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Abrams: ST is silly and ridiculous

I don't see how one can even compare a 2 hour movie with a TV series that lasts tens of hours and several years...
 
Star Trek is schizophrenic, that's what it is. It's silly and serious, it can be valid and ridiculous. Those who see the good in Star Trek see where it can transcend limitations while others who only see the bad don't think it can possibly transcend what they think it is.

There's not much room to doubt what type of shows Battlestar Galactica and Lost In Space want(ed) to be. Star Trek is a different story and that's reflected in the movies too.

Someone can say Star Trek is ridiculous and someone else can say it isn't, and they'll both be right.

Amen. I can easily recognize how silly Star Trek is (and I include not only TOS but TNG and DS9 and VOY and ENT). The acting is mostly bad (Jonathon Frakes anyone?). The direction is often terrible. The writing could be utterly ridiculous (do I have to invoke Spock's Brain?). At the same time it is full of interesting ideas carried off with conviction and commitment (mostly - Shatner had a bit of tendency to wink at the camera from time to time), which is tremendously enjoyable and inspiring in an innocent sort of way.

Now, personally I'm worried about Abrams for a variety of other reasons, but the fact that he can acknowledge the silliness of Trek and TOS' look isn't one of them. The fact that recognizes how the assumption of Trek's camp has become a cultural icon in and of itself thus why he references Galaxy Quest - a successful comedy even for people who were not Trek fans because the tropes of Trek's camp were so well known in pop culture - only shows that the man is in touch with the pop culture zeitgeist, even if he articulates it with all the sophisticated vocabulary of a frat boy.
 
Perhaps you could cite your source?

In any event, whether or not he _should_ be helming this picture...it's a bit late now.


http://www.trektoday.com/news/281008_03.shtml

...The article in Empire includes an interview with J.J. Abrams. In part of the interview, he discusses the challenges of making the 1960s boldly-colored uniforms palatable to today's audiences. "For me, the costumes were a microcosm of the entire project," said Abrams, "which was how to take something that's kind of silly and make it feel real. But how do you make legitimate those near-primary color costumes? How do you make legitimate the pointy ears and the bowl haircut? It's ridiculous and as potentially clichéd as it gets. How do you watch Galaxy Quest and then go make a Star Trek movie?"

i don't see what's wrong with that. he's right though. looking back now on the old version it just seems silly, as do many things. all he's trying to say is how do you make something that you know looks odd to not look so odd right now. how do you make it currently relevant and believable/acceptable. people have come to expect more out of their scifi. he just wants what's in the movie to mean something not just cause that's what it was before. it's like what they did with superman and wonder woman. they used to just mean "american" as that's what they were invented for, but over the years people have remade them and re-established what they symbolize. even down to their colors and their emblems. instead of the S in superman to just stand for "superman" they've reworked it to mean more. just things like that. i actually support him for thinking about the little things too.
 
Perhaps you could cite your source?

In any event, whether or not he _should_ be helming this picture...it's a bit late now.


http://www.trektoday.com/news/281008_03.shtml

...The article in Empire includes an interview with J.J. Abrams. In part of the interview, he discusses the challenges of making the 1960s boldly-colored uniforms palatable to today's audiences. "For me, the costumes were a microcosm of the entire project," said Abrams, "which was how to take something that's kind of silly and make it feel real. But how do you make legitimate those near-primary color costumes? How do you make legitimate the pointy ears and the bowl haircut? It's ridiculous and as potentially clichéd as it gets. How do you watch Galaxy Quest and then go make a Star Trek movie?"
And he's absolutely correct! :techman:

Yeah! Star Trek sucks!
 
Actually Vintage clothing and retro were the reasons they DID Austin Powers not the other way around. Mike Myers even said that they did it for fun, Austin Powers was a comedy and it was campy and lovable, but it didn't come from a property that has become more serious than it started. Star Trek matured into serious and engaging sci fi, dumbing it down to a lower level with a retro look may not be the way to go. Especailly since the underlying message of Trek was to show a positive future with the world working together. You have to remember that movies tell a story first. If the story fits campy visuals then by all means we should have them.

The visuals aren't what hurt Lost in Space. Lost in Space was so far removed from the television property it was made from that it forgot the point behind it. Lost in space was a movie about a family dealing with being lost in space, The movie tried to add suspense elements and mutated Dr Smith into a monster. Taking what Smith was in essence a coward who was orginally a sabatour of the program and discarding his growth into an actual member of the crew in later episodes of the show.

Smith was not a bad guy in the television series, he was comic relief...

That's why Lost In Spoace failed. It took the story and like Starsky and Hutch and the Avengers changed it into something it shouldn't have been.
Again, I'm referring to design aesthetic, not story or how serious it was or wasn't. Retro clothing was not popular during that period of time -- only a handful of people were wearing vintage clothing and the masses had not yet adopted it. But it certainly became popular after, showing that styles openly rejected in the 1980s and most of the 1990s as silly, campy, and ugly were "hip" again.

And though, again, I'm talking about aesthetics, Smith was conceived as a villain originally, and he is significantly moreso in the early, black and white episodes. In fact, he was supposed to die after a few episodes, if I recall correctly.
I beg to differ during that time the most popular store in my area was the Salvation Army. In 92 the year I graduated many, MANY of the girls were into vintage clothes, and I live in the boondocks. I don't know where you live but during that time and the years after where I live Vintage was big.

Yes, but he was a bumbling villain not as sharp and polished as the Smith we got in the movie. HE WAS NOT truly evil he was basically a dark Gilligan in the show. His schemes usually ruined but the BGotW and in the end he ended up helping the Robinsons foil the BGotW. Then his character evolved. In the movie they took one of the most important characters of the tv show and changed what he was, changed his essence and killed him off (the future him) Leaving unresovled how they were going to fix the past him who was STILL INFECTED BY THE SPACE SPIDER VENOM. The visuals had NOTHING to do with the failure of the movie as Lost in Space was just Ill conceived and badly ochrastrated... The visuals were actually the best part of the whole movie were as the story and the destruction of the characters was one of the worst parts of the movie.
In 1992, I was beginning my second year of graduate school at the largest university in the U.S. Artsy girls, who were in the minority there, wore house dresses, black shirts and pants, combat boots or stilettos, and had straight hair or no hair at all, but the vast majority of students did not own flared pants, have sideburns or straight hair, or wear mod shirts or dresses, though a few sported tatoos -- I didn't start seeing those styles en masse until at least five years later. In fact, most of the students wore straight-legged Levis (acid wash was even still around) or chinos with pleats, miniskirts (but the 80s-style, usually jean), Reeboks, pumps, and penny loafers, and rather ordinary shirts of the polo, T and button down variety. Men's hair wasn't buzz cut or bald yet and a lot of the girls had that wall-of-hair thing going on. In fact, my girlfriend at the time still styled her hair with a curling iron.

If I recall correctly, doesn't Smith kill somebody in the Lost in Space pilot episode?
 
Yeah! Star Trek sucks!

Abrams never said that. You can't possibly not see the elements of Trek that Abrams is worried about. Notice he only mentions things that he KEPT. The uniform design, the ears, and Spock's hair-cut. Those are the things he's talking about, the things that are not that different.

This is like in Batman Begins (I know, overused example). They kept the silly concept of a grown man running around in a bat helmet. But they explained it to death so people would take it more seriously, and they changed the surroundings - Gotham - to make it feel more real.

That doesn't mean Nolan thinks Batman sucks, does it?
 
And yet you missed the point on why certain things failed and others succeeded....

The reasons alot of things from the 60's and 70's failed is the people making them, WRITING THEM. Wrote them as comedic fluff and they were that property in name only.,. The reasons why McHale's Navy was a mild success is because it was a comedy based on a comedy. With Car 54 that failed because well the story sucked. Avengers failed be cause it was too gadget driven, Starsky and Hutch, a good show that while it had humor was not an outright comedy, and Ben Stiller and Owen wilson were also a factor in it's failure. Starsky and Hutch actually had the LOOK of it's show progenitor but it just failed story wise.

This could be the best trek ever, this could be the worst trek ever we will find out in 2009
I don't think I missed the point because I was never commenting on those issues -- my comments were in reaction to the notion of 1960s aesthetics being a barrier. Plot, etc, is another discussion.

There are a bizillion reasons why something may or may not work at the box office, but all of the trumpeting that a 1960s design aesthetic would automatically kill this film is as unfounded as a 2009 design aesthetic automatically making it a success.

The 1960's Future Asthetic would be something that would take me out of this movie, because I've seen the advancement of what movies can be. Updating the TOS bridge and leaving it mostly as it was as some people want would take people out of the movie. The vibrant colors of the show which were used to show off Color TV are garish. The hokey plastigun phasers look like a kids toy compared to what we have right now. It would look like the future went backwards. What we got on TV was a TV asthetic, and the people who fail to see that really seriously need to step back and think. No a new asthetic is no guarantee that the movie will be a success. The most important thing is to get your story a decent story across to the people while emmersing them in a comfortable and "believable: atmosphere. I'm of the opinion that the 60's tv set would NOT be able to accomplish that except for a few die hards who are very in love with the TOS Set designs. What Abrams has done is redecorate Trek so that he is comfortable producing and directing it. Seeing as we have a Veteran Star Trek Designer on the movie staff, it shouldn't be a big issue.

But on the happier side, if bitching about the look of the movie is the biggest bitch we have right now, my hopes are high for this film...
All depends on the execution.

There's no reason that Wah Chang's unique version of a ray gun couldn't still be used, provided it was done with care and serious attempt. We even already have evidence of that: The costumes for Star Trek XI -- except for the rank insignia, so closely resemble those of the original show that I would say they're consistent enough to get a pass. If the TOS moments were to take place in the later years of the five-year mission, I'd even say they're perfect for the natural evolution of the uniforms.

(The funny thing is I don't think what I've seen so far really has a 2009 aesthetic anyway. The Kelvin looks very 1980s movie to me, the cadet scenes looks straight out of Starship Troopers, and the shuttle design and interior look closer to TOS than to anything I saw in TNG and beyond.)
 
(The funny thing is I don't think what I've seen so far really has a 2009 aesthetic anyway. The Kelvin looks very 1980s movie to me, the cadet scenes looks straight out of Starship Troopers, and the shuttle design and interior look closer to TOS than to anything I saw in TNG and beyond.)

I was just thinking the same thing about the bridge. Similarly, Nero's ears look more like halloween costume accessories than any Romulans I've seen before. It makes the comments in this interview seem a little odd. It looks to me like Abrams may actually agree with your position on 'retro' styling the movie, and wants to have a little fun by ratcheting up the sillier elements.

Lucas tried something similar with the last Indy movie and '50s sci fi. And to a larger extreme, Sin City used a totally absurd aesthetic without quite becoming a parody. May not be the best comparisons for what you're talking about, but I think a retro Star Trek could work.
 
Wow. Should he really be the guy helming this picture, with an attitude like that? A self-confessed Star Wars fan who thinks Trek is silly?

We would have roasted B&B alive for making comments like that when ENT was in production. But for whatever reason, J.J gets a free pass. Weird.

I am willing to give this film the benefit of a doubt. But Abrams' arrogant comments do give me pause.

Trek is Trek. Wars is Wars. Neither needs to be like the other.

Ditto. Which is why I'm ashamed why we had to "reboot" such a great franchise to begin with. It didn't need a reboot, just a good series with good potential, like DS9.
 
Ditto. Which is why I'm ashamed why we had to "reboot" such a great franchise to begin with. It didn't need a reboot, just a good series with good potential, like DS9.
I don't want to sound cynical here, but there comes a time when potential is not enough. Not when it doesn't translate into greenbacks.
 
Yeah! Star Trek sucks!
Abrams never said that. You can't possibly not see the elements of Trek that Abrams is worried about. Notice he only mentions things that he KEPT. The uniform design, the ears, and Spock's hair-cut. Those are the things he's talking about, the things that are not that different.

This is like in Batman Begins (I know, overused example). They kept the silly concept of a grown man running around in a bat helmet. But they explained it to death so people would take it more seriously, and they changed the surroundings - Gotham - to make it feel more real.

That doesn't mean Nolan thinks Batman sucks, does it?

You have this tendency to keep saying reasonable things. Stop it! :scream:
 
Ditto. Which is why I'm ashamed why we had to "reboot" such a great franchise to begin with. It didn't need a reboot, just a good series with good potential, like DS9.
I don't want to sound cynical here, but there comes a time when potential is not enough. Not when it doesn't translate into greenbacks.

Well I wasn't trying to discredit ST:XI. If it wasn't for Leonard Nimoy being in the film, I don't think it would of received the credit it has. I realize a lot of the new actors are getting recognition on this board then Nimoy himself, but I still wonder what we would be discussing if the movie didn't have any of the old TOS characters in it.

I guess I was just hoping for a series from the 25th century and beyond.
 
The designs of TOS are iconic. I disagree with the notion that they're inherently dated in anything but coloration and perhaps materials used. The overall designs are timeless.

However, because they are so iconic and timeless, they've been copied over and over again. Dozens of low-budget sci-fi shows over the years have emulated, or outright copied Treks designs and design ethic. Because of this, and through no fault of their own, the designs have become overused and clichéd.

The designs weren't/aren't at all silly, but they've been put to silly uses over the years, by others, and have unfortunately come to be associated with such silliness by many. Silliness like the Trek parody episodes of "Night Court", "The Wonder Years" and "Seinfeld". Silliness like the White Castle ad with the Enterprise at the drive-up window of a K-7 style White Castle space station, to the remarkable KFC commercial with the astounding character look-alikes. The result of associating these designs with parody and other such silliness is that many in the mass audience have come to associate Trek's designs more with parodies of Trek, than with Trek itself.

J.J. Abrams recognizes this. He realizes that he walks a very fine line between being true enough to the designs that the spirit of Trek isn't lost, yet not so true that he ends up producing an unintended parody. He doesn't believe that Trek is silly or ridiculous, but that the potential for both is strong and must be carefully avoided. He is, in his admittedly clumsy way, trying to reassure the naysayers that he's trying to not let the material come across in a silly or ridiculous way.
 
Re-read that quote. It is only about how TOS looks are dated and would look "silly" to modern audiences and the new viewers they're trying to lure. He doesn't say the stories were silly. Or the characters were silly. Just the looks. The '60s esthetics. Even Roddenberry realized he couldn't just put the sets and models from the show and put them on the big screen.

And "Galaxy Quest" mocked the whole Star Trek paradigm... So his challenge is to make a Trek movie that doesn't come off like, say, the awful Starsky & Hutch movie. He wants to make a "serious" Trek movie, not a parody of the original that makes people feel like they're watching Saturday Night Live.

Get over your indignation and actually read what Abrams said.


What Abrams said has been read, and understood.

He feels that TOS looks silly. The uniforms look silly, Spock (and Vulcans?) look silly, and the whole thing is ridiculous.

No.

It doesn't and isn't.

I read what he said.

I don't like what he said.

I disagree with what he said.

He's wrong.

What I don't understand is how someone who agrees with him can at the same time be a fan of the original. I mean, isn't it "silly" and "ridiculous"? Isn't it lacking in quality and somewhere along the lines of a "B" scifi movie from the 50s?

No.

It isn't.

If someone feels that way about TOS, then maybe it's not the thing for them to be working with.

If someone feels that way about TOS, then them being a fan is...umm...very much in doubt.

You can't be a sincere fan with an affection for a piece, and at the same time feel it's stupid. That's a bit contradictory.

I'm a bit sad about how this has turned out, the deceptive "politics" used to try and keep fans on their side, and the fact that more of us don't feel this is "wrong".

Does this make me a bad guy? No.

It means I like what we had, and it's being overwritten.

As I said in another post, I just hope that even the different look of the bridge will be (in the movie) attributed to the earlier attempts by the Romulans to alter the timeline, meaning that this really IS being acknowledged as "changed". In some small way, it'll mean this is still "our" TOS, and 'the Romulans are to blame'.

And now everybody knows how the fans of Battlestar Galactica: TOS felt what the new show came on the air, and how it was ridiculed.
 
What I don't understand is how someone who agrees with him can at the same time be a fan of the original. I mean, isn't it "silly" and "ridiculous"? Isn't it lacking in quality and somewhere along the lines of a "B" scifi movie from the 50s?

What Abrams is saying is that certain aspects of the look of the original series are "silly and ridiculous". Frankly, if I saw anyone older than the age of 16 with a bowl cut nowadays I'd do a double take too. The point is, he realized that for the mass audience, there are certain elements that need to be kept and others that can be reworked.

What I get from that statement is the same thing most of us see
That people besides us fans think Trek is an irrelevant, cheesy, laughable old show watched only by nerds with no lives.

Sadly, this is true. I've brought up Trek to many people (when discussing upcoming films) and their first response to learning about a new Trek? Giggling. Chuckling. A few times some imitations of Shatner followed. It is considered a very niche and nerdy franchise, and it needs to rise above that if it is to survive.

They don't get anything about all the messages or any other positive things Trek has to offer.

Right, which saddens me. Surprisingly (or not), the original poster fails to mention this quote in the EW article:

Star Trek just may find itself on the leading wave of a zeitgeist shift — away from bleak, brooding blockbusters and toward the light. "In a world where a movie as incredibly produced as The Dark Knight is raking in gazillions of dollars, Star Trek stands in stark contrast," Abrams says. "It was important to me that optimism be cool again."

This is one of Trek's strongest points, and something that was drilled into me over and over again by various interviews and convention appearances by Trek staff and actors over the years. There's a wonderful message in Trek about optimism, cooperation, strength, loyalty, friendship and honor - but it all can easily get lost in a universe of Tribbles and space Nazis.

I don't think a retro aesthetic and being serious and relevant have to be mutually exclusive.

And you're right, and Abrams obviously agrees. His use of the retro uniform (despite the skirts making no practical sense whatsoever) and hairstyles clearly shows that he knows there are some elements of the classic Trek aesthetic that need to be kept while others can be changed.

P.S.- The words are:
canon -not cannon
prequel -not prequil
sequel -not sequil

Please use the built in spell checker. A red underline means check your spelling.

Amen.
 
The designs weren't/aren't at all silly, but they've been put to silly uses over the years, by others, and have unfortunately come to be associated with such silliness by many. Silliness like the Trek parody episodes of "Night Court", "The Wonder Years" and "Seinfeld".
Which episode of Seinfeld would that be? I don't recall any episode where the look of the original series was parodied.
 
What I don't understand is how someone who agrees with him can at the same time be a fan of the original.

I'm a huge fan of TOS - and lots of TOS was "silly" and "ridiculous". So, too were parts of each ST movie. So too were parts of TNG, DS9, VOY and ENT.

Parts of "Lost", "M:I 3" and "Cloverfield" were "silly" and "ridiculous". They are also very popular and successful, moreso than VOY, ENT, "Insurrection" and "Nemesis".
 
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