• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

The Classic/Retro Pop Culture Thread

Yes, it's the dystopian future world of...1991...
Personally it was a good one. I turned 30, I had a nice girlfriend, and I had a pretty cushy job in a hospital that was winding down.

uniformed apes perform any number of menial tasks from mopping and window-washing to running errands and waiting tables
Your packages will be delivered promptly by Amazon Primates. Haha. Yeah, I know it's too early for Amazon, but I couldn't resist. :rommie:

Inside of 20 years seems a little too short a time for all of this to developed, to say nothing of the implied evolution of the apes to the point of being nearly as human-like as those in the previous films.
Yeah, the Apes movies have never been detail oriented. :rommie: They've never taken into account the real-life behaviors of primates (in reality, gorillas are gentle and chimps are rat bastards) or their life spans. Or how they can speak without anatomical changes. They could have easily worked in some genetic engineering or drug therapy, based on the study of Zira and Cornelius. They could have even made it the result of the space virus, which would have opened the door to some other odd effects.

McDowall does a nude scene
He was always devoted to his art.

Caesar plays Jesus by splitting a banana among his cellmates (as I recall, his mother was none too fond of them)
Cornelius couldn't get enough.

Bananas.jpg


Also, they left out the part where he's selected to mate with a female chimp along the way!
So it's not all bad.

Murray has Caesar choose a name out of a book, and he points to his own.
He was lucky. Most books don't have the name Caesar in them.

Down with the man, baby!
It's better to work within the system. He should have run for the Senate. Actually, never mind, Caesar in the Senate might have been tempting fate.

You are the beast, Caesar! You taint us! You poison our guts...! When we hate you, we're hating the dark side of ourselves.
Way to negotiate with your captors, Breck.

What you have seen here today, apes on the five continents will be imitating tomorrow!...
Okay, I suppose we can assume that Antarctica is ape free, but what's the other one?

And we shall found our own armies, or own religion, our own dynasty--and that day is upon you NOW!
This movie doesn't have much in the way of good guys.

That's right...it's not as simple as an uprising, there still has to be a nuclear war.
Which raises the question of what causes what, because in the original movie it was implied that it was the nuclear war that gave rise to the intelligent apes.

Caesar: Tonight we have seen the birth of the Planet of the Apes!™
Which would have made a better title.

From what I recall of Battle for the Planet of the Apes, it might have made for a more effective ending than the follow-up watered-down ending that we got, which seemed like it was breaking the circle.
As cool as the Apes movies are, their timeline is a mess, especially if you include the TV series (which I do) or the Marvel magazine (which I want to). In my head, I imagine that there's always somebody traveling back in time to change things, but they just end up creating a time loop that looks like an oscilloscope-- always changing, but ending up in roughly the same place.

Took a bit.
:D

Tune in next week, when Julie's pad guest is Ida Morgenstern!
No wonder she's always missing. :rommie:

Finding the needle kit was totally played as a cheap hook for shock value. His diabetes never came up again.
Oh, yeah, I didn't even notice.

It's where he lives.
Linc lives at Julie's pad? Groovy.

To explain the situation, because Linc was getting involved.
It seems like he was personally involved, not professionally, which would have made her actions a violation of patient confidentiality.

"Look man, there's gotta be a plot complication--I may not dig it, but that's the way it is!"
"Stop! We've got 55 more minutes!"

Not exactly quietly...all it took was a glass-bottled soda from his station's vintage if generic machine to loosen his lips.
View attachment 35412
View attachment 35413
Looks like Uncle Joe from the Shady Rest. :rommie:

During a game, somebody slipped a mouse under his jersey, sending him into a panic, and the crowd started a "Mousey" chant. He had to hospitalize a couple of guys to put the nickname mostly to rest.
His new nickname was No-Sense-Of-Humorey.

She was in a couple of scenes back in the city, before Linc left for San Vincenzo.
It's so weird how she just disappears. No clues on Wiki or anything.

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
Interesting. "To Riverdale and Back" makes it sound like they need to defeat Smaug or something. I wonder if my Sister knows about this.
 
_______

Post-55th Anniversary Viewing

_______

Get Smart
"Ship of Spies: Part 1"
Originally aired April 2, 1966
Frndly said:
Trying to recover plans, Max boards a ship loaded with spies.

Don't tell me it's more Get Smart! Here we're coming back to a two-parter from Season 1 that was previously missed, thanks to this past weekend's Catchy Binge.

Max is staking out a shady dockside bar, and after a couple of botched attempts to signal the arrival of his contact (Murray Alper) to the Chief, the contact is shot, dropping a reference to the Evening Star in his dying words...while refusing to drink some non-skim milk because he's on a strict diet. Outside, Max hears a clip-clop noise as the killer gets away. With the stolen plans for a nuclear amphibian battleship at stake, Parker briefs Max about the Evening Star, which is a freighter that carries a limited number of passengers; and gives him a radio telephone disguised as gun, for making contact with an international CONTROL agent. Max boards the ship, where Agent 44 makes contact hanging onto the outside of Max's cabin porthole...providing Max with a list of suspects that's the entire passenger list of the freighter, and informing Max of the Evening Star's titular nickname.

A dancer named Consuela Merendez (Viviane Ventura) enters Max's cabin, supposedly by accident, but proceeds to flirt with him, while clarifying that a clip-clop noise Max heard before she entered (which was possibly cut by the Frndly spot) was her castanets. Max hears the noise again to find a man walking into the cabin across the hall with a cane. Max wants to break into his cabin, but is distracted by 99 popping up to assist. When they get into the cabin, Max rushes through an open door and gets stuck in the opposite porthole, and 99 is TV Fu'ed by an unseen figure. They find a man lying in the cabin with a knife in his back--Armenian CONTROL Inspector Sehokian (Jan Arvan), whose dying words are a series of "How do you say...?" gags in which he contradicts each of Max's attempts to anticipate what he's trying to say; but he cryptically informs the agents along the way that the plans they're looking for are not plans.

They hear the noise again to find that it's a Portuguese polo player named Baccardo (Paul Lukather) entering an adjacent cabin, using a wheelchair while dragging one foot. Max proceeds to the foggy deck to try to find the killer, and has a gun-phone conversation with 99 about Captain Groman (Harold J. Stone), who seems to be named just to make a Chinese theater joke. Max then hears the noise again...

Max: 99, I'm gonna have to hang up now--I may have to fire my phone.​

A firefight ensues in which Max falls overboard. Managing to keep up with the ship, Max asks 99--watching out of his cabin porthole--to fetch his records to verify that he failed the CONTROL swimming test, and then slips underwater.

_______

Get Smart
"Ship of Spies: Part 2"
Originally aired April 9, 1966
Frndly said:
Smart is still searching for top-secret plans---and having no end of suspects.

In lieu of a recap, the teaser repeats part of the previous episode's final sequence, with the bit about Max's swimming test left out. 99 proceeds to shoot a harpoon line out so Max can climb up to the porthole, but under Max's instruction shoots the doorknob the line is attached to while attempting to get out of the cabin to get help. Following the opening credits and commercials, Max is back on deck and dry. 99 and Max make contact with the Chief through a portable hair dryer that uses a hose and head covering. After informing the Chief that all of the suspects make the same clip-clop noise, they run into Groman's Chinese servant (a reprisal of last week's joke), Ming (Fuji), who also makes an unusual noise--but not a clip-clop--when he walks in wooden sandals. Max meets with the captain to reveal his identity and mission; but after Max leaves his cabin, we ominously discover that he also makes the clip-clop noise, by walking with a wooden leg.

44 makes contact with Max and 99 while hiding in a vent pipe on deck. After a breakdown about the drawbacks of his job, he reveals that the Portuguese polo player is actually Polish, and has been conspiring with Consuela; but is prevented from sharing what he's learned of the nature of the plans when he's winged by a gunshot. In the passenger corridor, Max finds Baccardo out of his chair and trying to break into his cabin. Baccardo uses the chair as a bulletproof shield and tries to impale Max with blades that spring from the arms, but only pins him against the bulkhead.

Max: Missed--and you're all out of wheelchairs!​

When Max subdues Baccardo and goes to the captain's cabin to try to use his radio, he sees and hears the captain's wooden leg. The captain tries to divert suspicion, but tips his hand by dropping info that he shouldn't know about how Sehokian was killed. Max discovers that the battleship plan was hiding in plain sight in the form of a model in a bottle, and has to contend with "the old gun in the peg-leg trick" before 99 helps him overcome the captain.

In the coda, the Chief visits the still-underway ship via unseen helicopter for Max to exposit that Baccardo thought that Max had the plans and was trying to steal them to sell them; and Max helps the Chief to fall overboard before doing so himself, with 99 voluntarily jumping in to join them.

_______

Yeah, the Apes movies have never been detail oriented. :rommie: They've never taken into account the real-life behaviors of primates (in reality, gorillas are gentle and chimps are rat bastards) or their life spans. Or how they can speak without anatomical changes. They could have easily worked in some genetic engineering or drug therapy, based on the study of Zira and Cornelius. They could have even made it the result of the space virus, which would have opened the door to some other odd effects.
I think apes having been affected by the virus would be the Occam's Razor rationalization. Even Caesar himself may have been affected, as he was around for it...he could have developed powers that allowed him to mentally influence the other apes.

I'm not quite getting that one.

Okay, I suppose we can assume that Antarctica is ape free, but what's the other one?
I was wondering about that, and wasn't quite sure that I'd transcribed the line correctly. Possibly he was counting Europe and Asia as one continent. Otherwise, apes weren't native to Australia or most of North America.

This movie doesn't have much in the way of good guys.
No doubt what they were trying to address with the last-minute change to the ending.

Which raises the question of what causes what, because in the original movie it was implied that it was the nuclear war that gave rise to the intelligent apes.
Indeed. From Escape on, the focus of the series becomes setting up the world of the previous two films in a way that seems contradictory to what they established. If there were already talking apes threatening to overthrow humanity in the mix before the nuclear holocaust, then apes had to have been involved in humans getting there, and couldn't assume the blamelessness implied in the first film. One could rationalize that this was exactly why human/ape history was kept secret...even Zaius might not have known the full truth.

Which would have made a better title.
I can see why they wouldn't have gone with that one.

As cool as the Apes movies are, their timeline is a mess, especially if you include the TV series (which I do)
From what I know of the TV series, it makes for too much of a mess.

Linc lives at Julie's pad? Groovy.
Ah, that's where you were going. As you probably know, it was Lukie sleeping at Julie's.

It seems like he was personally involved, not professionally, which would have made her actions a violation of patient confidentiality.
Was Luke a patient? She was an adoption caseworker type; Linc was a party interested in the child's welfare.

Interesting. "To Riverdale and Back" makes it sound like they need to defeat Smaug or something. I wonder if my Sister knows about this.
I watched it in bed, nodded off for parts of it. It's very '80s but in a '60s nostalgia way. Pretty much the Archie gang as thirtysomethings in a Big Chill story.
 
Caesar does do an awkwardly quick 180, accompanied by some more speechifying that still gets the bottom line across...

Caesar: Tonight we have seen the birth of the Planet of the Apes!™

I read that this film was written so that it could be, if needed, the final in the series, bringing things full circle. From what I recall of Battle for the Planet of the Apes, it might have made for a more effective ending than the follow-up watered-down ending that we got, which seemed like it was breaking the circle. According to Wiki, critics of the time were mixed on how effective Conquest was, but I'd say that despite its obvious budgetary limitations, it ages fairly well as a reflection of the social conflicts of the time.

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Here it is. The original, uncut ending that test audiences didn't like. It's much bloodier than the version that made it to the general public. Don Murray does some good acting here. He's not going down begging for mercy. He turns and faces his executioners with quiet defiance.

I've also read in a couple of 'behind the scenes' books about the making of the movies, that as originally scripted, McDonald was supposed to be pulled down by the gorillas and killed as well. There is supposedly a photo taken during the filming of this sequence that shows McDonald in chains as well. I can't confirm it, however, it would explain why McDonald is seen only in close up during this scene. Maybe everyone involved felt it was too "on the nose", and removed the shots of him in chains.

And, although he goes uncredited in the movie, if you pay close attention to the voice of the auctioneer who sells Caeser to Governor Breck, it's Gordon Jump, who will go on to play Arthur Carlson on 'WKRP in Cincinatti'.

I remember growing up in the late-'70s/early-'80s, before 'Donahue', 'Sally Jesse', 'Oprah' took over the time slot Channel 5 here in Seattle would air movies from 3-5pm M-F and there would be 'theme' weeks. 'Ape' week was one of them. They aired all five movies with the added bonus that 'Battle' was the original, uncut version, with the additional scenes of the mutants and the Alpha-Omega bomb.

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Also, if the movies were 90 minutes or so, instead of adding more commercials to pad out the run time, they would air silent movies and/or cartoons before the main feature to fill the two hours. That's where I was first exposed to Buster Keaton, Charlie Chaplin, and Harold Lloyd.
 
Last edited:
Don't tell me it's more Get Smart!
It's more Get Smart!

the stolen plans for a nuclear amphibian battleship
Sounds suspiciously like a submarine. :rommie:

Parker briefs Max about the Evening Star
Who is this mysterious Parker?

and gives him a radio telephone disguised as gun
That's not likely to divert suspicion. And I don't think I'd want to put a loaded phone to my head.

a clip-clop noise Max heard before she entered (which was possibly cut by the Frndly spot) was her castanets.
I think they must be out of tune. :rommie:

a gun-phone conversation with 99
I thought that was a dedicated line.

A firefight ensues in which Max falls overboard. Managing to keep up with the ship, Max asks 99--watching out of his cabin porthole--to fetch his records to verify that he failed the CONTROL swimming test, and then slips underwater.
Good cliffhanger.

In lieu of a recap, the teaser repeats part of the previous episode's final sequence
In good movie serial fashion. :D

99 proceeds to shoot a harpoon line out so Max can climb up to the porthole
This might have been a good opportunity to give 44 a moment in the spotlight.

but is prevented from sharing what he's learned of the nature of the plans when he's winged by a gunshot.
Well, there's his moment in the spotlight-- he probably would have preferred saving Max. :rommie:

Max: Missed--and you're all out of wheelchairs!
:rommie:

Max discovers that the battleship plan was hiding in plain sight in the form of a model in a bottle
Good one.

Max helps the Chief to fall overboard before doing so himself, with 99 voluntarily jumping in to join them.
Now, 44! Now! :rommie:

This sounds like it was a good two-parter, very much in the style of a 40s movie thriller.

I think apes having been affected by the virus would be the Occam's Razor rationalization. Even Caesar himself may have been affected, as he was around for it...he could have developed powers that allowed him to mentally influence the other apes.
Good idea. It's already established that such powers exist in the Apeverse, and it could tie the mutants to the virus as well.

I'm not quite getting that one.
Just a random Far Side cartoon about apes and bananas. :rommie:

I was wondering about that, and wasn't quite sure that I'd transcribed the line correctly. Possibly he was counting Europe and Asia as one continent. Otherwise, apes weren't native to Australia or most of North America.
The Eurasia explanation makes sense.

One could rationalize that this was exactly why human/ape history was kept secret...even Zaius might not have known the full truth.
That's a good point also.

From what I know of the TV series, it makes for too much of a mess.
Sigh. Sadly, yes. But I really want it to be a part of the movies. I don't know how people can botch these things up so much when it's so easy to do the research.

Ah, that's where you were going. As you probably know, it was Lukie sleeping at Julie's.
Yep. :D

Was Luke a patient? She was an adoption caseworker type; Linc was a party interested in the child's welfare.
Client confidentiality, I meant to say. I'm too used to thinking about patients. Linc was basically just some guy who met the kid in a park, not there in any official capacity-- even if she knew he was a cop, she was out of bounds.

I watched it in bed, nodded off for parts of it. It's very '80s but in a '60s nostalgia way. Pretty much the Archie gang as thirtysomethings in a Big Chill story.
Sadly, it's not on DVD or else it would make a good present for my Sister.

Here it is. The original, uncut ending that test audiences didn't like. It's much bloodier than the version that made it to the general public.
I can see why. It's brutal and goes on forever, and there's no payoff to the exchange between Caesar and McDonald.

Don Murray does some good acting here. He's not going down begging for mercy. He turns and faces his executioners with quiet defiance.
Yeah, but his silence is weird.

And, although he goes uncredited in the movie, if you pay close attention to the voice of the auctioneer who sells Caeser to Governor Breck, it's Gordon Jump, who will go on to play Arthur Carlson on 'WKRP in Cincinatti'.
"As god is my witness, I thought apes could talk."

Also, if the movies were 90 minutes or so, instead of adding more commercials to pad out the run time, they would air silent movies and/or cartoons before the main feature to fill the two hours. That's where I was first exposed to Buster Keaton, Charlie Chaplin, and Harold Lloyd.
Nice. Channel 56 went the other way and showed movie serial chapters at the end-- this is where I first saw Buster Crabbe's Flash Gordon and Buck Rogers.
 
_______

Post-55th Anniversary Viewing

_______

WWWs2e25.jpg
"The Night of the Deadly Blossom"
Originally aired March 17, 1967
Frndly said:
West and a Japanese agent clash with a madman to prevent the murder of the King of Hawaii.

Jim and Artie are summoned to the home of Admiral Charles Agnow (uncredited Hans Moebus), head of naval intelligence for the Pacific Fleet, only to find him and three other admirals dead at a table from poisoned drinks. They hear a horse whinnying and head outside to be fired at by a Gatling gun. Jim overtakes the assailant, who speaks Polynesian (Mel Prestidge, an old colleague of Conrad's from Hawaiian Eye), but is soon killed by a bone axe hurled by a man from horseback, who rides away.

Back at the train, the agents are briefed by Levering Mayhew David (Pitt Herbert) about the strategic importance of the Sandwich Islands, a.k.a. the Hawaiian Islands, because of Oahu's "impregnable" Pearl Harbor (actually Artie's words)...in preparation for the impending visit of Hawaii's king. Scribblings on scraps of paper lead the agents to hypothesize that the admirals may have been onto the frigate Youngstown not having been struck by lightning, but sabotaged. Jim goes to see a Chinese/English expert in Hawaiian customs, Adam Barclay (Nehemiah Persoff in yellowface makeup), who identifies the weapon as a Hawaiian mace that was stolen from his collection; while Artie goes to talk to hospitalized surviving Youngstown crewmember Myron Kendrick (Peter Hale), who's in a state of shock but talks about the ship having been hit by something with a fiery tail. Artie is then knocked out by a man posing as a doctor when he discovers a gun in the imposter's bag. When Artie comes to, Kendrick has been killed by a lethal injection.

Barclay translates what Jim recalls of what the Polynesian spoke, which is a cryptic bit of poetry that includes the titular flora. Jim also meets Barclay's Japanese secretary, Haruko Ishida (Miiko Taka), who's all business and said to be cold to Barclay's advances. She urges West to sneak out while expressing knowledge of his assignment. When Jim leaves the way she indicated, he finds himself assailed by a gang of knife-wielding thugs, who scatter when Barclay appears and shoots one of them...who gets up after Jim goes back inside. Jim indicates that what Barclay knows about the time, place, and ship of the king's arrival is the official story, not the truth. Despite Haruko's silent attempts to discourage him from drinking, Jim joins in a toast that involves Barclay and Haruko drinking from the same goblet first, but only Jim is knocked out. He wakes up to find himself in a Poe-inspired deathtrap...strapped down to a table while a lowering pendulum swings above him...which is meant to persuade him to talk; while Haruko is tied to a chair to watch, and Palea (Reggie Valencia), the heavy who killed the Gatling gun man, stands guard outside.

An ID tag that Artie grabbed from the false doctor leads him to pose as a stevedore on the waterfront, where he helps to unload heavy crates marked as "Fragile--Art Objects" and addressed to Barclay. Inside one of them he finds a large rocket--which maybe makes him wish that he hadn't used thermite to open the crate--and he hides inside the crate when men arrive to carry it back out. Meanwhile, Haruko reveals to Jim that she's also an agent, representing Japan's interest in the islands; and that Barclay, who already has vast holdings in the islands, schemes to control them for himself. When Jim turns himself over under his straps, Haruko guides him in raising his bound hands in the right position for the pendulum to severe the bonds--while having to repeatedly move her own head out of the pendulum's swing arc. A tussle ensues with Palea, who ends up becoming the pendulum's victim. Based on a clue Haruko observed concerning Barclay's return from mysterious errands, Jim takes her to Land's End overlooking the Golden Gate, where they find that the cryptically referenced deadly blossom is a hidden bunker with a launcher for dual rockets, and are caught.

Their presence confirms to Barclay that his bunker is in the right place, and he confirms that the Youngstown was a test target. As the Hawaiian Queen comes into view of Barclay's scope, Artie comes out of his crate in a storage room and takes a protective suit from one of Barclay's technicians. He makes his presence known to Jim and the two of them take down the others, while causing one rocket to fire short of its target and the other to fall off its rails and blow the bunker...but not before Jim, Artie, and Haruko escape, leaving Barclay behind.

In the coda, Artie makes an excuse to bow out from attending the visit of King Kalakua (Tiki Santos), but hangs behind long enough to find that the king is accompanied by several lovely young family members and decides to stay.

Soon-tek Oh (billed as Soon Taik Oh) appears as Barclay's Chinese houseboy, but has little to do.

_______

It's more Get Smart!
I asked you not to tell me that!

Who is this mysterious Parker?
CONTROL's recurring gadget guy in the second half of Season 1, played by Milton Selzer. It looks like this was his last appearance, he was replaced by Stacy Keach as Carlson, and I didn't realize.

Client confidentiality, I meant to say. I'm too used to thinking about patients. Linc was basically just some guy who met the kid in a park, not there in any official capacity-- even if she knew he was a cop, she was out of bounds.
Serving the needs of the plot was her #1 duty!

Sadly, it's not on DVD or else it would make a good present for my Sister.
"A YouTube link--you shouldn't have!"
 
(Mel Prestidge, an old colleague of Conrad's from Hawaiian Eye)
Interesting. I've never been able to catch Hawaiian Eye, although I think it was one of the afternoon shows in the days that the daily Marvel cartoon show was on.

the strategic importance of the Sandwich Islands, a.k.a. the Hawaiian Islands, because of Oahu's "impregnable" Pearl Harbor (actually Artie's words)...
Some nice little historical details here.

When Artie comes to, Kendrick has been killed by a lethal injection.
Apparently the fake doc only had enough poison for one act of lethal malpractice. :rommie:

He wakes up to find himself in a Poe-inspired deathtrap...strapped down to a table while a lowering pendulum swings above him...
Kind of random.

which is meant to persuade him to talk
"Do you expect me to die?"
"No, Mr West-- I expect you to talk!"

Inside one of them he finds a large rocket--which maybe makes him wish that he hadn't used thermite to open the crate
He certainly would have foiled the plot. :rommie:

Haruko reveals to Jim that she's also an agent
Barclay must have found out somehow, since she was suddenly tied up.

Haruko guides him in raising his bound hands in the right position for the pendulum to severe the bonds--while having to repeatedly move her own head out of the pendulum's swing arc.
Suspenseful!

the two of them take down the others, while causing one rocket to fire short of its target and the other to fall off its rails and blow the bunker...but not before Jim, Artie, and Haruko escape, leaving Barclay behind.
This sounds like it was a pretty good adventure with some nice historical details.

I asked you not to tell me that!
Sorry about that, Mix!

CONTROL's recurring gadget guy in the second half of Season 1, played by Milton Selzer. It looks like this was his last appearance, he was replaced by Stacy Keach as Carlson, and I didn't realize.
I forgot about both of those guys.

Serving the needs of the plot was her #1 duty!
"Can't... control... self...."

"A YouTube link--you shouldn't have!"
There's much to be said for the digital revolution, but it's really screwed up gift giving. :rommie:
 
_______

Post-50th Anniversary Viewing

_______

The Mod Squad
"A Far Away Place So Near"
Originally aired November 17, 1970
Frndly said:
A friend of Linc's is reported killed in Vietnam under suspicious circumstances.

Pete takes Linc to the airport for the return of his friend, Hank Rivers, where Linc has a happy reunion with Hank's mother (Lillian Hayman). The pair watch as a young Vietnamese woman named Tuyet (Pilar Seurat) meets her recent husband, Fred Dawson (Mike Margotta), who acts awkward and uncomfortable at her happy greeting. When Linc approaches the servicemen to ask them about Hank, they first glance at each other nervously, then inform Linc that Hank was killed by a sniper the day they left. Linc is suspicious because Hank's last letter, requesting that Linc be there to meet him, hinted at something he was uptight about for which he could use a lawyer. Greer agrees to take the case on the basis that Hank's buddies will be in jurisdiction as soon as they're discharged.

Mrs. Rivers tells Linc how Hank was very brief and guarded in his most recent letters, which included clamming up about his buddies. Two of them, Arnie (Bo Hopkins) and Bob (Ben Murphy), pay Mrs. Rivers a courtesy visit and ask about taking up a collection; at Linc's suggestion, she agrees to make it for a scholarship in Hank's name. In a follow-up meeting at the hotel where the discharged servicemen are staying, Dawson--who's always in shades and is said to have gone through drug rehab back in Saigon--acts downright miserable and antisocial, and Mike Sierra (Tom Nardini) is outspokenly disillusioned and cynical about his time in the service. Linc tries mentioning having received a letter from Hank the day before he was killed, which gets everyone looking suspicious. Meanwhile, Pete consults Army lawyer Major Bernard, whom the Mods are said to have worked with previously, but apparently not that we've seen. Bernard wants to know why Pete's on yellow alert in Spacedock bringing an investigative matter to the judge advocates' office, but agrees to look into the circumstances of Hank's death.
Mod27.jpg

Linc approaches Tuyet while she's alone at the grocery store, and she breaks into tears while telling him how closed off Fred is acting toward her since she came home, and how his friends have even encouraged him to resume taking drugs. Based on Arnie's expressed interest in girls and photography, Julie hits the pool area of the hotel and starts having trouble with her camera. In a sit-down, Arnie describes to her how he saw a buddy shot in 'Nam by a kid who approached wanting candy. When he's aiming his camera at Julie, Arnie starts having a crosshairs flashback and agonizing over why Dawson did something. Details provided by Bernard from the MP's report indicate that Mike was with Hank when he was shot, so Linc pays him a visit. Assuming that Linc knows more than he does from the letter, Mike starts unloading about how Dawson mistakenly killed an old man in a village while the group was on patrol; and how the group ended up killing all the witnesses as well. Linc tries to convince Mike to come forward on the basis that he didn't fire, claiming at the time that his gun was jammed. Mike pretends to go along with the idea only to TV Fu Linc and split.

Bernard tells Greer and the assembled Mods that he can take action if they can produce Sierra or another witness willing to talk. Looking for a back-up, Julie approaches Arnie again, but Bob takes him away to talk to Mike's sister, Gloria (Margarita Cordova), who only knows that Mike's laying low after hitting somebody matching Linc's description who was asking questions. Arnie expresses his doubts to Bob about continuing to cover up what happened, but Bob feels otherwise. Tuyet calls Linc with a story about how Fred locked himself in his bedroom crying when she took away his drugs, we see that she has a bruise on her face, and Bob and Arnie tail Linc as he leaves.

To my surprise, Fred actually is in bed, his shades off, desperate for a fix. Linc asks Fred if he treats Tuyet as he does because she reminds him of the people he killed, and he indicates that killing the witnesses to cover his drug-induced mistake was Bob's initiative, and relates how he's haunted by the pleas of the villagers, which he, Hank, and Bob could understand. Fred agrees to come forward, but he and Linc are met outside by Arnie and Bob, the latter of whom is sporting a nifty-looking Luger or something very similar. Linc and Fred are taken to a warehousey property scheduled for demolition that looks a lot like the location where the Mods are running in the opening credits. Arnie is surprised that Bob wants to off Linc, but Bob indicates that he plans to have Fred, whom Bob has provided with a fix, take the fall. Arnie learns from Linc about how the villagers were pleading for help, and Linc shares his deduction that Bob was the one who killed Hank. After a bit of ranting from Bob that makes liberal use of the G-word, Arnie tries to talk him down, but Linc is correct in his warning that Bob's fine with killing anyone. Linc, however, seizes the moment to get in a very quick drop kick that sends Bob through an office wall. Fred sees to the wounded Arnie and cries out for a medic.

In the coda, Tuyet thanks the Mods while visiting Arnie at the hospital. Outside, Mike (who turned himself in to Pete and Greer as a bit of side business in the last act) apologizes to Linc and, his faith in the system restored, expresses his intention to resume his plan to attend law school, asking Linc for an application reference. The Mods walk off the hospital grounds.

_______

Among the odd episodes that the Decades Binge skipped was "A Time of Hyacinths" (December 1, 1970), guest-starring Vincent Price. I recall catching it before...FWIW, it's a Julie story.

_______

The Mod Squad
"The Judas Trap"
Originally aired December 8, 1970
Frndly said:
Patricide: a strong charge against a 17-year-old boy. Pete learns the slightly mentally disabled boy had good reason to be terrified of his father---enough to kill him.

In a room that looks like a younger boy lives in it, 17-year-old Dana Sterling (Barry Brown) gets out of bed and walks to his father's room, the door ajar. His father, ROTC officer Col. David Sterling (Richard Webb), is trying to connect a call through the operator when he sees a gun barrel protrude through the cracked door and is shot. His last words, into the phone, are "Dana...Dana". A neighbor, Dean Prentiss Markham (Don Porter), tells Greer how the missing Dana has what we'd call a learning disability. Meanwhile, Pete and Linc are taking turns running miles in the park when they spot Dana stumbling around in a disoriented state, wearing blood-stained pajamas. Pete's familiar with Dana's condition and brings the youth back to his place. The Mods don't notice a rifle lying in the bushes with a nameplate reading "Dana". At Pete's pad, Dana indicates that he has a history of sleepwalking; and when he takes off his pajama top to change into some of Pete's clothes (looking forward to wearing bell bottoms, which are too "hippie" for his father), the Mods see marks on his back that he explains his father gave him for flunking a math test.

When Dana sees a police psychiatrist (Sid McCoy), he's humorously dismissive of the idea that his father's dead. The psychiatrist believes that Dana's not lying, but the memory of whatever he knows of what happened in his father's room is buried. Pete is incredulous of the idea that Dana's a suspect, citing the expert marksmanship of the wounds. Pete reveals that he had a retarded brother who died, and volunteers to have Dana stay with him to give the memories an opportunity to come forward. Dana tells Pete how he sometimes stayed with the Markhams, but didn't get along with Margaret; and expresses his appreciation that Pete doesn't think he's a liar, emphasizing that he never lies. At the park, Dana is drawn to watch a trap shooter (Bob Golden), and when the defensive man gives Dana a chance to do better, Dana displays that he is indeed an expert marksman--and suddenly, dramatically remembers that somebody shot his father, having flashes of the shooting and of himself holding the gun.

A more sober and distraught Dana still can't remember the details of his father's shooting, not sure if he was awake at the time. He also expresses his hatred of his father for beating him. Meanwhile, Greer's partner, Det. Sgt. Smith (Wayne Heffley), turns up that Col. Sterling was attempting to reach a motel room where Markham's wife, Margaret, is reported to still be heavily drinking. When questioned by Greer, Dean Markham admits that his wife was seeing Col. Sterling and had just announced a separation. Margaret is brought in (Marj Dusay), and tearfully expresses that it was her fault, because she insisted that Dana had to approve of her moving in with David, and believes that David tried to beat approval out of his son. Later, Dana wakes up in Pete's room to see a squad car with a flashing light outside. It's Greer, informing Pete that he has to bring Dana in because the rifle was found, with Dana's prints on it. Pete finds that Dana has escaped through the loft room's skylight window.

Dean Markham hides from Pete that Dana has taken refuge at his place. Uncle Prentiss then tries to help Dana remember what happened that night; Dana recalls being beaten by his father over his not wanting Aunt Margaret to move in, going to bed, and then waking up at the park when Pete found him. Markham tries to force Dana to remember that he did kill his father; but Dana's resulting flashbacks include a gloved hand handing him the rifle, and Uncle Prentiss in the room, giving the sleepwalking Dana commands to take the rifle to the park. Home again, Margaret wakes up to hear Dana proclaiming that Prentiss shot his father. The dean slaps his wife, then squares off with Dana, each brandishing one of Markham's unloaded rifles. Markham is tripped by Pete, who forcefully subdues him and then comforts Dana.

In the coda, Pete receives a hand-addressed letter from Dana at police HQ, telling Pete of the special school that he's now attending, which may help him eventually get into college, and offering that despite the titular allegorical situation they found themselves in, he thinks of Pete as a brother. A visibly moved Pete walks out of police HQ to a waiting Julie (her only appearance in the episode) and Linc.

_______

Interesting. I've never been able to catch Hawaiian Eye, although I think it was one of the afternoon shows in the days that the daily Marvel cartoon show was on.
Possibly still on MeTV+, if only that were more widely available. The only Weigel network I'm familiar with that isn't on Frndly.

Apparently the fake doc only had enough poison for one act of lethal malpractice. :rommie:
Henchmen not going over their killing quota seems to be a common plot point.

Barclay must have found out somehow, since she was suddenly tied up.
He was on to her attempts to help West.

This sounds like it was a pretty good adventure with some nice historical details.
And this...
WWW11.jpg

Sorry about that, Mix!
:D
 
Last edited:
Yeah, the Apes movies have never been detail oriented. :rommie: They've never taken into account the real-life behaviors of primates (in reality, gorillas are gentle and chimps are rat bastards) or their life spans. Or how they can speak without anatomical changes. They could have easily worked in some genetic engineering or drug therapy, based on the study of Zira and Cornelius. They could have even made it the result of the space virus, which would have opened the door to some other odd effects.

I think apes having been affected by the virus would be the Occam's Razor rationalization. Even Caesar himself may have been affected, as he was around for it...he could have developed powers that allowed him to mentally influence the other apes.

Again, it's been years since I read the 'Behind the Scenes' book, so my memory is a little hazy, but at one point during the scripting of 'Escape' it would have been implied that Cornelius, Zira and Milo were time-traveling 'Typhoid Mary's', bringing the virus back with them that killed the cats and dogs and brought about the increased intelligence in the primates.

There was to have been a scene set at the zoo where the gorilla that killed Milo was showing signs of increased intelligence and becoming more docile, while another, set at Armando's circus, where a trainer says that they had to put down one of the tigers down because it was sick, and another was experiencing the same symptoms.

Yeah, but his silence is weird.

Well, the filmmakers could have gone with this instead. . .

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
 
Again, it's been years since I read the 'Behind the Scenes' book, so my memory is a little hazy, but at one point during the scripting of 'Escape' it would have been implied that Cornelius, Zira and Milo were time-traveling 'Typhoid Mary's', bringing the virus back with them that killed the cats and dogs and brought about the increased intelligence in the primates.

There was to have been a scene set at the zoo where the gorilla that killed Milo was showing signs of increased intelligence and becoming more docile, while another, set at Armando's circus, where a trainer says that they had to put down one of the tigers down because it was sick, and another was experiencing the same symptoms.
Oooh, I'd be really interested to know if all that's true...it would have fixed so much.
 
BTW, did anybody here know that Harrison Ford was a roadie for the Doors?

https://www.youtube.com/shorts/PGqmU5m63gQ

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
 
BTW, did anybody here know that Harrison Ford was a roadie for the Doors?

https://www.youtube.com/shorts/PGqmU5m63gQ

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

I do know that Harrison Ford worked as a carpenter before becoming an actor; so, doing odd jobs such as setting up the stage before a Doors performance isn't beyond the realm of possibility.
 
Tuyet (Pilar Seurat)
She's been in Trek and Hawaii Five-0.

Greer agrees to take the case on the basis that Hank's buddies will be in jurisdiction as soon as they're discharged.
What case? Even if there's a question about the sniper incident at this point, it happened in Vietnam and is the military's jurisdiction.

Arnie (Bo Hopkins)
Another guy doomed to play evil rednecks.

Bob (Ben Murphy)
Smith or Jones.

Bernard wants to know why Pete's on yellow alert in Spacedock
I would not have recognized him. :rommie:

Mike starts unloading about how Dawson mistakenly killed an old man in a village while the group was on patrol; and how the group ended up killing all the witnesses as well.
And this is when you call the MPs.

Mike pretends to go along with the idea only to TV Fu Linc and split.
At least he didn't take his keys.

Bernard tells Greer and the assembled Mods that he can take action if they can produce Sierra or another witness willing to talk.
Seriously, Bernard is not going to bring this bunch in for questioning, but is going to leave it to a bunch of civilian Hippie-cops? :rommie:

he's haunted by the pleas of the villagers, which he, Hank, and Bob could understand.
I don't think you'd need to understand Vietnamese to get that.

Arnie is surprised that Bob wants to off Linc, but Bob indicates that he plans to have Fred, whom Bob has provided with a fix, take the fall.
Where's Tuyet during all this? Didn't she see them being led away at gunpoint?

Arnie learns from Linc about how the villagers were pleading for help
I'm really not buying into Arnie's ignorance here.

Fred sees to the wounded Arnie and cries out for a medic.
Fred's a mess.

In the coda, Tuyet thanks the Mods while visiting Arnie at the hospital.
Apparently she's done with Fred.

"A Time of Hyacinths" (December 1, 1970), guest-starring Vincent Price.
A late Halloween story?

I recall catching it before...FWIW, it's a Julie story.
She finally gets an episode and they skip over it. :rommie:

Pete and Linc are taking turns running miles in the park
The park's too small for them to run together? :rommie:

Pete's familiar with Dana's condition and brings the youth back to his place.
There's this place called "the hospital," Pete.

The Mods don't notice a rifle lying in the bushes with a nameplate reading "Dana".
Which would have been found almost immediately if they had called this in (or looked around themselves).

(looking forward to wearing bell bottoms, which are too "hippie" for his father)
I love bell bottoms. :rommie:

Pete reveals that he had a retarded brother who died
This seems too contrived to have the impact that it should.

and volunteers to have Dana stay with him to give the memories an opportunity to come forward.
I don't think this would be a possibility, although maybe fifty years ago it would be.

Greer's partner, Det. Sgt. Smith
Has Greer ever had a partner before?

When questioned by Greer, Dean Markham admits that his wife was seeing Col. Sterling and had just announced a separation. Margaret is brought in (Marj Dusay), and tearfully expresses that it was her fault, because she insisted that Dana had to approve of her moving in with David, and believes that David tried to beat approval out of his son.
So basically all of the adults suck.

but Dana's resulting flashbacks include a gloved hand handing him the rifle, and Uncle Prentiss in the room, giving the sleepwalking Dana commands to take the rifle to the park.
Does any of this actually match the opening sequence? And is Uncle Prentiss supposed to have planned it this way? Either he was taking a big chance on the kid's sleepwalking and impressionability or else he was taking a big chance killing the guy in his own bedroom with the kid right down the hall.

A visibly moved Pete walks out of police HQ
That's cool, but seems like it could have been a lot cooler.

Possibly still on MeTV+, if only that were more widely available. The only Weigel network I'm familiar with that isn't on Frndly.
I could probably check YouTube. They often have full episodes of old shows now.

It looks... Christmasy. :rommie:

Again, it's been years since I read the 'Behind the Scenes' book, so my memory is a little hazy, but at one point during the scripting of 'Escape' it would have been implied that Cornelius, Zira and Milo were time-traveling 'Typhoid Mary's', bringing the virus back with them that killed the cats and dogs and brought about the increased intelligence in the primates.
I never even thought of that. That would have been perfect.

There was to have been a scene set at the zoo where the gorilla that killed Milo was showing signs of increased intelligence and becoming more docile, while another, set at Armando's circus, where a trainer says that they had to put down one of the tigers down because it was sick, and another was experiencing the same symptoms.
Perfect. They should have stuck with that.

Well, the filmmakers could have gone with this instead. . .
Ah, good old Bub. I forgot about him. :rommie:

Oooh, I'd be really interested to know if all that's true...it would have fixed so much.
Agreed.

BTW, did anybody here know that Harrison Ford was a roadie for the Doors?
My facial recognition brain cells are not that great, but it does look like him.

I do know that Harrison Ford worked as a carpenter before becoming an actor; so, doing odd jobs such as setting up the stage before a Doors performance isn't beyond the realm of possibility.
I had heard about his carpenter career as well, so yeah, why not?
 
So I have a Mod question, which might have come up previously, about something that came back to the fore for me in the "Levi Frazee" episode, in which all of the locals, including Levi, repeatedly referred to Pete as a hippie. To what extent did Pete register as a hippie in the era? Was it enough for the middle American viewing audience of the time that he wore his hair longish and sported trendy clothes? Even on this show, when they want to show, say, members of a commune, or people working at an underground newspaper, they go with more obvious, colorful hippie types.

What case? Even if there's a question about the sniper incident at this point, it happened in Vietnam and is the military's jurisdiction.
Seriously, Bernard is not going to bring this bunch in for questioning, but is going to leave it to a bunch of civilian Hippie-cops? :rommie:
You're harshing my vibe, man--a bummer from RJ. (We'll get that reference soon.)

Another guy doomed to play evil rednecks.
He was alright in the end here.

Smith or Jones.
Ah...it vaguely clicks.

I don't think you'd need to understand Vietnamese to get that.
I'm really not buying into Arnie's ignorance here.
I was thinking that myself. Maybe willful denial...just following orders and all that.

Where's Tuyet during all this? Didn't she see them being led away at gunpoint?
Back in the house, I guess. Bob was in close so she might not have seen the gun.

Apparently she's done with Fred.
No, she mentioned going back to him, and was asking the Mods how long the court martial would take.

A late Halloween story?
It was kind of atmospheric and mysterious, as I recall.
Wiki said:
Julie becomes involved with a mysterious stranger (Vincent Price), who she believed was a movie actor who has died twenty years earlier.
IMDb said:
Julie is staying at a beach house where she is helped by a kind old fisherman who lives nearby. He tells her to ring her porch bell whenever she needs his help. When she visits his house the next day, someone else lives in the house. She can't find the mysterious old fisherman except when she rings the bell, he suddenly shows up. Is he for real or a figment of Julie's imagination?
IIRC, it turned out he was living in a seaside cavern or something.

RJDiogenes said:
She finally gets an episode and they skip over it. :rommie:
Yep.

The park's too small for them to run together? :rommie:
They were timing each other.

Which would have been found almost immediately if they had called this in (or looked around themselves).
They had no reason to until they talked to Greer...at which point he knew where the kid was found.

This seems too contrived to have the impact that it should.
About as contrived as anything they establish about a regular character's background for a specific story in episodic television. Michael Cole played it well, FWIW.

Has Greer ever had a partner before?
I want to say yes, on occasion. Apparently not this one, though.

Does any of this actually match the opening sequence?
We cut from Dana's perspective to David's perspective, so it didn't contradict the partial view of events that we did get.
And is Uncle Prentiss supposed to have planned it this way? Either he was taking a big chance on the kid's sleepwalking and impressionability or else he was taking a big chance killing the guy in his own bedroom with the kid right down the hall.
They didn't get into that.

I never even thought of that. That would have been perfect.
Perfect. They should have stuck with that.
I should point out that with or without the discarded explanation for the virus, talking apes are a time paradox--they have no discernable origin point, as they only exist in the future because they traveled into the past...like the pocket watch in Somewhere in Time.

Ah, good old Bub. I forgot about him. :rommie:
I could've used a warning before looking at that clip.

My facial recognition brain cells are not that great, but it does look like him.
I had heard about his carpenter career as well, so yeah, why not?
There's no question if it's him...he talked about it in the interview.
 
Last edited:
So I have a Mod question, which might have come up previously, about something that came back to the fore for me in the "Levi Frazee" episode, in which all of the locals, including Levi, repeatedly referred to Pete as a hippie. To what extent did Pete register as a hippie in the era? Was it enough for the middle American viewing audience of the time that he wore his hair longish and sported trendy clothes? Even on this show, when they want to show, say, members of a commune, or people working at an underground newspaper, they go with more obvious, colorful hippie types.
I was pretty young, so it's hard to say. Five years later, Starsky & Hutch had pretty much the same look as Pete and nobody called them Hippies or counterculture (though maybe anti-establishment). The rednecks probably would have seen him as a Hippie-- in the city it would probably be less likely.

You're harshing my vibe, man--a bummer from RJ. (We'll get that reference soon.)
Groovy. :rommie:

He was alright in the end here.
Well... the show wanted him to be, anyway.

No, she mentioned going back to him, and was asking the Mods how long the court martial would take.
That's nice.

IIRC, it turned out he was living in a seaside cavern or something.
I thought maybe it was the Mandela Effect. Except there was no Mandela Effect in the 70s. Or was there? Maybe there used to be....

They were timing each other.
Ah.

They had no reason to until they talked to Greer...at which point he knew where the kid was found.
A disoriented kid in bloody pajamas? What if there were more kids? Or somebody else who was hurt? That would definitely be a call in to HQ.

About as contrived as anything they establish about a regular character's background for a specific story in episodic television. Michael Cole played it well, FWIW.
That's good. It's a pretty painful backstory.

I should point out that with or without the discarded explanation for the virus, talking apes are a time paradox--they have no discernable origin point, as they only exist in the future because they traveled into the past...like the pocket watch in Somewhere in Time.
Another reason that we need the oscillating time loop. Or it could be a parallel timeline.

I could've used a warning before looking at that clip.
I didn't think to say anything, I'm so used to it by now. I remember when I saw the first one, Dawn of the Dead, in 1979. I was just 18, and my friend dragged me off to the midnight (or later) show at the old Orson Welles in Cambridge. "Y'gotta see this!" I had no idea what I was in for. :rommie:

There's no question if it's him...he talked about it in the interview.
That settles that. Dude's had an interesting life, to say the least.
 
50 Years Ago This Week

July 22
  • Pan Am Flight 816 crashed into the Pacific Ocean after takeoff from Tahiti, killing 78 of the 79 people on board.

July 23
  • U.S. President Richard Nixon refused to turn over the presidential tape recordings to the Senate Watergate committee or the special prosecutor. In a letter to the committee chairman, Senator Sam Ervin, Nixon wrote "I have considered your request that I permit your committee to have access to tapes of my private conversations with a number of my closest aides. I have concluded that the principles stated in my letter to you of July 6th preclude me from complying with that request, and I shall not do so."
  • Died: Eddie Rickenbacker, 82, U.S. Army flying ace who later built Eastern Airlines into a major company.

July 24
  • The 1973 Major League Baseball All-Star Game was played at Kansas City, Missouri, and ended in a 7–1 victory for the all-stars of the National League.
  • Darrell Cain, a policeman in Dallas, Texas, shot and killed a 12-year-old boy, Santos Rodriguez, after the boy was handcuffed and sitting in a police car. Cain, a white officer, was indicted for the murder of Rodriguez, a Hispanic American child. Outrage in Dallas led days later to a peaceful demonstration that turned into a riot. Cain would be convicted of murder and serve 30 months of a five-year sentence.

July 25
  • The Soviet Mars 5 space probe was launched from Baikonur Cosmodrome. It would reach the planet Mars on February 12, 1974.
  • A disgusted George Harrison signs a cheque payable to the Inland Revenue for £1,000,000, the amount demanded by the British government in taxes for the Bangladesh concert and album.
  • Died: Louis St. Laurent, 91, the 12th Prime Minister of Canada, from 1948 to 1957

July 26
  • The United States used its veto power in the United Nations Security Council after the UNSC members voted, 13 to 2 for a resolution that would have censured Israel for its failure to withdraw from the West Bank, the Sinai peninsula and the Golan Heights, territory gained in the 1967 Six-Day War. The veto was only the fifth ever for the U.S., but the fourth in the less than a year.
  • Died: Hans Albert Einstein, 69, Swiss-born American hydraulic engineering expert for whom the American Society of Civil Engineers (ACSE) established an annual award, as well as being the oldest son of Albert Einstein.

July 27
  • Operation End Sweep, the U.S. clearing of sea mines from the harbors of North Vietnam, came to an official end after having started on February 6. The minesweepers of U.S. Navy Task Force 78 departed North Vietnamese waters the next day to sail back to the Philippines.

July 28
  • The Summer Jam at Watkins Glen, a massive rock festival featuring the Grateful Dead, The Allman Brothers Band and The Band, took place at the Watkins Glen Grand Prix Raceway in New York, United States, attracting over 600,000 music fans, a record audience for the time.
  • Skylab 3, with astronauts Alan Bean, Owen Garriott and Jack Lousma, was launched from the Kennedy Space Center in the United States, to conduct various medical and scientific experiments aboard Skylab.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
  • A jet airplane landed on the continent of Antarctica for the first time, as the Patagonia, a Fokker F28, touched down at the Marambio Air Station on the Antarctic Peninsula, under the jurisdiction of Argentina.


Selections from Billboard's Hot 100 for the week:
1. "Bad, Bad Leroy Brown," Jim Croce
2. "Yesterday Once More," Carpenters
3. "Shambala," Three Dog Night
4. "Smoke on the Water," Deep Purple
5. "Will It Go Round in Circles," Billy Preston
6. "Diamond Girl," Seals & Crofts
7. "Kodachrome," Paul Simon
8. "Boogie Woogie Bugle Boy," Bette Midler
9. "The Morning After," Maureen McGovern
10. "Give Me Love (Give Me Peace on Earth)," George Harrison
11. "Touch Me in the Morning," Diana Ross
12. "Monster Mash," Bobby "Boris" Pickett & The Crypt-Kickers
13. "Money," Pink Floyd
14. "Playground in My Mind," Clint Holmes
15. "Natural High," Bloodstone
16. "Feelin' Stronger Every Day," Chicago
17. "So Very Hard to Go," Tower of Power
18. "Get Down," Gilbert O'Sullivan
19. "I Believe in You (You Believe in Me)," Johnnie Taylor
20. "Brother Louie," Stories
21. "Live and Let Die," Paul McCartney & Wings

23. "Uneasy Rider," The Charlie Daniels Band
24. "Here I Am (Come and Take Me)," Al Green
25. "If You Want Me to Stay," Sly & The Family Stone

26. "Long Train Runnin'," The Doobie Brothers
27. "Behind Closed Doors," Charlie Rich
28. "Where Peaceful Waters Flow," Gladys Knight & the Pips

30. "Angel," Aretha Franklin
31. "My Love," Paul McCartney & Wings
32. "Delta Dawn," Helen Reddy
33. "Right Place, Wrong Time," Dr. John

36. "Let's Get It On," Marvin Gaye
37. "One of a Kind (Love Affair)," The Spinners
38. "Are You Man Enough," Four Tops
39. "Say, Has Anybody Seen My Sweet Gypsy Rose," Dawn feat. Tony Orlando

41. "I'm Gonna Love You Just a Little More Baby," Barry White

46. "Gypsy Man," War
47. "Daddy Could Swear, I Declare," Gladys Knight & The Pips

50. "Why Me," Kris Kristofferson
51. "Over the Hills and Far Away," Led Zeppelin
52. "Believe in Humanity," Carole King

55. "Pillow Talk," Sylvia

57. "That Lady (Part 1)," The Isley Brothers

59. "Time to Get Down," The O'Jays

66. "Tequila Sunrise," Eagles

81. "My Maria," B. W. Stevenson

83. "We're an American Band," Grand Funk

86. "Theme from Cleopatra Jones," Joe Simon feat. The Mainstreeters


Leaving the chart:
  • "Frankenstein," The Edgar Winter Group (20 weeks)
  • "Tie a Yellow Ribbon Round the Ole Oak Tree," Dawn feat. Tony Orlando (23 weeks)

Recent and new on the chart:

"Believe in Humanity," Carole King
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(July 14; #28 US)

"Theme from Cleopatra Jones," Joe Simon feat. The Mainstreeters
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#18 US; #3 R&B)

"My Maria," B. W. Stevenson
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#9 US; #1 AC)

"We're an American Band," Grand Funk
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#1 US the week of Sept. 29, 1973)

_______

Timeline entries are quoted from the Wiki page for the month and Mark Lewisohn's The Beatles Day by Day, with minor editing as needed.

_______

Five years later, Starsky & Hutch had pretty much the same look as Pete and nobody called them Hippies or counterculture (though maybe anti-establishment).
That's something I was thinking...that as the '70s went on, what had been shockingly fab/hippie became more mainstream, so because of my own firsthand experience, Pete doesn't trip my hipdar.

Well... the show wanted him to be, anyway.
True, he still participated in the massacre...but out of ignorance rather than malice.

I didn't think to say anything, I'm so used to it by now.
I watched it before you posted about it, I was just putting the comment out there.

That settles that. Dude's had an interesting life, to say the least.
Wish I'd known about it five years ago when we were in that moment.
 
Nixon wrote "I have considered your request that I permit your committee to have access to tapes of my private conversations with a number of my closest aides. I have concluded that the principles stated in my letter to you of July 6th preclude me from complying with that request, and I shall not do so."
Well, that settles that. :rommie:

Died: Eddie Rickenbacker, 82, U.S. Army flying ace who later built Eastern Airlines into a major company.
Ace of Aces. I remember his name being pretty well known when I was a kid.

The Soviet Mars 5 space probe was launched from Baikonur Cosmodrome. It would reach the planet Mars on February 12, 1974.
Way to hang in there!

"Believe in Humanity," Carole King
That's pretty nice. I don't believe I've ever heard it before.

"Theme from Cleopatra Jones," Joe Simon feat. The Mainstreeters
Funky.

"My Maria," B. W. Stevenson
Oldies Radio Classic.

"We're an American Band," Grand Funk
Classic Rock.
 
_______

Post-50th Anniversary Viewing

_______

The Mod Squad
"Fever"
Originally aired December 15, 1970
Wiki said:
A man on the run, with the son he doesn't have legal custody of, kidnaps Julie. However, as both have Rocky Mountain spotted fever, she's more concerned for their lives than hers.

The episode opens with a commune leader (Paul Wexler) conducting what's apparently a symbolic funeral for the commune, which must be a seasonal thing ("Before we bury Earth Mother, let me lay this on you, brothers and sisters..."). When a sheriff's car pulls up, a man and his young son split into the woods. Sheriff Jack Summers (Ken Lynch) tells the commune leader that everyone present is under quarantine. On vacation (because she works so hard), Julie's driving on a windy, hilly wooded road when she has to stop because there's a large section of tree branch blocking her way. The man and boy, Cliff and Shad Hansen (Robert Viharo and David & John Mutch), come out of hiding. Cliff explains that he put the branch there, and pulls a gun to carjack Julie, taking the wheel himself and heading back for L.A.

Back on the road, Cliff explains that he's taken sole custody of his son illegally and is on the run from his domineering father-in-law, department store magnate Leonard Morrison; and Julie tends to Shad, who's feeling ill. Taking Julie's wallet for a gas stop, Cliff discovers her ID. While he's trying to make a call in a phone booth, Julie writes a detailed note on the back of a check and drops it out the window in a lipstick case. The none-too-bright proprietor, Ben (Karl Swenson), tries to flag them down over their lost item before finding the note. He takes to the booth and calls Greer (passing by a vintage generic soda machine that's apparently out of use). Having already called in Pete and Linc when they were packing for a diving holiday, the three of them meet with Morrison (Frank Maxwell), who chastises Greer for having been on the case for months but not having found his son-in-law. Greer then gets a call from Sheriff Summers that the virus is spreading among the commune members, which means that the Hansens have been exposed.

Educational break: A quick bit of searching turns up that Rocky Mountain spotted fever is spread by ticks, not communicable between humans as it's portrayed in the episode. They even show Linc getting what I assume is meant to be a vaccination, when one of the tidbits I came across is that there is none; the treatment, as with Lyme, is antibiotics after infection.

Cliff and Julie hear a radio broadcast about the epidemic, but Cliff dismisses it as fake news. Pete talks to Shad's mother, a hip young artist type named Trudy (Brooke Bundy), who expresses how she feels torn between her husband and father before pointing him to a pair of artist friends who own a gallery where Cliff might go to hide out. Linc talks to Ben to get an idea which way they went. While Cliff is making a water stop, Julie slips a spare key out of her wheel well and tries to take off with Shad, but Cliff jumps into the moving car window and stops her. Pete hits the gallery and talks to Les and Jon (Paul Collins and Gordon DeVol), pretending to be a friend of Cliff's; but Cliff calls the gallery while Pete's there and disavows him. On the road, Julie stops the car, insisting at gunpoint that Shad has to be taken to a doctor, and Cliff, now showing signs of the illness himself, relents. At a small private practice, Dr. Wilson (Harlan Warde) verifies that Shad has spotted fever, and when he calls a hospital, Cliff takes off in the car on his own.

Greer goes to the doctor's office to see Julie, who's said to have contracted a mild case which only involved a brief fever. Pete returns to the gallery, is stonewalled by Les and Jon, and tries to lay it to them straight about the spotted fever, but they think it's all fake news, too. (Hippies were there first....) Demonstrating an uncanny sense of timing, Cliff calls again while Pete's there, wanting the guys to get him some bread out of the bank and meet him outside. Pete and Linc tail them, and are physically stalled by Les and Jon long enough for Cliff to drive away, though the Mods make pretty short work of the duo. Succumbing to the fever, Cliff tries to call the hospital about Shad, but they'll only talk to Morrison; so Cliff goes to Morrison Manor and confronts his father-in-law, who tries to reason with him. Refusing his help, Cliff splits again, but is intercepted by the assembled Mods and Trudy in the Challenger and collapses trying to get out of the car.

In the coda, the Mods visit Morrison Manor to ask about Shad; find that Leonard is helping Trudy pack the car to leave for her and Cliff's new apartment; and Julie and Leonard both agree not to press charges against Cliff. The guys even seem to have mended fences with Les and Jon, mentioning that they've contributed to a defense fund that the gallery's raising for Cliff. The Mods do a mansion driveway walk-off to the Challenger...Julie silently vowing never to go on vacation again, because it's more work than working.

_______

The Mod Squad
"Is There Anyone Left in Santa Paula?"
Originally aired December 29, 1970
Wiki said:
Following a death of an immigration agent at a car wash where an undocumented immigrant (and a friend of Pete's) works, the Squad finds a cop involved in the illegal entry of Mexican youths across the border - all tied to a village in Sonora. The officer and Greer are at odds on how to handle the case.

The immigration agent (Walter Stocker, I presume, whose character is billed as Neal, a name that never comes up) comes to the car wash questioning the owner (Paul Bryar) about his hiring of illegal immigrants, interested in particular in a Paco Montoya (Richard Romanos). When he tries to take Paco in, a chase through the car wash ensues, and the agent takes a nasty fall in a struggle on the rollers, suffering a skull fracture and possible brain damage. It turns out that Paco is a friend of Pete's, and Greer's angle on the case is finding Paco as a possible lead to the ring that helped him get into the country. Pete goes to Paco's home to try talking to his family, but is caught coming out of the empty home by a detective named Evans (Patrick Waltz), who takes him to the community center to see his partner, Lt. Ramon Sanchez (Fernando Lamas)--an infamously hard-boiled cop who's working the assault angle. He questions Pete for what he might know while warning him to discontinue his search. Afterwards, Greer approaches Sanchez at HQ to see what he's got, and they get into a discussion about the injustices of illegal immigration enforcement, which Sanchez feels very strongly about. Pete talks to another car wash worker he knows, Eddie (Joe Renteria), who points him to Paco's fiancée, Anita; while Linc and Julie question the owner, whose defensiveness about hiring illegals makes him unwilling to come forward as an eyewitness to the struggle--Paco's legal standing depending on whether it can be determined that he had intent to kill.

The Mods go to see Anita (Amparo Pilar) at the hamburger stand where she works, trying to get a lead on an unnamed cousin who helped Paco into the country, but she asks them to let Paco be. Pete tries digging up a Brown Power activist named Rick Ramirez figuring he might know something, but is chased into an alley by a trio of toughs he'd previously questioned at the community center and warned to stay away. (I assume that their leader is the character billed as Chico [Bert Santos].) When Anita gets off work, the Mods tail her to a house, but are intercepted outside by Sanchez and a couple of other detectives and arrested. At Greer's office, having been filled in on who the Mods are, Sanchez accuses them of interfering with his case, but Pete thinks that Sanchez is the one scaring off leads, and Greer insists that the Mods stay on the case. They go back to the house to find it recently abandoned, with signs that several men had been sleeping on mattresses on the floor, and that at least one of them was from the titular locale, which is the same village that Paco, his father, and uncle came from. They think that somebody tipped the occupants off...with Sanchez being the only one besides Greer who would have known to.

The Mods look up Sanchez's record to find that he, too, came from Santa Paula. Pete makes another try at locating Ramirez and is taken to his hideout blindfolded to see him (George Cervera)...but only learns that Ramirez has a history with Sanchez but thinks well of him. He then goes back to the community center to talk to Sanchez, dropping the episode title, accusing him of running interference for his fellow Santa Paulans, and informing him that the immigration agent has died, raising the potential charge against Paco to murder. Meanwhile, Linc and Julie stake out the hamburger stand and tail Anita after she's picked up by an older Latino (Victor Millan) in a beat-up old car...following them into what I think is the same warehouse yet again, where they catch a glimpse of Paco through a doorway, only to be caught at gunpoint by the older man, Pedro.

Back at HQ, Sanchez explains to Greer and Pete that he tried to discourage his townsfolk from coming in illegally, but once they were in the States, did what he could to help them. Sanchez ultimately agrees to take them to where Paco's hiding on the condition that he accompany them. At the warehouse, Paco verifies that Linc and Julie are friends of Pete's and learns that they know about Sanchez, and the others, including Paco's father (Julio Medina), debate what to do about them--Pedro insisting that the Mods can't be allowed to get them sent back to Mexico. Greer and the others arrive, and Sanchez prevents Paco, who's been holding Linc and Julie at gunpoint, from firing on them as they're trying to make a break for it. Pedro grabs the gun, pointing it at Sanchez, who chastises the lot of them for what they were considering doing and talks Pedro down. Sanchez then lets Greer make his arrest and says that he's putting himself on suspension.

Outside the courthouse, Sanchez makes amends with the Mods, and Greer comes out to announce that the car wash owner, having ultimately come forward, has gotten Paco off. Greer expresses his intent to help Sanchez save his career, and the Mods walk into the reflection of the Challenger's sun visor mirror.

_______

That's pretty nice. I don't believe I've ever heard it before.
Nor had I...it's alright.

The song sounds kinda Shaft-derivative, but when I get to the film chronologically in my catch-up movie viewing, I may have to try it. It sounds pretty interesting.

Oldies Radio Classic.
And one that had previously eluded my collection.

Classic Rock.
Yep.
 
"My Maria," B. W. Stevenson (#9 US; #1 AC)

I remember this one. It still gets played occasionally on one of the 'low watt' oldies stations. I'm surprised it wasn't a part of my 'Time Life' collection as it seems a natural inclusion.

Brooks and Dunn did a nice cover version of it.

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

"We're an American Band," Grand Funk (#1 US the week of Sept. 29, 1973)

Now this one is in my 'Time Life' collection; and it still gets played on the 'Classic Rock' station.

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
 
The episode opens with a commune leader (Paul Wexler) conducting what's apparently a symbolic funeral for the commune
And which is pretty much forgotten by the plot immediately.

On vacation (because she works so hard)
:rommie:

Julie's driving on a windy, hilly wooded road when she has to stop because there's a large section of tree branch blocking her way.
Turn around Julie. Don't you watch TV?

Back on the road, Cliff explains that he's taken sole custody of his son illegally and is on the run from his domineering father-in-law, department store magnate Leonard Morrison
Let us pause for a moment of exposition, brothers and sisters.

Taking Julie's wallet for a gas stop, Cliff discovers her ID.
But is apparently unimpressed. :rommie:

passing by a vintage generic soda machine
I miss generic soda. It was something.

who chastises Greer for having been on the case for months but not having found his son-in-law
"This is California. There are a lot of cults to check."

Educational break: A quick bit of searching turns up that Rocky Mountain spotted fever is spread by ticks, not communicable between humans as it's portrayed in the episode. They even show Linc getting what I assume is meant to be a vaccination, when one of the tidbits I came across is that there is none; the treatment, as with Lyme, is antibiotics after infection.
You see a similar thing a lot with Bubonic Plague. It wasn't carried by rats, but the fleas on the rats.

Cliff dismisses it as fake news.
He's an early adopter.

she feels torn between her husband and father
Do they ever explain exactly what the nature of the conflict is?

before pointing him to a pair of artist friends who own a gallery where Cliff might go to hide out
Do they mention to her that her kid is sick and dying?

Julie slips a spare key out of her wheel well and tries to take off
Cute trick.

Cliff calls the gallery while Pete's there and disavows him.
Who does he think he is, the Secretary?!

Cliff, now showing signs of the illness himself, relents.
Oh, sure, Cliff, now that it's all about you.

(Hippies were there first....)
Cliff was there first. Just sayin.'

Cliff goes to Morrison Manor and confronts his father-in-law, who tries to reason with him.
As far as I can tell, the father-in-law character is pretty reasonable.

Julie and Leonard both agree not to press charges against Cliff.
As long as he gets the mental health care that he needs, hopefully.

The guys even seem to have mended fences with Les and Jon, mentioning that they've contributed to a defense fund that the gallery's raising for Cliff.
He'll need it, since he kidnapped his kid, held him in a commune for months, failed to get him proper medical care, stole a car, kidnapped Julie at gunpoint, and exposed the child to all sorts of violence and criminal activity, all because of some vaguely defined conflict with his father-in-law. He's not exactly a sympathetic character.

Julie silently vowing never to go on vacation again, because it's more work than working.
She's going to sign up for one of those "very hazardous duties" that Charlie's Angels started out with. :rommie:

When he tries to take Paco in, a chase through the car wash ensues, and the agent takes a nasty fall in a struggle on the rollers, suffering a skull fracture and possible brain damage.
He should have just headed him off at the pass.

Lt. Ramon Sanchez (Fernando Lamas)
He looks mahvelous!

Pete talks to another car wash worker he knows
Pete has a lot of contacts in the car washing industry.

Paco's legal standing depending on whether it can be determined that he had intent to kill.
That seems a bit of a stretch.

He then goes back to the community center to talk to Sanchez, dropping the episode title
I was thinking that the episode title is pretty funny. :rommie:

the immigration agent has died, raising the potential charge against Paco to murder.
I still think that's kind of a stretch.

following them into what I think is the same warehouse yet again
That warehouse is the Bronson Canyon of urban adventure shows.

Sanchez explains to Greer and Pete that he tried to discourage his townsfolk from coming in illegally, but once they were in the States, did what he could to help them.
An understandable dilemma, making him a sympathetic character.

Sanchez prevents Paco, who's been holding Linc and Julie at gunpoint, from firing on them as they're trying to make a break for it.
Yeah, that would be less of a stretch than a slip and fall in a slippery place.

Sanchez makes amends with the Mods, and Greer comes out to announce that the car wash owner, having ultimately come forward, has gotten Paco off. Greer expresses his intent to help Sanchez save his career, and the Mods walk into the reflection of the Challenger's sun visor mirror.
Good one. Fernando played a pretty interesting character.

The song sounds kinda Shaft-derivative, but when I get to the film chronologically in my catch-up movie viewing, I may have to try it. It sounds pretty interesting.
I saw it a long time ago, but I don't remember it. She was no Christie Love. :rommie:

I remember this one. It still gets played occasionally on one of the 'low watt' oldies stations.
Come to think of it, I haven't heard it for a while.

Now this one is in my 'Time Life' collection; and it still gets played on the 'Classic Rock' station.
I think I heard it just this past weekend.
 
50th Anniversary Cinematic Special

The Poseidon Adventure
Directed by Ronald Neame
Starring Gene Hackman, Ernest Borgnine, Red Buttons, Carol Lynley, Roddy McDowall, Stella Stevens, Shelley Winters, and Leslie Nielsen
Premiered December 12, 1972
1973 Academy Award for Best Music, Original Song (Al Kasha and Joel Hirschhorn, "The Morning After"); and Special Achievement Award (L.B. Abbott and A.D. Flowers, for visual effects)
Nominated for Best Actress in a Supporting Role (Shelley Winters); Best Cinematography; Best Art Direction-Set Decoration; Best Costume Design; Best Sound; Best Film Editing; and Best Music, Original Dramatic Score (John Williams)
Wiki said:
The Poseidon Adventure is a 1972 American disaster film directed by Ronald Neame, produced by Irwin Allen, and based on Paul Gallico's 1969 novel of the same name. It has an ensemble cast including five Oscar winners: Gene Hackman, Ernest Borgnine, Jack Albertson, Shelley Winters, and Red Buttons. The plot centers on the fictional SS Poseidon, an aging luxury liner on her final voyage from New York City to Athens, before it is scrapped. On New Year's Day, it is overturned by a tsunami. Passengers and crew are trapped inside, and a preacher attempts to lead a small group of survivors to safety.

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Wiki said:
The SS Poseidon, an ocean liner slated for retirement, travels from New York to Athens. Despite safety concerns from Captain Harrison [Nielsen], the new owner's representative [Linarcos (Fred Sadoff)] insists he go full speed to save money, preventing Poseidon from taking on ballast.
When the ship is rocking badly due to the storm, the chief engineer (John Crawford) has a choice description for Linarcos on the phone to the bridge. I can see Movies! muting "bastard," but Eric Shea later saying "shove it"? (Both read loud and clear in the closed captioning...which does later mask out the word following "son of a".) The captain objects strongly to endangering the ship and passengers, but Linarcos threatens to relieve him of command if he doesn't comply.

We also meet Shea's character, Robin Shelby, when he makes his way to the bridge during the storm, demonstrating his knowledge of surfing and waves as well as the ship. As child actors playing precocious characters go, Shea is pretty enjoyable in this.

Reverend Frank Scott [Hackman], a minister who believes "God helps those who help themselves", is traveling to a new parish in Africa as punishment for unorthodox views.
He expresses to the ship's chaplain (Arthur O'Connell) that he's glad he's being sent there, as he needs elbow room away from the supervision of the church. He expresses his unorthodox views in a guest New Year's Eve day sermon on the deck. Scott believes in encouraging people to find the strength of God within themselves, rather than praying for divine intervention.
Detective Lieutenant Mike Rogo [Borgnine] and wife Linda [Stevens], a former prostitute, deal with her seasickness.
Rogo is dotingly protective of his wife to the point of making public scenes, which she finds stifling. She's self-conscious of being recognized for her former profession, paranoid that a crewman might be a former customer.
Susan Shelby [Pamela Sue Martin] and her younger brother Robin are traveling to meet their parents. Interested in how the ship works, Robin frequently visits the engine room.
Nancy Drew is the one he tells to shove it.
Retired Jewish store owner Manny Rosen [Jack Albertson] and wife Belle [Winters] are going to Israel to meet their 2-year-old grandson for the first time. Haberdasher James Martin [Buttons] is a love-shy, health-conscious bachelor.
Belle takes an interest in Martin, encouraging him to find a prospective wife.
The ship's singer, Nonnie Parry [Lynley], rehearses for the New Year's Day celebration.
Singing "The Morning After," of course. I like the film version better than Maureen McGovern's. It's softer and gentler, going with Nonnie's hippie chick vibe.

Passengers gather in the dining room to celebrate.
The swaying of the ship (via camera trickery) in the interior scenes is a nice touch. Susan finds herself attracted to Reverend Popeye Luthor from a distance. I was impressed that they resisted the urge to have the tsunami hit at the end of the M.C.'s (Bob Hastings) countdown to midnight.
The captain is called to the bridge in response to a report of an undersea earthquake. He receives word from the lookout that a tsunami is approaching from the direction of Crete. After issuing a distress signal, the ship is hit broadside and capsizes, floating upside-down.
Famous movie moment that I was definitely exposed to as a kid without ever having seen the full film.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
The escape route can only be found "upwards", at the outer hull, now above water.
Which Martin is the one to point out.

In the dining room, dozens of survivors take stock of their predicament.
Scott takes charge, which includes having several passengers hold a tablecloth taught so that Susan can jump down from her perch on the bottom of a table bolted to what used to be the deck. Martin connects with Nonnie when he has to convince her to leave her dead brother behind, and continues to support her will and courage to go on throughout the escape. (I actually can buy that eye color thing that came up earlier, because of the way they don't reveal that the drummer Nonnie was being affectionate toward was her brother until after he's dead. They probably felt like they needed to sprinkle a little clue in there for the observant.)
Acres [McDowall doing a Liverpudlian accent], an injured waiter, is trapped at the galley door now high above. Scott attempts to convince everybody to travel with him to the ship's hull, which is only 1 inch thick.
It's that thin near the propellor shaft, which Robin knows, hence the survivors having to get to the engine room. He also knows that a service corridor running the length of the ship, referred to as Broadway, will get them there.
The ship's purser [Byron Webster], on the other hand, tells the crowd to wait for help.
At dinner, the purser was talking about how he was the one who really ran the ship, which he described as "a hotel with a bow and a stern stuck on".
Most of the survivors side with the purser. The Rosens, the Rogos, Susan, Robin, Acres, Nonnie, and Martin agree to go with Scott, using a Christmas tree as a ladder.
Rogo objects when Scott insists that Linda has to remove her gown to climb the tree, so Scott has Rogo give her his shirt. The less glamorous part of being Gene Hackman is having to give Shelley Winters a posterior boost from beneath.
After the group climbs to the galley, there is a series of explosions. As seawater floods the dining room, those remaining attempt to climb the tree, but their weight causes it to fall. Water fills the room, and the ship begins sinking.
There's a nice moment before this where Scott is trying to convince the chaplain to come with him, but the chaplain feels that he has to stay behind with those too weak to fight for their survival.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Scott leads his group toward the engine room.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
While they are climbing a ladder inside a ventilation shaft, the ship rocks from more explosions. Acres falls and perishes. Leaving the shaft, the group meets a large band of survivors led by the ship's doctor [Jan Arvan], heading toward the bow. Scott believes they are heading for their doom. However, Rogo wants to follow them and gives Scott 15 minutes to find the engine room. Although he takes longer than allowed, Scott succeeds. The engine room is on the other side of a flooded corridor.
Susan stays near Scott during this sequence, until she has to relay that he hasn't come back from a dive through the flooded corridor in time.

Belle reveals she is a former competitive swimmer and volunteers to go through, but Scott refuses her and dives in. Halfway through, a panel collapses on him. The survivors notice the delay, and Belle dives in. She frees Scott, and they make it to the other side, where Belle suffers a heart attack.
Shelley Winters saving Gene Hackman underwater is positively surreal.
Before dying, she tells Scott to give her Chai pendant to Manny, to give to their grandson.
Scott angrily cries to God over Belle's death (setting up his attitude in the climactic sequence).
Rogo swims over to make sure Belle and Scott are all right, then leads the rest over. When Manny finds Belle's body, he is unwilling to go on, but Scott gives him her pendant, reminding him that he has a reason to live.

Scott leads the survivors to the propeller shaft room's watertight door, but additional explosions cause Linda to lose her grip and fall to her death. A heartbroken Rogo blames Scott.
The Poseidon Adventure (4/5) Movie CLIP - You Killed Her! (1972) HD - YouTube
A ruptured pipe releases steam, blocking their escape. Scott rants at God for the survivors' deaths as he leaps across a pool of flaming oil, grabbing onto the burning-hot valve wheel to shut down the steam. Scott tells Rogo to lead the group on before falling to his death.
This sequence is perhaps a little over the top...
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Rogo leads the remaining survivors through the watertight doors and into the propeller shaft tunnel. They hear a noise from outside and bang on the hull to attract attention. The rescuers cut through the hull, assist the six survivors from the ship, inform them that no one else survived, and fly them to safety.
They missed an opportunity to reprise the song, as the ending takes place on the literal morning after.

The film is in the vein of other all-star disaster films of the early through mid-1970s, such as Airport (1970), Earthquake (1974), and The Towering Inferno (1974). It was released in December 1972 and was the highest-grossing film of 1973, earning over $125 million worldwide. It was nominated for eight Academy Awards, and went on to win two Oscars, a Golden Globe Award, a British Academy Film Award, and a Motion Picture Sound Editors Award. A sequel, Beyond the Poseidon Adventure, also based on a novel by Gallico, was released in 1979.
Overall, this was a pretty enjoyably watchable spectacle film with a large cast of recognizable faces.

_______

But is apparently unimpressed. :rommie:
It got him on edge for a bit, but didn't serve much purpose beyond that.

I miss generic soda. It was something.
They still make it. :p

You see a similar thing a lot with Bubonic Plague. It wasn't carried by rats, but the fleas on the rats.
At least that's a finer distinction.

Do they ever explain exactly what the nature of the conflict is?
Generally the overbearing part. Cliff wanted him and his son out from under the old man's thumb.

Do they mention to her that her kid is sick and dying?
Yeah, Pete telling her is what convinces her to tell him where her husband might have gone.

Cute trick.
But just a tease. Given that Julie gets so little to do, it might have been nice to actually let her gain the upper hand.

Cliff was there first. Just sayin.'
He didn't trip my hipdar, but he was mingling in that crowd.

As far as I can tell, the father-in-law character is pretty reasonable.
He became so when confronted by Cliff, but started off pretty gruff and demanding.

She's going to sign up for one of those "very hazardous duties" that Charlie's Angels started out with. :rommie:
You have to wonder if Charlie's Angels wasn't a massive overcompensation for whatever was going on with Julie...

He should have just headed him off at the pass.
True, but then Paco could have turned around and went out the way he came in.

He looks mahvelous!
Capped.

Pete has a lot of contacts in the car washing industry.
And Paco says that he hadn't seen Pete in a year, FWIW.

That seems a bit of a stretch.
Yeah...I wasn't quite buying that he could be charged for first-degree murder even if he'd directly pushed the agent, under the circumstances. Manslaughter, absolutely.
 
Last edited:
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top