Who cares?No, they did not. But happy endings have become more and more of an expectation, especially with American audiences, in
Who cares?No, they did not. But happy endings have become more and more of an expectation, especially with American audiences, in
Who cares?
Well, that's been the trend for a long while in fiction, to the point that few people seem prepared for unhappy endings (see Dune). So, to me, the lack of awareness is setting people up for disappointment down the road.Well, for the sake of explaining why we see less "unhappy" endings in Trek. And with Discovery appearing to lay the groundwork not only to resurrect L'ak but all of Kwejian as well, it seems to be an ongoing trend.
I remember that one idea floated by Ira Steven Behr for DS9’s ending was that he wanted the Federation to LOSE the Dominion War.No, they did not. But happy endings have become more and more of an expectation, especially with American audiences, in just about every storytelling venture.
I love a good, morose ending. And I don't think it's a coincidence that some of the episodes regarded as Trek's best (In The Pale Moonlight, City on the Edge of Forever, Death Wish, The Best of Both Worlds) have pretty dark endings.
I'm very glad they didn't go this route. There's a reason the end of St Elsewhere was controversial.Although, another idea floated by Behr was the “Benny Russell” ending where you end on finding out that everything happened in the mind of Benny Russell and the implication being that all of Star Trek is Benny’s dream.
Star Trek has gone comfort food. It is not meant as a challenge but a warm blanket for people to shelter themselves against the challenges of the world. Star Trek has become like the Nexus.Star Trek has gone soft. Easy outs, fluffiness at all costs. I'm missing the challenging stuff. My favourite SNW episode is the one about M'Benga and that Klingon ambassador. More of that is needed. Remember when Paul was furious at Michael for ejecting him during a crisis, away from his family because he was vital? And then it was totally swept under the rug and forgotten? Lame.
Sums up what I think. I've enjoyed the final season of Disco, but it's pretty inoffensive.Star Trek has gone soft.
You make it sound like you've been doing hard time.Well, eight days from now and I'm done. First stretch was from 1991-1999. Second stretch was from 2017-2024. So, almost as long. S31 is only going to be a one-off, so that doesn't count.
Sums up what I think. I've enjoyed the final season of Disco, but it's pretty inoffensive.
You make it sound like you've been doing hard time.![]()
Watching what I like, and not watching what I don't like as much, has been a blast. It's too bad more people don't do that. It's the arguing about it on TrekBBS and interacting with fandom in general that's been the "doing hard time" while watching these new shows.You make it sound like you've been doing hard time.![]()
I remember that one idea floated by Ira Steven Behr for DS9’s ending was that he wanted the Federation to LOSE the Dominion War.
Basically, the idea would be a variation of the ending we got, that in the end Odo would sacrifice himself to save the Alpha Quadrant by agreeing to return to the Great Link only if the Female Founder would withdraw her forces.
Although, another idea floated by Behr was the “Benny Russell” ending where you end on finding out that everything happened in the mind of Benny Russell and the implication being that all of Star Trek is Benny’s dream.
I'm very glad they didn't go this route. There's a reason the end of St Elsewhere was controversial.
Yep.It would have been stupid even if St. Elsewhere and Newhart hadn't beaten them to the punch.
Star Trek has become like the Nexus.
I think people reach different breaking points. TNG, DS9, VGR, and ENT, while somewhat different, were all basically made for the same audience with the same guardrails. Many people likely came in knowing each series took a while to get good. Many wanted to give early DISCOVERY the benefit of the doubt after not having a Star Trek series for over 10 years, that things would eventually make sense within the wider continuity, and that the producers would somehow "come to their senses". Instead, while some fixes were made, many other things actually got worse. And soon it was very clear DISCOVERY was made for a very different audience, and many things would never change.I'm no saying this is the case with @Lord Garth , but there are fans who sort of imprison themselves in Star Trek. They feel the need to watch it because it's Star Trek, but hate it. So they'll spew hate on Discovery/Picard/LDS/SNW for not being real/proper/good Trek, but force themselves to watch it.
I ask those fans (again, Lord Garth, not saying you are one of them), with a nod to a favorite Star Trek character.... How is that logical?
That's a good point and might explain my very different fan experience. I don't hang or wait for it to get good. Trek, like any other show, must entertain first and foremost pretty quickly or I'm on to the next one.I think people reach different breaking points. TNG, DS9, VGR, and ENT, while somewhat different, were all basically made for the same audience with the same guardrails. Many people likely came in knowing each series took a while to get good. Many wanted to give early DISCOVERY the benefit of the doubt after not having a Star Trek series for over 10 years, that things would eventually make sense within the wider continuity, and that the producers would somehow "come to their senses". Instead, while some fixes were made, many other things actually got worse. And soon it was very clear DISCOVERY was made for a very different audience, and many things would never change.
On the other hand, it must be weird for the DISCOVERY fans to run into arguments again and again frozen in time from 2019 from the point many did finally jump ship.
And of course PICARD season 1 was its own descent into increasing polarization. I didn't get around to watching it until just before the premiere of season 3.
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