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ST:TMP - Lost Footage from the Trench

TGT, do you know who did a lot of those black renderings with color lines for the vger interior in the abel era? Is it that David guy? Or somebody I've never heard of?

I think you're thinking of Tony Smith (Richard Taylor's professor of fine arts at the University of Utah).

TGT
 
TGT, do you know who did a lot of those black renderings with color lines for the vger interior in the abel era? Is it that David guy? Or somebody I've never heard of?

I think you're thinking of Tony Smith (Richard Taylor's professor of fine arts at the University of Utah).

TGT

I don't know that name at all. (pause to consider implications. wow.)

The guy I was thinking of was named Niagra or something like that.
 
trench/memory wall was the original spacewalk when Spock steps out to contact vger. Originally there was no thruster pack stuff, and Spock comes back to save Kirk when Kirk gets attacked by ... well, antibodies. Then they go through this big ass set and Spock mindmelds with a big ball and gets his head zapped. Basically a 7 or 10 minute sequence that got replaced by the shorter one in the movie now.

Thanks! :techman:
 
The spacesuits had thruster nozzles built into them and they had a hand control for the thrusters. You can see this a little more clearly over at the Ottens website in the pictures he has over there. Granted, there was no big thruster pack -- as that was designed during Trumbull's tenure on the film...

Indeed. And not to continue teasing, but one of the longer sequences we have is of a medium close-up of Kirk reacting to the crystal swarms. As he turns around in his suit, he grabs that thruster control and, for all the world, it looks like a screwdriver stuck in his wrist. (IMHO, and your mileage may vary.)
 
Richard Taylor was an art director who had a real vision, and he had wonderful illustrators like Marty Kline...

Kline started his film career at Apogee and joined ST:TMP (where he designed, amongst other things, the Epsilon 9 station) after RA&A were fired. As far as I know he never worked with Taylor on any project.

TGT

That's what I had thought, but there were illustrations in the PHASE II book from early TMP that seemed to have his signature on them. I don't have it or the ART anymore (big surprise) but if anybody wants to scan the color section in the phase 2 book, looking for various Abel-era art of vger interior/exterior ... (and yeah, I know there is miscaptioned stuff ... they've got what looks like a Mead rendering of vger listed as an early discarded design, and yet it looks like a good version of the thing we got in the DE when Steve Berg did some work to extrapolate the mead exterior.)

TGT, do you know who did a lot of those black renderings with color lines for the vger interior in the abel era? Is it that David guy? Or somebody I've never heard of?


What's ironic about that Phase II book is that there is not a SINGLE picture of the Mike Minor version of V'ger. Fortunately, I have one...;)

From what I recall, all the versions in the Phase II book are V'ger designs for TMP.
 
TGT, do you know who did a lot of those black renderings with color lines for the vger interior in the abel era? Is it that David guy? Or somebody I've never heard of?

I think you're thinking of Tony Smith (Richard Taylor's professor of fine arts at the University of Utah).

TGT


Tony Smith did a lot of conceptual art for the interior of V'ger. A lot of this can be seen at Otten's Forgotten Trek website...
 
Kline started his film career at Apogee and joined ST:TMP (where he designed, amongst other things, the Epsilon 9 station) after RA&A were fired. As far as I know he never worked with Taylor on any project.

TGT

That's what I had thought, but there were illustrations in the PHASE II book from early TMP that seemed to have his signature on them. I don't have it or the ART anymore (big surprise) but if anybody wants to scan the color section in the phase 2 book, looking for various Abel-era art of vger interior/exterior ... (and yeah, I know there is miscaptioned stuff ... they've got what looks like a Mead rendering of vger listed as an early discarded design, and yet it looks like a good version of the thing we got in the DE when Steve Berg did some work to extrapolate the mead exterior.)

TGT, do you know who did a lot of those black renderings with color lines for the vger interior in the abel era? Is it that David guy? Or somebody I've never heard of?


What's ironic about that Phase II book is that there is not a SINGLE picture of the Mike Minor version of V'ger. Fortunately, I have one...;)

From what I recall, all the versions in the Phase II book are V'ger designs for TMP.

What bugs me is that nobody has unearthed a photo of the Abel designed-model of vger that supposedly looked like a fish. Does anybody remember if the Minor version was ever built physically by Magicam?
 
That's what I had thought, but there were illustrations in the PHASE II book from early TMP that seemed to have his signature on them. I don't have it or the ART anymore (big surprise) but if anybody wants to scan the color section in the phase 2 book, looking for various Abel-era art of vger interior/exterior ... (and yeah, I know there is miscaptioned stuff ... they've got what looks like a Mead rendering of vger listed as an early discarded design, and yet it looks like a good version of the thing we got in the DE when Steve Berg did some work to extrapolate the mead exterior.)

TGT, do you know who did a lot of those black renderings with color lines for the vger interior in the abel era? Is it that David guy? Or somebody I've never heard of?


What's ironic about that Phase II book is that there is not a SINGLE picture of the Mike Minor version of V'ger. Fortunately, I have one...;)

From what I recall, all the versions in the Phase II book are V'ger designs for TMP.

What bugs me is that nobody has unearthed a photo of the Abel designed-model of vger that supposedly looked like a fish. Does anybody remember if the Minor version was ever built physically by Magicam?

Trust me, there was no final shooting model of V'ger built by Magicam. There was only a study model. Again, there's a picture of that over at the Ottens Forgotten Trek site.

RT told me Magicam was about to start work on the V'Ger model around the time Abel was let go.

However, it is worth noting that RT says in my interview with him that you would never see the entire ship. They wanted to keep the actual shape of the thing a mystery.

The "weird fish" description was based off the illustrations he saw. Those too are over at Forgotten Trek.
 
However, it is worth noting that RT says in my interview with him that you would never see the entire ship. They wanted to keep the actual shape of the thing a mystery.

So that's the one thing that Trumbull and co wound up keeping, not seeing the thing in its entirety in the theatrical cut.
 
However, it is worth noting that RT says in my interview with him that you would never see the entire ship. They wanted to keep the actual shape of the thing a mystery.

So that's the one thing that Trumbull and co wound up keeping, not seeing the thing in its entirety in the theatrical cut.

Yeah...and I'm not sure I agreed with that idea from either team. I do like being able to see all of V'ger in the director's cut. Although, for me, there's some scale issues in that it certainly loses it's gravity in that shot. RT said you could not get far enough away from it to see the whole thing because it would be so massive. And it really is...even by the description in the script. 83 AUs is so huge it's hard to wrap your mind around! If I recall correctly, just one AU is the distance between the Earth and the Sun.

A cool shot would have been to show V'ger shadowing the Earth...possibly blocking out the sun.

One really cool thing about the Abel version is that the surfaces of their version of V'ger would have had a surface that moved (a combination of mechanical effects, irridescent paints and lighting). RT sent me some drawings of how they wanted to do that...and those are also on display over at the Forgotten Trek site.

So, theirs would not have just been a simple static model like what we saw in the theatrical release.
 
Just one detail, it was V'Ger's powerfield that was 82AUs in diameter, not the vessel itself.
 
As trevanian says, V'Ger was about 78 kilometers long, roughly the same size as the island of Maui or Jupiter's moon Amalthea.

Of course, in the DE, V'Ger's powerfield is reduced in size from 82 AU to 2 AU thanks to a quick dialogue edit. Which makes a lot more sense, since otherwise the E would've had to be travelling at Warp 4 or something to get through it in just five minutes. If 2 AU is its maximum diameter, and if the E penetrated at the narrow equator of the "apple-core" shape seen on the tactical display, then the thickness of cloud it would have had to penetrate could've easily been less than 5/8 of an AU and therefore traversable in less than 5 minutes on impulse drive.

Which I think is preferable, because clearly the "cloud" would've had to be within V'Ger's warpfield, or to actually be the warpfield itself, or it couldn't have travelled FTL. And I'm not sure it's feasible for one ship to travel at (relative) warp speed within another ship's warpfield.
 
It's worth noting that the Enterprise's engines were illuminated on approach to V'Ger, suggesting that they were travelling at warp.

Whether that makes any real-world physical sense... although considering we're discussing a living machine looking for God on Earth being chased by a group of seventies-clad astronauts, I guess reality goes out the window.
 
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