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The Classic/Retro Pop Culture Thread



50th Anniversary Viewing



Adam-12
"Christmas"
Originally aired December 24, 1974
MeTV said:
During their Christmas Eve Patrol, Malloy and Reed contemplate using their patrol car to deliver a Christmas tree to the residents of a soon-to-be-closed retirement home. Meanwhile, an elderly man's bagpipe playing is considered a public nuisance, a couple of teenagers steal a delivery truck containing radioactive material, a nervous man is desperate to cover up the smell of perfume on his clothing, and an armed robbery suspect becomes intent on committing suicide-by-cop.

Malloy and Reed are chatting about shopping and getting trees when they're called to unknown trouble, which turns out to be an elder gentleman named George Atkinson (Wallace Rooney) who's annoying his neighbors by playing "Deck the Halls" on his bagpipes. He explains how he's practicing to perform for the residents of a nearby old folks' home that's about to be closed down, which will leave some of them on the streets. Reed gives him a tip about where to get a tree at a good price, which is also part of his plans.

The officers are then called to a loading dock where a Mr. Conway (William Bronder) tells them how some teenagers stole a truck carrying radioactive materials while he was preoccupied. He explains that the materials shouldn't be dangerous if their lead canisters aren't opened, after which it's a matter of length of exposure; and pleads that it wasn't his fault. The officers call in Air-10 for search support and the van is located at the good ol' L.A. River Aqueduct, with two cannisters missing. The officers patrol the vicinity on foot to find two young men fiddling with the cannisters in a drainage tunnel. Malloy pulls his gun on them and warns them not to open the cannisters. They surrender and are taken in.

Back on patrol, the officers stop to question a man (Marty Ingels) who's siphoning gas out of a station wagon and into a coffee can. While Reed's checking out his ID, he tells Malloy an unlikely story about how he has to mask a mistress's perfume so his wife won't smell it. When Reed returns, it turns out that the car is his, and his story is true. Malloy advises the man to buy his wife the same perfume.

Stopping by the Christmas tree lot, they find Mr. Atkinson attempting to haggle with the proprietor, Sam (Joseph Mell). Once Sam's agreed to a price, Atkinson tries to pay him with a vintage buffalo nickel, which he says is worth at least eight dollars, but Sam isn't interested until Jim offers to buy if for ten. Then Atkinson tries to persuade the officers to deliver the tree for him, and while they're explaining why they can't, Sam takes it upon himself to put it on top of the squad car. Then a woman comes running up to tell them about a nearby liquor store robbery in progress, so they toss the tree off and proceed to the scene. As Malloy is approaching the store, the owner (Edmund Cambridge) comes out and describes the masked robber as best he can and indicates the direction he left in.

While Woods is asking Pete and Jim about a bit of evergreen that got left on their roof, a sniper starts taking shots at the officers from the roof a building across the street. (I was unclear if this was supposed to be the robber.) After they take cover, a woman (either Faye Michael Nuell or Marion Wright, the other presumably being the woman who reported the liquor store robbery) comes running out of the building to explain that the shooter is her husband, who's stoned and trying to get himself killed. Malloy gets across the street behind the cover of a passing truck and takes the sniper (Richard Balin, I presume) by surprise when he comes out. The woman explains how her husband was at the end of his rope from being out of work. Once the suspect is in custody, Mac visits the scene in his wagon to tell Pete and Jim how he got a call from a citizen who wanted one of his units to deliver a tree for her after she saw a squad car with a tree on it at the tree lot. Everyone's coy about who the unidentified unit was, with Pete playing it cool in assuring the sergeant that they'll be vigilant regarding any such unauthorized activity.

Once they're off duty, Pete and Jim hit the lot in their civvies to pick up a tree for Pete. They find that Atkinson's tree is still there and offer to take it to him, while Pete picks out one for himself, also haggling with Sam. After they arrive at the home bearing the two trees on Pete's car, Sam arrives lugging a box, which he claims is full of ornaments that he was planning to try to sell to Atkinson and the old folks. When he accidentally drops the box, it turns out that it's full of presents. The off-duty officers carry the tree in while Atkinson, now dressed in a Santa suit, plays "Deck the Halls" on his pipes.

I didn't catch if they ever actually specified that it was Christmas Eve in the story, though it was implied to be. This was a pretty cute final holiday installment for the series, though it's no competition for their original contribution in that area, Season 1's "Log 122: Christmas – The Yellow Dump Truck," which has become possibly my favorite Christmas episode of a TV series.



Ironside
"The Visiting Fireman"
Originally aired December 26, 1974
Frndly said:
Ironside's friend from Scotland Yard is masterminding a robbery.

A pair of stocking-masked cat burglars sneak into the British Consulate and pistol-butt the one man working in an office there, Doubleday (Hedley Mattingly), then proceed to break into the safe. The Chief is attending the International Law Enforcement Conference Drug Seminar, where he reacquaints himself with Inspector Bill Walston of Scotland Yard (John Williams). Once the team is investigating the crime, they learn that the embassy codes, while a large amount of cash in the safe seems to have been ignored; while the precision involved indicates people who knew the place, and possibly the safe's combination. Checking into the background of embassy personnel, they learn that senior clerk Henry Beamish (Keith McConnell) was previously suspected of theft within his own family, who covered it up. Ed questions him as he's arriving at the airport from a phony trip that he says was actually an affair rendezvous. Meanwhile, the Chief, suspecting that the code book was a ruse as the codes would be replaced, finds that $3,000 of the $10,000 kept in the safe is missing. The M.O. makes it the fourth in a series of similar thefts, via which the Chief suspects someone's planning to finance a bigger job.

Walston notifies an accomplice (actor unidentified); talks to reporter Roy Makin (Barry Cahill) about Ironside's theory; and loses control of his car, having an accident and ending up in the hospital. Makins does an embarrassing write-up that plays up the Robin Hood angle the Chief has named the case after, painting Ironside as the Sheriff of Nottingham. Ed talks to a Mr. Welks (Larry J. Blake) about equipment that was bought with the money, then talks to inmate Johnny Lewis (James McCallion), who indicates that it can be used to override vault timers from before 1962. Fran uncovers that Walston's car was rented by him in L.A. weeks before he's supposed to have arrived in the States. When the Chief questions him about this, Walston says that he was secretly looking into a heart condition and that he's afraid of being booted off his job ahead of getting his pension.

The latest place hit by Walston's accomplice and his partner is a printing company, where a guard is tied up at gunpoint. The purchased equipment is used to break into the vault, which is full of bundles of foreign bank notes, determined to be worth nearly $2 million. Welks identifies the equipment buyer as a Kenny Wilson. As soon as the Chief is notified in Walston's presence, Walston hits the phone, getting ahold of Barney Rollins (Joseph George), previously mentioned as a suspect. Rollins promptly finds the team converging on an apartment and notifies the man inside, Wilson, who's also Walston's contact and tries to get out via the fire escape only to be shot by Rollins, who quickly drives away. Rollins's car is found abandoned, and Mark pays a boy playing ball nearby (Eric Woods) for info.

When Rollins is picked up, he says that Kenny recruited him for jobs on behalf of a planner he hadn't met; and indicates that the code book was planted in an apartment in an apparent set-up of an unknown party. The apartment turns out to be Beamish's. The Chief gets permission to open the codebook and finds a claim check for $2 million in it. Fran calls the Chief to update him that Walston is back in the hospital in critical condition. The Chief confronts Walston with what he's deduced, that Walston planned to find the code book with the check and solve the cases. He admits to this and indicates that the shooting wasn't part of the original plan before passing away.

Makins, having previously received a tipoff from Walston of a theory he had, does another write-up in which he gives Walston credit for having helped Ironside. Ed reads out loud a speech that the Chief has typed out for the conference, which is cut off by the recording.



Emergency!
"The Bash"
Originally aired December 28, 1974
Edited IMDb said:
An actor is trapped on a film set with a bear. When Roy and Johnny rescue him, they are invited to a "thing" that he's giving later that week. Dr. Brackett treats a man suffering from trichinosis. A bomb blast injures two men. The paramedics resuscitate a musician at the party.

Squad 51 is cruising around after a call when they're assigned to an injury at a movie studio. Proceeding through a backlot where they've probably done rescues before, they come to a studio building in which actor Vic Webster has been trapped with a bear. Johnny has a look at a superficially wounded trainer (Marcus Smith) who's already being seen to by a studio medic and pleads with the paramedics not to shoot Charlene. Then the paramedics cautiously proceed into the building, Johnny with a fire extinguisher ready, and find their way through a building interior set. (I'm pretty sure we've seen this fleabag hotel corridor in an Adam-12 or three.) They find Webster in a stairwell part of the set, nursing a leg wound while hiding from Charlene, who's further down the stairs, and with whom he clarifies he hasn't been getting along. The Terrific Trio make their way out via an adjacent catwalk while Johnny keeps the bear at bay with bursts from his extinguisher. At ground level, they find Charlene back on their trail as they try to find their way to the exit through the set--Roy literally opening a set door to find the bear on the other side and closing it again! When they find the double-doored studio exit, Johnny blocks the inner door shut on the bear. At Rampart, a grateful Webster asks the paramedics to see him. After Roy gets his autograph while claiming it's for Johnny, Vic invites them to the "thing", to be held in a day or two at his place in Bel Air. Johnny gets worked up over the idea of being invited to a Hollywood "bash".

Who is Vic Webster? We've hit the Guest Star Bat-Jackpot, old chum!
Emg56.jpgEmg57.jpg

Meanwhile, in the reception area of Stately Rampart Hospital, a man named Gerard B. Hill (uncredited Heath Jobes) has been brought in by a friend named Ted MacReady (Larry Delaney) for a fever and aching all over. Brackett also finds a rash, discoloration of the fingernails, and sensitivity to his penlight. Brackett diagnoses trichinosis, and Hill admits that he likes to eat raw steak. Brackett asks about his butcher to have the meat checked out. Later, Ted is brought in, also having contracted it. Brackett brings in Dr. Frank Gray from the county Health Department (uncredited Albert Reed), who questions MacReady, learning of a connection with a couple who've contracted it and of how, for the cookouts that they all attended, Ted brought bear and buffalo meat, not telling the others what it was. Gray determines that the culprit would have been the bear meat. He and Brackett are relieved that it's not a more widespread contamination.

Back at the station, Marco encourages the guys to use the party as an opportunity to get discovered, and Johnny practices smiling in front of a mirror. Roy informs Johnny that Joanne has (conveniently) declined to come, and Johnny shows him a magazine as a reference for how to dress. Chet and later Dr. Early are both interested in the guys having the opportunity to meet sex symbol Monique Morris, who's believed to not have a lot going on upstairs (Chet), and to have had a lot of work done (Joe).

Station 51 and Battalion Chief #14 (Morgan Jones) are called to assist the police, who've cordoned off a block where a gunman is holding his wife and her brother hostage in a house, and is said to have rigged the place with explosives. The firefighters extend a ladder for SWAT snipers to get into position on a rooftop. During the standoff, while shots are being exchanged, the house suddenly goes up. The woman is walked out, shaken but not seriously injured, and the two men are found unconscious inside. At Rampart, Dix indicates that the gunman/bomber will make it, though nobody knows what his motive was.

The next day, Johnny picks up Roy in his land rover, both clad in tuxes. They proceed to Stately Webster Manor, where they're impressed by the layout, but promptly find that they're conspicuously overdressed. They help themselves to drinks and hors d'oeuvres while looking for Vic, who's being wheeled around in a chair by his agent, Harry (actor unidentified). Vic loudly introduces Roy and Johnny to the crowd--who don't pay much attention--and tells the paramedics that he's suing the studio. While he proceeds to mingle among other guests, Roy and Johnny make awkward attempts at small talk with Harry and a hip-looking girl (uncredited Janice Whitby). Looking around inside, they find Monique Morris (Karen Jensen) sitting alone in a solarium, knitting and wearing glasses. She chats them up some and then unenthusiastically excuses herself to mingle. The paramedics are agreeing to leave when they hear Monique scream and find that a musician has been electrocuted by faulty wiring. They go to work while Vic looks on admiringly, then we cut to the patient being driven away in an ambulance.
Emg58.jpg
Vic sees Roy and Johnny off while apologizing for how things went and inviting them to another party. As they leave, Johnny's wheels start spinning about what they'll do differently.

WILL THINGS GO BETTER AT THE NEXT "THING"?
TUNE IN NEXT WEEK!
SAME EMERGENCY-TIME!
SAME EMERGENCY-CHANNEL!


I've been sticking to my recordings for Emergency!, but I used Peacock for this one as the recording was glitched.



And all those dreams of a reunion never came to fruition. Maybe if Lennon had lived longer....
An Anthology reunion with living John rather than a bathroom tape could have been glorious.

I definitely saw this, but it's not ringing any bells.
I may have as well, though there was probably still some contention at Grandma's regarding Dick Clark vs. Guy Lombardo.

Guilty.png
It strikes me as a little unfair that the goon squad are still being prosecuted for Watergate after Nixon got his pardon.

Bill baby!
I wonder what his campaign song was in '78.

Something I would have credited to Carter.
Will Sammy Hagar be voting for Carter?

Good one. Moderate nostalgic value.
This one I'd never heard before in my life. I might get it.

Good one, but I wasn't aware of it at the time. Little nostalgic value, and that's from the early 80s.
Decent, lower-key Carole hit.

I actually would have guessed this one came out earlier. Good song, moderate nostalgic value.
I can't recall any first-hand exposure to this one, but it's got a pretty distinctive sound.

I love this one. Strong nostalgic value.
An uber-classic of the era.

I think it was 4 BC, or at least that's the last I heard.
That's the general consensus, based on King Herod being part of the story.

The thing is that age is counted and years are labelled. When you turn 25, that means you've completed 25 years of life-- but the year 2025 is the year 2025 the second it begins.
I still think it would've made sense, if you're going to have years going backwards before the guy, that you have a 0 in there to make it all work out, especially if the 0 corresponds to the actual first year of the guy's life. Makes more sense than saying that year was "before" him. Though to be fair to the church, I assume that they were just using the same before/after dating system that had been used with Roman emperors before Jesus.

Oh, man, the horse punch. What a great movie. :rommie:
But did you know that Karras was Mongo when he came up on M*A*S*H? Seems like something you would've referenced.
 
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Our best ex-president of all time, Jimmy Carter, has died. :( But he did make it to 100 years old and he helped a lot of people. You can't ask for much more than that.

who's annoying his neighbors by playing "Deck the Halls" on his bagpipes.
Shoot first, ask questions later.

The officers are then called to a loading dock where a Mr. Conway (William Bronder) tells them how some teenagers stole a truck carrying radioactive materials while he was preoccupied.
I wonder if this was a random theft or if they knew it was radioactive.

and pleads that it wasn't his fault.
Then whose fault was it?

The officers patrol the vicinity on foot to find two young men fiddling with the cannisters in a drainage tunnel. Malloy pulls his gun on them and warns them not to open the cannisters. They surrender and are taken in.
"Aw, man, if we got them open we could have had powers."

Malloy advises the man to buy his wife the same perfume.
That's a good idea, but I'm surprised at Malloy aiding and abetting an unfaithful husband. :rommie:

Atkinson tries to pay him with a vintage buffalo nickel, which he says is worth at least eight dollars, but Sam isn't interested until Jim offers to buy if for ten.
Is Reed a coin collector?

a sniper starts taking shots at the officers from the roof a building across the street. (I was unclear if this was supposed to be the robber.)
The capsule description seems to think so, so it probably wasn't. :rommie: No, actually, I think it was.

Once the suspect is in custody, Mac visits the scene in his wagon to tell Pete and Jim how he got a call from a citizen who wanted one of his units to deliver a tree for her after she saw a squad car with a tree on it at the tree lot. Everyone's coy about who the unidentified unit was, with Pete playing it cool in assuring the sergeant that they'll be vigilant regarding any such unauthorized activity.
That's hilarious. :rommie:

Pete picks out one for himself, also haggling with Sam.
Pete previously said that the guy offers good deals, but he still haggles with him. :rommie:

This was a pretty cute final holiday installment for the series, though it's no competition for their original contribution in that area, Season 1's "Log 122: Christmas – The Yellow Dump Truck," which has become possibly my favorite Christmas episode of a TV series.
I think it would have been better if there had been a more positive resolution to the retirement home plot, like new funding coming through at the last minute or something.

A pair of stocking-masked cat burglars sneak into the British Consulate and pistol-butt the one man working in an office there
Seems kind of understaffed.

Inspector Bill Walston of Scotland Yard (John Williams)
Indiana Jones, Boston Pops-- no, probably not. :rommie:

the Chief, suspecting that the code book was a ruse as the codes would be replaced, finds that $3,000 of the $10,000 kept in the safe is missing
Why didn't the consultate staff themselves notice this?

The M.O. makes it the fourth in a series of similar thefts, via which the Chief suspects someone's planning to finance a bigger job.
In which case you'd think they'd choose some lower-profile venues than the British Consulate.

and loses control of his car, having an accident and ending up in the hospital.
Because of his heart condition?

it can be used to override vault timers from before 1962.
A nice little detail and clue.

The purchased equipment is used to break into the vault, which is full of bundles of foreign bank notes, determined to be worth nearly $2 million.
Why does a printing company have a vault full of foreign bank notes? And they must have been in long-term storage for Walston to plan and execute all his preliminary thefts.

Rollins's car is found abandoned
Rollins used his own car and then abandoned it? Amateur City.

the code book was planted in an apartment in an apparent set-up of an unknown party.
Okay, I like that there was a purpose behind the theft of the code book, after all.

The Chief gets permission to open the codebook and finds a claim check for $2 million in it.
This was an insurance claim check for the stolen bank notes? That paid off in record time. Did Walston steal that, too? Was this supposed to implicate both Beamish and the printing company?

The Chief confronts Walston with what he's deduced, that Walston planned to find the code book with the check and solve the cases. He admits to this and indicates that the shooting wasn't part of the original plan before passing away.
So Walston had no personal animosity toward Beamish, he just wanted to solve one last big case before his heart condition killed him? There's a lot about this that doesn't make sense to me, but I feel like I might be missing something.

Squad 51 is cruising around after a call
"I don't feel like going back to the station just yet. You wanna cruise the shore drive and stop off at Dairy Queen?"

they come to a studio building in which actor Vic Webster has been trapped with a bear.
I hope the dispatcher warned them about the giant wild animal. :rommie:

and pleads with the paramedics not to shoot Charlene.
"She's a good girl! She didn't ask to be born a bear!"

Then the paramedics cautiously proceed into the building
Okay, but aren't there actual animal experts they could call? Or wouldn't it be better to send in police than paramedics at this point?

They find Webster in a stairwell part of the set, nursing a leg wound while hiding from Charlene, who's further down the stairs, and with whom he clarifies he hasn't been getting along.
"I admit it, I bungled the sex scene."

At ground level, they find Charlene back on their trail as they try to find their way to the exit through the set--Roy literally opening a set door to find the bear on the other side and closing it again!
Exit, pursued by a bear! It seems like I just used that quote recently. It must be the Year of the Bear. :rommie:

Who is Vic Webster? We've hit the Guest Star Bat-Jackpot, old chum!
View attachment 43762View attachment 43763
Then why didn't he just use his Bat Bear Repellent?

Hill admits that he likes to eat raw steak.
They should set him up with Charlene.

Ted brought bear and buffalo meat, not telling the others what it was.
Yeah, let's not tell Charlene that part. :rommie:

During the standoff, while shots are being exchanged, the house suddenly goes up.
It may have been ill advised to shoot at a house rigged with explosives.

Dix indicates that the gunman/bomber will make it, though nobody knows what his motive was.
A dangling plot thread.

Vic, who's being wheeled around in a chair by his agent
Is this really necessary, or is he just playing up his misadventure? :rommie:

Looking around inside, they find Monique Morris (Karen Jensen) sitting alone in a solarium, knitting and wearing glasses.
She's just a regular person, jaded by Hollywood antics.

They go to work while Vic looks on admiringly, then we cut to the patient being driven away in an ambulance.
Vic is also being portrayed as a decent, normal guy, despite the "Hollywood bash" angle. I was expecting more shallowness.

WILL THINGS GO BETTER AT THE NEXT "THING"?
TUNE IN NEXT WEEK!
SAME EMERGENCY-TIME!
SAME EMERGENCY-CHANNEL!
I suspect we'll never hear from Vic again.

An Anthology reunion with living John rather than a bathroom tape could have been glorious.
Yeah, it's a real shame nothing like that ever happened.

I may have as well, though there was probably still some contention at Grandma's regarding Dick Clark vs. Guy Lombardo.
My Nana would have had Guy Lombardo on downstairs while I had Dick Clark on upstairs, and I would flit up and down.

It strikes me as a little unfair that the goon squad are still being prosecuted for Watergate after Nixon got his pardon.
True. Ford should have thought about extending that pardon.

I wonder what his campaign song was in '78.
"Stayin' Alive?"

Will Sammy Hagar be voting for Carter?
Was he old enough to vote? :rommie:

This one I'd never heard before in my life. I might get it.
Yeah, I guess that one qualifies as a Lost 45.

I can't recall any first-hand exposure to this one, but it's got a pretty distinctive sound.
It's weird. I do remember this from the early 70s, but not in connection to other Top 40 music. Maybe from TV variety shows? I'm not sure.

I still think it would've made sense, if you're going to have years going backwards before the guy, that you have a 0 in there to make it all work out, especially if the 0 corresponds to the actual first year of the guy's life. Makes more sense than saying that year was "before" him. Though to be fair to the church, I assume that they were just using the same before/after dating system that had been used with Roman emperors before Jesus.
Okay, you make a good point when comparing it to integers arranged on a number line, but, still, calling it zero implies that there's nothing there. In terms of practicality, I don't think there's any other way to do it than start at one.

But did you know that Karras was Mongo when he came up on M*A*S*H? Seems like something you would've referenced.
Technically, yes, I knew that he was the guy who punched the horse, but I never thought of it when the M*A*S*H episode came up.
 
51st Anniversary Cinematic Special

The Exorcist
Directed by William Friedkin
Starring Ellen Burstyn, Max von Sydow, Lee J. Cobb, Kitty Winn, Jack MacGowran, Jason Miller, and Linda Blair
Released December 26, 1973
  • 1974 Academy Awards for Best Writing, Screenplay Based on Material from Another Medium (William Peter Blatty); Best Sound (Robert Knudson, Christopher Newman)
  • Nominated for Best Picture; Best Actress in a Leading Role (Ellen Burstyn); Best Actor in a Supporting Role (Jason Miller); Best Actress in a Supporting Role (Linda Blair); Best Director (William Friedkin); Best Cinematography (Owen Roizman); Best Art Direction--Set Decoration (Bill Malley, Jerry Wunderlich); Best Film Editing (Jordan Leondopoulos, Bud S. Smith, Evan A. Lottman, Norman Gay)
Wiki said:
The Exorcist is a 1973 American supernatural horror film directed by William Friedkin from a screenplay by William Peter Blatty, based on his 1971 novel. The film...follows the demonic possession of a young girl and the attempt to rescue her through an exorcism by two Catholic priests.
Wiki said:
Principal photography was...difficult. Many cast and crew were injured, some died, and unusual accidents delayed shooting. Production took twice as long as scheduled and cost almost three times the initial budget; the many mishaps have led to a belief that the film was cursed.

It took me a bit to settle in to watching this. It wasn't as bad as the hype from the day made it seem, but it did reinforce that modern horror of my era just isn't my thing. It was nevertheless worth checking out for being such a definitive example.

Wiki said:
In northern Iraq, priest Lankester Merrin [von Sydow] takes part in an archaeological dig in the ancient ruins of Hatra. During the dig, he finds a stone talisman of a winged being that evokes a concerned look on his face. He then has a vision in which a giant version of the same being appears nearby, silently confronting him.
This doesn't seem like it was meant to be a vision, he just symbolically came upon a larger statue that had been unearthed since he'd last been to the site. During this sequence, we see that Merrin's taking nitro tablets for a heart condition.

In Georgetown, Washington, D.C., actress Chris MacNeil [Burstyn] is starring in a film directed by her friend Burke Dennings [MacGowran]. MacNeil, along with her 12-year-old daughter Regan [Blair], rents a luxurious house with hired help. Meanwhile, Father Damien Karras [Miller], a psychiatrist who counsels Georgetown University priests, visits his ailing mother [Vasiliki Maliaros] in New York City. He later confides to a colleague [Tom (Reverend Thomas Bermingham S.J.)] that he is having a crisis of faith.
We also meet Chris's assistant Sharon (Winn), and we get to meet Regan when she's normal and spending time with her mom. Chris hears noises in the attic that she thinks are rats, at one point going up to investigate. Staff member Karl (Rudolf Schündler) insists there are none. We learn that Regan may have invited the demon in when playing around with a Ouija board; she refers to the spirit who guides her as "Captain Howdy". At one point she comes to sleep with her mother because her bed was shaking. Meanwhile, Karras's uncle (Titos Vandis) has had his sister committed to what appear to be a mental hospital.

Chris hosts a party with Karras's friend, Father Dyer [Reverend William O'Malley S.J.], who explains Karras's role as counselor and notes his mother's recent death.
Dyer says that Karras's mother was found dead living alone. I was pretty confused regarding how that lined up with the hospital visit.
Regan, seemingly unwell, appears and urinates before Chris comforts her.
That happens after Regan predicts that one of the guests is going to die.
Regan's bed shakes violently after Chris returns her to it. Later, Dyer consoles Karras, guilty at not having been with his mother when she died.
Karras has a nightmare about his mother going down into a subway tunnel while he tries to run after her.

Regan's personality becomes violent. Medical tests find no physical cause.
A doctor diagnoses a lesion in her temporal lobe, though that doesn't explain the shaking of the bed. She's given an angiography at the hospital that includes a gratuitous bit of business of a large stream of blood spurting out of her neck after a needle is stuck in it.

During a house call, Regan exhibits abnormal strength.
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This is when she starts talking with the demon's voice (Mercedes McCambridge). The doctors in that scene are Klein (Barton Heyman) and Taney (Robert Symonds). More hospital exams ensue.

One night, Chris finds the house empty except for a sleeping Regan; Dennings is found dead at the bottom of a set of public stairs that begin beneath Regan's window.
Dennings's assistant director Chuck (Ron Faber) informs Chris of the offscreen death, which was an underwhelming bit of business as we didn't get to know Dennings very well and he came off as kind of unlikeable. A hypnosis session with a psychiatrist (Arthur Storch) doesn't go well when the demon takes control, grabbing him in a painful spot.

Detective William Kinderman [Cobb] questions Karras, confiding that Dennings's head was turned backward.
Kinderman appears to be questioning Karras as an expert in witchcraft, connecting the incident to a recent desecration of a statue in the church and speculating that an unknown patient of Karras's or priest may be responsible. (This seems to be reaching considerably.)

Regan's body becomes covered with sores. Kinderman tells Chris that the only plausible explanation for Dennings's death is that he was pushed from Regan's window. As Kinderman leaves, Regan has another violent fit, stabbing her vagina with a crucifix and turning her head backward.
While clinic director Dr. Barringer (Pete Masterson) and his staff still cling to scientific explanations for Regan's behavior, Barringer nevertheless suggests trying an exorcism not out of belief, but because he thinks it could be a long-shot psychological treatment. Kinderman visits Chris to ask about the possibility of a third party having been in the house to have pushed Dennings. Regan's new episode includes small objects flying around and furniture moving across the room. I'd love to hear the clinic's explanation for that.

She is confined to her bedroom. Now convinced that her daughter is possessed, Chris seeks out Karras, who visits Regan. The possessed Regan claims to be the Devil, and vomits into Karras's face while speaking in tongues. The demon says it will remain in Regan until she is dead.
Karras is incredulous at being asked about an exorcism. When it's clear that Chris is serious and desperate, he explains that there are procedures to go through and thinks that it could do more harm than good, but he agrees to see Regan in his role as a psychiatrist.
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The above quote from the summary actually includes occurrences from two distinct visits, between which Karras remains skeptical, and Chris tells him that she thinks Regan killed Dennings. The speaking in tongues happens during the second visit and is recorded. Karras plays the tape for a language lab director (John Mahon), who indicates that the voice is speaking backwards. When the tape is reversed, the rantings are more intelligible, and while they don't shed any light concerning Paul's mortal status, they do reference Merrin as a priest to be feared.

At night, Chris's assistant calls Karras to the house; he concludes that an exorcism is warranted. His superior [Bishop Michael (Wallace Rooney)] grants permission on the condition that an experienced priest lead the ritual. Merrin, having performed an exorcism before, is summoned.
Sharon specifically shows Karras that Regan has the words "help me" written in welts on her abdomen. Bishop Michael goes to Father Tom, who recommends Merrin as having conducted an exorcism years prior in Africa, which is supposed to have lasted months and nearly killed him.

Merrin arrives at the house. As the two priests read from the Roman Ritual, the demon curses them.
When Merrin arrives, he quickly gets down to business, dismissing Karras's psychological assessment and having him help with preparations. As Karras assists Merrin in the bedroom, the experience is clearly an eye-opener for him.
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The priests rest and Merrin, shaking, takes nitroglycerin. Karras enters the bedroom where the demon appears as his mother, perturbing Karras despite his denials. Merrin excuses Karras and continues the exorcism by himself. Karras assures Chris that Regan will not die and re-enters the room, finding Merrin dead from a heart attack while Regan watches and laughs.
By which point Kinderman, who's been staking out the place, has come to the door.
Karras beats the possessed Regan in a fit of rage and demands that the demon take him instead. The demon rips the medallion of Saint Joseph from Karras's neck and possesses him, freeing Regan in the process. Karras jumps out the window, tumbling down the stone stairs outside. Chris and Kinderman enter the room.
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Chris embraces the healed Regan, and Kinderman surveys the scene. Outside, Dyer administers the dying Karras last rites.

The MacNeils prepare to leave, and Father Dyer says goodbye. Despite having no memory of her ordeal, Regan, moved by the sight of Dyer's clerical collar, kisses him on the cheek. As the MacNeils leave, Chris gives Dyer the medallion found in Regan's room. Dyer briefly examines the steps where Karras died before walking away.
I'd be curious to know how the aftermath of this may have played out. Presumably Karras would have taken the fall as the likely murder suspect. Were there any repercussions for Regan? Maybe the novel and/or sequels got into more of this.

Wiki said:
Reviews were mixed, but audiences waited in long lines during cold weather....Some viewers suffered adverse physical reactions, fainting or vomiting to shocking scenes such as a realistic cerebral angiography. Many children were allowed to see it, leading to charges that the Motion Picture Association of America (MPAA) had accommodated the studio by giving the film an R rating instead of an X rating to ensure the troubled production its commercial success. Several cities attempted to ban it outright or prevent children from attending. At the end of its original theatrical run, the film grossed $193 million, and has a lifetime gross of $441 million with subsequent re-releases.

The cultural conversation around the film helped it become the first horror film to be nominated for the Academy Award for Best Picture, as well as nine others. Blatty won Best Adapted Screenplay, while the sound engineers took Best Sound. It has had several sequels and was the highest-grossing R-rated horror film (unadjusted for inflation) until 2017's It. The Exorcist significantly influenced pop culture, and several publications regard it as one of the greatest horror films ever made. In 2010, the Library of Congress selected the film for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant".



Not only does Peacock still have SMDM, it looks like they've picked up The Bionic Woman as well.

Our best ex-president of all time, Jimmy Carter, has died. :( But he did make it to 100 years old and he helped a lot of people. You can't ask for much more than that.
He had an impressive run as a our longest-lived ex-president. It's a bit sobering that Bubba is now our the ex-president with the most seniority (though not the oldest).

I wonder if this was a random theft or if they knew it was radioactive.
Random; they even showed us that the sign hadn't been put on the truck yet.

Then whose fault was it?
I think he was getting the sign.

That's a good idea, but I'm surprised at Malloy aiding and abetting an unfaithful husband. :rommie:
He was relieved that he didn't have to arrest him.

Is Reed a coin collector?
Haven't caught where it may have come up before, but seems reasonable.

The capsule description seems to think so, so it probably wasn't. :rommie: No, actually, I think it was.
I'm not so sure...it seems a little contrived either way.

Pete previously said that the guy offers good deals, but he still haggles with him. :rommie:
They'd driven by the place in the opening scene and commented how he had a lot of unsold stock, so I think they assumed he'd offer a bargain.

Seems kind of understaffed.
It was night.

Indiana Jones, Boston Pops-- no, probably not. :rommie:
One of the go-to elder British actors of the era...he's come up in other things.

Why didn't the consultate staff themselves notice this?
If they'd been more thorough they would have, but that was the M.O.--take a minority of the cash so that it didn't look like it had been stolen.

In which case you'd think they'd choose some lower-profile venues than the British Consulate.
I assume that was because Walston knew the place.

Because of his heart condition?
Yes.

Why does a printing company have a vault full of foreign bank notes?
They were printing them.

This was an insurance claim check for the stolen bank notes?
I wasn't clear regarding this, but I think it was meant to implicate fencing, or maybe deposit, though that seems less likely.

There's a lot about this that doesn't make sense to me, but I feel like I might be missing something.
Same here, and I wasn't motivated to give it another watch.

I hope the dispatcher warned them about the giant wild animal. :rommie:
Nope.

Okay, but aren't there actual animal experts they could call?
That's what I was thinking.

"I admit it, I bungled the sex scene."
:D

Exit, pursued by a bear! It seems like I just used that quote recently.
Where's it from?

Emg59.jpgEmg60.jpgEmg61.jpg

Then why didn't he just use his Bat Bear Repellent?
The director was Cesar Romero, who stole his utility belt.

Yeah, let's not tell Charlene that part. :rommie:
One of the paramedics' attempts at small talk at the party was based on the bear connection.

It may have been ill advised to shoot at a house rigged with explosives.
Actually, we don't see any shots being fired at the house. Apparently it was the gunman firing out, though this wasn't clear because the house was off-camera most of the time.

Is this really necessary, or is he just playing up his misadventure? :rommie:
The paramedics didn't say anything about it.

She's just a regular person, jaded by Hollywood antics.
Or at least more nuanced and down-to-earth than her reputation would suggest.

Vic is also being portrayed as a decent, normal guy, despite the "Hollywood bash" angle. I was expecting more shallowness.
This was a striking bit of business. While there were hints of him being wrapped up in his Hollywood world, the outright shallowness was left to his party guests.

I suspect we'll never hear from Vic again.
Or maybe he'll be recast with John Astin or Eartha Kitt.

My Nana would have had Guy Lombardo on downstairs while I had Dick Clark on upstairs
IIRC, the reverse was the situation that got settled into at my Grandma's.

"Stayin' Alive?"
That was actually slightly younger than his '92 campaign song.

Was he old enough to vote? :rommie:
Yep...would've been 29 for the '76 election.

Okay, you make a good point when comparing it to integers arranged on a number line, but, still, calling it zero implies that there's nothing there. In terms of practicality, I don't think there's any other way to do it than start at one.
Think in terms of "zero hour" (9 a.m.) or "ground zero".
 
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Our best ex-president of all time, Jimmy Carter, has died. :( But he did make it to 100 years old and he helped a lot of people. You can't ask for much more than that.

A man too nice to be President.

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The Exorcist
Brrrrr.

It took me a bit to settle in to watching this. It wasn't as bad as the hype from the day made it seem
Well, it was way beyond what the audience was used to at the time. Not just the extremism, but the realism. "You will believe a girl can be possessed by a demon."

Dyer says that Karras's mother was found dead living alone. I was pretty confused regarding how that lined up with the hospital visit.
I don't remember those details at this point. There's really only one part of the movie I remember clearly.

While clinic director Dr. Barringer (Pete Masterson) and his staff still cling to scientific explanations for Regan's behavior, Barringer nevertheless suggests trying an exorcism not out of belief, but because he thinks it could be a long-shot psychological treatment.
This is one of the cool things about the movie-- like Night Stalker, it convincingly fits ancient Folklore and Horror tropes into a realistic modern setting. Not just using the modern setting, but the fine details of how contemporary people would react and how various elements of contemporary society would come into play. It's pretty common now, but stories like this were the pioneers.

Regan's new episode includes small objects flying around and furniture moving across the room. I'd love to hear the clinic's explanation for that.
There must be a second lesion in the telekinesis lobe. :rommie:

When the tape is reversed, the rantings are more intelligible, and while they don't shed any light concerning Paul's mortal status, they do reference Merrin as a priest to be feared.
A missed opportunity. Maybe there's a deleted scene. :rommie:

Sharon specifically shows Karras that Regan has the words "help me" written in welts on her abdomen.
This was an effectively horrifying scene that also confirmed an important plot point-- that the kid can still be saved.

Bishop Michael goes to Father Tom, who recommends Merrin as having conducted an exorcism years prior in Africa, which is supposed to have lasted months and nearly killed him.
Exorcisms are no walk in the park.

As Karras assists Merrin in the bedroom, the experience is clearly an eye-opener for him.
I have mixed feelings about the appearance of the demon.

By which point Kinderman, who's been staking out the place, has come to the door.

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This is the whole movie for me, right there-- when he sacrifices himself to save the girl. The movie overall is effectively disturbing and grotesque, but it all boils down to a story about a guy who becomes a hero. It's an amazing scene.

I'd be curious to know how the aftermath of this may have played out. Presumably Karras would have taken the fall as the likely murder suspect. Were there any repercussions for Regan? Maybe the novel and/or sequels got into more of this.
I'm not sure. I never read the book. But it probably does have some sort of an epilogue detailing the cleanup.

Not only does Peacock still have SMDM, it looks like they've picked up The Bionic Woman as well.
Nice. I wonder if they will have the movies.

He had an impressive run as a our longest-lived ex-president. It's a bit sobering that Bubba is now our the ex-president with the most seniority (though not the oldest).
Geez, I didn't even think of that.

Haven't caught where it may have come up before, but seems reasonable.
He does kind of seem like the type, but I wasn't sure if they had established it.

I'm not so sure...it seems a little contrived either way.
Yeah, he really just needed to get in a shootout with the cops at the store.

If they'd been more thorough they would have, but that was the M.O.--take a minority of the cash so that it didn't look like it had been stolen.
If they hadn't taken the code book, they would have gotten away with it probably.

I assume that was because Walston knew the place.
Did they give any details about the previous thefts?

They were printing them.
Ohhh....

Where's it from?
Shakespeare, believe it or not. :rommie:

The director was Cesar Romero, who stole his utility belt.
Seriously? There must have been a lot of fun on the set, if so. :rommie:

The paramedics didn't say anything about it.
I mean, he just had a little Boo Boo.

Or at least more nuanced and down-to-earth than her reputation would suggest.

This was a striking bit of business. While there were hints of him being wrapped up in his Hollywood world, the outright shallowness was left to his party guests.
Yeah, there was some nuanced writing there.

Or maybe he'll be recast with John Astin or Eartha Kitt.
:rommie:

Yep...would've been 29 for the '76 election.
Wait, Sammy Hagar is fourteen years older than me?! That means he was pushing 40 when he joined Van Halen. Yikes!

Think in terms of "zero hour" (9 a.m.) or "ground zero".
Yeah, but those are different contexts. "Zero Hour" is the culmination of a countdown, so time really does run out. And "Ground Zero" is, I don't know, just a figure of speech, I guess. They don't call a near miss "Ground One." :rommie:

A man too nice to be President.

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Indeed. Very true.
 
50th Anniversary Cinematic Special

Blazing Saddles
Directed by Mel Brooks
Starring Cleavon Little, Gene Wilder, Slim Pickens, Mel Brooks, Harvey Korman, and Madeline Kahn
Released February 7, 1974
  • 1975 Academy Award nominations for Best Actress in a Supporting Role (Madeline Kahn); Best Film Editing (John C. Howard, Danford B. Greene); and Best Music, Original Song (John Morris, Mel Brooks)
Wiki said:
Blazing Saddles is a 1974 American satirical postmodernist Western black comedy film directed by Mel Brooks, who co-wrote the screenplay with Andrew Bergman, Richard Pryor, Norman Steinberg and Alan Uger, based on a story treatment by Bergman.

I originally happened upon this film in progress on Showtime ca. '81, I think. Even though I'm pretty sure I'd already seen Airplane! many times by this point (also on Showtime), I'd probably never laughed harder.

The title song is perhaps a little too straight for the film, such that, as I read, Frankie Laine sung it straight without knowing that it was supposed to be a spoof.

Wiki said:
On the American frontier of 1874, a new railroad under construction will have to be rerouted through the town of Rock Ridge to avoid quicksand. Realizing this will make Rock Ridge worth millions, territorial attorney general Hedley Lamarr [Korman] plans to force Rock Ridge's residents out of the town and sends a gang of thugs, led by his flunky Taggart [Pickens], to shoot the sheriff and trash the town.
The movie's humorous usage of anachronisms is established in the opening scene, as Bart (Little) leads his fellow black railroad workers in a singalong of "I Get a Kick Out of You". Taggart has the foreman, Lyle (Burton Gilliam), send Bart and Charlie (Charles McGregor) to survey the route for quicksand.
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The bandits soon start raiding Rock Ridge (where Howard Johnson's Ice Cream Parlor has signage boasting "1 Flavor"), which leads to a town meeting during a church service.
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Characters in this scene include Reverend Johnson (Liam Dunn), Gabby Johnson (Claude Ennis Starrett Jr.), and Olson Johnson (David Huddleston). Subsequent speakers include Dr. Samuel Johnson (Richard Collier), Howard Johnson (John Hillerman), and Van Johnson (George Furth)...the running gag being that all of the townsfolk are Johnsons.

The townspeople demand that Governor William J. Le Petomane [Brooks] appoint a new sheriff to protect them.
Harrumphing with the Governor

The governor's provocative secretary is Miss Stein (Robyn Hilton). Supposedly Hedy Lamarr actually sued during production (which seems a little odd) over the running gag of everyone accidentally addressing Hedley by her name, which this scene references.

Lamarr persuades dim-witted Le Petomane to appoint Bart, [who's] about to be executed for assaulting Taggart. A black sheriff, Lamarr reasons, will offend the townspeople, create chaos and leave Rock Ridge at his mercy.
Robert Ridgely is apparently uncredited as Lamarr's overbooked hangman, costumed as a medieval executioner. Lamarr persuades the governor with the notion of national office based on making history, and they proceed on the assumption that Bart will be dead within a day. Dressed for sheriffing, Bart rides to Rock Ridge to the accompaniment of "April in Paris" by Count Basie and his orchestra...who appear on camera, playing in the desert and interacting with Bart.

After an initial hostile reception in which he takes himself "hostage" to escape, Bart relies on his quick wits and the assistance of Jim, an alcoholic gunslinger known as the "Waco Kid" [Wilder], to overcome the townspeople's hostility.
For Bart's reception, see the YouTube clip Welcome, Sheriff - Blazing Saddles (4/10) Movie CLIP (1974) HD. Due to the movie's frequent use of the N-word in lampooning bigotry via '70s standards, I won't be posting or linking this or a couple of other Fandango movie clips here. (This would be a good place to note that co-writer Richard Pryor has a hit album on the chart in 50th Anniversaryland with the N-word in the title, which will win the 1975 Grammy for Best Comedy Album.) Another Johnson appearing in this clip is schoolmarm Harriett Johnson (Carol Arthur, who was Dom DeLuise's wife). Bart pretending to hold himself hostage as if possessed by two personalities is pretty good.

While the town council meets to plan sending a complaint to the governor, Bart sets up shop and meets Jim, who's locked up as a drunk. They get to know each other over a game of chess, Jim demonstrating how his hands are quicker than the eye and telling of how he turned to the bottle, which has ruined his shooting hand, after a six-year-old challenger he tried to walk away from shot him in the ass. Bart, in turn, goes into a flashback about how his family traveled west in a wagon train that segregated them to the point that they had to ride their wagon in separate circle during an Indian attack. Brooks also plays the Indian chief in this sequence, which is where I recall having picked up on the film the first time I saw it.

Meanwhile, at Taggart's outlaw camp...
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Is it wrong that I still laugh over this? The outlaws decide to send Mongo (Alex Karras), a simple-minded brute who can knock out horses, to terrorize Rock Ridge. Alas, I won't be able to show the beginning of one of the most hilarious sequences in the movie, so I'll refer you to Blazing Saddles (6/10) Movie CLIP - Mongo Comes to Town (1974) HD.
BS06.jpg
Bart subdues Mongo, an immensely strong and dim-witted, yet philosophical henchman sent to kill him, then outwits German seductress-for-hire Lili Von Shtupp [Kahn] at her own game, with Lili falling in love with him.
Heeding Jim's advice that "if you shoot him, you'll just make him mad," Bart deals with Mongo by delivering an explosive candygram, accompanied by the Looney Tunes theme. Following this, Mongo, who was only knocked out, becomes subservient to Bart, the only man who ever whipped him; and the townsfolk begin to show more respect in their own way...the uncredited old lady who rebuffed Bart in the clip referenced above bringing him a pie while asking him not to tell anyone.

Lamarr gets his next idea from an off-color comment by Taggart. At Lamarr's behest, Lili invites Bart to come up and see her after her cabaret show, but this scheme backfires on Lamarr when she falls for Bart.
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Upon release, Mongo vaguely informs Bart of Lamarr's connection to the railroad, so Bart and Jim visit the railroad worksite and discover from Bart's best friend Charlie that the railway is planned to go through Rock Ridge.
Best line in the film:
BS01.jpg
"Mongo only pawn in game of life."

It's a bit disappointing that the turning of Mongo doesn't play a role in the climax. He more or less disappears from the film.

Taggart and his men arrive to kill Bart, but Jim outshoots them and forces their retreat.
See Blazing Saddles (8/10) Movie CLIP - Applause for the Waco Kid (1974) HD.

Furious that his schemes have backfired, Lamarr recruits an army of thugs, including common criminals, motorcycle gangsters, Ku Klux Klansmen, Nazi soldiers, and Methodists.
Mugs, Pugs and Thugs

After getting wind of Lamarr's recruitment drive, the townsfolk pack up to leave, but Bart convinces them to give him a chance to come up with a plan.
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The gum chewer is played by Don Megowan.

Taggart (shouting to his men): We'll head 'em off at the pass!!!
Lamarr: "Head them off at the pass"? I hate that cliche.​

East of Rock Ridge, Bart introduces the white townspeople to the black, Chinese, and Irish railroad workers who have all agreed to help them in exchange for acceptance by the community, and explains his plan to defeat Lamarr's army.

Olson Johnson: Alright, we'll give some land to the n-----s and the c----s...but we don't want the Irish!​

They labor all night to build a perfect copy of the town as a diversion.

Bart: Right down to the orange roof on Howard Johnson's outhouse.​

When Bart realizes it will not be enough to fool the villains, the townsfolk construct copies of themselves.
The fake town is, I assume, the actual town set, shot to be seen for what it is.

Bart, Jim, and Mongo buy time by constructing the "Gov. William J. Le Petomane Thruway", forcing the raiding party to send for change to pay the toll.
BS02.jpg
"Somebody's gotta go back and get a shitload o' dimes!"

Once through the tollbooth, the raiders attack the fake town and its population of dummies, which have been booby trapped with dynamite. After Jim detonates the bombs with his sharpshooting, launching bad guys and horses skyward, the Rock Ridgers attack the villains with Lili singing with the Nazi soldiers.

For the climax, the film dials its up-to-now casual fourth wall-breaking up to 11.
The resulting brawl between townsfolk, railroad workers, and Lamarr's thugs literally breaks the fourth wall and bursts onto a neighboring movie set where director Buddy Bizarre [Dom DeLuise] is filming a Busby Berkeley-style top-hat-and-tails musical number.

BS03.jpg
"Piss on you, I'm workin' for Mel Brooks!"

Then the brawl spreads into the studio commissary for a food fight and spills out of the Warner Bros. film lot onto the streets of Burbank.

Lamarr escapes the brawl and takes a taxi to hide at Mann's Chinese Theatre which is showing the premiere of Blazing Saddles.
BS04.jpg
On his way in, Lamarr habitually corrects a tourist who's commenting on the shoeprints of Hedy Lamarr.
As he settles into his seat, he sees onscreen Bart arriving on horseback outside the theatre.
BS05.jpg
Bart blocks Lamarr's escape and shoots him in the groin. Bart and Jim then enter the theater to watch the end of the film.

Back in the film, Bart announces to the townspeople that he is moving on because his work is done (and because he is bored). Riding out of town, he finds Jim, still eating his popcorn, and invites him along to "nowhere special". The two friends briefly ride into the desert before dismounting and boarding a limousine which drives off into the sunset.
The ending is perhaps also played a bit too straight, Jim's popcorn and the limo notwithstanding.

Wiki said:
The film was almost unreleased. "When we screened it for executives, there were few laughs," said Brooks. "The head of distribution said, 'Let's dump it and take a loss.' But [studio president John] Calley insisted they open it in New York, Los Angeles, and Chicago as a test. It became the studio's top moneymaker that summer."
The film received generally positive reviews from critics and audiences, was nominated for three Academy Awards and is today regarded as a comedy classic. It is ranked number six on the American Film Institute's 100 Years...100 Laughs list, and was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and was selected for preservation in the National Film Registry in 2006.

Some of the gags don't make me laugh as much as they did when I was a kid, but this was definitely worth revisiting, particularly as I hadn't seen it in many years.



Well, it was way beyond what the audience was used to at the time. Not just the extremism, but the realism. "You will believe a girl can be possessed by a demon."
I can imagine. I did read a second-hand comment on the film's Wiki page about how the film loses its impact in later times from having established oft-imitated conventions of the genre.

I don't remember those details at this point. There's really only one part of the movie I remember clearly.
Maybe you should give it another spin, you might not find it as chilling.

This is one of the cool things about the movie-- like Night Stalker, it convincingly fits ancient Folklore and Horror tropes into a realistic modern setting. Not just using the modern setting, but the fine details of how contemporary people would react and how various elements of contemporary society would come into play. It's pretty common now, but stories like this were the pioneers.
I read that the novel maintained benefit of the doubt by countering every early manifestation with a potential scientific explanation; whereas in the film, there's less doubt and the parade of skeptical doctors becomes tedious. The demon should have tossed one of the doctors out the window.

A missed opportunity.
Definitely...but they probably would have been too afraid of undermining the tension to consider inserting a reference.

This was an effectively horrifying scene that also confirmed an important plot point-- that the kid can still be saved.
And it suggests that she was aware of what was happening and is thus blocking the experience out at the end of the film, which is ripe for revisiting.

I have mixed feelings about the appearance of the demon.
That little silhouette? Relatively brief and subtle, and ties in to the statue at the beginning.

This is the whole movie for me, right there-- when he sacrifices himself to save the girl. The movie overall is effectively disturbing and grotesque, but it all boils down to a story about a guy who becomes a hero. It's an amazing scene.
Looking at Karras with the possessed eyes, I can't help thinking that this must have influenced TIH.

Nice. I wonder if they will have the movies.
You mean the reunion movies from the '80s and '90s?

Geez, I didn't even think of that.
And we're now back to having consecutive surviving presidents for the first time in 20 years, since Reagan passed.

If they hadn't taken the code book, they would have gotten away with it probably.
The stealing of the code book helped to divert attention from the money. It initially appeared to be what the thieves were after.

Did they give any details about the previous thefts?
Nothing to speak of.

Shakespeare, believe it or not. :rommie:
Huh...not familiar with that one.

Seriously?
Of course not. :p

I mean, he just had a little Boo Boo.
Rudy wishes you a Happy New Year, and reminds you that it's not too late to make a resolution.

Yeah, but those are different contexts. "Zero Hour" is the culmination of a countdown, so time really does run out.
Are the B.C. years not effectively a Countdown to Jesus?

And "Ground Zero" is, I don't know, just a figure of speech, I guess. They don't call a near miss "Ground One." :rommie:
Is Jesus's arrival not "the bomb," that they changed the calendar for him?
 
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Are the B.C. years not effectively a Countdown to Jesus?
Wouldn't a countdown imply reaching zero? The counting of the years from 1BC went straight to 1AD and there was no year zero. Which is why the year 2000 was the last year of the 20th century, and 2001 was the first year in the 21st.
Is it wrong that I still laugh over this? The outlaws decide to send Mongo (Alex Karras), a simple-minded brute who can knock out horses, to terrorize Rock Ridge. Alas, I won't be able to show the beginning of one of the most hilarious sequences in the movie, so I'll refer you to Blazing Saddles (6/10) Movie CLIP - Mongo Comes to Town (1974) HD.
You mean this one?
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And, it's still ok to laugh.:lol:
 
Wouldn't a countdown imply reaching zero? The counting of the years from 1BC went straight to 1AD and there was no year zero. Which is why the year 2000 was the last year of the 20th century, and 2001 was the first year in the 21st.
That's what we've been discussing. I've been arguing that there should have been a year 0 so that the numbering of the years works out more intuitively.

You mean this one?
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And, it's still ok to laugh.:lol:
The Fandango clip started a bit earlier, with the scene of the old lady telling Bart "Up yours, n-----!"; hence my not posting it. I considered posting it with a later starting time set.
 
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That's what we've been discussing. I've been arguing that there should have been a year 0 so that the numbering of the years works out more intuitively.
Unfortunately, I don't think the Roman numeral system had a letter to represent zero, or even if they did, they didn't use it, so we're stuck with what we were given over two millennia ago.:shrug:
 
Unfortunately, I don't think the Roman numeral system had a letter to represent zero, or even if they did, they didn't use it, so we're stuck with what we were given over two millennia ago.:shrug:
Ah, now that's something I hadn't considered.
 
Ah, now that's something I hadn't considered.
The modern use of 0 was used to denote a base ten space. 305 is used to denote three hundreds, no tens and 5 ones. In Roman numerals, it would be CCCV. Nothing denotes the zero, because the Romans didn't have a zero in their numbering system. The calendar year representation used by the Romans and later Holy Roman Empire would be the letter "I", as in I BC to I AD, instead of 1 BC to 1 AD. The zero derives from Indian mathematics that was transmitted to Europe via medieval Islamic mathematicians. It was independently used by the Maya for the same purpose in Mexico.
 
I originally happened upon this film in progress on Showtime ca. '81, I think. Even though I'm pretty sure I'd already seen Airplane! many times by this point (also on Showtime), I'd probably never laughed harder.
Both Blazing Saddles and Young Frankenstein are pretty much at the top of the list of comedy movies, along with Airplane!. His other movies are good, but they can't match these two.

The title song is perhaps a little too straight for the film, such that, as I read, Frankie Laine sung it straight without knowing that it was supposed to be a spoof.
I wonder if Mel Brooks did that deliberately because he wanted it played straight.

The bandits soon start raiding Rock Ridge (where Howard Johnson's Ice Cream Parlor has signage boasting "1 Flavor")
I wonder if this was straight satire or product placement. :rommie:

Supposedly Hedy Lamarr actually sued during production (which seems a little odd) over the running gag of everyone accidentally addressing Hedley by her name, which this scene references.
I'm disappointed in her humorlessness-- she's quite a fascinating character, for various reasons.

For Bart's reception, see the YouTube clip Welcome, Sheriff - Blazing Saddles (4/10) Movie CLIP (1974) HD.
Is it just me, or is the captioning on all these clips way off?

Due to the movie's frequent use of the N-word in lampooning bigotry via '70s standards, I won't be posting or linking this or a couple of other Fandango movie clips here. (This would be a good place to note that co-writer Richard Pryor has a hit album on the chart in 50th Anniversaryland with the N-word in the title, which will win the 1975 Grammy for Best Comedy Album.)
The 21st century is a parody on a level that even Mel Brooks never dreamed of. :rommie:

Bart pretending to hold himself hostage as if possessed by two personalities is pretty good.
That's hilarious. But if I listed every scene that I think is hilarious, it would pretty much be a transcript of the film. :rommie:

They get to know each other over a game of chess, Jim demonstrating how his hands are quicker than the eye
"Steady as a rock. But this is my shooting hand." :rommie:

Meanwhile, at Taggart's outlaw camp...
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Is it wrong that I still laugh over this?
Actually, this is probably the one scene in the movie that I could live without.

Alas, I won't be able to show the beginning of one of the most hilarious sequences in the movie, so I'll refer you to Blazing Saddles (6/10) Movie CLIP - Mongo Comes to Town (1974) HD.
I read somewhere that Gene Wilder ad-libbed "morons" and Cleavon Little's laugh is genuine.

Bart deals with Mongo by delivering an explosive candygram, accompanied by the Looney Tunes theme.
Bart is Bugs! :rommie:

Best line in the film:
View attachment 43797
"Mongo only pawn in game of life."
:rommie:

It's a bit disappointing that the turning of Mongo doesn't play a role in the climax. He more or less disappears from the film.
Yeah, I don't think I ever realized that.

See Blazing Saddles (8/10) Movie CLIP - Applause for the Waco Kid (1974) HD.
Nice. :rommie:

Olson Johnson: Alright, we'll give some land to the n-----s and the c----s...but we don't want the Irish!
Can't say that I blame them. :rommie:

The fake town is, I assume, the actual town set, shot to be seen for what it is.
The horses flying into the air gave me cramps of laughter. :rommie:

For the climax, the film dials its up-to-now casual fourth wall-breaking up to 11.
I wonder if it qualifies retroactively as the first Multiverse movie. :rommie:

"Piss on you, I'm workin' for Mel Brooks!"
:rommie:

Some of the gags don't make me laugh as much as they did when I was a kid, but this was definitely worth revisiting, particularly as I hadn't seen it in many years.
I haven't seen it in a while either, but I'm pretty sure I have the DVD.

I can imagine. I did read a second-hand comment on the film's Wiki page about how the film loses its impact in later times from having established oft-imitated conventions of the genre.
Unfortunately, this is a common problem with classic stuff, from Asimov to Twilight Zone-- they've been copied so many times that they lack punch for the modern audience. Like the old joke about the guy who finally went to see a Shakespeare play: "What's the big deal, it's just a bunch of quotes strung together."

Maybe you should give it another spin, you might not find it as chilling.
Probably not, but it would be worth seeing and having the DVD.

I read that the novel maintained benefit of the doubt by countering every early manifestation with a potential scientific explanation; whereas in the film, there's less doubt and the parade of skeptical doctors becomes tedious. The demon should have tossed one of the doctors out the window.
I remember Exorcist, like Carrie and Jaws, as one of those paperbacks that girls could be seen carrying around in school. There was a coolness factor. :rommie:

Definitely...but they probably would have been too afraid of undermining the tension to consider inserting a reference.
Yeah, there's not a dram of humor in the movie, I don't think. I think every movie has to have a few laugh lines these days.

And it suggests that she was aware of what was happening and is thus blocking the experience out at the end of the film, which is ripe for revisiting.
True.

That little silhouette? Relatively brief and subtle, and ties in to the statue at the beginning.
I found it a bit jarring next to the hyper-realism of the rest of the movie. I would have gone for a more vague silhouette directly behind the girl.

Looking at Karras with the possessed eyes, I can't help thinking that this must have influenced TIH.
Could be.

You mean the reunion movies from the '80s and '90s?
Yes, I remember enjoying those-- although I vaguely remember some ridiculous twist that gave Jamie bionic vision. I can't dredge up the details at the moment.

And we're now back to having consecutive surviving presidents for the first time in 20 years, since Reagan passed.
Ironically, it will likely be the newer presidents who die before the older ones.

Huh...not familiar with that one.
Google reminds me that it's from A Winter's Tale.

Of course not. :p
Ah, I was hoping it was true. :rommie:

Rudy wishes you a Happy New Year, and reminds you that it's not too late to make a resolution.
I could never keep it even if I made it. :rommie:

Are the B.C. years not effectively a Countdown to Jesus?
I suppose that's a valid way of looking at it, but generally at the end of a countdown time runs out, whereas in that interpretation it restarts. Zero would have to be in the Planck moment between 1BC and 1AD.

Is Jesus's arrival not "the bomb," that they changed the calendar for him?
That's a bit more poetic than numeric. :rommie:

Unfortunately, I don't think the Roman numeral system had a letter to represent zero, or even if they did, they didn't use it, so we're stuck with what we were given over two millennia ago.:shrug:
Good point. That never even occurred to me. I suppose they could have called the year of his alleged birth "Anno Domini" (or "Anno Nullo," but that sounds stupid) and then just added +1 every year. Personally, I don't see the point, though-- when I count things, I start with one, not zero.
 
70 Years Ago This Month


January 1
  • The United Kingdom's first atomic bomber unit, the Royal Air Force's No. 138 Squadron, is formed, flying Vickers Valiants from RAF Gaydon.
  • The 1955 Cotton Bowl Classic American football game is won by the Georgia Tech Yellow Jackets.

January 2
  • Died: José Antonio Remón Cantera, 46, president of Panama, assassinated by shooting by unknown assailants at a race track in Panama City, along with one of his bodyguards

January 3
  • José Ramón Guizado, Vice President of Panama, takes over as President of Panama following the death of his predecessor.

January 7
  • Marian Anderson becomes the first African-American to perform with the Metropolitan Opera in New York, when she sings the role of Ulrica in Giuseppe Verdi's Un ballo in maschera (opposite Zinka Milanov, then Herva Nelli, as Amelia) at the invitation of director Rudolf Bing.
  • UK release of the Halas and Batchelor film animation of George Orwell's Animal Farm (completed April 1954), the first full-length British-made animated feature on general theatrical release.
  • "Rock Around the Clock" by Bill Haley & His Comets first appears on the British charts.

January 10
  • Aircraft of the People's Republic of China attack the Nationalist Chinese-held Tachen Islands.
  • After an extensive overhaul, the attack aircraft carrier USS Shangri-La (CVA-38) is recommissioned as the first operational United States Navy aircraft carrier with an angled flight deck.



On January 13, Bad Day at Black Rock, starring Spencer Tracy and Robert Ryan, premieres in Dallas and San Antonio.
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(included in the National Film Registry)



January 14
  • In New York City, Alan Freed produces the first rock and roll concert.



On January 15, "Tweedle Dee" by LaVern Baker & The Gliders charts.
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(#14 US; #4 R&B)
Shortened Sullivan performance here.



January 17
  • USS Nautilus, the first nuclear-powered submarine, puts to sea for the first time, from Groton, Connecticut.



Also on January 17, "Ko Ko Mo" by Gene & Eunice is released.
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(#6 R&B)



January 18
  • Battle of Yijiangshan Islands: The Chinese Communist People's Liberation Army seizes the islands from the Republic of China (Taiwan).
  • Born: Kevin Costner, US actor, producer and director, in Lynwood, California

January 22
  • In the USA, The Pentagon announces a plan to develop intercontinental ballistic missiles (ICBMs) armed with nuclear weapons.



Also on January 22, "Let Me Go Lover" by Joan Weber tops the Billboard Best Sellers in Stores chart.
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January 24
  • The Family of Man, an epic exhibit of 503 photographs from around the world, opens at New York’s Museum of Modern Art. The exhibit, curated by Edward Steichen and celebrating the universal experiences of humanity, will go on to tour the world and be seen by 9 million people.

January 25
  • The Presidium of the Supreme Soviet of the Soviet Union announces the end of the war between the USSR and Germany, which began during World War II in 1941.

January 26
  • Born: Eddie Van Halen, American rock musician, in Nijmegen (d. 2020)

January 28
  • Formosa Resolution: United States Congress authorizes President Dwight D. Eisenhower to use force to protect Formosa from the People's Republic of China.



Timeline entries are quoted from the Wiki page for the month, as well as the year in film, music, television, and comics, with minor editing as needed. Sections separated from timeline entries are mine.



I wonder if Mel Brooks did that deliberately because he wanted it played straight.
He was quoted as saying that he didn't have the heart to tell Laine that it was a spoof, and that he felt lucky to get such a straight performance.

Is it just me, or is the captioning on all these clips way off?
Yeah, I wasn't using the captioning, but it does seem substantially out of sync.

Actually, this is probably the one scene in the movie that I could live without.
Fair enough. I may have actually thought this was more gross than funny when I originally watched the film...what does that say about me? :lol:

I read somewhere that Gene Wilder ad-libbed "morons" and Cleavon Little's laugh is genuine.
If so, they played it very well for keeping the take...Little didn't miss a beat getting back into the scene.

Bart is Bugs! :rommie:
That was one of the bits that I got a bigger kick out of when I first saw the film.

Well, lookee what I found...
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It may have been for humorous effect, but they play Waco's demonstrations of his swift hands a little too fakey. You can tell that Wilder isn't lifting a finger.

The horses flying into the air gave me cramps of laughter. :rommie:
Now that doesn't do much for me.

I haven't seen it in a while either, but I'm pretty sure I have the DVD.
I was going to point you to Pluto, but it looks like they just took it down for the New Year. I was lucky to catch it there in time. I'd originally recorded it from one of the channels on Frndly, and when I spot-checked after watching on Pluto, sure enough the recorded version was censored.

Unfortunately, this is a common problem with classic stuff, from Asimov to Twilight Zone-- they've been copied so many times that they lack punch for the modern audience. Like the old joke about the guy who finally went to see a Shakespeare play: "What's the big deal, it's just a bunch of quotes strung together."
Heh...hadn't heard that one.

Probably not, but it would be worth seeing and having the DVD.
Now this is still on Paramount+.

Yeah, there's not a dram of humor in the movie, I don't think. I think every movie has to have a few laugh lines these days.
Actually, the demon got some laugh lines.

Yes, I remember enjoying those-- although I vaguely remember some ridiculous twist that gave Jamie bionic vision. I can't dredge up the details at the moment.
I recall catching the first one, with Steve's son becoming a bionic man. I had to read up on what details the movie's Wiki page had on that. Seems way contrived that Steve pulled an adult son out of his hat only a decade after the series.

Ironically, it will likely be the newer presidents who die before the older ones.
While I do think it likely that Biden will be the next to go, he's actually only a few years older than our trio of '46ers.

I also belatedly realized that in a sense, the ex-presidents are about to become nonconsecutive again, thanks to Trump following in Grover Cleveland's footsteps. But maybe not, as Cleveland's nonconsecutive terms have always been numbered separately; so Trump will simultaneously be both the sitting 47th president and the ex-45th president. So at least there's one ex-president that Trump will go to for help and advice.

Ah, I was hoping it was true. :rommie:
Now don't you think I would've come right out in the first place if Cesar Romero had been in the same episode? Not to mention the unlikeness that they'd get him to do a walk-on gag.
 
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Marian Anderson becomes the first African-American to perform with the Metropolitan Opera in New York, when she sings the role of Ulrica in Giuseppe Verdi's Un ballo in maschera (opposite Zinka Milanov, then Herva Nelli, as Amelia) at the invitation of director Rudolf Bing.
In 1955. People underestimate the 50s.

"Rock Around the Clock" by Bill Haley & His Comets first appears on the British charts.
There we go. :mallory:

On January 13, Bad Day at Black Rock, starring Spencer Tracy and Robert Ryan, premieres in Dallas and San Antonio.
I've never seen this one.

"Tweedle Dee" by LaVern Baker & The Gliders
Cute. Kind of has echoes of 1940s musicals, I think.

USS Nautilus, the first nuclear-powered submarine, puts to sea for the first time, from Groton, Connecticut.
It's amazing how quickly nuclear technology mushroomed, so to speak.

"Ko Ko Mo" by Gene & Eunice
This one is not so impressive.

"Let Me Go Lover" by Joan Weber
Can't say I like this one at all.

The Presidium of the Supreme Soviet of the Soviet Union announces the end of the war between the USSR and Germany, which began during World War II in 1941.
It takes a while for those memos to worm their way through the Soviet apparat.

Eddie Van Halen, American rock musician, in Nijmegen (d. 2020)
He's a bit older than I would have guessed, too, though not as much as Hagar.

He was quoted as saying that he didn't have the heart to tell Laine that it was a spoof, and that he felt lucky to get such a straight performance.
It's a good performance. As much homage as parody. I like it.

Fair enough. I may have actually thought this was more gross than funny when I originally watched the film...what does that say about me? :lol:
Terrible, terrible things. :rommie: Nah, I'm not judging. I just have no ability to tolerate anything excretory. :rommie:

If so, they played it very well for keeping the take...Little didn't miss a beat getting back into the scene.
I was thinking that, too, but that laugh does seem spontaneous.

Well, lookee what I found...
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We owe so much to Mel Brooks. :rommie:

It may have been for humorous effect, but they play Waco's demonstrations of his swift hands a little too fakey. You can tell that Wilder isn't lifting a finger.
He's faster than the human eye-- or the movie's frame rate. :rommie:

Now that doesn't do much for me.
And I can guess why, but it's so beyond ridiculous that I don't even think of them actually being hurt.

I'd originally recorded it from one of the channels on Frndly, and when I spot-checked after watching on Pluto, sure enough the recorded version was censored.
I guess they wanted to be Fmly Frndly. I really don't see the point of showing something if you're going to censor it.

Actually, the demon got some laugh lines.
Oh, okay. I don't remember that level of detail.

I recall catching the first one, with Steve's son becoming a bionic man. I had to read up on what details the movie's Wiki page had on that. Seems way contrived that Steve pulled an adult son out of his hat only a decade after the series.
TV heroes do that a lot. Even more contrived is that the kid ended up with the same injuries as dad. But then the other movie actually has a young Sandra Bullock as the Bionic Girl-- too bad that didn't get picked up as a series.

While I do think it likely that Biden will be the next to go, he's actually only a few years older than our trio of '46ers.
Yeah, Biden hasn't aged well. The stress of that job is murder.

I also belatedly realized that in a sense, the ex-presidents are about to become nonconsecutive again, thanks to Trump following in Grover Cleveland's footsteps. But maybe not, as Cleveland's nonconsecutive terms have always been numbered separately; so Trump will simultaneously be both the sitting 47th president and the ex-45th president.
Contemporary politics is really a great boon for future trivia-book writers.

So at least there's one ex-president that Trump will go to for help and advice.
:rommie:

Now don't you think I would've come right out in the first place if Cesar Romero had been in the same episode? Not to mention the unlikeness that they'd get him to do a walk-on gag.
Yeah, I did figure you would have mentioned it, which is why I questioned it, but the possibility of the walk on didn't occur to me.
 
There we go. :mallory:
Hasn't charted in America yet, though...

I've never seen this one.
I know nothing about it, but the interesting thing about the cast is that not only does it include pre-FP Anne Francis, but her future Honey West co-star as well.

Cute. Kind of has echoes of 1940s musicals, I think.
S'alright.

This one is not so impressive.
It's decent, has a distinctive sound.

Can't say I like this one at all.
Most of the chart toppers from this period are there for contrast. Overall, our music selections for the first month of 1955 belie how the rock and roll era will get its proper kick-off in the year ahead.

It takes a while for those memos to worm their way through the Soviet apparat.
East Germany: "Wait, were we at war yesterday?"

He's a bit older than I would have guessed, too, though not as much as Hagar.
And Dutch.

It's a good performance. As much homage as parody. I like it.
I don't really hear any parody in it.

I guess they wanted to be Fmly Frndly.
Rudy tries to hide a smirk.

Oh, okay. I don't remember that level of detail.
Mainly name-calling and sassy stuff like the "Would you like to leave a message?" in the second clip that I posted. And wow, the CC for that clip is even worse--it's not even for the same scene!

Even more contrived is that the kid ended up with the same injuries as dad.
Oh yeah, that too.

But then the other movie actually has a young Sandra Bullock as the Bionic Girl-- too bad that didn't get picked up as a series.
Was she Jaime's adult daughter? :p

Yeah, Biden hasn't aged well. The stress of that job is murder.
Before and after photos of Carter and Obama are particularly striking.
 
I can't believe either of you haven't seen 'Bad Day at Black Rock'. A one armed Spencer Tracy arrives in this small town in the middle of nowhere and, in one day, with one sentence, completely up ends the entire community. If it weren't for the then contemporary look and feel of the film, the story could be a Western, or set in any era, like feudal Japan with Samurai.

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Hasn't charted in America yet, though...
I guess we invaded them first. :rommie:

I know nothing about it, but the interesting thing about the cast is that not only does it include pre-FP Anne Francis, but her future Honey West co-star as well.
I definitely noticed Anne Francis, but didn't realize her Boy Friday was in it. Coincidentally, I just saw Anne Francis in her Twilight Zone episode on New Year's Eve.

And Dutch.
And future husband of Valerie Bertinelli, which would have made me a bit jealous when I was a teenager. :rommie:

I don't really hear any parody in it.
Me neither, really, but it seems like that was what Mel intended.

Rudy tries to hide a smirk.
Rudy will crack eventually. :rommie:

Mainly name-calling and sassy stuff like the "Would you like to leave a message?" in the second clip that I posted. And wow, the CC for that clip is even worse--it's not even for the same scene!
Weird. I thought the authors of the Blazing Saddles clips had screwed up, but maybe YouTube was having technical difficulties.

Was she Jaime's adult daughter? :p
No, she was Oscar's granddaughter. Just kidding, I don't think she was related to anybody. :rommie:

Before and after photos of Carter and Obama are particularly striking.
Yeah, poor Obama. That guy is about four months younger than me.

I can't believe either of you haven't seen 'Bad Day at Black Rock'. A one armed Spencer Tracy arrives in this small town in the middle of nowhere and, in one day, with one sentence, completely up ends the entire community. If it weren't for the then contemporary look and feel of the film, the story could be a Western, or set in any era, like feudal Japan with Samurai.

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I don't know why I never saw it. I don't remember it ever being shown on a local channel when I was a kid. I was certainly aware of it, somewhat vaguely, but for some reason it never stirred my interest.
 
I guess we invaded them first. :rommie:
We sure did! There'd be no Beatles without imported '50s R&R.

And future husband of Valerie Bertinelli
That I knew.

Weird. I thought the authors of the Blazing Saddles clips had screwed up, but maybe YouTube was having technical difficulties.
Or the Fandango account.

I don't know why I never saw it. I don't remember it ever being shown on a local channel when I was a kid. I was certainly aware of it, somewhat vaguely, but for some reason it never stirred my interest.
I've seen the "small town hiding a dark secret" trope too much for the basic premise to evoke much interest.
 
Or the Fandango account.
Ah, I didn't realize it was the same account. Weird how I got captions for one and not the other.

I've seen the "small town hiding a dark secret" trope too much for the basic premise to evoke much interest.
I wasn't even thinking about that. Pondering it a little bit, I think I was merging it with Picnic At Hanging Rock, which I also haven't seen. :rommie:
 
50 Years Ago This Week


January 5
  • The Tasman Bridge in Tasmania, Australia, was struck by the bulk ore carrier Lake Illawarra, killing 12 people. The ship struck a support on the mile-long bridge at about 9:00 pm, bringing down a 240-foot-long (73 m) section on top of it, and sank. Three vehicles on the bridge plunged into the River Derwent below.
  • The Wiz, a musical adaptation of The Wonderful Wizard of Oz with an African-American cast, opened on Broadway. It would go on to win two Tony Awards and run for 1,672 performances.

January 6
  • The game show Wheel of Fortune, created by Merv Griffin and inspired by the children's game "Hangman", premiered on NBC at 10:30 am Eastern time. The original hosts were Chuck Woolery and Susan Stafford, who would be replaced in 1982 by Pat Sajak and Vanna White, respectively.
  • After the sale of gold was legalized in the United States, for the first time since 1933, on December 31, the U.S. Treasury conducted its first auction of a part of its gold reserves, setting aside an unprecedented 2,000,000 ounces (57,000,000 g) for sale, in individual 400-ounce (11,000 g) gold bricks, valued at $70,000 apiece based on the European market price of $175 an ounce.
  • Another World, an afternoon soap opera airing on NBC since 1964 as a 30-minute show, expanded to 60 minutes. It was the first ongoing attempt of a U.S. serial to air in a time slot of that length, and would be the beginning of a wave of other soaps expanding to 60-minute lengths.

January 7
  • The South Vietnamese province of Phuoc Binh became the first to be captured by Viet Cong invaders, who led an assault with tanks and three infantry divisions. Out of 5,400 South Vietnamese Army defenders, only 850 survived, and twenty Vietnam Air Force planes were shot down; local officials were summarily executed.

January 8
  • After South Vietnam's Phuoc Long province had been conquered without any intervention by the United States, the Politburo of North Vietnam's Communist Party approved "Campaign 275", to "liberate" the rest of South Vietnam, starting with a full-scale attack on the Central Highlands. Party First Secretary Lê Duẩn ordered strikes on Buôn Ma Thuột, Tuy Hòa, Qui Nhơn, Huế and Da Nang.
  • Ella Grasso became Governor of Connecticut, the first female U.S. governor who did not succeed her husband.
  • Convicted Watergate conspirators John W. Dean III, Jeb Stuart Magruder and Herbert W. Kalmbach were released from prison after serving sentences ranging from four months to seven months.

January 9
  • "The Beatles & Co., Ltd.", the corporation created by John Lennon, Paul McCartney, George Harrison and Ringo Starr to pay them as employees in order to effect a savings on taxes, was formally dissolved by a court in London, four years after McCartney had filed suit in the year after the band's breakup.

January 10
  • Pope Paul VI broke a 900-year-old policy by accepting a woman as an envoy to the Vatican. Bernadette Olowo was appointed by Uganda, which had 3.5 million Roman Catholics, more than any other nation in Africa, and was also that nation's ambassador to West Germany.
  • The Queen Elizabeth 2 began its first round-the-world cruise, departing New York City under tight security with 1,200 passengers.

January 11
  • Soyuz 17, with Soviet cosmonauts Aleksei Gubarev and Georgi Grechko, both 43 and making their first flights, lifted off from the Baikonur space center and docked successfully with the Salyut 4 space station, becoming the first men to occupy it. They would return to Earth on February 7 after setting a new record for most days (28) spent in outer space.
  • The last remains of the rocket that had launched Skylab into orbit in 1973 re-entered the atmosphere and burned up at about 3:00 pm EST.


Selections from Billboard's Hot 100 for the week:
1. "Lucy in the Sky with Diamonds," Elton John
2. "You're the First, the Last, My Everything," Barry White
3. "Junior's Farm" / "Sally G", Paul McCartney & Wings
4. "Laughter in the Rain," Neil Sedaka
5. "Mandy," Barry Manilow
6. "Only You," Ringo Starr
7. "Boogie On Reggae Woman," Stevie Wonder
8. "Please Mr. Postman," Carpenters
9. "Kung Fu Fighting," Carl Douglas
10. "One Man Woman / One Woman Man," Paul Anka w/ Odia Coates
11. "Morning Side of the Mountain," Donny & Marie Osmond
12. "Bungle in the Jungle," Jethro Tull
13. "Angie Baby," Helen Reddy
14. "Never Can Say Goodbye," Gloria Gaynor
15. "Dark Horse," George Harrison
16. "Fire," Ohio Players
17. "Doctor's Orders," Carol Douglas
18. "Pick Up the Pieces," Average White Band
19. "Some Kind of Wonderful," Grand Funk
20. "Rock n' Roll (I Gave You the Best Years of My Life)," Mac Davis
21. "Get Dancin'," Disco-Tex & The Sex-O-Lettes feat. Sir Monti Rock III
22. "Cat's in the Cradle," Harry Chapin
23. "Sha-La-La (Make Me Happy)," Al Green

25. "You Got the Love," Rufus feat. Chaka Khan
26. "Best of My Love," Eagles
27. "Free Bird," Lynyrd Skynyrd
28. "When Will I See You Again," The Three Degrees
29. "You're No Good," Linda Ronstadt
30. "From His Woman to You," Barbara Mason

32. "Struttin'," Billy Preston
33. "Look in My Eyes Pretty Woman," Tony Orlando & Dawn
34. "The Entertainer," Billy Joel
35. "#9 Dream," John Lennon
36. "Ready," Cat Stevens
37. "Sweet Surrender," John Denver
38. "Black Water," The Doobie Brothers
39. "I Feel a Song (In My Heart)" / "Don't Burn Down the Bridge", Gladys Knight & The Pips
40. "I Can Help," Billy Swan

42. "Changes," David Bowie
43. "Dancin' Fool," The Guess Who
44. "Must of Got Lost," J. Geils Band
45. "Do It ('Til You're Satisfied)," B. T. Express

48. "My Eyes Adored You," Frankie Valli
49. "Promised Land," Elvis Presley
50. "Lonely People," America
51. "Lady," Styx
52. "Can't Get It Out of My Head," Electric Light Orchestra

55. "Nightingale," Carole King

57. "Ain't Too Proud to Beg," The Rolling Stones

59. "Wishing You Were Here," Chicago

61. "I've Got the Music in Me," The Kiki Dee Band
62. "My Melody of Love," Bobby Vinton
63. "Big Yellow Taxi" (live), Joni Mitchell

66. "I'm a Woman," Maria Muldaur
67. "You Ain't Seen Nothing Yet" / "Free Wheelin'", Bachman-Turner Overdrive

70. "Don't Call Us, We'll Call You," Sugarloaf / Jerry Corbetta
71. "Fairytale," The Pointer Sisters

75. "To the Door of the Sun (Alle Porte Del Sol)," Al Martino

79. "Longfellow Serenade," Neil Diamond

81. "Ding Dong, Ding Dong," George Harrison

85. "You Are So Beautiful" / "It's a Sin When You Love Somebody", Joe Cocker


87. "Poetry Man," Phoebe Snow

90. "Sad Sweet Dreamer," Sweet Sensation

96. "Lady Marmalade," Labelle
97. "Up in a Puff of Smoke," Polly Brown
98. "Shame, Shame, Shame," Shirley & Company

Leaving the chart:
  • "Back Home Again," John Denver (16 weeks)
  • "Whatever Gets You Thru the Night," John Lennon w/ The Plastic Ono Nuclear Band (15 weeks)

Recent and new on the chart:

"From His Woman to You," Barbara Mason
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(Nov. 30; #28 US; #3 R&B)

"Struttin'," Billy Preston
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(Dec. 14; #22 US; #11 R&B)

"Sad Sweet Dreamer," Sweet Sensation
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(#14 US; #18 AC; #63 R&B; #1 UK)

"Shame, Shame, Shame," Shirley & Company
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(#12 US; #1 Dance; #1 R&B; #6 UK)

"You Are So Beautiful," Joe Cocker
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(#5 US; #12 AC; #51 UK)


And new on the boob tube:
  • Happy Days, "Open House"
  • M*A*S*H, "Bombed"
  • Hawaii Five-O, "Bones of Contention"
  • The Six Million Dollar Man, "The Cross-Country Kidnap"
  • Kung Fu, "A Lamb to the Slaughter"
  • All in the Family, "The Jeffersons Move Up"
  • Emergency!, "Smoke Eater"
  • The Mary Tyler Moore Show, "The System"
  • The Bob Newhart Show, "Think Smartly—Vote Hartley"



Timeline entries are quoted from the Wiki page for the month, with minor editing as needed.



Yesterday we lost Brenton Wood (real name Alfred Smith) at 83.


 
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