The real test will be how profitable the film is. At $150 million to make, doubling that to include marketing, it has to get past the $300 million mark to begin earning a profit. It will, but how much, and how much this appears as a percentage compared to other films, will be the true measure of its financial success.
John, I think some people here forget exactly how "kitschy" and "corny" and "campy" TOS has always been.
CotEoF and a few other episodes aside, TOS was never comparable to something like Twilight Zone.
I think we need to get our perspective back on TOS in order to give this movie its due.
You know what, you're right. I thought this was a poor film, but since it has made a shit-ton of money I now realise that it is a fantastic piece of art. It's not like as if a bad movie has ever been a financial success before.Congratulations, Star Trek! It was well-deserved and no matter what, the naysayers have been silenced.
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Not in my case. I don't treat TOS as something to be worshipped. Abrams can reboot it all he likes just as so long as it was entertaining and well-done.I think it was very good filmmaking. "Lowered the bar"? That's all a matter of perspective, now, isn't it? I think rose colored glasses have been the order of the day for many who strongly dislike this movie as a Star Trek movie.
I'm not treating XI as a series but as essentially a two part episode. So just because TOS had weak episodes, like any show does, doesn't mean I'm going to give XI a pass.Look, I love the Original Series. It is my favorite Trek. However, for every "City On The Edge of Forever", we have a "Spock's Brain".
Except TOS was never a sacred cow to me. In fact it isn't even my favorite or second favorite Trek series so I didn't have the investment in it as a lot of bashers do. I also don't despise XI. I just find it to be a film that has a lot of issues that prevent it from being a solid film.It's not uncommon, to despise something so much because it's new and seems to usurp the foothold of that ever so sacred cow.
John, I think some people here forget exactly how "kitschy" and "corny" and "campy" TOS has always been.
CotEoF and a few other episodes aside, TOS was never comparable to something like Twilight Zone.
I think we need to get our perspective back on TOS in order to give this movie its due.
Exactly. Star Trek had it's serious moments, but it was overall a fun, campy show set in space.
J.
Not in my case. I don't treat TOS as something to be worshipped. Abrams can reboot it all he likes just as so long as it was entertaining and well-done.I think it was very good filmmaking. "Lowered the bar"? That's all a matter of perspective, now, isn't it? I think rose colored glasses have been the order of the day for many who strongly dislike this movie as a Star Trek movie.
I'm not treating XI as a series but as essentially a two part episode. So just because TOS had weak episodes, like any show does, doesn't mean I'm going to give XI a pass.Look, I love the Original Series. It is my favorite Trek. However, for every "City On The Edge of Forever", we have a "Spock's Brain".
Except TOS was never a sacred cow to me. In fact it isn't even my favorite or second favorite Trek series so I didn't have the investment in it as a lot of bashers do. I also don't despise XI. I just find it to be a film that has a lot of issues that prevent it from being a solid film.It's not uncommon, to despise something so much because it's new and seems to usurp the foothold of that ever so sacred cow.
and not just "campy". it was poorly written many, many times. And the Children Shall Live anyone? The Apple anyone? not to forget Spock's Brain (I actually love that ep).
in that sense, this movie improves upon the bunch of 'em by leaps. let's not kid ourselves. we aren't talking Dr. Zhivago or Lawrence of Arabia.
sci fi has always had an element of suspension of belief in it. it's what makes it science fiction. it's not SUPPOSED to make complete sense. it's SUPPOSED to be a bit hokey, a bit corny, a bit unrealistic. nevertheleless, it entertains... makes you laugh (at it and with it), cry, jump up and down in your seat. occasionally, it should make you think.
this movie did all of them and more. just like TOS.
we're not talking Oscar material, folks. it's just a Tee Vee show!
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I understand that, and I'm not saying you despise the film. My comment was aimed more for those who really are almost violently opposed to the film. For you, I'm simply saying that "lowered the bar" is completely subjective. I love high concept movies, I love movies that make you think long after the credits roll, and sometimes I just love a movie that has action, drama, a common bond with the audience, adventure and a healthy dose of comedy. I believe Star Trek qualifies for the last one. It may not be 2001: A Space Odyssey, but it's not dumb. It may have action and adventure, but it's not Rambo: First Blood. It has comedy moments, but it's not American Pie. It may have sexy, attractive young actors, but it's not She's All That. It has slick special effects and gorgeous cinematography, but it's not Star Wars. It is Star Trek, and it's making new headway, not lowering the bar, but changing the scale by which we measure.
J.
If one just examines the various elements in the film I don't see how it can receive the praise it does.
The actors are solid but are pretty much relegated to action figures or exposition dumpers. The VFX are outstanding but shouldn't substitute for a good story. The Uhura/Spock romance was neither good nor bad just "there". The emotional fallout for Spock was limited to two rather shallow and brief scenes. We had some silly comedy gags like Kirk with big hands which I found puerile and not the least bit clever or funny. Vulcan was destroyed for spectacle. Amanda was a plot device. Old Spock was little more than a plot device. The villian was an uninteresting plot device. The writers failed to sufficiently provide the necessary background when it came to Spock/Nero and the events in 2387 choosing instead to relegate this information to a four part comic book series which actually did do a fairly good job in adding some interesting stuff to the mix. Kirk/Spock's relationship, which Abrams said was at the core of the film, was treated in a very shallow manner and like so many things suffered from the fact the writers were doing too much.
The final battle was formulaic with Kirk fighting and Spock crashing the ship into the Narada and being sucked into a black hole.
This is not good filmmaking.
That is why I've pretty much stopped going to the movies these days. They are loud, full of explosions and have very little in in the way of sharp writing and intereting character moments.If one just examines the various elements in the film I don't see how it can receive the praise it does.
The actors are solid but are pretty much relegated to action figures or exposition dumpers. The VFX are outstanding but shouldn't substitute for a good story. The Uhura/Spock romance was neither good nor bad just "there". The emotional fallout for Spock was limited to two rather shallow and brief scenes. We had some silly comedy gags like Kirk with big hands which I found puerile and not the least bit clever or funny. Vulcan was destroyed for spectacle. Amanda was a plot device. Old Spock was little more than a plot device. The villian was an uninteresting plot device. The writers failed to sufficiently provide the necessary background when it came to Spock/Nero and the events in 2387 choosing instead to relegate this information to a four part comic book series which actually did do a fairly good job in adding some interesting stuff to the mix. Kirk/Spock's relationship, which Abrams said was at the core of the film, was treated in a very shallow manner and like so many things suffered from the fact the writers were doing too much.
The final battle was formulaic with Kirk fighting and Spock crashing the ship into the Narada and being sucked into a black hole.
This is not good filmmaking.
Can you think about any other family blockbuster that's not like that? I mean, this kind of movie is usually forced to have most of those elements just to reach the widest possible audience.
Oh, indeed, from personal anecdotal evidence. I took my girlfriend along to see STXI, and she really didn't want to go and see a sci-fi film - I had to agree to see the next Harry bloody Potter film with her in order to get her co-operation. Now, she's someone who has never seen any Star Trek before, didn't even know the iconic Enterprise design, or anything beyond the fact that there was a famous pointy-eared alien. And? She absolutely loved the film. Goes to show, if you make a sci-fi film, make one that non-nerds can like and enjoy, and you'll make more money. That's not exactly rocket science (LOL).yep, all indications suggest that it's not just trekkies who're making this movie the success it's deemed to be.
The real test will be how profitable the film is. At $150 million to make, doubling that to include marketing, it has to get past the $300 million mark to begin earning a profit.
Well I won't be seeing Transformer 2 cause of that douchebag Shia LaBeouf, I boycott all his films after Indy 4.
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