It's what ILM's guys said about the Refit, while working on ST III.That's almost exactly my opinion of the Ent-E.
Except that, the way you're putting it, it sounds like it's intentionally designed to look bad from all of the other angles. I don't believe that for even a hot second, in either case, or pretty much any other (similar) situation for that matter.
I'm not even saying that special care was given only to certain angles while literally ignoring or neglecting all the others angles, really.
But as a sarcastic criticism of the end result, yeah, that's almost exactly my opinion of the Ent-E.
And they were right. Trek ship design is complicated and specific enough that every one of them has "good sides" and bad sides, and they aren't the same from ship to ship.
Years later, TNG folks photographing the D said they'd started out with the mandate to shoot a library of stock shots matching those from TOS - close profile moving screen left and right, etc. - and discovered that the ship didn't look good in all of them. The famous angle of the TOS ship approaching and passing above the camera was not so great - in their judgments - but moving away with the camera below and behind was good.
They said that the eye "wanted" to see the saucer as a circle, and the fact that it was a wide oval often made it look distorted and somehow wrong.


