I have a confession to make: I kind of missed the boat with Radiohead back in the '90s. I mean yeah, I was always familiar with Creep, because it was one of those songs the radio just played to death, but I was never all that inspired to check them out. That is, until recently! A couple months back, I picked up a copy of their recent 2-CD compilation The Best Of Radiohead and gave it a listen. It didn't really make that much of an impact on me the first time around, but I later came back to it, and after repeated listens their songs are seriously beginning to grow on me! :smile: (A lot of music's like that, y'know...)
As far as my favorite Radiohead songs, I must say that I really like the songs that come from 1995's The Bends a great deal. High And Dry and Fake Plastic Trees are especially gorgeous, and OK Computer's No Surprises is also a lovely gem. I'm not as keen on their more experimental work of the past decade, but I must say that I love How To Disappear Completely (from Kid A)! It's hauntingly, ethereally beautiful - and kind of unsettling and disturbing at the same time, much the same way a lot of Pink Floyd songs can sometimes be. (There's arguably even a certain thematic similarity with much of Floyd's '70s lyrics, in terms of being "here" and "not here" as well as the overall dystopian vibe. The Syd Barrett-era Floyd kind of feels like a touchstone as well...)
As far as my favorite Radiohead songs, I must say that I really like the songs that come from 1995's The Bends a great deal. High And Dry and Fake Plastic Trees are especially gorgeous, and OK Computer's No Surprises is also a lovely gem. I'm not as keen on their more experimental work of the past decade, but I must say that I love How To Disappear Completely (from Kid A)! It's hauntingly, ethereally beautiful - and kind of unsettling and disturbing at the same time, much the same way a lot of Pink Floyd songs can sometimes be. (There's arguably even a certain thematic similarity with much of Floyd's '70s lyrics, in terms of being "here" and "not here" as well as the overall dystopian vibe. The Syd Barrett-era Floyd kind of feels like a touchstone as well...)