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How much interest is there in "The God Thing" being completed and released?

We laugh about stuff like Kirk fighting Jesus, but if an XMen and Star Trek crossover got published than Jesus vs Kirk isn't so far fetched.
 
Plus, the opening to X-Men: Apocalypse had Jesus dragging the cross... at an angle... making an X...

So it's gotta be Megas-Tu powers Kirk vs. Mutant Jesus.
 
So a live action, sexier and edgier version of "Magicks of Megas Tu"? Just take it to my veins.
Long long time ago, back when fan film creators were allowed to speak what was on their minds and share concepts without getting their eyes poked out, Patty Wright sent me a seven or eight page? incomplete script. Patty used to write back and forth with Walter Koenig and my dear friend Amy Beth. Just read it, jot down your thoughts and don't share. This was like 20 years ago but a captain that finds himself in a room with fireplace and he doesn't know how he got there and now he's looking for clues. My Note was something like, "It needs a lot of work which would be right up Amy's alley".
I never asked who or what the project was for, At the time phase 2 was doing a lot of work attempting to complete Gene's next adventure of Star Trek.
I might ride the way back machine to the old Phase 2 blog site.
 
I've read the script. Trust me when I say it's the most Roddenberry thing I've ever read... in all of the terrible ways you could imagine. Kirk has a zero-g naked oil fight with women that have been taken over by this god entity. There's a fight with Jesus on the Bridge of the Enterprise.

Awful, awful, awful, awful. I can see why the attempts to novelize it have consistently run aground
Wow, that sounds really bad. The more I hear about what unfiltered Gene Rodenberry would have been like, the more I'm glad he managed to surround himself with other, more talented people. I know he deserves respect for creating the franchise, but the more I hear about the guy, the more I realize that most of the best parts of the franchise came from other people.
 
the more I hear about the guy, the more I realize that most of the best parts of the franchise came from other people.

I've been saying that for years. The pilot episode that got TOS on the air was written by someone else. Klingons, Romulans, tribbles, almost everything about Vulcan biology and society, Spock's family, Khan, Edith Keeler, Harcourt Fenton Mudd and Cyrano Jones, Kor, Koloth, and Kang, none of it from Roddenberry's pen. And after TOS, he did one movie and some of the worst episodes of one of Star Trek's worst seasons (TNG's first), and he reportedly rewrote a lot of the others. And it's no secret that a lot of TNG was developed by other people, including David Gerrold.

I wanted to read The God Thing for years, which was why I created a web page about it in 1997, but I don't think I ever thought it would be good.
 
I've been saying that for years. The pilot episode that got TOS on the air was written by someone else.

Well, that's not entirely fair. "The Cage" wasn't rejected as a pilot because of its writing, but because it had been oriented more toward proving Desilu's capability to produce a complex science fiction series, so it had higher production values than a typical episode and thus wasn't representative of what a typical episode would cost, which is a large part of what pilots are made to demonstrate. So "The Cage" was made to sell the studio, while "Where No Man" was made to sell the show.

Granted, another part of the reason NBC asked for a second pilot was that Roddenberry had failed to deliver on his promise of a multiethnic cast, aside from a token Asian transporter tech. But other than that and the budget issue, "The Cage" was a strong enough story to convince NBC it was worth making a second try. Personally I think it's Roddenberry's best solo script for ST by a wide margin.


Klingons, Romulans, tribbles, almost everything about Vulcan biology and society, Spock's family, Khan, Edith Keeler, Harcourt Fenton Mudd and Cyrano Jones, Kor, Koloth, and Kang, none of it from Roddenberry's pen.

That's true, but then again, it was not at all atypical for TV of the era to be more freelancer-driven than showrunner-driven. But all those stories were written under his supervision and approval, and he did the final rewrites on just about everything. It's true that, like George Lucas, he did his best work as a collaborator and supervisor of others' work rather than a solo creator. But the final creative decisions rested with him, so he does deserve his share of the credit for the final product.


And after TOS, he did one movie and some of the worst episodes of one of Star Trek's worst seasons (TNG's first), and he reportedly rewrote a lot of the others. And it's no secret that a lot of TNG was developed by other people, including David Gerrold.

I draw a line between TOS-era Roddenberry and TNG-era Roddenberry. The latter was in deteriorating health and under the toxic influence of people like Leonard Maizlish and Richard Arnold, who were probably the ones really responsible for a lot of the decisions attributed to Roddenberry at the time.

Although it's clear enough from Roddenberry's 1970s work that he continued to be better as a collaborator than a solo creator. His solo-written Genesis II was mediocre, while Planet Earth (with Juanita Bartlett) was significantly better and The Questor Tapes (with Gene L. Coon) was the best of them all. Though Spectre (with Samuel A. Peeples) was a mixed bag.
 
Yeah, he does seem to be a writer who worked best when he had some good ideas, but also needed someone there to control his bad ones. George Lucas seems to be the same kind of creator, his best stuff was almost always when he was working with someone else.
 
So is there something of a manuscript of this? Is there actually something written? And does anyone have it? I just ask because I hate to see unreleased stuff disappear forever. It's important to preserve these things.
 
So is there something of a manuscript of this? Is there actually something written? And does anyone have it? I just ask because I hate to see unreleased stuff disappear forever. It's important to preserve these things.
Roddenberry started it but what he wrote wasn't long enough to be published as a novel. Susan Sackett, Michael Jan Friedman, David Alexander, and Walter Koenig all had access to some or all of GR's material and did at least some work on expanding it to novel length, but it seems that none of them had access to each other's efforts, some of which didn't get very far at all.

From my old website, as linked above:

Anonymous Collector, November, 2009


Anonymos Collector said:
It had forgotten its name. That had been forgotten those eons ago when it first knew itself to be dying. Stars without number had ignited and faded as it searched this prison galaxy for a way to youth and wholeness again. Although it would be eons more before it would cease to move and think, that end now seemed perilously close.

So begins the manuscript purchased by a collector who prefers to remain anonymous. (He hasn't given me a copy and he probably won't give you one either, so don't ask.)


The collector writes that he saw the manuscript listed on eBay and won the auction. (Frankly, it never would have occurred to me that this manuscript might show up there, so it's no surprise that I missed it.) Here's what he won:


Pages 1 - 68 are photocopies (page 40 is missing). Marked GR and dated between 8/19/1976 and 9/10/1976.

Pages 69 - 152 are mostly on onion skin typewritten pages, initialed "W.K.," and dated between 10/29/1976 and 12/21/1976. Each of these 83 pages is also autographed by Walter Koenig, as is the title page.

In general, the descriptions of the novel on your site are accurate, except possibly Chekov having become captain.

When reading it, I was struck by two things: one being the controversial nature of the material as well as the similarities to ST:TMP in its various incarnations (novel, script, and film). Some of the similarities include:

  • Kirk on leave in Africa
  • mention of Egypt Israeli Museum
  • Spock on Vulcan (Gol) training, seeking to eliminate the last vestiges of his human half when he senses the entity
  • Enterprise in space dock being refit after completion of 5 year journey
  • Kirk promoted to Admiral
  • Transporter accident killing a crew member, this one beaming with Kirk
  • Starship (Potemkin) destroyed by entity
  • Entity approaching Earth
  • Kirk reassembling our familiar crew and taking control of Enterprise
  • McCoy left StarFleet and became a veterinarian. Similar quip by McCoy as to why he became a vet - "it's the only field of medicine that has completely sensible patients (a line like this appears in the first draft of Star Trek: In Thy Image)

So, a good portion of the Roddenberry portions of this novel were recycled for use in ST: TMP. Or taking a different perspective, this novel (based on Gene Roddenberry's 1975 draft) really represents the genesis of ST:TMP, when combined with elements from "The Changeling" and Genesis II's "Robots Return."

So maybe, Star Trek: The God Thing has been here all along.

I asked the collector whether he could confirm the presence of some specific scenes described by various sources, like the big confrontation between the entity and Kirk in which the entity presents itself as different images before appearing to be Jesus Christ, and, for that matter, the odd kinky scenes Susan Sackett describes.


Re: Susan Sackett - yes, it is confirmed. Pages 58-63 have Kirk engaged in what could be best described as nude oil wrestling with three women. "They were nude of course except for their paragame sandals, and young women that way had a disconcerting way of looking quite different. It disconcerted Kirk that the thought made his own genitals tighten against the metallic mesh which protected male vulnerability during the game" (from page 59).

Also confirmed about the entity appearing first as the prophet Hamid, "a tall striking Masai black man of thirty years" "born in the calendar year 1969 in time to give his life in 1996" (from pages 130-131). The entity then transforms himself into Jesus of Nazareth after it realizes that no one knew of Hamid.

Another sample from the manuscript:


Kirk stood near the center of the crowd at the bus station. He felt it important to blend in and so he smiled and applauded lightly as the pretty eight year old in the [illegible] costume mastered her simulated fiber wool jump rope with a succession of graceful little hops. The innocence of the wide eyed child was both a joy and a sadness to him. "The passing of things dear," Kirk thought. There would be no freedom from sin, from guilt for a world overlorded by a vengeful self-proclaimed God-thing. There would be fear, there would be treachery. There would be death and destruction in the name of sanctity. There would again be the Dark Ages.

And the manuscript ends with this paragraph:


As the men approached, those in waiting began to applaud. Even as they pumped his hand and embraced him warmly, Kirk's eyes were raised toward the stars. Next time, he thought, next time... please... let it just be Klingons.

The collector included some photos, with much of the text blurred; he's worried about violating copyright. In this case, given the use of only three paragraphs from a manuscript of 152 pages, and given the more or less scholarly nature of this web page, I'm confident that we are well within the bounds of fair use.


gtsample1.jpg
gtsample2.jpg


Based on the information and the samples, in addition to all the information gathered over the years, it looks very much like publication of the manuscript would be something of an anticlimax, given the similarities to The Motion Picture and Roddenberry's lack of experience writing prose fiction. That doesn't mean I wouldn't love to have a copy, whether just a photocopy or an edited and revised published version.
 
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Thanks Steve for sharing the above. I never realized just how many elements of TGT found their way into TMP. I'm with you, I'm not sure we really would need a novel version, but I'd read it if one ever got written.
 
Honestly rather than having a "finished" version by Not Gene, I'd rather have all of the pieces in some nice archival volume.
 
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