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The Classic/Retro Pop Culture Thread

"Never My Love," Blue Swede ](#7 US)

Never heard of this one before.

Bit of trivia I just recently learned.

After ABBA broke up in the early-80s, Tim Rice approached Benny Andersson and Bjorn Ulvaeus to help create a musical based on the game of Chess, specifically the matches between Bobby Fisher and Viktor Korchnoi and Anatoly Karpov.

The subsequent musical 'Chess' premiered in 1984, with the hit single being 'One Night In Bangkok', sung by Murray Head, older brother of Anthony Stewart Head (Giles) of 'Buffy, The Vampire Slayer'.

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Another song in the musical was called 'The Arbiter', and it was sung by Bjorn Skifs, former lead singer of Blue Swede and mutual friend of Benny and Bjorn, the three of them having come up through the Scandinavian music scene together.

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Murray Head, older brother of Anthony Stewart Head (Giles) of 'Buffy, The Vampire Slayer'.
Who was also Judas on the original Jesus Christ Superstar album, and sang the titular hit.
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Nineteen incarcerated members of the Provisional IRA escaped from Portlaoise Prison in County Laois in the Republic of Ireland. The prisoners, including Tom McFeely, overpowered guards, took uniforms, and then used gelignite to blow open the gates.
This is very bad, but also very impressive. :rommie:

Rockefeller was selected despite a poll of Republican leaders showing a preference for Republican National Committee chairman George H. W. Bush.
There's something I didn't know.

President Ford also nominated former child actress Shirley Temple Black as United States Ambassador to Ghana.
It would have been funny if Ford mixed them up. :rommie:

Only 2 of these fighter prototypes were built, the first (s/n 72-1569), flew 9 June 1974.
Interesting. I wonder where they are now, if anywhere.

U.S. Congressman J. J. Pickle and former First Lady Lady Bird Johnson unveiled a larger-than-life-size bronze statue of Lyndon B. Johnson
Just what the world needed. :rommie:

Born: Jennifer Lien, American actress known for portraying the character "Kes" on the TV show Star Trek: Voyager; in Palos Heights, Illinois
Poor Jennifer Lien. She had kind of a tough time after leaving Voyager.

"Stop and Smell the Roses," Mac Davis
Yup, I like it.

"Steppin' Out (Gonna Boogie Tonight)," Tony Orlando & Dawn
I forgot about this. Not their best work, but pretty nice.

"Never My Love," Blue Swede
Wow, I never heard this before. It's a little strange. :rommie:

"Tin Man," America
I love this. America had a string of really cool songs around this time and then just kind of dried up.

It's worth noting that 50 years ago this weekend is the fifth anniversary of Woodstock! :mallory:
Super groovy! There's still time for me to go out and roll around naked in the mud!

There was an apologetic build-up to it because she didn't want to give him unwelcome advice.
Definitely unlike Arch. :rommie:

Ah, yes. I knew that I knew him from stuff, but stopped when I saw that he was the dad on Three's a Crowd.
I liked him. It's too bad we didn't see him around more.

He was, but they made it come from a very unnatural place for him. This stood out as one of those cases where his worldview is just the opposite of whatever Archie's is on any specific point.
Which does happen in real life, I suppose, so there's that.

You just can't tell who's who anymore. :rommie:

And they weren't there.
Well, they could have been. The writers control all. :rommie:

It wasn't The Kung Fu Kid.
Oops, right, I knew that. And I was so proud of myself for remembering that he was in the movie. :rommie:

Friedman: I remember a guy, insisted he was a cockroach who'd only crawl along the woodwork....Then I had a young man who claimed to be reincarnated. Said he was with Washington at Valley Forge and therefore he'd already done his military service.
I'd go with the cockroach. It's harder to disprove.

It was implied that he was seeking to lose his virginity. Blake reminded him of a lecture he gave.
Interesting, since he had an opportunity in the previous episode. Maybe he's looking for a stranger who he's not likely to run into every day. Assuming the writers put that much thought into it.

Thank you. :)

I would've figured you'd be more into either the variety of groovy, sometimes revealing outfits she wore in Adventure ca. 1971, or the hot pants outfit that she ultimately settled on for the next decade.
I suppose it does seem odd when you put it that way, but I disliked all that stuff, and I pretty much stopped reading at that point. Part of it was the art. I think it was Carmine Infantino who took over then. Part of it was probably that I don't think you should mess with iconic costumes. But mostly it was just I dunno-- I like the original costume and none other.

It was a good, painful jab played for laughs, but that was motivated by her not wanting to inject it there in the first place.
There we go. That's what I'm remembering. :rommie:

Two episodes on from the one I just posted about, look who shows up on duty in the ward:

View attachment 41310

Now I'm thinking that this probably isn't the first time he's worn a nurse's uniform, but I didn't make anything of it before. There definitely hasn't been a noticeable pattern of him putting in hospital duty.
It will become more commonplace, and not necessarily with him in a nurse's uniform.

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We really have to thank the Germans for preserving these performances.
Thank you, Germans. :bolian:

Bit of trivia I just recently learned.

After ABBA broke up in the early-80s, Tim Rice approached Benny Andersson and Bjorn Ulvaeus to help create a musical based on the game of Chess, specifically the matches between Bobby Fisher and Viktor Korchnoi and Anatoly Karpov.

The subsequent musical 'Chess' premiered in 1984, with the hit single being 'One Night In Bangkok', sung by Murray Head, older brother of Anthony Stewart Head (Giles) of 'Buffy, The Vampire Slayer'.

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I actually knew all that, believe it or not. Great song, and great video.

Another song in the musical was called 'The Arbiter', and it was sung by Bjorn Skifs, former lead singer of Blue Swede and mutual friend of Benny and Bjorn, the three of them having come up through the Scandinavian music scene together.

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That one is new to me. Not quite so memorable.

My mind goes to...
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That was definitely Wentonwaytoolongland. :rommie:

Who was also Judas on the original Jesus Christ Superstar album, and sang the titular hit.
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I knew that too. I think I've mentioned my love for the Jesus Christ Superstar soundtrack in the distant past.
 


Post-50th Anniversary Viewing



All in the Family
"Archie Is Cursed"
Originally aired December 15, 1973
Wiki said:
Archie and Irene play a game of pool to settle an argument, then Archie makes a remark that leads to Frank putting a curse on him.

After Archie and Edith have a discussion about Dear Abby, Irene comes over to invite the Bunkers to go to the Museum of Natural History with her and Frank. Archie would prefer to continue reading his Sports Illustrated, which leads to a discussion with Irene about women in sports. When Irene learns that Archie plays pool, she challenges him to a game with $10 at stake. Thinking he's got a pigeon, Archie immediately reserves the table at Kelsey's. When Frank finds out, he thinks it's a hoot, trying to warn Archie about her skill.

Archie: I'm gonna beat the pants of her. And you oughta thank me for that, because then you can start wearin' 'em again.​

When pressed about what he means, Archie says things about Irene's alleged manliness that Frank considers insulting. When Archie won't take them back, Frank curses him with a Sicilian "Malocchio". Archie becomes a bit more wary when Irene retrieves a carrying case with a private pool cue, which she won as a prize. By that point, Mike wants in on the action against Archie. As everyone's leaving, Archie deliberately drops his hat and feigns throwing out his back, blaming it on the curse and calling off the game.

Mike: Arch, that's crazy! How long have you been believing in curses?​
Archie: How long you been livin' here?​

The next day, Frank comes by during breakfast wanting to commence with the game. When Archie refuses because of the curse, Frank threatens to tell everyone at the bar that Archie's afraid to play a woman, motivating Archie to go. George Jefferson is at Kelsey's, and having heard about the curse, wants to bet against Archie and teases him about voodoo. When Irene arrives, Archie feigns throwing out his back again, and Irene actually buys it, not wanting to take advantage of her opponent's condition. Frank tricks Archie into bending over to pick up a dollar bill, and the game is on, which we learn in the coda that Archie lost.



M*A*S*H
"Hot Lips and Empty Arms"
Originally aired December 15, 1973
IMDb said:
A friend's letter causes Margaret to re-evaluate her life in the 4077th and request a transfer.

At mail call, Houlihan gets a letter from Trisha Spalding, a friend who married a doctor she turned down and now has a beautiful house and two kids. She barks at the nurses in the OR afterward, threatening to put them all on report. Feeling that she has nothing to show for her time in the Army, she calls off her relationship with Frank and storms into Blake's office while he and the guys are watching a dirty film that was in Henry's mail to demand a transfer...berating the colonel for his spinelessness along the way. Henry offers to keep things quiet in case she changes her mind, telling Margaret that they're all family...but on his own initiative, Radar announces a going-away party for Major Houlihan.

The guys visit Houlihan's tent bearing a white flag and bottle of liquor, and the two parties exchange sarcastic toasts. Margaret later visits the Swamp and helps herself to more from the still, clearly already under the influence and bearing a box of things that she's returning to Frank. As she leaves, she calls him "ferret face". She visits Blake's office even more smashed and has him open his liquor cabinet. After they down more drinks, Radar informs the colonel of an incoming chopper with casualties. By this point Hot Lips is completely swacked and stumbles around the camp.

Houlihan (stumbling to and fro): Corporal...I wonder...if I can see...Colonel Blake?​
Radar: I wonder if you can, too.​

The guys get some good laughs as she attempts to report for duty, but Blake orders them to sober her up. This involves giving her a clothed shower.

Hot Lips: You wanna know something? You really wanna know something?​
Trapper: No.​
Hot Lips: Okay [laughs]. I really could have gone for you...​
Hawkeye: Well, it's been known to happen.​
Hot Lips: Not you....him. [Turns to Trapper.]​

She unloads about her issues with Frank as the guys put coffee and a vitamin shot in her. She ends up being able to function in the OR, where she sheepishly expresses her gratitude to the guys, who lead her to believe that something happened between her and Trapper. They continue this prank in the coda, in which Margaret is suffering a terrible hangover but has decided to stay.



All in the Family
"Edith's Christmas Story"
Originally aired December 22, 1973
Wiki said:
At Christmastime, Edith tries to maintain the holiday spirit after discovering a lump in her breast.

Gloria's trimming the tree as Frank comes over bearing home-made fruitcake. After Gloria gets in some women's lib business about how male-oriented the holiday is, Mike comes home from a sale bearing a bag full of Groucho glasses. He passes them around and everyone starts going into schtick, evoking a reaction from Edith as she comes home from an exam. Having been to the same store, Archie rings the doorbell wearing his own pair and is met by Mike in his. In the kitchen, we switch gears as Gloria notices that something's bothering her mother and is met with defensiveness before Edith drops the bomb that she has a lump in her breast. She goes on to explain that she has to go back to have a surgeon examine it, and makes Gloria promise not to tell anyone...though Mike overhears from the dining room.

By the next day, Gloria knows that Mike knows, and Irene also knows...but everyone mums up when Archie walks into the room...with Irene making up a story about a second sister of hers being pregnant. Edith confides in Irene that she's afraid of how Archie will look at her if she has a mastectomy; and Irene reveals that she had the procedure years ago, which makes Edith feel better.

Later as Edith's at the hospital seeing the surgeon, Mike complains to Archie about Christmas cards being sent as advertisements. Archie figures that Edith's getting him a fishing pole he's been wanting and is trying to keep it a surprise. Thinking Archie knows, Irene lets the cat out of the bag about where Edith's at, and he heads straight for the hospital with Mike in tow. Edith wakes up to find a concerned Archie in gentle mode at her bedside and shares the news that it was just a cyst that's already been removed...but in jumping off the examining table in jubilation, she accidentally broke her ankle.

I have to stand by my comments about the episode when I watched it in advance for Christmas.
I also casually watched All in the Family's Christmas episode ahead, and was more disappointed with that one. In that case, they didn't do enough to integrate the Christmas backdrop into the main story involving Edith potentially needing a mastectomy. The main story literally could have been run at any time of the year without changing a line, while swapping in other comical subplot business at the house.
When they were switching between the cancer scare plot in the kitchen and Christmas business in the living room, it was like switching between different episodes. There was no effort to bring it all together. Coming in for the final scene, you wouldn't even know that it was a Christmas episode.



M*A*S*H
"Officers Only"
Originally aired December 22, 1973
IMDb said:
In gratitude for Hawkeye and Trapper saving his son, a general donates an officer's club to the 4077th. Hawkeye and Trapper work to allow everyone access to the club.

While Hawkeye's trying to sleep off a 14-hour round of surgery, Trapper calls him in to assist in removing shrapnel from the chest of a Private Gary Mitchell (:vulcan:; Robert Weaver), who turns out to be General Mitchell's son. In the middle of the operation, the straw couple show up insisting that Burns be let in on the action. Though Frank's turned away, when the general comes to visit his recovering son, the duo hover around the private's bedside, trying to give the impression that Burns was involved. The general is taken to Pierce and McIntyre, to whom he grants three days at a swank hotel in Tokyo. The guys get themselves into all sorts of colorful offscreen trouble during their leave, concerning which Blake receives regular updates. (As Blake later puts it, they "did everything but swim in the emperor's moat.") When the captains return, they find that Burns has arranged with the general to have a new officers' club constructed, with which the guys are initially impressed, but they're dismayed at the titular sign posted above the door. (That's why they call it an officers' club, ya pinkos!)

In the mess tent, the enlisted men, led by Radar, act more formal around the captains and put an "enlisted only" sign on their table. The guys go to Blake, who agrees to allow enlisted men in if they can get enough of the officers to sign a petition for it. The guys pay a visit to the club about as down-dressed as possible to try to get the straw couple to sign, which goes as well as you'd expect. When General Mitchell holds a formal opening party at the club, the guys attend in their dress uniforms, and arrange to have Gary brought to the door. When the general lets his son in even after being reminded of the policy, Hawkeye proceeds to take advantage of the precedent and has a waiting line of enlisted men, led by Radar and Klinger, paraded in.

In the coda, enlisted and officers alike are enjoying the amenities of the club...
MASH08.jpg
A smashed Frank--the guys having been spiking his Shirley Temples--is working himself up to physically confront the general, who's been dancing romantically with Margaret, but passes out first.

Clyde Kusatsu appears as the club's bartender, Kwang Duk, and reprises the role in the next episode. The Asian nurse we've now seen Radar with twice, and who's otherwise been popping up in various episodes, is Kellye Nakahara as Nurse Yamato.



Merry Fucking Christmas in August! :angryrazz:

There's something I didn't know.
Apparently Bush was also considered as Nixon's replacement for Agnew.

Interesting. I wonder where they are now, if anywhere.
A novel bit of business because for a retro-emerging generation, the Navy and Air Force's top fighters were the F-14, F-15, F-16, and F/A-18. Here's the missing number, which didn't go into production. Apparently it influenced the design of the F/A-18.

Just what the world needed. :rommie:
Just what LBJ needed--bigger ears.

Poor Jennifer Lien. She had kind of a tough time after leaving Voyager.
I don't usually cover births in 50th anniversary business, but it's not every day a Trek series co-star is born. She was pretty damn young when she played Kes.

Yup, I like it.
It's decent; been in my shuffle a while as an album track.

I forgot about this. Not their best work, but pretty nice.
Noteworthy here, in addition to Tony Orlando taking lead billing on the single (which apparently started with their previous, lower-charting release), is that the variety series premiered in July '74, which was no doubt a factor in this single's success.

Wow, I never heard this before. It's a little strange. :rommie:
I'm probably gonna get this for completeness, but Good God did they massacre a beautiful song.

I love this. America had a string of really cool songs around this time and then just kind of dried up.
This is the beginning of the period in which they were produced by George Martin, who was mainly known for his work on novelty records until somebody sent him a rock & roll quartet from Liverpool with a strange name and funny haircuts...

Super groovy! There's still time for me to go out and roll around naked in the mud!
TMI, dude! :lol:

I liked him. It's too bad we didn't see him around more.
We may yet. I could see him as a villain on H50.

Interesting, since he had an opportunity in the previous episode. Maybe he's looking for a stranger who he's not likely to run into every day. Assuming the writers put that much thought into it.
It sounds to me like maybe the character became Flanderized...going from awkward virgin who was maybe trying to get laid to a complete incel, as they say these days.

Thank you. :)
Be mindful of your neighbors when you're out celebrating Woodstock. :p

I suppose it does seem odd when you put it that way, but I disliked all that stuff, and I pretty much stopped reading at that point. Part of it was the art. I think it was Carmine Infantino who took over then. Part of it was probably that I don't think you should mess with iconic costumes. But mostly it was just I dunno-- I like the original costume and none other.
I think the red skirt that became the norm from the '80s on was an improvement on the original design contrast-wise.

While this I vote Super Groovy:
Adventure400.jpg

That one is new to me. Not quite so memorable.
There's a bit too much musical culture shock jumping from immersion in 1974 to that.

I knew that too. I think I've mentioned my love for the Jesus Christ Superstar soundtrack in the distant past.
Not so distant, and it came up a time or twenty. That video was new to me, though.

Going by this weekend's Catchy Binge, it appears that Weigel has rescued a fair damsel from the clutches of Antenna:
TGs2e1.jpg

'Member when Rob Reiner popped up with Teri Garr?
TGmisc13.jpg
 
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I suppose it does seem odd when you put it that way, but I disliked all that stuff, and I pretty much stopped reading at that point. Part of it was the art. I think it was Carmine Infantino who took over then. Part of it was probably that I don't think you should mess with iconic costumes. But mostly it was just I dunno-- I like the original costume and none other.
Mike Sekowsky. He was also the guy that turned Wonder Woman into the Diana Rigg inspired martial artist, dumping her costume and superpowers.
 
Thinking he's got a pigeon, Archie immediately reserves the table at Kelsey's.
She should have reminded him of the fate of Bobby Riggs. :rommie:

When Archie won't take them back, Frank curses him with a Sicilian "Malocchio".
The Evil Eye! Did he do the Evil Eye hand jive? :rommie:

Irene retrieves a carrying case with a private pool cue, which she won as a prize.
I used to have one of those, which I also won-- in a raffle. :rommie:

By that point, Mike wants in on the action against Archie.
Mike isn't against gambling?

George Jefferson is at Kelsey's, and having heard about the curse, wants to bet against Archie and teases him about voodoo.
:rommie:

Frank tricks Archie into bending over to pick up a dollar bill, and the game is on, which we learn in the coda that Archie lost.
I feel kind of ripped off that they didn't show at least the end of the game, but I suppose that would be too hard to pull off in front of a live audience.

She barks at the nurses in the OR afterward, threatening to put them all on report. Feeling that she has nothing to show for her time in the Army, she calls off her relationship with Frank and storms into Blake's office while he and the guys are watching a dirty film that was in Henry's mail to demand a transfer...berating the colonel for his spinelessness along the way.
And she's not even drunk yet. :rommie:

Henry offers to keep things quiet in case she changes her mind, telling Margaret that they're all family...
With all his faults, Henry is certainly kind.

on his own initiative, Radar announces a going-away party for Major Houlihan.
I'm sure everyone was heartbroken. :rommie:

The guys visit Houlihan's tent bearing a white flag and bottle of liquor, and the two parties exchange sarcastic toasts.
This is a good M*A*S*H moment.

Margaret later visits the Swamp and helps herself to more from the still, clearly already under the influence and bearing a box of things that she's returning to Frank. As she leaves, she calls him "ferret face".
Wow, that's really bad.

Houlihan (stumbling to and fro): Corporal...I wonder...if I can see...Colonel Blake?
Radar: I wonder if you can, too.
:rommie:

She ends up being able to function in the OR, where she sheepishly expresses her gratitude to the guys
This is why I never found her to be a sympathetic character, except maybe toward the end. Her big crisis all about self pity and she abuses everybody else for it, and in the end she doesn't grow as a character at all. Even Trapper got the orphan kid.

Margaret is suffering a terrible hangover but has decided to stay.
And Frank just goes along with it all like the ferret face he is. I never had any sympathy for him either.

Gloria's trimming the tree as Frank comes over bearing home-made fruitcake.
Talk about a curse. :rommie:

After Gloria gets in some women's lib business about how male-oriented the holiday is
That's kind of a stretch.

Having been to the same store, Archie rings the doorbell wearing his own pair and is met by Mike in his.
I remember this. Actually, I think Groucho impersonations came up a few times in the show.

Edith drops the bomb that she has a lump in her breast.
And as bad as it is now, it was much worse in those days.

Irene lets the cat out of the bag about where Edith's at, and he heads straight for the hospital with Mike in tow. Edith wakes up to find a concerned Archie in gentle mode at her bedside
And this is how you make an unsympathetic character sympathetic.

When they were switching between the cancer scare plot in the kitchen and Christmas business in the living room, it was like switching between different episodes. There was no effort to bring it all together. Coming in for the final scene, you wouldn't even know that it was a Christmas episode.
Yeah, I remember bits and pieces of this episode, but I remember nothing about it being Christmas. Weird, because Christmas would be a gold mine for arguments between Archie and Meathead. Maybe they wanted to lay off people for the holiday.

a Private Gary Mitchell (:vulcan:
Does the camp have an ophthalmologist? There's something wrong with that guy's eyes.

The general is taken to Pierce and McIntyre, to whom he grants three days at a swank hotel in Tokyo.
You'd think Hawkeye would be offended at being offered a reward and go off on a speech about all the other kids who are not sons of generals.

(That's why they call it an officers' club, ya pinkos!)
:rommie:

the enlisted men, led by Radar, act more formal around the captains and put an "enlisted only" sign on their table.
Wow, Radar. You go, guy.

The guys go to Blake, who agrees to allow enlisted men in if they can get enough of the officers to sign a petition for it.
There's only five officers in the camp. Blake and the guys make up a majority. :rommie:

When the general lets his son in even after being reminded of the policy, Hawkeye proceeds to take advantage of the precedent and has a waiting line of enlisted men, led by Radar and Klinger, paraded in.
This whole thing strikes me as a manufactured controversy. Did they even ask the general to make it a club for everybody?

In the coda, enlisted and officers alike are enjoying the amenities of the club...

View attachment 41318
That's cute. It's kind of a shame they didn't develop this relationship more.

Merry Fucking Christmas in August! :angryrazz:
Hot enough for ya? :angel:

Apparently Bush was also considered as Nixon's replacement for Agnew.
Interesting. His stock was higher than I knew.

A novel bit of business because for a retro-emerging generation, the Navy and Air Force's top fighters were the F-14, F-15, F-16, and F/A-18. Here's the missing number, which didn't go into production. Apparently it influenced the design of the F/A-18.
So they probably just cannibalized the two F-17s for parts or something.

Just what LBJ needed--bigger ears.
Snerk. :rommie:

I don't usually cover births in 50th anniversary business, but it's not every day a Trek series co-star is born. She was pretty damn young when she played Kes.
Yeah, she must be the youngest aside from Wesley.

I'm probably gonna get this for completeness, but Good God did they massacre a beautiful song.
Harsh, but true.

This is the beginning of the period in which they were produced by George Martin, who was mainly known for his work on novelty records until somebody sent him a rock & roll quartet from Liverpool with a strange name and funny haircuts...
And every one of their songs was pretty novel.

TMI, dude! :lol:
Don't be such a square, man!

We may yet. I could see him as a villain on H50.
Really? That should be good.

It sounds to me like maybe the character became Flanderized...going from awkward virgin who was maybe trying to get laid to a complete incel, as they say these days.
Yeah, I was thinking along those same lines.

Be mindful of your neighbors when you're out celebrating Woodstock. :p
Now you sound just like the police. :(

I think the red skirt that became the norm from the '80s on was an improvement on the original design contrast-wise.
Well, it matches the original Superman suit more, but I still like the blue mini.

While this I vote Super Groovy:

View attachment 41323
No, that's just some weird alternate Supergirl from another dimension. :rommie:

There's a bit too much musical culture shock jumping from immersion in 1974 to that.
Things changed fast....

Going by this weekend's Catchy Binge, it appears that Weigel has rescued a fair damsel from the clutches of Antenna:
Cool. I'm sure you'll be rewatching those. :D

'Member when Rob Reiner popped up with Teri Garr?
He looks oddly like Letterman.

Mike Sekowsky. He was also the guy that turned Wonder Woman into the Diana Rigg inspired martial artist, dumping her costume and superpowers.
Ah, right, Sekowsky. Not as bad as Infantino, but also not a fave. And apparently not the go-to guy for re-imaginings. :rommie:
 


Belated 50th Anniversary Viewing



All in the Family
"Mike and Gloria Mix It Up"
Originally aired January 5, 1974
Wiki said:
Mike and Gloria argue over who should be the aggressor in their marriage.

Archie and Edith are going to a dinner party at her cousin Amelia's, while Mike can't get Gloria to agree to a movie (American Graffiti is mentioned), and she subsequently turns down a telephone invitation to a party. She's very forward in wanting to take advantage of having the house to themselves--even going into a suggestive song/dance performance of "Makin' Whoopee"--which Michael is suddenly uncomfortable with, trying to steer her toward TV or checkers. (Use the wig, Gloria!) We learn that he's been avoiding consummation (Do we still call it that after the first time?) for four weeks, because he's uncomfortable with the way she's been taking the sexual initiative. She comes to see this as a women's lib issue, though Michael insists that it's just the natural order of things.

Gloria: Oh yeah? Did you ever hear of a king bee?​

Well...
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Gloria calls him out for his hypocrisy when it comes to their equality, which was a legitimate issue with counterculture men. Michael inevitably blows his stack and tries to storm out for a walk, but Gloria tricks him into letting her storm out first. Referencing part of their conversation dealing with the habits of the black widow, he calls out to her...

Mike: Spider! Spider woman!​

They arrive home separately, and Gloria initially refuses to talk to Mike. When she relents, he demands to know where she's been for hours. When she won't say, he proceeds to tell her a story about having gone to the party and met a beautiful woman who let him make the first move, which he did. The shoe's on the other foot when she counters with a story about a man she met in a coffee shop who listened to her, was considerate of her needs, and had no issue with her making the first move, which she did. Michael characteristically blows up about this, and tells her that he was actually at the movie theater. Gloria knows, because she was sitting four rows behind him, which she reveals by citing the number of times he went to the snack bar. She then manages to reason with him that if they love each other and end up together, it doesn't matter who starts things. Michael finally gets in the mood and they're just starting to get warmed up in the living room when the parents walk in the door and Archie assumes that they've been at it all night.

There's a bit of business here that justifies Archie's criticism of Meathead, where Mike's making a sandwich in the kitchen and throws everything available on it, Dagwood-style.



M*A*S*H
"Henry in Love"
Originally aired January 5, 1974
Wiki said:
Henry endangers his marriage when he returns from Tokyo in love with another woman less than half his age, but when she visits camp she forgets all about Henry and secretly flirts with Hawkeye.

Henry returns from a week in Tokyo two days late, during which time Burns has been in charge. The guys can tell that something happened because Blake's acting giddy, and when asked the colonel drops the bomb that he met a woman named Nancy Sue Parker and is in love. When he shows them her picture, they note that she's just a kid. Henry clarifies that she's almost 21.

Hawkeye: Henry, you've got a corn that's twenty-one!​

The guys remind Henry that he's married and try to encourage him to put the girl behind him, but he counters that this is different because he's really in love, and informs them that she'll be visiting the camp on the coming weekend. Henry prepares for this by darkening his hair and exercising.

When Nancy Sue arrives at the camp, she turns out to be a perky, bubbly, cute Kathrine Baumann, and the guys can't help being impressed. Frank and Margaret look on with disapproval as Henry brings her into the now-recurring officers' club. When Henry introduces her, Margaret notes a resemblance to Frank's oldest daughter. A martial number that comes on reminds Nancy of her days as an Ohio State cheerleader, and with Hawkeye's encouragement she does an acrobatic cheer routine there in the club. Then (in a rather contrived moment) Blake and McIntyre are called to the OR, leaving Hawkeye with Nancy. After Hawkeye sees his own date (Sheila Lauritsen) to her tent, he takes Nancy to hers, and she brings him inside and throws herself at him, which he politely fends off.

Hawkeye: One of us loves Henry Blake, and I think it's me!​

Hawkeye tells Trapper about this, and Trapper rushes him to Blake's office, as Radar has arranged a call to the colonel's family and Trap's afraid that Henry plans to spill the beans to his wife. When they arrive, they find Henry deeply engaged in sundry family matters like disciplining the kids and promising to balance the checkbook by mail. The call ends with no hint of Nancy, and the guys find that Henry's come back down to reality on his own.

In the coda, Henry sees Nancy off with a promise to keep in touch, though he's actually relieved that she's returning to Montreal Tokyo.



All in the Family
"Archie Feels Left Out"
Originally aired January 12, 1974
Wiki said:
Archie mopes about his age on his 50th birthday.

Jesus, he's just turning 50? Boy did they age rougher in my own lifetime...and Carroll O'Connor was still actually 49 at this point, mirroring Archie's dilemma in the story.

Edith's arranging a surprise party for Archie, which, the kids learn, she cleared with Archie first. Mrs. J brings over a large present that she's been hiding for Edith.

Mike: It's too big to be a brain transplant.​

To Edith's panic, Archie comes home from work early after a power failure. While Archie believes that it qualifies an act of God because He owns Con Ed, when pressed by Mike, Arch opines that the Almighty isn't responsible for the energy crisis.

Archie: Muhammad's been in charge of the Arabs ever since God traded them to Muhammad for a mountain.​

When Edith mentions that it's Archie's 50th birthday, he insists that he's still 49. Edith cites the cake in the kitchen as proof of his age.

Archie: Well, I'm telling you that the cake is a liar!​

While Gloria runs upstairs for a shoebox that has Archie's birth certificate in it, Edith and Mike argue to Archie that it's important to maintain the surprise element for the sake of the guests. When the doorbell rings, the others rush Archie out the back while putting his coat and hat on him. The guests include Louise, Lionel, Irene, and, not having retired to Canada, Mr. Quigley and Jo. (Gloria has to remind Mike who they are for the audience's benefit.) After Archie's come back in through the front door and not acted the least bit surprised, Mike finds the certificate and declares that Archie's 50, which is punctuated by everyone singing "Happy Birthday" and the cut to Our Sponsor.

Having actually received an unwelcome surprise, Archie cuts out during the break, with the guests wondering what's up. The Bunker-Stivics keep the party going, with Mr. Q leading a singalong of "I'm Henery VIII, I Am". At Archie's usual place for avoiding company, Kelsey doesn't make him feel any better.

Kelsey: Say, how old are you today? 55, 56?​

Archie and Kelsey get into a brief discussion about how sex was treated in old movies vs. the (mispronounced) porno-graphy of Last Tango in Paris. Then Edith, having been tipped off by Kelsey, pops in bearing her present. She tries to convince Arch to come back and he insists that it's not his party because he's 49. Having hit an unexpected milestone, Archie reflects on things he hasn't done, like ridden a horse; and gets embarrassed when Edith compares it to her menopause and goes off on a tangent on the subject. She then has him open the present, which is something he's always wanted--a six-string ukulele. While he initially admires it and sincerely thanks Edith, he comes to a sobering realization.

Archie: Well, what the hell good is it? I can't play.​

Archie still refuses to return home with Edith, so Mr. Q drops in at Kelsey's and reveals to Archie over drinks that at midnight, he'll be 83.

Archie: It's your birthday, too?​

Welp, there ya gone and done it, Arch!
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Archie's inspired to learn that Quigley first rode a horse at 63 and is just now taking up French. Now feeling not so old, Archie agrees to return to the house, only for Quigley to bring in the family and guests, who've been waiting outside with the cake and presents.

In the coda, Archie's picking away at his uke.

I gotta say, Archie's birthday episode was better than the Christmas episode.



M*A*S*H
"For Want of a Boot"
Originally aired January 12, 1974
Frndly said:
Hawkeye's quest for new boots turns into a never-ending game of horse trading.

They're perhaps playing the military bureaucracy / black market card a bit much lately, but this does prove to be an entertaining example. The front is experiencing a harsh spell of winter and Hawkeye can't wait for boots that he ordered months ago to replace a pair that have a large hole in the right sole. They see supply sergeant Zale (Johnny Haymer), who's willing to make it happen if they can get him some bridge work that's overdue. Therefore, they go to the camp dentist, Captain Futterman (Michael Lerner), who can't officially prioritize the procedure because it's cosmetic, but is infatuated with Japan and will do it for a three-day pass. When the guys go to Blake about this, he's preoccupied with Radar-gained intel about a report that Houlihan is preparing to file about him to General Mitchell. Houlihan is willing to kill the report if the guys will arrange a birthday party for Frank with at least twenty guests. Hawkeye--who in an earlier scene had attempted to line his boot with a birthday card from Frank's wife--considers this a step too far until he steps in a mud puddle outside.

The guys, having gotten on the cook's bad side offscreen, go to Radar to provide a cake. Radar's edgy over a thing he's got for a new blonde nurse named Murphy (Suzanne Zenor) who's a couple heads taller than him (but doesn't look tall next to the guys). She agrees on the condition that her blind date comes with a hair dryer. Not knowing who the date is with, she volunteers that she'd even go out with Radar O'Reilly for that. The guys try to barter with Klinger for his (He was just using Houlihan's a few episodes ago.), and what he wants is for four officers to sign a paper that will get him out of the Army. The guys agree and think they can get Burns and Houlihan to sign once they've softened them up by throwing the party.

Frank, who's gotten a riding crop from Margaret, is depressed by the memory of how his mother would have trouble getting a few kids to show up for his parties when she takes him to the mess tent and the very real surprise party is sprung. (Note that here we break the usual trope as the surprisee is very happy to have a party that he genuinely wasn't expecting.) Everything's going swimmingly--though an inebriated Blake has to be taken aside to avoid giving him the opportunity to blow things--and the chain seems to be complete. Then the guys ask Frank to sign Klinger's form, and he and Houlihan strongly object with the corporal present. Klinger goes to take his hair dryer away from Nurse Murphy just as Radar's arriving for his date. Radar goes back and takes the cake; Houlihan declares that the report is on; Blake takes back Futterman's pass; Futterman cancels Zale's under-the-table appointment; and Zale won't be getting Hawkeye's boots. There's a glaringly bad bit of audio-syncing as Hawkeye rants in frustration about everything he's gone through to get them--possibly an issue with dialogue that was re-recorded in post. For a few seconds there he looks like a dubbed Japanese movie.

In the coda, Hawkeye's breaking in a golf bag that he's wearing as a thigh boot.



She should have reminded him of the fate of Bobby Riggs. :rommie:
Ah, I forgot to note that the Riggs/King match came up in their debate about women in sports.

The Evil Eye! Did he do the Evil Eye hand jive? :rommie:
Yeah, there was a connected gesture, with the outer fingers and thumb extended, I think.

I'm sure everyone was heartbroken. :rommie:
They were probably more ready and willing to attend that than Frank's birthday party.

This is why I never found her to be a sympathetic character, except maybe toward the end. Her big crisis all about self pity and she abuses everybody else for it, and in the end she doesn't grow as a character at all. Even Trapper got the orphan kid.
While I'd agree on the point of this being an episodic situation that won't necessarily inform the character's portrayal going forward, I felt that this episode did serve to humanize her, which makes her somewhat sympathetic.

And Frank just goes along with it all like the ferret face he is. I never had any sympathy for him either.
He's just played a little too broadly.

I remember this. Actually, I think Groucho impersonations came up a few times in the show.
Reiner seems to like to break into his imitation.

Yeah, I remember bits and pieces of this episode, but I remember nothing about it being Christmas. Weird, because Christmas would be a gold mine for arguments between Archie and Meathead. Maybe they wanted to lay off people for the holiday.
They had already done at least one other Christmas episode, and while I don't remember the specifics offhand, they probably already played the expected Archie/Mike beats there.

Does the camp have an ophthalmologist? There's something wrong with that guy's eyes.
Given that we're now firmly in the "Star Trek Lives!" period, I have to wonder if a Trekkie writer was slipping in a subtle reference to the show. I just read in a letter column of the "latest" issue of The Avengers where, when the subject of Vision's similarity to Spock came up, the writer expressed disbelief that the show had been off the air for five years and people were still talking about it.

You'd think Hawkeye would be offended at being offered a reward and go off on a speech about all the other kids who are not sons of generals.
Now that you mention it...

There's only five officers in the camp. Blake and the guys make up a majority. :rommie:
While they seem to have disappeared by this point, there did used to be more surgeons in the 4077th, like Captain Jones, whose nickname shan't be used here. Also, the nurses seem to all be commissioned officers--Houlihan's a major and the others seem to all be lieutenants, at least according to IMDb billing, which tends to list these background characters by full names and ranks even where they were either uncredited or billed in shorter form in the episodes themselves.

This whole thing strikes me as a manufactured controversy. Did they even ask the general to make it a club for everybody?
The officer/enlisted divide is just an understood and deeply rooted tradition in the military, which they probably did a disservice to here by treating it in such a dismissive, one-sided manner.

Hot enough for ya? :angel:
Yesterday was about torrential downpours, flash flood emergencies, mudslides, a route through a nearby town being washed away. Did you get any of that up there? I stayed inside--good day for watching my shows.

Interesting. His stock was higher than I knew.
During Nixon's administration, he served as the US ambassador to the UN and chairman of the Republican National Committee.

So they probably just cannibalized the two F-17s for parts or something.
Both are currently on display in different locations.

Really? That should be good.
That was a "could," and it looks like it's not in the cards. Seems he did appear in a couple of M:I's though.

Now you sound just like the police. :(
De-do-do-do, de-da-da-da
Is all I want to say to you


Well, it matches the original Superman suit more, but I still like the blue mini.
It seems that how short it was drawn was a matter of artistic license from the beginning, but I don't think minis were a thing yet when the costume first appeared.

Cool. I'm sure you'll be rewatching those. :D
I had it on in the background some. I was re-impressed how they did a combined Halloween/election-themed episode for the 1968 election season, in which Ann and her father debated how they chose to approach voting without getting into any party specifics. There was a funny bit of business that I didn't go into detail about in my original review, where they kept opening the door for the same group of trick-or-treaters and, so wrapped up in their debate, closing it without giving the kids candy. The debate continued into the next day, as they were washing soap graffiti off the windows of the Marie home.

In an odd coincidence, it seems that Phil Donahue has died. He was Marlo Thomas's husband of 44 years.

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Last edited:
(Use the wig, Gloria!)
The nuclear option.

he's uncomfortable with the way she's been taking the sexual initiative.
Meathead.

Gloria: Oh yeah? Did you ever hear of a king bee?

Well...
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They're not as hep as they think they are.

Gloria calls him out for his hypocrisy when it comes to their equality, which was a legitimate issue with counterculture men.
Hypocrisy is an issue with every ideology. :rommie:

Mike: Spider! Spider woman!
She's really not very spidery.

There's a bit of business here that justifies Archie's criticism of Meathead, where Mike's making a sandwich in the kitchen and throws everything available on it, Dagwood-style.
Oh, yeah, he was a Black Hole. :rommie:

Hawkeye: Henry, you've got a corn that's twenty-one!
I've got unanswered emails that old.

she'll be visiting the camp on the coming weekend.
Visiting a mobile hospital near the front lines for a date? Did stuff like that really happen?

A martial number that comes on reminds Nancy of her days as an Ohio State cheerleader
What was she doing in Tokyo? Is she in the service?

with Hawkeye's encouragement she does an acrobatic cheer routine there in the club.
:rommie:

Then (in a rather contrived moment) Blake and McIntyre are called to the OR, leaving Hawkeye with Nancy.
He gave Radar five bucks.

Hawkeye: One of us loves Henry Blake, and I think it's me!
There we go. That's my M*A*S*H. :rommie:

The call ends with no hint of Nancy, and the guys find that Henry's come back down to reality on his own.
That was a good move, letting him figure it out for himself.

In the coda, Henry sees Nancy off with a promise to keep in touch, though he's actually relieved that she's returning to Montreal Tokyo.
:rommie:

Jesus, he's just turning 50? Boy did they age rougher in my own lifetime...
I was just thinking that the other day, when I was remembering the time my Grandmother fell down and broke her hip in 1969. She was a typical old lady, with the gray hair and shuffle and holding the railing on the stairs and stuff. And she was born in 1907, so that means she was 62-- a year younger than I am now. So either people age better now or I'm delusional. No need to tell me which, by the way. :rommie:

Mike: It's too big to be a brain transplant.
Abby Normal had a pretty big brain.

Archie: Muhammad's been in charge of the Arabs ever since God traded them to Muhammad for a mountain.
Somebody should go through the whole series and put together a Complete Theology of Archie Bunker. :rommie:

While Gloria runs upstairs for a shoebox that has Archie's birth certificate in it
Rotten kid. :rommie:

The guests include Louise, Lionel, Irene, and, not having retired to Canada, Mr. Quigley and Jo.
No Frank, no George, no Stretch?

Kelsey: Say, how old are you today? 55, 56?
:rommie:

Archie reflects on things he hasn't done, like ridden a horse
Whew. I've done that, at least. Sitting on the thing while being led around by a young woman qualifies as riding, right?

Archie: Well, what the hell good is it? I can't play.
It's kind of a shame they didn't keep this as an ongoing plot element.

Welp, there ya gone and done it, Arch!

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Kelsey's has a groovy jukebox.

In the coda, Archie's picking away at his uke.
Never to be seen again.

The guys, having gotten on the cook's bad side offscreen, go to Radar to provide a cake.
Not to ruin the plot, but why didn't Radar just get the boots? :rommie:

Radar's edgy over a thing he's got for a new blonde nurse
Wow, Radar really had a sex drive in those days.

Not knowing who the date is with, she volunteers that she'd even go out with Radar O'Reilly for that.
Ouch. I guess that's what killed his sex drive. :rommie:

what he wants is for four officers to sign a paper that will get him out of the Army.
If the nurses are officers, he should have no problem with that.

Frank, who's gotten a riding crop from Margaret
:rommie:

(Note that here we break the usual trope as the surprisee is very happy to have a party that he genuinely wasn't expecting.)
A trope I have never understood. :rommie:

Klinger goes to take his hair dryer away from Nurse Murphy just as Radar's arriving for his date.
Klinger obviously didn't know what his hair dryer was buying. I don't think he would have screwed up Radar's date.

and Zale won't be getting Hawkeye's boots.
No happy ending in this one.

Ah, I forgot to note that the Riggs/King match came up in their debate about women in sports.
Good, the debate would be incomplete without them.

Yeah, there was a connected gesture, with the outer fingers and thumb extended, I think.
Yeah, that's it. Doctor Strange used to do it too, actually.

They were probably more ready and willing to attend that than Frank's birthday party.
True. :rommie:

While I'd agree on the point of this being an episodic situation that won't necessarily inform the character's portrayal going forward, I felt that this episode did serve to humanize her, which makes her somewhat sympathetic.
I think they did a better job of humanizing Frank in the last one with the birthday party business-- his sad memories of childhood and his happiness at the surprise party.

He's just played a little too broadly.
That was the trouble with all the original characters. They were all one note, which may have worked for the movie, but didn't carry into the series well. That's why the show got better every time they replaced somebody.

Reiner seems to like to break into his imitation.
That's true. :rommie:

Given that we're now firmly in the "Star Trek Lives!" period, I have to wonder if a Trekkie writer was slipping in a subtle reference to the show.
Could be. This was also the era of "Bring back Star Trek" bumper stickers.

I just read in a letter column of the "latest" issue of The Avengers where, when the subject of Vision's similarity to Spock came up, the writer expressed disbelief that the show had been off the air for five years and people were still talking about it.
You're probably also seeing a lot of letters sign off with "Bring Back the X-Men." :rommie:

Also, the nurses seem to all be commissioned officers--Houlihan's a major and the others seem to all be lieutenants
There should have been no problem opening it up to everybody then. Except Hawkeye and Trapper would be opposed because they'd want the nurses all to themselves. :rommie:

The officer/enlisted divide is just an understood and deeply rooted tradition in the military, which they probably did a disservice to here by treating it in such a dismissive, one-sided manner.
Yeah, I suppose that's true.

Yesterday was about torrential downpours, flash flood emergencies, mudslides, a route through a nearby town being washed away. Did you get any of that up there? I stayed inside--good day for watching my shows.
Wow. We had a torrential downpour last week and some rain and thunder in the past few days, but nothing like that. Weather keeps getting weirder.

During Nixon's administration, he served as the US ambassador to the UN and chairman of the Republican National Committee.
I never even heard of him till he was VP, I don't think.

Ah, that's cool. I like it when things get preserved.

That was a "could," and it looks like it's not in the cards.
Oh, I thought you were giving me some foreshadowing. :rommie:

De-do-do-do, de-da-da-da
Is all I want to say to you
More 80s culture shock. :rommie:

It seems that how short it was drawn was a matter of artistic license from the beginning, but I don't think minis were a thing yet when the costume first appeared.
It definitely got shorter as time went on. It was almost down to her knees on her origin cover.

There was a funny bit of business that I didn't go into detail about in my original review, where they kept opening the door for the same group of trick-or-treaters and, so wrapped up in their debate, closing it without giving the kids candy. The debate continued into the next day, as they were washing soap graffiti off the windows of the Marie home.
That's a good one. :rommie:

In an odd coincidence, it seems that Phil Donahue has died. He was Marlo Thomas's husband of 44 years.
Ah, that's right, I remember that. And they were about the same age, despite appearances.

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Flirty flirters. :rommie:
 


Belated 50th Anniversary Viewing



The Six Million Dollar Man
"Population: Zero"
Originally aired January 18, 1974
Series premiere
Wiki said:
When Steve and Oscar investigate the knocking out of the entire population of a small town, they are contacted by a scientist, once employed by the government, who is set on revenge for past grievances. Demanding $10 million or he will strike again, Steve must find and stop him.

Noteworthy Moments: This episode introduces the vulnerability of Steve Austin's bionics to sub-zero temperatures. The town scenes were from the movie The Andromeda Strain.

Motorcycle officer Paul Cord (Paul Carr) rides into the "city" of Norris to find the population of 23 all sprawled about in a Twilight Zone-ish fashion. While being observed from a mobile lair by an evil scientist (Don Porter) and his minions, Paul covers his ears from an unheard sound, getting out a warning on his radio before falling unconscious.

The nonsensical insert filler may be over, but there's still EIW ahead. I was expecting a shorter narration in the opening credits, but most of the theme is gone, too. Also, I don't recall the series having teasers, but it's been a long time.

Steve's working on a dune buggy at a shop--bending a roll bar into shape with his bionic arm--when Oscar drops in and, at the drop of a hat, gives him an infodump about the situation in Norris. When Steve takes interest because he used to go to high school twenty miles away and knows the residents, Oscar forbids him from getting involved, intending to give him another assignment. (Um, need to know, Oscar?) Steve openly goes anyway, so when he drives up to an Army roadblock flashing his ID, he's taken straight to General Tate (Walter Brooke). A Dr. Chris Forbes (Penny Fuller) briefs Steve with aerial images and shares her determination that a contaminant wasn't involved. Steve has his old space suit delivered so he can walk into town and scope the place out--teasing the technician who helps him put it on (Bob Delegall) for a while before revealing that he's the guy on the name tag. Steve comes upon a couple of faces recognizable to him and us--Joe Taylor (Paul Fix) and Mrs. Nelson (Virginia Gregg lives!)--the latter of whom is found moaning in a car turned on its side. He rights the car and the other townspeople start coming back to life.

The evil scientist shows up pretending to be a concerned local and too easily learns from a
Major Phillips (Morgan Jones) that Steve is working for Oscar Goldman...whom we later learn the scientist is familiar with as he's reporting to an associate named Johnson (Stuart Nisbet), pleased that the Army is taking the threat seriously enough to brings someone like Goldman in. Under questioning, the townspeople seem to have blocked everything out but the pain. Forbes decides to try narcosynthesis and Steve picks Taylor as a good subject. Questioned under the influence, he recognizes Steve as a local boy made good, but when he gets to the incident, relives the pain, which causes him to get up and grab a guard's automatic rifle. Steve tackles him with a bionic leap (slo mo, but no sound effects), which makes Forbes curious afterward. Then Officer Cord comes forward with a helpful memory--that he was only affected after he took his helmet off, and it seemed to affect his ears first. Steve deduces that ultrasonic waves are involved, and Oscar confirms via teletype that the effect matches a government project headed by a Dr. Stanley Bacon (Porter's character), who disappeared over a year before. Then a helicopter flies over dropping fliers with a ransom demand, threatening that lethal force will be used on the next target.

During some down time, Forbes questions Steve, asking if Oscar's his boss ("He thinks so.") and expressing curiosity about what she saw him do. From Steve's vague answer, she deduces that he's a beneficiary of the research of Dr. Rudy Wells. Steve gets word from Oscar that higher authorities think Bacon is bluffing as he doesn't have a power source to emit waves of lethal intensity. On his own initiative, Steve has the general get him an armored car so he can play along with the ransom demand, being met by a Jeep full of armed, ski-masked men whom he informs about the ransom situation while asking to see Bacon. He's clocked and taken to Bacon, who examines him. When Bacon doesn't find a pulse in Steve's right arm, and then looks at his eyes, his reaction is informed astonishment. A Geiger counter produces readings from all of Steve's bionic components thanks to his atomic power supply. When Steve comes to, Bacon indicates that he knew of Goldman's pet project and enthusiastically questions Steve about his capabilities and price tag. When he gets the answer to the latter, he bitterly realizes that Steve may be the reason that his own ten-year project's budget was cut. He reveals that his power source is to tap into the local grid, and that he next plans to hit the Army encampment, following which he'll use the waves on Steve, turning him into "a six-million-dollar pile of junk."

Deciding to keep Steve around as an ace in the hole in the meantime, Bacon has him locked in a freezer set at 20 below zero, knowing that this will weaken his bionic limbs. Back at the camp, Oscar gets an update about the power required to generate lethal waves and alerts the local power station--but the plant manager he talks to is Bacon's inside man, Johnson, who calls Bacon at his mobile operations center in the back of a truck. As Bacon's minions are tapping into the power supply, a frost-covered Steve manages enough bionic strength to tear some gas piping off the wall and rig it to an oxygen canister that Bacon gave him for survival, constructing a makeshift blowtorch to free himself. As Bacon & company are deploying their emitter cones from high ground above the Army encampment, Steve gradually progresses from a stiff hobble to a slo-mo bionic run, accompanied here by the sound of a heartbeat. As the camp personnel, including Goldman and Forbes, start to be affected by the waves, Steve tears a metal fence post out of the ground, and brandishing it like a spear, concrete base first, continues to charge up to the truck. When he's spotted approaching, Bacon has the cones trained on Steve, but he resists their effect long enough to hurl his weapon, which smashes through the truck, resulting in the vehicle meeting its obligatory TV fate with the baddies inside.

In the coda, Steve catches up with Taylor regarding the whereabouts of some of his old classmates, including one who was killed in 'Nam. He then walks off with Forbes after she indicates that her curiosity about him is more than medical.

The closing credits include an arrangement of the theme that sounds weaker than the one used in later seasons.

Credited evil minions with lines and/or substantial face time include Colby Chester and Mike Santiago.



M*A*S*H
"Operation Noselift"
Originally aired January 19, 1974
Frndly said:
A private with a prominent proboscis pleads for prohibited plastic surgery---but Frank and Margaret smell a rat.

Blake is dictating a response to General Mitchell about a report that Burns and Houlihan have filed regarding his conduct (Is this any ol' episode stuff, or actual continuity?) when Private Danny Baker (Todd Susman, who otherwise works as the regular PA announcer at this point in the show) is brought in for his latest in a series of AWOLs. Blake sends the tight-lipped private to Father Mulcahy to find out what his issue is, and it turns out to be his large nose, which everyone stares at and many openly mock. (I'm staring because it's such an obvious prosthesis, though it may have passed muster on 1970s broadcast TV.) Mulcahy takes him to see the guys, and though it's not their specialty and cosmetic surgery is against Army regulation, they go to Blake about it, telling him of a Major Stanley "Stosh" Robbins (Stuart Margolin) stationed in Tokyo who treats burn victims and does work for generals' wives on the side, and the colonel agrees to look the other way. Stosh, who apparently already knows the guys personally, initially says that he can't, but the guys lure him in with the promise of being hooked up with a nurse nicknamed "the Barracuda," who doesn't exist. He flies in and is unimpressed with the 4077th's facilities, and the guys string him along as he looks for his match, assessing various nurses along the way--including Major Houlihan, whom he comes on to by offering to work on her jowls. Afterward, Frank shares his suspicion about why a plastic surgeon is visiting the camp.

The guys make cracks about picking noses and paying through the nose as Stosh has Baker choose a new shape from a booklet of crude outlines. Once he has, the guys set into motion a mini-IMF scheme involving making a show of having Baker seem to leave camp on a pass, and Radar faking breaking his nose during a game of catch with Mulcahy...all for the benefit of Burns and Houlihan, who observe everything with suspicion. Hawkeye keeps them out of the OR while Baker is being prepped for surgery rather than Radar, and Trapper makes announcements that divert the pair to other parts of the camp. But Stosh follows Houlihan into a supply room and tries to force himself on her, though Hawkeye finds him in time to intervene and take him to the OR. Meanwhile, Frank comes upon Radar working at his desk like nothing happened, so he and Margaret rush to the OR to find out who Robbins actually performed surgery on...but the guys have that contingency covered, as all of the personnel mingling outside, male and female, and even a dog, are sporting nose bandages.

In the coda, Stosh leaves the camp completely satisfied by his night with the Barracuda...and the guys chat up a group of passing nurses trying to find out which one he actually saw.

Henry mentions The Thing and The Blob having been shown in the camp recently. While the former is period authentic, the latter won't be released until 1958.



I've got unanswered emails that old.
:lol:

Visiting a mobile hospital near the front lines for a date? Did stuff like that really happen?
Don't ask me, but her host is a colonel.

What was she doing in Tokyo? Is she in the service?
I knew you'd ask that! [Looks it up.] She's a civilian clerk-typist with the Air Force.

That was a good move, letting him figure it out for himself.
It was revealed that Radar made the call to Blake's family on his own initiative, and implied that it was his means of intervention.

I was just thinking that the other day, when I was remembering the time my Grandmother fell down and broke her hip in 1969. She was a typical old lady, with the gray hair and shuffle and holding the railing on the stairs and stuff. And she was born in 1907, so that means she was 62-- a year younger than I am now. So either people age better now or I'm delusional. No need to tell me which, by the way. :rommie:
I don't think you'd be able to tell that I'm five years older than Caroll O'Connor was in 1974...!

Abby Normal had a pretty big brain.
Hopefully I'll get around to getting that reference this year.

Somebody should go through the whole series and put together a Complete Theology of Archie Bunker. :rommie:
Indeed. There are many such moments that I don't quote.

No Frank, no George, no Stretch?
Don't recall if Frank had an excuse. I'm sure George still has issues with honky houses. Stretch is doing his Jenny Piccolo bit at this point.

Whew. I've done that, at least. Sitting on the thing while being led around by a young woman qualifies as riding, right?
They tried putting me on one when I was little. Haven't had the opportunity since.

Never to be seen again.
It ends up in a pawn shop window with signage in French.

Not to ruin the plot, but why didn't Radar just get the boots? :rommie:
I'll take that as a rhetorical question. I was wondering where this supply sergeant was all the times they've gone to Radar for stuff.

If the nurses are officers, he should have no problem with that.
I was thinking of that.

You're probably also seeing a lot of letters sign off with "Bring Back the X-Men." :rommie:
That's been going on for years. Now we're getting hints in the text pages that something's in the works.

More 80s culture shock. :rommie:
Not as stark a contrast as the other thing.

It definitely got shorter as time went on. It was almost down to her knees on her origin cover.
Shorter inside the book, though.
 
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Series premiere
Somehow I thought there were more movies than that.

Motorcycle officer Paul Cord (Paul Carr) rides into the "city" of Norris to find the population of 23 all sprawled about in a Twilight Zone-ish fashion.
I actually knew about the Andromeda Strain connection, but Wiki stole my thunder.

Steve's working on a dune buggy at a shop--bending a roll bar into shape with his bionic arm
Apparently not Chekov's buggy shop. :rommie:

Oscar forbids him from getting involved, intending to give him another assignment. (Um, need to know, Oscar?)
Was he maybe going to give him the assignment until he found out about the personal connection? The personal connection doesn't even seem to matter to the story.

Steve has his old space suit delivered so he can walk into town and scope the place out
That's kinda cool, but completely silly. :rommie:

Mrs. Nelson (Virginia Gregg lives!)
Does Jack Webb know about this?

Oscar confirms via teletype that the effect matches a government project headed by a Dr. Stanley Bacon (Porter's character), who disappeared over a year before.
Maybe he went to Cuba. :rommie:

Forbes questions Steve, asking if Oscar's his boss ("He thinks so.")
:rommie:

When he gets the answer to the latter, he bitterly realizes that Steve may be the reason that his own ten-year project's budget was cut.
That's hilarious. They should have made that his primary motivation from the get go. :rommie:

Bacon has him locked in a freezer set at 20 below zero, knowing that this will weaken his bionic limbs.
Not to mention his non-bionic everythings.

a frost-covered Steve manages enough bionic strength to tear some gas piping off the wall and rig it to an oxygen canister that Bacon gave him for survival, constructing a makeshift blowtorch to free himself.
A nice MacGyver moment.

Steve gradually progresses from a stiff hobble to a slo-mo bionic run
I remember the whole freezer sequence, but most especially this part. Very cool. No pun intended that time.

Bacon has the cones trained on Steve, but he resists their effect long enough to hurl his weapon, which smashes through the truck, resulting in the vehicle meeting its obligatory TV fate with the baddies inside.
Bacon will not be a returning nemesis.

Steve catches up with Taylor regarding the whereabouts of some of his old classmates, including one who was killed in 'Nam.
Ouch. That's an odd, sad moment.

He then walks off with Forbes after she indicates that her curiosity about him is more than medical.
If she's thinking what I think she's thinking, she's going to be disappointed. :rommie:

a report that Burns and Houlihan have filed regarding his conduct (Is this any ol' episode stuff, or actual continuity?)
I think they just try to impeach him every week. :rommie:

Private Danny Baker (Todd Susman, who otherwise works as the regular PA announcer at this point in the show)
That's interesting. I wonder if he ever shows up on screen other than this.

it turns out to be his large nose, which everyone stares at and many openly mock.
So does he just wander off into the wilderness alone or something?

(I'm staring because it's such an obvious prosthesis, though it may have passed muster on 1970s broadcast TV.)
They didn't have six million dollars to throw around. :rommie:

Major Stanley "Stosh" Robbins (Stuart Margolin)
One of the LAS folks, and Rockford's pal.

a nurse nicknamed "the Barracuda,"
Yesterday I had "My Woman From Tokyo" stuck in my head, now I'll have "Barracuda." :rommie:

He flies in and is unimpressed with the 4077th's facilities
Not to ruin the plot again, but why didn't they just get Baker leave in Tokyo?

including Major Houlihan, whom he comes on to by offering to work on her jowls.
I would expect Hawkeye and Trapper to be doing reconstructive surgery on him after that. :rommie:

Frank comes upon Radar working at his desk like nothing happened
Radar!

In the coda, Stosh leaves the camp completely satisfied by his night with the Barracuda...and the guys chat up a group of passing nurses trying to find out which one he actually saw.
This was an odd episode. No heavy lessons about war and peace, but just kind of a contrived sitcom plot.

Don't ask me, but her host is a colonel.
True, rank hath its privileges.

I knew you'd ask that! [Looks it up.] She's a civilian clerk-typist with the Air Force.
Heh. Thank you. And it makes sense, too.

It was revealed that Radar made the call to Blake's family on his own initiative, and implied that it was his means of intervention.
Radar is a bit of an Edith.

I don't think you'd be able to tell that I'm five years older than Caroll O'Connor was in 1974...!
I doubt it. Kidding aside, general health and aging, like pretty much everything else in society, has changed unbelievably in the past fifty years.

Hopefully I'll get around to getting that reference this year.
Cool. That's one of my all-time favorites.

Stretch is doing his Jenny Piccolo bit at this point.
Capped, possibly. Happy Days?

It ends up in a pawn shop window with signage in French.
Certainly not the Smithsonian. :rommie:

I'll take that as a rhetorical question. I was wondering where this supply sergeant was all the times they've gone to Radar for stuff.
Oh, he was camp personnel? I was picturing him back at HQ or whatever, like Sparky.

That's been going on for years. Now we're getting hints in the text pages that something's in the works.
It must have been right around now that I was getting back into comics. Crazy had stirred my curiosity, but it was the Horror comics that got me, either Werewolf by Night or Man-Thing (or both).

Shorter inside the book, though.
Hmm. Let me check my Kindle Supergirl Archives. You're right! :rommie:
 
Somehow I thought there were more movies than that.
Thank God, no! :lol: :eek:

Was he maybe going to give him the assignment until he found out about the personal connection? The personal connection doesn't even seem to matter to the story.
They were trying too hard to play the Steve going rogue angle...there was another beat when Oscar remotely tried to stop Steve from going into the town alone, which I didn't bother including.

That's kinda cool, but completely silly. :rommie:
Indeed.

Not to mention his non-bionic everythings.
They said he could only survive an hour in there.

If she's thinking what I think she's thinking, she's going to be disappointed. :rommie:
What, that he's with Farrah at this point? She appeared in promotional pics for "Wine, Women and War," one of which is used as the Peacock screenshot for the episode. I was disappointed to learn that she wasn't in it.

So does he just wander off into the wilderness alone or something?
That I wasn't clear on. Blake quickly came to believe that he was acting out about something.

Not to ruin the plot again, but why didn't they just get Baker leave in Tokyo?
Shush, you! I'd say because then the guys couldn't control the situation, and Stosh wasn't going to do it until they invented a lure for him.

I would expect Hawkeye and Trapper to be doing reconstructive surgery on him after that. :rommie:
Surprisingly, she seemed receptive to this. I guess it's all in the presentation. He was going on about what a goddess he could make of her or somesuch.

This was an odd episode. No heavy lessons about war and peace, but just kind of a contrived sitcom plot.
Yeah, it stood out as relatively weak.

Capped, possibly. Happy Days?
Yes, originally a running gag as Joanie's colorful, always-offscreen friend. It was a sign that the show was running out of gas when they made her a replacement character.

Oh, he was camp personnel?
Yep.

It must have been right around now that I was getting back into comics. Crazy had stirred my curiosity, but it was the Horror comics that got me, either Werewolf by Night or Man-Thing (or both).
Those are well underway at this point. Man-Thing might be relatively new.
 
Thank God, no! :lol: :eek:
:rommie:

They were trying too hard to play the Steve going rogue angle...
Yeah, that seems to be a theme at this point. I'm wondering now if they may have thought that the audience would be confused and think that Steve was a robot, so they're playing up his free will.

They said he could only survive an hour in there.
I start to shiver at about fifty degrees. I wouldn't last five minutes. :rommie:

What, that he's with Farrah at this point?
Actually I was making a risque implication about what parts she hoped were bionic. :rommie:

Shush, you!
:rommie:

Surprisingly, she seemed receptive to this. I guess it's all in the presentation. He was going on about what a goddess he could make of her or somesuch.
Interesting. There's her insecurity. I suspect that scene may have humanized her more than that whole other episode.

Yes, originally a running gag as Joanie's colorful, always-offscreen friend. It was a sign that the show was running out of gas when they made her a replacement character.
It's amazing that I know that, because I barely paid attention to Happy Days. I think I can even picture the actress.

Those are well underway at this point. Man-Thing might be relatively new.
My first issue of WBN was almost certainly #16. I'm thinking my first Man-Thing was in the low digits, maybe #7 or #8, but I'm not sure. Val Mayerik was still the artist. But the other thing is that I may have borrowed some of these books from my friend Mike before I started buying them on my own.
 


Belated 50th Anniversary Viewing



The Six Million Dollar Man
"Survival of the Fittest"
Originally aired January 25, 1974
IMDb said:
Oscar Goldman becomes a target for several conspirators who want to stop him from negotiating with the Russians. As he and Steve Austin fly back to Washington aboard a military aircraft, the plane is caught in a storm and has to crash land on an island in the Pacific. Amongst the survivors are the very men who are planning to kill Oscar.

Steve's driving Oscar to catch a plane with several senators aboard when their car gets a flat. (It's unclear where they're supposed to be, but they're flying across the Pacific back to the States after meeting with Russians, there's an American airbase with English signage leading to it, and as usual it looks like Southern California. Maybe Japan or an American territory in the Pacific?) Steve Austin don't need no stinkin' jack or lug wrench, but Oscar misses his flight and a phone call to Major Cromwell (James McEachin) gets him and Steve on a military charter; but Cromwell and a plainclothes man named Maxwell (William Smith) are conspiring to hit Oscar, so they have to modify their original plan.

The major and Maxwell, the latter now in a commander's uniform, join the flight, and note that an accomplice named Bobby is also aboard in uniform. The stewardess is Lt. Colby of the Nurse Corps (Christine Belford), and among the other passengers are a woman IMDb bills as Mona (Is that a bionic chicken joke!?! Special Guest Star Jo Anne Worley); and seatmates PFC Robert E. Barris (Randall Carver) and Yeoman Helen Maycek (Laurette Spang), who flirtatiously become acquainted. Steve notices that Oscar seems awfully tense for what's supposedly a series of conferences on space cooperation. As the plane flies into bad weather, Oscar shares with Steve that he thinks somebody tried to run him down while Steve was hobnobbing with cosmonauts and Goldman was secretly negotiating with the Russians. Another passenger, Air Force sergeant Roberts (W.T. Zacha), introduces himself to Steve, saying that they were at Nellis together. (There's such a heavy-handed paranoia reaction to this that they might as well have had him wearing a sign around his neck that said "RED HERRING".) Cromwell goes back to the area reserved for cargo and sets a homing signal device, which is monitored by a ship. The weather starts getting really rough, Colby knocks her head against a bulkhead, lightning sets one of the engines on fire, and Mona and Barris start to panic. The engine and part of the wing rip off and the plane goes into a dive. The captain spots an island and takes the plane in for an emergency landing near its shore, while Steve passes out life jackets. After they've landed, Steve uses his bionic arm to get a stuck hatch open and leads the passengers, who were trying to get out another way, to disembark. Cromwell covertly retrieves the homing beacon, and Oscar reports to Steve that the flight crew is dead. (They all had the fish.)

Daylight finds the passengers resting on an idyllic-looking beach. Steve, having gone foraging for fruit and coconuts, jumps down to Oscar from the top of a cliff laden with a sack full. Cromwell sets up his device again and emphasizes to Maxwell that Goldman will be dead before any rescuers arrive. The two of them come across Chekhov's Deadly Snake, surmising that the island must be full of them. Steve instructs the passengers on keeping a signal fire lit and has Sgt. Roberts put together a roster for guard duty. Helen informs Steve that Barris had a year of med school, though he didn't come forward as a volunteer to help Colby with first aid. Barris explains to Steve that he can't handle pressure. A plane is heard and Steve identifies it with his bionic eye (being used telescopically for the first time, but with no sound effect yet) as a C-130. It drops supplies, including guns, ammo, flashlights, first aid gear, and a radio, via which Steve contacts the plane and is informed that a rescue sub will be arriving the next morning.

Steve learns from Colby and Helen that Oscar went off to rendezvous with him after receiving a message of uncertain origin, so Steve goes out looking for Goldman. In the jungle, Maxwell clocks Oscar and is dragging him toward water when he comes upon a snake. When Steve calls for Oscar, Maxwell splits. Steve spots Oscar and the snake with his bionic eye, runs and jumps into action, and tosses the snake against a rock. Now certain that Oscar's would-be assassins are among the passengers, Steve decides that they'll camp out alone for the night. Cromwell and Maxwell go out looking for them armed, and are followed by Sgt. Roberts. Steve spots them approaching with his night vision and starts running toward them. The baddies fire into the darkness, Oscar is wounded, and Cromwell apparently ends up lethally hitting Maxwell. Steve is only certain of the identity of the latter. Roberts calls out for Steve and Steve asks him to send Colby alone to tend to Oscar.

Now daylight, Roberts goes to Colby and Helen encourages Barris to help, but Roberts won't let him come. Cromwell intercepts the two of them heading for Austin, clocks Roberts, and confers with Colby, who turns out to be the accomplice Bobby, about how to deal with Austin. Steve meets Colby and takes her to Oscar while Cromwell covertly follows. Colby gives Oscar a shot after Steve inspects the bottle, then tries to jab a needle in Steve's neck but he catches her and, in their struggle, she's shot by Cromwell (clearly not the guy you want providing you with covering fire), whom Steve takes out with a hurled rock. Barris arrives, having been sent by Helen to deliver bandages that Colby left behind, and Steve has him come up and examine Oscar. When Barris determines that a clipped vein needs to be cauterized, Steve asks him for a scalpel.

Steve: As long as you live, forget what you're gonna see. Is that clear?​

It's easy for us to forget, because what ensues is practically a radio play as Steve cuts open his off-camera finger to access two electrical wires and directs Barris to use them to cauterize the wound, all while we mostly see Barris's reactions. Steve then encourages Barris to set aside his self-doubt and to get to work removing the bullet.

In the coda, the sub crew waits patiently while Oscar is carried back down to the beach via Stokes, and Helen reunites with Barris to find his demeanor has changed. Steve learns that Mona thought she was on a flight to New York and informs her that she was on the wrong plane, which is met by a comically hysterical reaction. Despite this beat, I feel like we got Chekhov's Jo Anne Worley.
SMDM05.jpg



Emergency!
"How Green Was My Thumb?"
Originally aired January 26, 1974
Wiki and Frndly said:
Roy takes care of a woman's plants while she is hospitalized. Doctors remove an explosive grenade lodged in a man's abdomen and battle with religious fanatics who refuse treatment for their daughter.

The Station 51 crew roll up to a backlot bar fire and go inside to rescue a man who falls downstairs after an explosion. Outside Johnny determines that something's obstructing his windpipe. Roy tries to force breathing while the patient is rushed to Rampart. Racing against brain damage, Early removes the obstruction, a dental plate that came loose. Roy goes up to visit a Mrs. Johnson whom he saved the previous night while subbing for another paramedic, but Johnny is diverted when he attempts to pick up a nurse he meets on the elevator (future Draconian princess Pamela Hensley) only to be rebuffed. Johnny later accompanies Roy to Johnson's apartment, which is more like a greenhouse, filled with named plants; though Johnny has no interest in meeting the presumed "little old lady" for whom Roy is watering them.

A paramedic from another squad (Randolph's little brother Donald Mantooth) brings in a girl named Melissa (Kim Richards) who was injured in a fall and is found to be sporting a large dog bite on her arm. When her parents, Curtis and Emma Murdock (Will Hutchins and Helen Clark), are brought in, they refuse to agree to a hospital stay or rabies vaccination, which Brackett has reason to believe that she needs, in the devout belief that the Lord will provide for their daughter. when the Murdocks later come to take Melissa, Brackett tells them that they're playing Russian roulette with her life, and brings in the hospital chaplain, Chuck Miller (Don Chastain), who has Curtis read the passage where Satan dares Jesus to take a leap of faith, and Jesus responds, "Thou shalt not tempt the Lord, thy God." The chaplain convinces the Murdocks that the Lord has a purpose for Melissa, and would be more disappointed in them if they didn't let her live to find it. Their eyes opened, the Murdocks apologize for being newly converted greenhorns. The "sick" dog Melissa was bit by is later found to have been hit by a car (thankfully offscreen).

The station and several other units are called to a fire at a winery. The paramedics first see to the driver of a tractor that started the fire when it lost a wheel, causing the barrels being towed to go up like a car that hit a bump and swerved into a shallow ditch. Then they search for victims inside and find a man drowning in a wine vat, who manages to get out on his own and, being cyanotic, is taken to Rampart. At the hospital, Roy visits Mrs. Johnson again, and Johnny--having somehow lost the shirt beneath his jacket between scenes, and having ignored hints by Dix about the patient--is surprised to find that she's a very attractive and divorced young woman (Leigh Christian).

As Johnny's blaming Roy back at the station for not telling him, the station is called to a suburban home where a gun collector lying conscious in his arsenal of a garage has an M79 grenade embedded in his abdomen. (Must be a thing going around for some reason.) The paramedics advise that the patient not be transported, so Brackett makes a house call, going out in an ambulance with portable surgical gear and Dr. Morton. Sgt. Thompkins of the bomb squad (George P. Wallace) advises the firefighters on setting up a bunker made of mattresses outside, and after the ambulance arrives, the patient is very carefully lifted into a stretcher and rolled out to it. The paramedics double as nurses as the surgeons go to work (though Morton's the one handing Brackett instruments). At Brackett's call, defib is used despite the explosive. When the grenade is freed, Brackett hands it to Thompkins like a newborn baby and it's placed suspended in a net in a round-bottomed bucket to be driven away by the squad.

In the coda, Mrs. J visits the station with a gift for Roy--a young offspring of her creeping wisteria. When she mentions that she's going on vacation, Johnny and the other firefighters, who'd been teasing Roy for brushing up on plant care, fall all over themselves volunteering to babysit her flora.



Yeah, that seems to be a theme at this point. I'm wondering now if they may have thought that the audience would be confused and think that Steve was a robot, so they're playing up his free will.
Or just being anti-establishment, which was in the pop cultural air at the time.

Actually I was making a risque implication about what parts she hoped were bionic. :rommie:
Ah.

My first issue of WBN was almost certainly #16. I'm thinking my first Man-Thing was in the low digits, maybe #7 or #8, but I'm not sure. Val Mayerik was still the artist. But the other thing is that I may have borrowed some of these books from my friend Mike before I started buying them on my own.
Looks like those both date to the early months of '74.
 
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Steve learns that Mona thought she was on a flight to New York and informs her that she was on the wrong plane, which is met by a comically hysterical reaction. Despite this beat, I feel like we got Chekhov's Jo Anne Worley.

I'm reminded of 'The Mod Squad' episode previously discussed where the plane carrying Linc and Pete crashes and there's the bit at the end where one of the passengers played by Marvin Kaplan finds out that he boarded the wrong plane and he was flying to the wrong location.
 
Ah, yes...although my memory of the details was and still is vague, the Mod Squad plane crash episode did come to mind when I was watching this.

(Should I have used "Chekhov's chicken joke"...?)
 
(It's unclear where they're supposed to be, but they're flying across the Pacific back to the States after meeting with Russians, there's an American airbase with English signage leading to it, and as usual it looks like Southern California. Maybe Japan or an American territory in the Pacific?)
There's probably a base in Northern Japan. They'll probably fly to Hawaii.

Cromwell and a plainclothes man named Maxwell (William Smith) are conspiring to hit Oscar, so they have to modify their original plan.
I wonder what that was. In fact, I wonder what the original plan was.

The major and Maxwell, the latter now in a commander's uniform, join the flight, and note that an accomplice named Bobby is also aboard in uniform.
Including Colby, that's three moles. They really need to improve their security background checks.

(Is that a bionic chicken joke!?! Special Guest Star Jo Anne Worley)
"Boris says we should secretly negotiate with Russia."

Yeoman Helen Maycek (Laurette Spang)
Cassiopeia the Socialator.

Goldman was secretly negotiating with the Russians.
There's a lot of secret negotiating on this show and it always leads to violence.

Cromwell goes back to the area reserved for cargo and sets a homing signal device, which is monitored by a ship.
I'm not sure about the purpose of this. Cromwell and cronies know where the plane is headed, and if they're planning to hijack it then they know where they're going to hijack it to.

The engine and part of the wing rip off
Missed opportunity for Steve versus a Gremlin.

Oscar reports to Steve that the flight crew is dead. (They all had the fish.)
They should have activated the auto pilot.

Steve, having gone foraging for fruit and coconuts, jumps down to Oscar from the top of a cliff
"I found a shipwreck down the beach. The Minn-something."

The two of them come across Chekhov's Deadly Snake, surmising that the island must be full of them.
At least they weren't on the plane.

A plane is heard and Steve identifies it
I like that they were found so quickly.

In the jungle, Maxwell clocks Oscar
Please, please, please tell me he used a silver hammer.

Now certain that Oscar's would-be assassins are among the passengers
I understand that Oscar is one of the most important guys in the universe and that his secret negotiations with the Russians will alter the course of civilization for centuries to come, but do the evil secret agents really need to assassinate him while they're all trapped on a deserted island and the pool of suspects is so small? :rommie:

she's shot by Cromwell (clearly not the guy you want providing you with covering fire)
:rommie:

Steve: As long as you live, forget what you're gonna see. Is that clear?
I kinda remember this part.

Steve then encourages Barris to set aside his self-doubt and to get to work removing the bullet.
You'd think Steve would have been given training in this sort of thing when he became an agent.

Helen reunites with Barris to find his demeanor has changed.
A random character gets some development. That actor must have been happy.

Steve learns that Mona thought she was on a flight to New York and informs her that she was on the wrong plane, which is met by a comically hysterical reaction. Despite this beat, I feel like we got Chekhov's Jo Anne Worley.
It would have been hilarious if she turned out to be the mastermind. :rommie:

This is cute. Lee Majors looks pleased as punch to be in the presence of Jo Anne Worley. :rommie:

Racing against brain damage, Early removes the obstruction, a dental plate that came loose.
I like these odd little details that you know came from a real event.

(future Draconian princess Pamela Hensley)
I know that character, though I never watched the show.

Johnny later accompanies Roy to Johnson's apartment, which is more like a greenhouse, filled with named plants
"Look at this one, Roy: Audrey II."

in the devout belief that the Lord will provide for their daughter.
Provide a horrible death, perhaps.

Jesus responds, "Thou shalt not tempt the Lord, thy God."
Brackett doesn't often call in a consult, but when he does....

The paramedics advise that the patient not be transported, so Brackett makes a house call, going out in an ambulance with portable surgical gear and Dr. Morton.
Coincidentally, I just saw this scene within the past several weeks on a Saturday morning at my Mother's house. Very cool, tense sequence.

At Brackett's call, defib is used despite the explosive.
Very tense indeed. :rommie:

Or just being anti-establishment, which was in the pop cultural air at the time.
True. It's cool to be a rebel.

Looks like those both date to the early months of '74.
That's it. That marks my return to the world of Marvel. :rommie:
 


Belated 50th Anniversary Viewing



All in the Family
"Et Tu, Archie"
Originally aired January 26, 1974
Wiki said:
Archie worries that an old friend whose job he took is planning to get it back.

Archie comes home excited with cheap booze that he pours in a better bottle because Joe Tucker, an old friend from the plant whom he hasn't seen in 18 years, is coming for a visit. Joe (Vic Tayback) is early as Archie expected, and bears chocolate licorice for Gloria. Archie lets Joe, who was the foreman before he left the plant and Arch replaced him, sit in his chair. As they catch up, Mike and Gloria are amused to learn that Mike inherited his nickname from Archie, who got it when he was a newbie at the plant. Archie learns that Joe, whom he thought had it made as a big shot at another plant, has been unemployed for six months because of layoffs caused by the energy crisis. Arch is then put off to learn that Joe's been seeing a shrink, who encouraged him to return to his old stomping grounds. Joe tells Arch that he's been in touch with the boss at the plant, who's indicated that there's a position opening up for him. This unsettles Archie, whose unspoken fears are played into when Edith offers Joe Archie's place at the table.

Archie is further upset when Edith belatedly informs him that the plant's personnel manager, Jim Sanders, left a message for him; and he shares his suspicions with Edith in the kitchen. When Archie visits Sanders's (David Doyle) office the next day, he makes a show of covering for his own faults by saying that he's taking responsibility for the guys under him, likening himself to Richard E. Nixon taking heat for Watergate. Sanders actually wants to ask him about Joe, and Archie's answers are tailored to cast doubt about his old friend...particularly his mental fitness, as Sanders takes great interest in Archie relating a moment at the house when Sanders seemed to go into tears; though Archie stops short of telling Sanders that Tucker has been seeing a shrink. Later Tucker returns to the Bunker home to thank Archie for getting him a job as dispatcher, which is above Archie's position, as it turns out that Sanders has a high opinion of psychiatry and confirmed that Joe had gotten care. Joe then deflates Archie's assumption that things will be like the old days as Tucker promises to prove himself worthy of this new opportunity by running a tight ship.



M*A*S*H
"The Chosen People"
Originally aired January 26, 1974
Frndly said:
A local farmer claims the 4077th is on his land, and a Korean woman claims Radar is the father of her child.

Captain Sam Pak (Pat Morita reprising his role from the poker episode) is now in the OR as a medical observer, and Strawman acts pretty rude in his disapproval of Hawkeye practicing Korean with him. A Korean family shows up out of nowhere with an ox and sundry belongings and starts to construct a house. Strawman suggests scaring them away with gunfire. (Strawwoman does not appear in this episode.) Pak translates to inform Blake that the father (Jerry Fujikawa) says that the land is his farm and the Americans are trespassing. While Blake's on the phone with Civilian Affairs trying to get this straightened out, a boy from the family (Jay Jay Jue) insists on shining his boots, looking for payment. A young Korean woman who's not with the family, Choon Hi (Clare Nono), enters the colonel's office holding a newborn baby, Su Yong, claiming that his father is with the 4077th. Blake has Pierce and McIntyre brought in, assuming that one of them is responsible...but when Radar enters, Choon Hi fingers him as the baby daddy.

The girl produces an aid form that she filed with the JAG. Radar, who visits the girl's village on weekends (apparently the location of his hole in the wall) and gave her a ride once, claims that he does, but he didn't. An outraged Burns suggests a blood test, which the guys conduct. In the mess tent, the nurses act flirtatious and giggly with Radar. While Blake has got Burns on the phone with CA on the principle that the major better speaks their jargon, First Lt. Michael Harper, JAG (Dennis Robertson), arrives to look into the baby situation. Burns is a little too successful bonding with the man on the other end, hanging up after the major comes on to him. Outside, Strawman has MPs try to escort the family to plow a minefield until a truck from CA arrives to take them. The guys come back with the blood test, which is negative. Then Radar bursts in and claims responsibility for the child, insisting until he's shown the report. The family is loaded on the truck, and Hawkeye asks Radar why he falsely stepped up.

Radar: Do you remember when she first came around and I said that I do, but I didn't?...Well, I didn't because I don't, and I never. But I sure liked the way it felt when everybody thought I did.​
Hawkeye: You will.​
Radar: You think?​
[Hawkeye nods while giving nonverbal response.]​

In the coda, Choon Si leaves on the truck, having found a new family to replace the one that ostracized her. Nurse Lyons (Bobbie Mitchell) asks Radar about going to the night's movie with her.



Including Colby, that's three moles. They really need to improve their security background checks.
I was under the impression that Maxwell and Colby weren't even actually military.

I'm not sure about the purpose of this. Cromwell and cronies know where the plane is headed, and if they're planning to hijack it then they know where they're going to hijack it to.
True. They remained vague about what the plan was supposed to be.

Missed opportunity for Steve versus a Gremlin.
The episode had me thinking of that, too, when the passengers were panicking.

They should have activated the auto pilot.
This should have been Jo Anne Worley's scene:
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"I found a shipwreck down the beach. The Minn-something."
Oscar starts calling Steve "little buddy" and hitting him over the head with his...glasses?

At least they weren't on the plane.
1974 network censors couldn't have handled that.

Please, please, please tell me he used a silver hammer.
I think it was his gun butt. But you thought of that instead of me...

"We're gonna have to take your ammo away, Agent Fife."

You'd think Steve would have been given training in this sort of thing when he became an agent.
Field surgery?

It would have been hilarious if she turned out to be the mastermind. :rommie:
There ya go.

This is cute. Lee Majors looks pleased as punch to be in the presence of Jo Anne Worley. :rommie:
It was a cute scene, particularly the way he played it as her bemused straight man.

I know that character, though I never watched the show.
She could be...worth tuning in for.

Coincidentally, I just saw this scene within the past several weeks on a Saturday morning at my Mother's house. Very cool, tense sequence.
Cool.
 
Steve's driving Oscar to catch a plane with several senators aboard when their car gets a flat. (It's unclear where they're supposed to be, but they're flying across the Pacific back to the States after meeting with Russians, there's an American airbase with English signage leading to it, and as usual it looks like Southern California. Maybe Japan or an American territory in the Pacific?)

There's probably a base in Northern Japan. They'll probably fly to Hawaii.
I used to live on an Air Force Base in Northern Japan. It does not look like Southern California. :lol:

We actually had a layover in Alaska when flying there from the States.
 
The signage was actually for "Inter-Pacific Air Terminal, 21 mi." When I type in that name, I don't get an exact result, but the main result of interest seems to be Manila Ninoy Aquino International Airport in the Philippines.

Also, Cromwell mentioned notifying "the man" to have his people standing by, so apparently the original plan was to hijack the plane or kidnap Oscar.
 
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