I had very low expectations going into the Section 31 movie, especially after seeing interviews saying "Oh, we know what you're worried about!" that then proceeded to prove they have no clue what I was worried about.
My primary concern since the project was initially announced (originally as a spin-off series that thankfully simply became a streaming film): The continued, fundamental misunderstanding of Section 31 that stemmed from the early seasons of Discovery.
Instead of a covert shadow organization that quietly pulled the strings from behind the scenes under the guise of "protecting the Federation," Section 31 is now instead a flashy black ops in plain sight, complete with eye-rolling black Starfleet insignia.
The only point of hope for me was at least enjoying Michelle Yeoh doing what she does best: Kicking ass with smirks and quips aplenty. Unfortunately, that's all we got (that and one cool character concept).
The film is instead full of exposition dumps, kitschy cringeworthy dialogue, brick-heavy subtlety, action sequences on the level of the awful Abrams films, and breaking the basic writing rule of showing not telling. But the worst sin of all? There's nothing remotely Star Trek about this film.
Yes, Rachel Garrett is in the film but this she does not align with the character who we met in "Yesterday's Enterprise." Even if you put aside the absurdity of a Starfleet officer overseeing a Section 31 operation (again, misunderstanding the concept), her characterization is all over the place.
I welcome the exploration of the darker sides of the Star Trek universe (one of the many reasons why I'm a Niner and why that show remains my favorite of the franchise) but that's simply not what this film did.
The film does some nice character exploration for Mirror Georgiou. But the problem for me is that I never liked Mirror Georgiou. That's a me problem, I know, but it's hard to move past that and instead feels like a waste of Yeoh's talents.
The Final Frontier had the campfire scene, McCoy facing his pain, and the wasted potential of David Warner.
Nemesis had the Riker/Troi wedding and the wasted potential of Tom Hardy and Ron Perlman.
Section 31 had a microscopic alien that piloted a robot and the wasted potential of Michelle Yeoh.
When your best attributes are a cool idea that was wasted on an asshole character and a solid character arc for genocidal monster that's inexplicably on the path of redemption, all of which are outshined by singular scenes of Star Trek's worst films, something has gone terribly, horribly wrong.