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Future of Paramount+ among merger talks

Trump got his settlement bribe from CBS so yeah, he doesn't really care further or he would have started a new lawsuit after the recent South Park season premiere.

Who knew Kristi Noem was a fan? :eek:

She had it as her profile pic earlier.

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I still don’t think Donald Trump is going to pay a single second’s thought to something like Star Trek. lol

I figured he'd go after Trek for being "woke".
 
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I figured he'd go after Trek for being "woke".
Nope. For one reason and one reason alone. He believes in a free and open market.

Explanation: Trump’s philosophy is simply, ā€œgo woke and go brokeā€. It’s not without some merit… just ask Anheuser-Busch after the Dylon Mulvaney Bud Light debacle. They lost anywhere between $2-$4 billion, depending on who you ask. That’s not chump change by any measure. Other companies like Ford, Chevy, Harley Davidson, TSC had their own little social experiments and were able to pivot quickly enough when they started to see their numbers start to slip. Other companies waited too long and weren’t so lucky.

Trump will trust that if the viewers want to see something less ā€œSJWā€, they’ll go elsewhere to find something more in alignment with that desire. If they want to see social commentary common to Trek, they’ll stay, and the suits at Paramount or CBS will look at the viewership numbers and possibly make some hard decisions about how program formatting should be adjusted based on the perceived reactions to the viewers. Do they take a chance on less social commentary and move towards less politically-charged subject matter to bring in more numbers or do they double down on the ā€œwokeā€ thinking it will tip the scales? It really is a chess game with demographics. One that Disney seems to have been failing more than most lately. And their market share has shown it, as they have doubled and tripled down with DEI-charged programming. It is their prerogative to do so. It is also the prerogative of the viewing customer to switch to another streaming service if it gets too much. Who will blink first?

At the end of the day, Trump really doesn’t care what the studios do. They will sink or swim based on their programming choices and he will sit back and let the free market economy decide their fate. It’s the main reason why he demolished the EV mandates levied by the previous administration. He knew that EV’s are not ready for prime time acceptance by the buying public. Too many problems, including but not limited to long charging times compared to gas fill-ups, shorter ranges on a single charge vs full tank, costly battery replacements after excessive aging, dangerous explosive combustion being compromised post-accident, sometimes weeks after a simple fender bender, as well as the fact that EV charging stations still largely use fossil fuels to power and the negative environmental impact from mining and processing materials to make the batteries in the first place. All these things really offset the ā€œcarbon footprintā€ that such vehicles supposedly save. This is why we were ā€œmandatedā€ to by these ridiculous things, as nobody would do it freely. Too many problems inherent within them. If they were so amazingly good, why should people be forced to buy them through government mandate? It violates the first rule of a free market: freedom of choice. And maybe- just maybe- the removal of the mandates will make EV’s better by addressing all these problems, making them more appealing to the market. And if they die, they die, paving the way for the next great experiments and innovation.

So no. Trump couldn’t care less about Paramount or Trek or Disney or Star Wars or whatever. He’s a proven master capitalist and will let the market sort them out. He’s got bigger fish to fry than a little sci fi show.
 
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In 17 years, I’m not sure even UFC will still be around. lmao
I don't see it going anywhere.

However, this does remind me of WWE on SyFy back in the day.

It's interesting to read what was said about it back then.

This is pretty funny:


 
Deadline has published an exclusive article on the divided assets arrangement between CBS Studios and Paramount TV Studios.

Importantly, Star Trek is mentioned. (It’s also nice to see Strange New Worlds selected as one of the four thumbnail representatives; too bad it isn’t mentioned in the article title!) At any rate, there aren’t any surprises here - it’s staying with CBS Studios.

Meanwhile, two streaming series originally developed by the former PTVS that CBS Studios took over after the former’s demise — Apple TV+’s Murderbot, renewed for Season 2, and the upcoming Little House On the Prairie for Netflix — will remain at CBS Studios, as will CBS Studios’ homegrown streaming projects including the Star Trek universe on Paramount+.

This doesn’t really tell us much, to be clear. And it was probably Deadline’s subjective call to include it as a primary example, besides. But it’s still good to see it getting cited, and to have continued clarity on its overarching production arrangement.
 
Deadline has published an exclusive article on the divided assets arrangement between CBS Studios and Paramount TV Studios.

Importantly, Star Trek is mentioned. (It’s also nice to see Strange New Worlds selected as one of the four thumbnail representatives; too bad it isn’t mentioned in the article title!) At any rate, there aren’t any surprises here - it’s staying with CBS Studios.

Deadline said:
There are a handful of exceptions; projects in active development to which CBS Studios has attached talent including Galaxy Quest and Flashdance, will stay put.

I see Galaxy Quest is still a thing. :shifty:

Flashdance is new to me.
 

Deadline said:
As for right now they are developing a film that includes brand new characters that Andor director Toby Haynes is on board to direct with Seth Grahame Smith writing and Simon Kinberg and J.J. Abrams producing. They also have another installment with Captain Kirk, Spock and the rest of usual characters returning that also has Abrams producing and Steve Yockey writing.

Sorry, kids ... no streaming Star Trek: Year One (Why would they release a streaming series that features the same characters that they want to use in an upcoming feature film?)
 
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