• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Summer nuTrek novels pulled-TrekMovie.Com

We're talking marketing goons. Since when has logic been a consideration?

I love this; you're so fun to watch.

You have now successfully argued yourself in a circle. You have now stated that cancelling the books is illogical, in order to justify your assumption that it had to be because people were scared of it not selling well.

Which means... you think they'd sell well!
Amazing, ain't it?

But, we're talking about an internet keyboard monkey; since when has logic been a consideration?
 
We're talking marketing goons. Since when has logic been a consideration?
Whyever do you think "marketing goons" were involved in the decision to postpone the novels?

I'm trying to understand the assumptions that you're working from.

His central assumption is apparently that the new movie is evil and wrong. So he wants to believe that anything derived from the movie is guaranteed to fail, because that would vindicate his contempt for it. Beyond that, he's making up whatever assumptions serve to support his ideological stance, without regard to fact or consistency.
 
And now we get two months of SCE reprints that are totally useless to those of us who already have the eBooks.
Oh, not totally useless. My story is quite absorbent...

Not that the stories are useless. But the time slots are now a waste.

And I do think that if CoE was to continue that it would sell more given how popular stand-alone readers have become such as the Sony Readers, Amazon Kindle, B&N nook, & other brands.

Gee, thanks for telling me a paperback reprint of a story of mine that a lot of non e-book folks have told me they've been waiting on is a "waste", JWolf. :techman: ;) Personally, the only wasted book slot is an empty book slot.

Don't get me wrong. I get what you're trying to convey, that it's not a new story being told. However, in this case, it's not a new story to you. That's the critical point. There are slots every year that folks are going to think are a waste, and those are for the brand-spanking new, never been read elsewhere books. Nothing against the guys, but I'm willing to lay money there are people who'd rather read a trade S.C.E. reprint over a JJTrek book, just like there are people who'd rather read a TOS book over a DS9 book or a VOY book over a TNG book. Personally, I'll take the tradeoff in numbers. And, for all we know, the lack of JJTrek may bring the readers who were coming in through JJTrek to the other branches of the line, including S.C.E.

I said when the iPhone first took off that if they ever got a reader app, eBooks stood a chance of catching on. If we'd only known when B&N dropped e-books that the Nook was in their future....
 
Although I mourn the loss of the originally scheduled books, I'm one of the ones who wanted the SCE in paperback.
 
I've lost count of the number of times I've heard editors and publishers say "well *we* want to do *this* but marketing won't have it..."

Yeah, but if the marketing goons will greenlight ongoing post-series original fiction one-offs and sagas for both VOY and ENT (which were seen by a tiny proportion of the audiences who watched TOS, TNG and all eleven ST films), they would not stomp on JJ fiction for fear that no one would buy them.

Oh, indeed not, but that's not to say they couldn't think of a reason (e.g. they want them a year before the sequel and that would now mean bringing them out next year - something like that).

The important thing is, whoever took the decision I'd bet it was someone on that sort of level - not a boss at Pocket, not JJ, but some chimp at a desk at CBS or Bad Robot - you know, pointy-haired boss level.

And it wasn't for economic or sales reasons, obviously. Cap'n Bob has been jaw-droppingly blind on that one.
 
We're talking marketing goons. Since when has logic been a consideration?
Whyever do you think "marketing goons" were involved in the decision to postpone the novels?

Actually that's the first sensible thing he's said in this thread- somewhere there most likely is a marketing chimp who's thought of some bizarre reason to do this. I've lost count of the number of times I've heard editors and publishers say "well *we* want to do *this* but marketing won't have it..."

Thank you.
 
We're talking marketing goons. Since when has logic been a consideration?

I love this; you're so fun to watch.

You have now successfully argued yourself in a circle. You have now stated that cancelling the books is illogical, in order to justify your assumption that it had to be because people were scared of it not selling well.

Which means... you think they'd sell well!

Can't have it both ways, dude.

I have no opinion one way or the other regarding how well those books'd sell, because I really don't give a rip. I'm just trying to provide an theory for why whoever pulled the plug on these books might've thought they wouldn't sell.

For one thing, we're not gonna see another movie for two years at the soonest. The movie has already had it's big bang events, both at the box office and the DVD release, so it's only downhill from there as far as being in the public eye goes. The marketability of these books only goes down the longer you sit on them; you have to get those puppies out there while people are still interested and before the next big thing comes along.

So why pull the plug?

The only reason that makes any real sense is that somebody in a position to make that call is under the impression that they've already missed their chance to make the most from these books, possibly influenced by the toy line going belly up and other merchandising efforts either not performing as well as expected or being shelved entirely, and maybe thinking it might be better to hold onto these books until the next movie comes out and try to cash in on that bandwagon, assuming that one generates the same level of enthusiasm.
 
We're talking marketing goons. Since when has logic been a consideration?
Whyever do you think "marketing goons" were involved in the decision to postpone the novels?

I'm trying to understand the assumptions that you're working from.

His central assumption is apparently that the new movie is evil and wrong. So he wants to believe that anything derived from the movie is guaranteed to fail, because that would vindicate his contempt for it. Beyond that, he's making up whatever assumptions serve to support his ideological stance, without regard to fact or consistency.

Y'know, I'm right here. No need to try and infer my opinion, I'll offer it up freely.
 
Although I mourn the loss of the originally scheduled books, I'm one of the ones who wanted the SCE in paperback.

What she said. I don't do e-books, but like the SCE/COE stories and this is the only way I'll be able to get them.

Bottom Line: not a waste.
 
The only reason that makes any real sense...

... is one we have seen before, but it's not your hyperthetical scenario. I seem to remember an editorial in DC's TNG comic where it was mentioned that the then-Viacom Licensing, in order to reduce the possible and actual conflicts due to similarity of stories between the airing TNG episodes and the comics, had specifically requested that the comics ease back on telling stories in the current timeframe. ie. tell Season Five stories only after the show was airing Season Six, and Season Six stories only when Season Seven was airing. Etc.

This was a totally different approach to the first few years on DC's TNG, where Pulaski had to appear in the comics being written during Season Two, and Crusher was quickly squeezed into issues as soon as possible after McFadden's return to the show.
 
TNG was an ongoing series at that time. We're not gonna get another movie out of these guys for two years. They sit on these books too long, they run the risk of nobody caring when they do come out.

Besides, they didn't particularly give a crap about continuity within their own movie, why would they care about novels that aren't canon in the first place?
 
I have no opinion one way or the other regarding how well those books'd sell, because I really don't give a rip. I'm just trying to provide an theory for why whoever pulled the plug on these books might've thought they wouldn't sell.

But you're the one who keeps saying the books were pulled because they wouldn't sell. Nobody else, certainly not Pocket, said that was why the books were pulled. So, yes, you do have an opinion about how the books would sell. One that is not widely shared or supported by the facts.
 
I have no opinion one way or the other regarding how well those books'd sell, because I really don't give a rip. I'm just trying to provide an theory for why whoever pulled the plug on these books might've thought they wouldn't sell.

But you're the one who keeps saying the books were pulled because they wouldn't sell. Nobody else, certainly not Pocket, said that was why the books were pulled. So, yes, you do have an opinion about how the books would sell. One that is not widely shared or supported by the facts.
One that is in direct opposition of facts, even.
 
I have no opinion one way or the other regarding how well those books'd sell, because I really don't give a rip. I'm just trying to provide an theory for why whoever pulled the plug on these books might've thought they wouldn't sell.
But you're the one who keeps saying the books were pulled because they wouldn't sell. Nobody else, certainly not Pocket, said that was why the books were pulled. So, yes, you do have an opinion about how the books would sell. One that is not widely shared or supported by the facts.
One that is in direct opposition of facts, even.
Exactly. IDW's movie-based Star Trek comics are outselling, by some margin, their non-movie-based comics. This demonstrates that there is a market for movie-based storytelling. It's a fair bet based on that fact that Pocket's movie-based novels would have sold at least as well, if not better, than Pocket's non-movie-based novels.
 
Undoubtedly these books would've sold very well. Alan Dean Foster's novelization was the first ST book in ages to make the New York Times bestseller list (I think it was 15th in trade-paperback fiction in its opening week). Booksellers order books by a given author based on the sales of that author's previous book. So it's a cinch that Alan's Refugees would've gotten ordered in huge numbers. And that means the next book in the series (mine) would've gotten ordered in similar numbers, and so on down the line. That's why they decided to put Alan's book first -- to get a Foster-sized bump for the rest of us. There is every reason to expect these books would've sold a lot better than normal for Trek novels.

So Captain April's idea that these books were cancelled because of fears of low sales flies in the face of all facts and logic and sense. It's not just wrong, it's wrong wrong wrongety wrong. It's wrong with powers and abilities far beyond those of mortal wrongs. It's wronger than King Kong playing mah-jongg in a thong. It's -- man, it just ain't right.
 
TNG was an ongoing series at that time. We're not gonna get another movie out of these guys for two years.

It's still an ongoing series, though.

They sit on these books too long, they run the risk of nobody caring when they do come out.
Do TNG, DS9, VOY and ENT novels still sell? Yes indeed.

Besides, they didn't particularly give a crap about continuity within their own movie...
That's your bias and your opinion. The screenwriters seem to care very much about what they have crafted and where it's heading, so much so that they even provided the storyline for the IDW comic tie-ins.

... why would they care about novels that aren't canon in the first place?
People used to challenge Richard Arnold on this all the time. Up until GR's death, he kept insisting that "no licensed novels or comics" were canonical, and yet he drove the licensees crazy trying to meet the ST Office's demands for changes to match with the parent, canonical sources.
 
IDW's movie-based Star Trek comics are outselling, by some margin, their non-movie-based comics. This demonstrates that there is a market for movie-based storytelling. It's a fair bet based on that fact that Pocket's movie-based novels would have sold at least as well, if not better, than Pocket's non-movie-based novels.
Sort of. Countdown did really well, and their later film-based comics (Nero and Spock: Reflections) had really high first issues, but then tapered off after that to comparable levels to non-film ones.

These are the average per-issue sales of each mini:
- 13,243: Countdown
- 8,965: The Wrath of Khan
- 8,756: Nero
- 8,608: Spock: Reflections
- 8,381: Crew
- 8,245: Mission's End
- 7,182: Romulans: Schism
- 6,940: Alien Spotlight II
 
"Ongoing series" as in it was still on the air. There wasn't much chance of TNG's profile dropping off the radar at that point.

As for the books on the various series continuing to sell, they've had time to build followings, and there's a pattern of sales to base their decisions on. So far, Trek09 has had one book. And, as noted above, sales of the IDW comics have dropped.
 
So Captain April's idea that these books were cancelled because of fears of low sales flies in the face of all facts and logic and sense. It's not just wrong, it's wrong wrong wrongety wrong. It's wrong with powers and abilities far beyond those of mortal wrongs. It's wronger than King Kong playing mah-jongg in a thong. It's -- man, it just ain't right.

that's the funniest thing you've ever posted. well done :bolian::guffaw::rommie::rommie::guffaw:
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top