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Godzilla To Return?

About the only advantage of an American production is that they MIGHT be able to come up with more interesting human characters. I think most us us can agree that generally the weakest part of a G film is having to wade through the 'human drama' while waiting for the kaiju to start showing up.

Now personally I wouldn't mind a Cloverfield style G movie, shown from the pov of people on the ground.
 
About the only advantage of an American production is that they MIGHT be able to come up with more interesting human characters. I think most us us can agree that generally the weakest part of a G film is having to wade through the 'human drama' while waiting for the kaiju to start showing up.

Now personally I wouldn't mind a Cloverfield style G movie, shown from the pov of people on the ground.
Indeed, I hope that if Legendary Pictures does get the go-a-head from Toho they make it in the spirit of the Toho movies, which means a Gojira Godzilla, not a Beast From 20,000 Fathoms Godzilla, and hopefully a kaiju vs. kaiju movie. Hopefully a well known kaiju such as King Ghidorah, Mothra, or Gigan.
 
Speaking personally, I'd say that none of the Godzilla movies I truly like have human drama I feel I have to wade through. A lot of the bad ones do, sure. Because they're bad movies, and only the special effects are at all worthwhile (with the exception of the few 70s movies made from about 75% recycled footage).

There are certainly many examples of fine human characters in the series. Not Academy Award material necessarily, but let's not forget that the first film in the series was a human drama - Godzilla was more of a plot device, albeit a memorable one. "Invasion of the Astro Monster" is also much more concerned with the humans than the monsters, and it's my favorite of the sequels (thanks in no small part to the contributions of the leads, Akira Takarada, Nick Adams and Akira Kubo). Even a lesser effort like "Terror of Mechagodzilla" managed to create a likable and tragic lead in Tomoko Ai, whose self sacrifice at the end is quite moving.

There have been plenty of examples of worthwhile human stories in the series. I don't see why an American film would necessarily have an advantage in that department. Mathew Broderick certainly didn't outdo any of the Japanese casts, with the possible exception of the cast of "Godzilla vs. Gigan".
 
Speaking personally, I'd say that none of the Godzilla movies I truly like have human drama I feel I have to wade through. A lot of the bad ones do, sure. Because they're bad movies, and only the special effects are at all worthwhile (with the exception of the few 70s movies made from about 75% recycled footage).

There are certainly many examples of fine human characters in the series. Not Academy Award material necessarily, but let's not forget that the first film in the series was a human drama - Godzilla was more of a plot device, albeit a memorable one. "Invasion of the Astro Monster" is also much more concerned with the humans than the monsters, and it's my favorite of the sequels (thanks in no small part to the contributions of the leads, Akira Takarada, Nick Adams and Akira Kubo). Even a lesser effort like "Terror of Mechagodzilla" managed to create a likable and tragic lead in Tomoko Ai, whose self sacrifice at the end is quite moving.

There have been plenty of examples of worthwhile human stories in the series. I don't see why an American film would necessarily have an advantage in that department. Mathew Broderick certainly didn't outdo any of the Japanese casts, with the possible exception of the cast of "Godzilla vs. Gigan".
I find the Showa series much more bearable when it comes to the human drama, with the exception of Godzilla vs. Hedorah, Godzilla vs. Megalon, and Godzilla vs. Gigan (though it was more funny bad than bad bad).

In the Heisei series the only ones that I enjoyed the human drama were Godzilla 1985, Godzilla vs. Biollante, and Godzilla vs. King Ghidorah.

In the Millennium series there were none.

I hope that any new films have human drama on par with the Showa series, but less campy.
 
^ Well, I did say 'generally'. :)

I'd add the 2004 version of Godzilla vs Mechagodzilla, and Godzilla vs King Ghidora to your list of good human stories. Although with the latter, a lot of the interest was due to mixing in androids, time travel, and people from the future. Making the B-story just as wierd and wild as the rubber suit action. :)
 
Of the Heisei films, I'd say "Godzilla vs. King Ghidorah" and "Godzilla vs. Mothra" have the strongest characters. The lead of "Ghidorah" is kind of lame. Aside from writing a book (which he never actually does in the movie, it just happens "in the future") he never does anything. But Emmy is cool, and her android is just campy enough to entertain.

Shindo, both in the WWII segments and especially in the present is a neat character. I like how he was so certain that Godzilla was his "savior" that he used a nuclear submarine to bring him back, only to see his guardian angel turn nasty, destroy everything he worked to build, and then kill him while staring right at him. Message learned: Godzilla isn't on anybody's side.

The '92 Mothra just had a bunch of fun characters. The divorced couple were cliched, but the actors gave it their all. The corporate stooge entertained too. Not the most memorable characters ever, but certainly more bearable than all the soap opera shenanigans in "Spacegodzilla". "Biollante" had one or two interesting characters, drowned in a sea of mediocre ones. And the cool characters kept getting killed off!
 
About the only advantage of an American production is that they MIGHT be able to come up with more interesting human characters. I think most us us can agree that generally the weakest part of a G film is having to wade through the 'human drama' while waiting for the kaiju to start showing up.

Now personally I wouldn't mind a Cloverfield style G movie, shown from the pov of people on the ground.

Agreed...lets sign JJ up!!!

Rob
 
Despite JJ's great work with XI, I do not want him to ever do a Godzilla movie. I actually want to see Godzilla, not just a foot here and there.
 
Despite JJ's great work with XI, I do not want him to ever do a Godzilla movie. I actually want to see Godzilla, not just a foot here and there.

Well..I would think the studio would demand that the star of a movie called GODZILLA, meaning godzilla, would be in it. I liked trek 11 enough, a lot in fact, and I would be willing to let JJ take a spin on it.

Rob
 
Return? Isn't there like a new movie released every three weeks over in Japan?

No, I don't know where you got that idea from the last Godzilla movie came out in 2004 and there's no hint of when the next one will come out from Toho.
 
When did JJ become god?

Anyways the one and only thing they need in a Godzilla movie...
MOSTERS!

The US movies failed for several reasons, but I think it needed to have King Kong or something in it.
 
When did JJ become god?

Anyways the one and only thing they need in a Godzilla movie...
MOSTERS!

The US movies failed for several reasons, but I think it needed to have King Kong or something in it.

He became God for making a HIP star trek movie. Note, I didn't say the best TREK movie (which is still Khan in my book) but a HIP one. My teenaged kids like star trek now for the first time. Teenager liking trek may not be important to other long time fans; but it is. And that is why JJ gets an open check for me...

I love Lost..I liked Cloverfield..I liked MI 3...in fact, there isn't much he had done I havent liked..

I bow to two TREK god now..SHATNER (the one and only God) and JJ (God jr)

Rob
 
JJ Adams also has had next to nothing to do with LOST since like season 2. All the good seasons are done by other people.
 
JJ Adams also has had next to nothing to do with LOST since like season 2. All the good seasons are done by other people.

ummm..not sure what LOST you are watching, but for me, Season one and the last season were the best...And when it comes to TREK movies? He's batting a 1000! And CLOVERFIELD was far better than the last attempt at a USA godzilla flick

Rob
 
I'm watching the seasons of LOST from a fan's views and not that of a cult leader who think JJ Adams is god.

Season 2 is a mess, and same with the beginning of season 3. As soon as JJ Adams left the show had a purpose.
 
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