VOY season 3 is definitely the weakest season of that series, even more so than VOY season 7. I don't think it's a coincidence that Jeri Taylor was in charge of the writing room for TNG season 7 and VOY season 3, and both seasons are the low points of those shows.
(To be clear, I like a lot of the episodes that she writes between TNG and VOY. But as a showrunner, I don't think was very good. Not a ding on the person, as there's plenty of people who excel in a type of job but when given a leadership role in the same environment, they just aren't nearly as effective.)
I also have mixed emotions when it comes to Jeri Taylor.
As for Voyager, I definitely gave up on that series after a certain episode in season 6 and therefore never watched season 7, with the exception of
Endgame which I decided to watch a minute before the episode started and that was a mistake. That episode was horrible.
I've also red the synopsis of
Homestead and I'm glad that I never watched it.
Even if season 3 had some real bum episodes, I can't imagine it being worse than season 7.
Having recently watched Penumbra, I can see it now ....
Berman I have a team of writers working night and day to find a cure for DS9 running out of steam.
Executive: Have them document their efforts. Then eliminate them.
Berman (taken off-guard) Founder? Erm, I mean, erm, Sir?
Executive: Activate some backups and order them to continue their predecessors' work. Perhaps a fresh perspective will speed matters along.
Joking aside, I think DS9 made the right call. They knew the chances of a follow up to the DS9 series were slim to none anyway. Given that, I think they made the story stronger by closing the book very explicitly. A clear declaration that the story was completed, it could stand on its own, that it didn't need any additions or extensions. It might even be that the title of the finishing episode ('All good things') was chosen to express that,
Sometimes it's wise to not listen to the audience that wants more, more more ... until they're fed up with it.
But still, I would have loved to see the good, old gang continue their adventures in books. As it is now, I force myself to watch the end scenes and after it's over, I look forward to see
Emissary again.
TNG's finale was "All Good Things...". DS9's was "WHAT YOU LEAVE BEHIND".
But I agree with you, and have had this conversation with my wife many times. It's better to know when to leave the stage... makes your audience want more. Not stay on so long they get tired of you.
(I still feel DS9 could have done an 8th year, but I do think it worked out better this way. Makes us appreciate the awesomeness even more.)
Maybe. But still.................
^ oops my bad. Sometimes my memory plays tricks on me as I'm getting older
And also, I think we
already saw signs of DS9 deteriorating in the last season. I could have done without the soapy Worf-Ezri-Julian love triangle for example.
Then again, that also could simply be me having a different taste.
I wouldn't say it dropped much. Not when you have greats like "TREACHERY, FAITH, AND THE GREAT RIVER", "ONCE MORE UNTO THE BREACH", "THE SIEGE OF AR-558", "IT'S ONLY A PAPER MOON", "INTER ARMA ENIM SILENT LEGES", and a 10-part final arc to ties things up.
I agree with Farscape One here. I found season 7 great, except for the end scenes in What You Leave Behind when the good old gang goes separate ways.
As for the "Worf-Ezri-Julian love triangle", I could actually live with it. It was actually more watchable than most of the other relationships which Star trek series have showed up, the Chakotay-Seven relatrionship in Voyager the most unrealistic of them all.
But Star Trek writers are bad when it comes to relationships.
Me too, that's why I try to avoid them in my stories!
Indeed, yes. I am a strong believer in "leaving the audience wanting more" than to keep going on and on and expect the hits to keep on playing.
Yup. And that turning point is never really known.
Yes, the problem is that you'll never know. Just like in the world of rock music. Legendary Cream broke up in 1968 after three years of excellent performances, really leaving the audience wanting more. So much that they had five sold out houses in a row when they made a chain of "reunion shows" in 2005.
But there are great bands who have continued for decades and still are great.
So why mess up a good thing?