I don't think it's as deconstructionist as online reviews like to claim..Trying to deconstruct something that relies on a heavy amount of Nostalgia to work is just a bad idea.
I would agree on this point.Thing is I think this all might have worked, in the first movie if they had at least the whole cast together and we got to see our old heroes dealing with a future that didn't turn out exactly what they expected.
Kylo Ren is immature manchild
Much like some parts of fandom.
I rarely say this, but....Jayson's not wrong.
I vaguely recall something along those lines. So the story goes, Disney was getting pissed that TFA, Rogue One and TLJ were all postponed from their originally planned spring release dates and were adamant that Solo had to be released in the spring, especially after Colin Trevorrow's departure from Rise of Skywalker meant that wouldn't ready for a spring release either.IMO Solo was just released at a bad time.
I heard somewhere that LucasFilm wanted to delay it again, but Disney wanted it out.
I remember the joke that was circulating the internet just after TFA's release. "Harrison Ford's two most iconic characters [Han Solo and Indiana Jones] now have sons. One has a petulant manchild who will not control his emotions. The other has Kylo Ren."Kylo Ren is immature manchild
Humanity also has subs.Fandoms are just subsections of humanity.
Now I'm hungry for a Subway sandwich.Humanity also has subs.
Subways are made from subs and this is the way so subway is canon in Star Wars.
In the vast history of Star Wars, few canceled projects remain as intriguing as Star Wars: Underworld. The series, spearheaded by George Lucas and producer Rick McCallum in the late 2000s, was set to explore the criminal underbelly of Coruscant, offering a darker, grittier take on the galaxy far, far away. However, despite over 60 scripts being nearly finished, the project was scrapped after Disney bought the rights due to its astronomical budget.
In a new interview on The Young Indy Chronicles podcast, McCallum shed new light on the doomed project, revealing that the lowest budget he could get it down to for each episode due to the technology needed was ~$40M — an impossible number for television at the time. It was supposed to be 100 episodes long, which would make the production budget $4B. Easily would’ve been the most expensive show ever. Lucasfilm even wanted John Williams to compose the music for all episodes.
“These were dark. They were sexy, they were violent, they were just absolutely wonderful. Wonderful, complicated … challenging. I mean, it would have blown up the whole Star Wars universe … And Disney definitely would’ve never offered to buy Star Wars from George. It’s one of the great disappointments of our life.”
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