbed-down the storyline so it wouldn't turn-away the average viewer.
Dumber than Nemesis and Insurrection? ;) All big-blockbusters summer popcorn movie plotlines have to be dumbed down for the audience, that's just a given. Trek will never really be back to its old reasonably intelligent and complex self till it gets back on TV, as unlikely as that may be.

Paramount doesn't care about it's devoted fans anymore...they just want your money.
So when was this mythical time when any corporation cared about the fans and not their money, and the unicorns and fairies danced under rainbow skies?

If they thought the audience would accept CGI actors, you can bet that the entire cast would be fired.
What's wrong with that? The live actor cast wouldn't be hired, but voice actors would be (and yes, they are "real" actors too.)

I generally prefer live actors to animated characters/voice actors, but if the situation merits it, I can change my mind...

You'll get your sequel to the 'Trek-reboot'...but, ask yourself, does it do justice to the man who created this vision and shared it with the world?
Star Trek has evolved way beyond what Roddenberry envisioned - DS9 saw to that a decade ago, so that issue is over and done with. And I'm sure he'd appreciate its continuing money-making prowess. He was never adverse to making a buck, was he? ;)

For the counterexample, just look at the sad state of Star Wars - a franchise with as much potential as Star Trek, but being strangled by the lack of vision and control freakishness of its originator. I fully expect Star Wars to continue to suck until George Lucas dies. Hopefully his pernicious influence will not continue from beyond the grave.
There was a time when I was a die-hard TOS fan and wouldn't accept TNG,DS9, and Voyager. When I did finally give them a chance, I think I finally realized what Gene was trying to say.
I guess Roddenberry's influence continues from beyond the grave, if you think he helped create DS9 and VOY. He cannot be given credit for the former, nor blame for the latter. And what about ENT? The first two seasons were as bad as VOY, the third was a poor imitation of DS9 and the fourth was about as close to the spirit of TOS as I've seen since TOS went off the air.

It all goes to show that people taking over for Roddenberry can create Star Trek that is a) better than what he did; b) worse than what he did and c) a decent facsimile of what he did. So why not shoot for a)?
 
Last edited:
At least my generation can tell that standing around talking about chronoton particles does not constitute intelligent writing. The new writers could be just as pretentious and hokey if they wanted to be.
 
You're missing the point. Summer blockbuster movies are expected to devote a large percentage of their two hours to action, and shoehorn any character or plotline development into whatever is left over. That is a given, and there's no point in even debating it.

For Star Trek to ever have the luxury of the character development and complex plotlines that has made it so great, to the extent it has been great, it needs a shitload more than two hours every two years. Even if that was two hours of dialogue, it wouldn't be enough.

And if you think Trek on TV is all about "chronotron particles," you need to burn your VOY DVDs and watch DS9 instead. :rommie:
 
Temis, thank you for taking the time to reply to my post. Getting a different perspective, no matter how different, is always beneficial.

It's easy to bash Nemesis and all of the other Trek movies when they didn't have nearly as large of a budget as the Trek-reboot.
The budget was the least of the things that were wrong with that movie. :rommie: The script was moronic and the TNG characters were played out.
I couldn't agree more about the script. There are so many good novels out there, yet, that is what they chose. This is a good example of what I was trying to say. A motion picture's budget determines the quality of talent hired for the production. More money equals better talent. The TNG characters seeming 'played out' is probably the result of a mediocre writing staff.

Paramount invested a tremendous amount more into this because they knew it would pay-off no matter what.
No, it was a huge gamble. Big-name franchise movies bomb all the time. Trek's recent history on movies and TV stunk. The only reason it was made at all was that JJ Abrams threw his immense credibility behind it.

While 'big-name' franchise movies do bomb frequently, this was not one of them. The decision to make this movie was made before they chose Abrams (I remember following it in the entertainment news blogs). Paramount has wanted to remake the original series ever since Roddenberry died. Majel Barrett and Rick Berman fought to maintain the franchise as it was. Once Berman finally gave in, Paramount began their search for a high-profile director to pull this off.

Dumber than Nemesis and Insurrection? ;) All big-blockbusters summer popcorn movie plotlines have to be dumbed down for the audience, that's just a given. Trek will never really be back to its old reasonably intelligent and complex self till it gets back on TV, as unlikely as that may be.

I agree that it's a sad truth that movie plotlines are dumbed down. Don't you find that insulting? Hollywood actually thinks the American public as simple-minded. Our money is good enough to buy tickets to their movies but, in the long run, we're idiots. I don't think that's acceptable, do you?

So when was this mythical time when any corporation cared about the fans and not their money, and the unicorns and fairies danced under rainbow skies?

You misunderstand my point here. Of course they don't place importance on the fans over their profit. I was trying to say that they were once more willing to please the fans in order to regenerate interest in the franchise to increase profit. Are you familiar with the history of Star Trek TOS? How it was canceled after the second season and brought back by viewer protest for a thrid season? And, Paramounts decision to re-start the franchise (in the '70's) due to the show's popularity in reruns? Then, pleasing the fans meant potential profit for Paramount. Not as much of a 'pipe-dream' as you my think.

What's wrong with that? The live actor cast wouldn't be hired, but voice actors would be (and yes, they are "real" actors too.)

Logically speaking, nothing should be wrong with that but, given the amount of corporate greed that dominates our society, it would be exploitable to a ridiculous extent.
Look at how television has deteriorated. More than 50% of the programming is dedicated to Reality-based programming, most of which is mindless stupidity. The money they save from low-production costs increases their profits and the American public gets poor-quality programming. Who are the real fools?

I generally prefer live actors to animated characters/voice actors, but if the situation merits it, I can change my mind...

Once Hollywood knows they can get away with it, that's all you will see. Why do you think there are so many once-exclusive screen actors appearing on television? The studios would rather cast unknowns than pay the named actors. Sure, alot of these stars are grossly over-paid, but I can assure you that the studios are more concerned with their profit than whether you, the viewer, is getting a quality production.

You'll get your sequel to the 'Trek-reboot'...but, ask yourself, does it do justice to the man who created this vision and shared it with the world?
Star Trek has evolved way beyond what Roddenberry envisioned - DS9 saw to that a decade ago, so that issue is over and done with. And I'm sure he'd appreciate its continuing money-making prowess. He was never adverse to making a buck, was he? ;)

Roddenberry did participate in the conceptual stages of DS9 before his death. Rick Berman stated many times that he would keep Gene's vision alive and on-track as long as possible. If I'm not mistaken, I think I even heard Berman state in an interview that Voyager was an idea he and Gene had discussed on several occasions as a possible ST project. As far as Gene being adverse to making a buck, you can decide for yourself. Look at the events that lead-up to the first motion picture. The original idea was a sequel TV-series (ST:Phase II?) that was scrapped and redirected to the 'big screen'. Gene was strictly opposed to doing another ST series on the networks after all of the creativity conflicts he had with NBC. In the '70s, the plans for a 4th network (which was ultimately FOX) was being pushed by Paramount, which was the only reason Gene agreed to doing "Phase II". When the project fell through, production stopped and thus "ST: The Motion Picture" was conceived. I would guess that Gene was willing to make a buck as long as it was on his own terms because he knew that Paramount stood to gain more than he ever would.

For the counterexample, just look at the sad state of Star Wars - a franchise with as much potential as Star Trek, but being strangled by the lack of vision and control freakishness of its originator. I fully expect Star Wars to continue to suck until George Lucas dies. Hopefully his pernicious influence will not continue from beyond the grave.

Not sure what to say about your distaste for Star Wars. While you may feel it has more potential, what's wrong with it as it is? You should read the background of how Star Wars evolved before the original movie was ever filmed. ALOT of work went into it, and, George Lucas was not the sole writer/creator of it. He had a few friends work on it with him over the years. If you like Star Wars, it's a helluva read! In the past decade, or so, we've seen alot of old storylines being remade (Battlestar Galactica, The A-team, Miami Vice, etc), but have you ever wondered why? Anyone can take an existing idea and change it; mabe it'll be a hit, and maybe it won't. The studios push this because they want to make a quick profit on ideas that were once successful. Now, before you ask 'What's wrong with that?', or, 'Who wouldn't want that?", ask yourself why they wouldn't make something from scratch. Because it's too hard? Too expensive? Once again, the studios aren't willing to gamble with their ability to profit. Ironically enough, a large portion of these remakes have failed. If you can understand the amount of work/sacrafice that people like Roddenberry and Lucas gave to these creations, you'd understand ahy they preserve them. As an engineer, I've come to realize that improving upon someone elses work is practical in the sciences (engineering, comp sci, etc); afterall, it doesn't make sense to re-invent the wheel. However, in the arts, it doesn't work the same way. Maybe Star Wars could be better, but how many people have accomplished we Lucas has?

There was a time when I was a die-hard TOS fan and wouldn't accept TNG,DS9, and Voyager. When I did finally give them a chance, I think I finally realized what Gene was trying to say.
I guess Roddenberry's influence continues from beyond the grave, if you think he helped create DS9 and VOY. He cannot be given credit for the former, nor blame for the latter. And what about ENT? The first two seasons were as bad as VOY, the third was a poor imitation of DS9 and the fourth was about as close to the spirit of TOS as I've seen since TOS went off the air.

Why shouldn't Roddenberry's influence continue? The franchise would not exist today if not for his determination and the fans that were devoted to his original creation. Yes, as a stated above, he did have influence in DS9 and Voy. As for Enterprise, I don't think he would have supported it. Why? Because, Gene always believed in keeping Star Trek moving forward, looking towards the future; Berman made a mistake with ENT. That's what Star Trek is all about. It's not about one single ship or a particular group of characters; it's about mankind's life in the future, facing struggles with common underlying themes to those we face in our lives. DS9 and Voyager were Gene/Rick's attempt to show that Star Trek wasn't just about the Enterprise, it was about mankind's ability to coexist with other life forms in the galaxy, using a small group of people in the Federation/Starfeet.

It all goes to show that people taking over for Roddenberry can create Star Trek that is a) better than what he did; b) worse than what he did and c) a decent facsimile of what he did. So why not shoot for a)?

Again, you keep talking about doing "a better Star Trek", but why improve something if it has so many problems? Why not create something new? Is it because you think Abrams, Orci, and Kurtzman are so much more creative? Have you ever tried creating something from scratch, as opposed to improving something that already exists? As an engineer, I've done both and I can assure you that the latter requires alot less effort. In order to do better than what Roddenberry did, they would have to come up with an entirely new concept; by this I mean a new theme.

You may not agree, and will probably tell me so, but that is the bottom line. Originality is the basis of creativity when brought into the physical world; anything else is just a poor imitation. Star Trek, in all of it's forms, is art. Is a CGI of the Mona Lisa an improvement of the original, or just a poor immitation? Does any replica of the Last Supper hold the same monetary value as the original?
Unlike an automobile or a computer, art is the result of inspiration and creativity, it is not born out of necessity.

Then again, the is merely my opinion. Thanks for listening!
 
The TNG characters seeming 'played out' is probably the result of a mediocre writing staff.
It's because they were never strong characters to begin with. Regardless of the writing quality, those characters had a finite lifespan and didn't age well. They fit in with a certain expectation of blandness that suited TV when TNG was on TV, but things have progressed. More vivid characters (the TOS crew) are what's needed now.

Not sure what to say about your distaste for Star Wars. While you may feel it has more potential, what's wrong with it as it is?
The prequels were terrible, because George Lucas is a talentless hack who is more interested in selling junk to kids than telling a worthwhile story.

It's sad because the premise of Star Wars has a lot of potential - equal to Star Trek, I'd say. But as long as Lucas has sole control over the franchise (because he's not running a public company and has no one to answer to), there's very little possibility that Star Wars will improve to the point that it's worth paying attention to.
Why shouldn't Roddenberry's influence continue?
He's dead, so how can he actively influence Star Trek in the future? I'm sure Abrams & gang try to be respectful of his memory and all, but the only influence Roddenberry is ever going to have has already happened. He created a bright, shiny, optimistic space opera future (but not naively optimistic - people do tend to forget that part), and that's always going to be the core definition of Star Trek.
Again, you keep talking about doing "a better Star Trek", but why improve something if it has so many problems? Why not create something new?

Why not do both? I want to see space opera movies and TV shows, some of which are Star Trek and others that aren't. There's room for everything. And Star Trek doesn't have so many problems (certainly not compared with poor Star Wars!) It has a good core definition that allows flexibility in interpretation and endless creative freedom. It's doing pretty good. Just wish it were back on TV.
 
Judging by the Abrams film, straight into the toilet.

Unfortunately, I believe you are correct. All we can do is hope for old trek back. I regret all of the times I spoke badly about Berman and Braga and all of the 'lousy' episodes.

Yes, NOW you do!:rolleyes: After all of this time spent hating their guts like a big bunch of idiots, now you do! But guess what buddy? It's way too fracking late, and now you have to put up and deal.
 
They dumbed-down the storyline so it wouldn't turn-away the average viewer. Apparently, most people don't want to think when they see a movie, today...dumb it down for they younger generation because their attention spans won't last very long if they don't get instant gratification through some dazzling special effects!

Sorry, but if your screen-name is reflective of your actual age I'm older than you...and you're not smarter than me.

Your criticisms (to dignify your remarks by using the respectful term) are entirely unoriginal and not at all thoughtful - just the usual smearing of large groups of people you don't know with a broad brush for liking something that you don't.

Please try to do better in future.
 
The prequels were terrible, because George Lucas is a talentless hack who is more interested in selling junk to kids than telling a worthwhile story.

To you, the prequels were crap; they aren't to me, and I can show you some reviews that say otherwise:

STAR WARS BLOGGING: Episode I: The Phantom Menace

STAR WARS BLOGGING: Episode II: Attack of the Clones

STAR WARS BLOGGING: Episode III: Revenge of the Sith (Part I)

I'm sure on teh internets, you can find people who will say black is white and water is dry, but that doesn't make it true. If those reviews say the prequels are anything but disappointing crap, they are wrong.
 
The prequels were terrible, because George Lucas is a talentless hack who is more interested in selling junk to kids than telling a worthwhile story.

To you, the prequels were crap; they aren't to me, and I can show you some reviews that say otherwise:

STAR WARS BLOGGING: Episode I: The Phantom Menace

STAR WARS BLOGGING: Episode II: Attack of the Clones

STAR WARS BLOGGING: Episode III: Revenge of the Sith (Part I)

I'm sure on teh internets, you can find people who will say black is white and water is dry, but that doesn't make it true. If those reviews say the prequels are anything but disappointing crap, they are wrong.

Im with you. If these had been first three installments ever produced, and the Star Wars trilogy of 77-83 had never happened, there would be no SW phenomenon today.

PM would have been one of the most expensive flops in movie history. Who knows if next two would even have been made.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top