Well I finished off the S1 DVDs and I guess I don't have to worry about spoilers from you folks who've seen it thru S2 (considering the historical inaccuracies, maybe I should worry?
). Whaddya think? Just how off base is it historically anyway?
My take: Enjoyable enough but not quite up to other series level of historical storytelling - Carnivale, John Adams, Deadwood, Rome and Mad Men all have something in common, they utterly convince me of the authenticity of their historical setting. But The Tudors feels a little off. The people seem too modern, and I'm not sure why, perhaps its because too many of them are too conventionally good looking, of the sort that you'd expect to see walking down the street in LA but not 16th C England. Or it could be the dialogue (not particularly inspired). Or the acting? When Catherine of Aragon is on-screen, I believe it's the 16th C, not so much at other times. The plague episode certainly felt authentic to the times.
The in-your-face sex is pretty stupid, it's just standard for premium cable at this point and adds little to the story. They calm down considerably on that score towards the end of the season anyway.
My favorite plotline isn't Heny & Anne so far - it's Thomas More and Thomas Cromwell. Pretty funny seeing More yak about how he's going to burn heretics right and left, with no idea about Cromwell's real sympathies. I've always liked James Frain (long before his 24 stint), and even though his performance is very interior compared with the flashier roles, I enjoy it.
More is certainly portrayed differently than the famous movie A Man for All Seasons which makes him out to be some kind of saint and certainly not a heretic-burner/oppressor of religious freedom. I'd imagine that The Tudors' portrayal is more accurate, right? That scene where he burned the guy at the stake and everyone else was just walking away was plenty cold, wow! At least he had the cojones to stick around. More's portrayal is another element that I find very authentic to the times, in that he seems intelligent and sensitive yet has attitudes that modern people would find reprehensible.
Henry comes off pretty well so far, not an overbearing spoiled egomaniac lunatic who just wants his way and makes up reasons why he's justified. His religious views are presented as authentic and not just a rationalization for his ego or lust, and he seems genuinely in love with Anne. Not sure how this is going to square with future events - it won't make sense unless he does have a sense of his own justification to do pretty much anything he pleases, with a large dose of egomania driving his actions, not to mention self-pity at being "betrayed."
What's up with the Thomas Tallis subplot? Just trying to show their diversity by having gay themes? The problem here is, the guy is boring. Do they do anything with him? (I know his buddy Wyatt becomes "important" to the story in S2, too bad for him.)
). Whaddya think? Just how off base is it historically anyway?My take: Enjoyable enough but not quite up to other series level of historical storytelling - Carnivale, John Adams, Deadwood, Rome and Mad Men all have something in common, they utterly convince me of the authenticity of their historical setting. But The Tudors feels a little off. The people seem too modern, and I'm not sure why, perhaps its because too many of them are too conventionally good looking, of the sort that you'd expect to see walking down the street in LA but not 16th C England. Or it could be the dialogue (not particularly inspired). Or the acting? When Catherine of Aragon is on-screen, I believe it's the 16th C, not so much at other times. The plague episode certainly felt authentic to the times.
The in-your-face sex is pretty stupid, it's just standard for premium cable at this point and adds little to the story. They calm down considerably on that score towards the end of the season anyway.
My favorite plotline isn't Heny & Anne so far - it's Thomas More and Thomas Cromwell. Pretty funny seeing More yak about how he's going to burn heretics right and left, with no idea about Cromwell's real sympathies. I've always liked James Frain (long before his 24 stint), and even though his performance is very interior compared with the flashier roles, I enjoy it.
More is certainly portrayed differently than the famous movie A Man for All Seasons which makes him out to be some kind of saint and certainly not a heretic-burner/oppressor of religious freedom. I'd imagine that The Tudors' portrayal is more accurate, right? That scene where he burned the guy at the stake and everyone else was just walking away was plenty cold, wow! At least he had the cojones to stick around. More's portrayal is another element that I find very authentic to the times, in that he seems intelligent and sensitive yet has attitudes that modern people would find reprehensible.
Henry comes off pretty well so far, not an overbearing spoiled egomaniac lunatic who just wants his way and makes up reasons why he's justified. His religious views are presented as authentic and not just a rationalization for his ego or lust, and he seems genuinely in love with Anne. Not sure how this is going to square with future events - it won't make sense unless he does have a sense of his own justification to do pretty much anything he pleases, with a large dose of egomania driving his actions, not to mention self-pity at being "betrayed."
What's up with the Thomas Tallis subplot? Just trying to show their diversity by having gay themes? The problem here is, the guy is boring. Do they do anything with him? (I know his buddy Wyatt becomes "important" to the story in S2, too bad for him.)
The Tudors is highly entertaining, but I'd enjoy it more if it were straight fiction and I didn't know just how inaccurate it is. As far as Thomas Tallis is concerned, there's no clear historical evidence that he was homosexual or bisexual. It appears to just be something they threw in to spice up the show. Don't ask me why. I agree that the man is boring.
It is true, though, that Mary Tudor married Charles Brandon after the French king's death, much to Henry's chagrin. Mary's granddaughter was the ill fated Jane Grey, whom (Henry's son) Edward tried to put on the throne as his successor after his death in 1553. Jane was sixteen. She was (reluctantly) executed by order of Mary I, Henry and Catherine's daughter.
The fact that he threw his beloved Anne Boleyn to the wolves, too, proves what a duplicitous, unreligioius jerk he was when the shit hit the fan. Catherine and Anne were his victims. That much, the show gets right.
There was talk of Henry entering the church and becoming a bishop or cardinal or something when he grew up. They had a lot of power in the church. I totally forgot about that. Still, I think protestantism would have taken hold eventually, but that's just my opinion. It might not have been during that century, but eventually.
)was filmed and acted to perfection...ya, I cried (I was always sympathetic to Anne in history anyway...for all of Henry's blustering to get a son, it's her daughter who will rule). Although I missed Sam Neill in the second season, Jeremy Northram had an increased role...gonna miss him now too 