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Paramount loses more than a quarter of its value, analyst believes they should "just quit streaming"

If the show establishes a mood such as a horror show, ads can wreck it really quickly.

Tell me about it. I've had them happen just as a reveal is happening killing the suspense of the moment.And it never fails to be at some of the worst moments.

Character: I'll tell you how it all happened. It began like this.> Cut to ADS!!
 
Tell me about it. I've had them happen just as a reveal is happening killing the suspense of the moment.And it never fails to be at some of the worst moments.

Character: I'll tell you how it all happened. It began like this.> Cut to ADS!!

I don't mind ad-supported streaming, but they need to put the ads in at the act breaks. (And TV shows need to start putting in formal act breaks again.)
 
I don't mind ad-supported streaming, but they need to put the ads in at the act breaks. (And TV shows need to start putting in formal act breaks again.)
Traditional TV has 5 acts for 5 ad breaks, which meant a whole lot of cliffhangers. I prefer one cliffhanger per episode. I don't want streaming to turn back into cable TV. If that does happen, I'll pirate shows that I can't buy physical media for, which was originally the whole reason for buying TV shows on DVD before streaming. You could watch the show and not have to waste your time with ads. A typical cable TV show is 42 minutes long with 18 minutes of ads.
 
Traditional TV has 5 acts for 5 ad breaks, which meant a whole lot of cliffhangers.

An act break doesn't need to end on a cliffhanger -- but each act should end with a sense of resolution so that the ads don't break the dramatic unity of the episode.

I don't want streaming to turn back into cable TV. If that does happen, I'll pirate shows that I can't buy physical media for, which was originally the whole reason for buying TV shows on DVD before streaming. You could watch the show and not have to waste your time with ads. A typical cable TV show is 42 minutes long with 18 minutes of ads.

Well, I'm sorry, but I'm just not convinced that any other production model has proven to both be financially viable and capable of supporting middle-budget/mid-tier audience shows like Star Trek.
 
Ads, or psychological warfare, are a disease. Fortunately you can avoid them with just a few dollars.
If you watch just 1 40 minute program a day you avoid ads and save over 2 hours a week. That’s nearly $100 a month at $10 an hour.

But it’s more than that. The only reason corporations advertise to you is that the cost of the advert is less than the extra money they get from you.

You waste thousands of hours of your life having some of the most talented brain washers in the world convincing you to spend money you wouldn’t spend otherwise. What a drain on the human race.
 
I think it's ultimately a better idea to use the "cable television" model of distribution -- cable television may have involved paying for a lot of stuff you didn't like, but it also ensured that a wide variety of content that didn't always have lowest-common-denominator appeal was able to be financially viable. I think it struck a good balance between micro-niche and juggernaut, and I hope to see the streaming industry move in that direction in the future.
I'm not fond of that model where you're forced into a package.

If I could get "A-la-carte" options for which channels I want, they would have a chance to survive.

But the fact that they force bundles on you is what brought them their down-fall.
 
Shame that Americans don’t have their own equivalent to the BBC, with its completely commercial-free television and radio.
BBC isn't free.

https://en.wikipedia.org/wiki/BBC#Revenue
The principal means of funding the BBC is through the television licence, costing £154.50 per year per household since April 2019.[122] Such a licence is required to legally receive broadcast television across the UK, the Channel Islands and the Isle of Man. No licence is required to own a television used for other means, or for sound only radio sets (though a separate licence for these was also required for non-TV households until 1971). The cost of a television licence is set by the government and enforced by the criminal law. A discount is available for households with only black-and-white television sets. A 50% discount is also offered to people who are registered blind or severely visually impaired,[123] and the licence is completely free for any household containing anyone aged 75 or over. However, from August 2020, the licence fee will only be waived if over 75 and receiving pension credit.

...

The licence fee is classified as a tax,[125] and its evasion is a criminal offence. Since 1991, collection and enforcement of the licence fee has been the responsibility of the BBC in its role as TV Licensing Authority.[126] The BBC carries out surveillance (mostly using subcontractors) on properties (under the auspices of the Regulation of Investigatory Powers Act 2000) and may conduct searches of a property using a search warrant.[127] According to TV Licensing, 216,900 people in the UK were caught watching TV without a licence in 2018/19.[128] Licence fee evasion makes up around one-tenth of all cases prosecuted in magistrates' courts, representing 0.3% of court time
 
Shame that Americans don’t have their own equivalent to the BBC, with its completely commercial-free television and radio.

Essentially, we do.

Public Broadcasting Service (PBS TV) and National Public Radio (NPR), but it’s not exactly the same.
 
Well, I'm sorry, but I'm just not convinced that any other production model has proven to both be financially viable and capable of supporting middle-budget/mid-tier audience shows like Star Trek.

My time is money. I'd rather buy physical media than have to watch ads again. 18 minutes every hour is a lot of wasted time.
 
I'll just unsub if needed. Physical media is throwing more money and wasting time.

The alternative is to unsub to all the streaming services and buy physical media for interesting shows or get it via the library through Hoopla or even Redbox rentals. There is a finite amount of money people are going to spend on these services. And I'd rather spend my time watching content than being sold to.
 
I don't mind ad-supported streaming, but they need to put the ads in at the act breaks. (And TV shows need to start putting in formal act breaks again.)


I agree. But the thing is, if it's a show made for the streaming format, then generally they've shied away from structuring it for ad breaks. You can usually tell when the scenes generally flow well together into the next. But you can notice when a show was designed for ad breaks by the way they've cut the scenes abruptly. The problem comes when an ad-supported channel decides it's time for an ad-break, which isn't always where the ad-breaks are generally meant to be. I think they must be based on a timer script and will insert ads depending on how long you've been watching.
 
Ads, or psychological warfare, are a disease. Fortunately you can avoid them with just a few dollars.
If you watch just 1 40 minute program a day you avoid ads and save over 2 hours a week. That’s nearly $100 a month at $10 an hour.

But it’s more than that. The only reason corporations advertise to you is that the cost of the advert is less than the extra money they get from you.

You waste thousands of hours of your life having some of the most talented brain washers in the world convincing you to spend money you wouldn’t spend otherwise. What a drain on the human race.

You could put it on "mute" during the commercials, y'know.

I'm not fond of that model where you're forced into a package.

If I could get "A-la-carte" options for which channels I want, they would have a chance to survive.

I mean, the problem is that a-la-carte isn't a financially viable production model. That's essentially what having a bunch of single-studio streamers is -- a version of a-la-carte: People will pay for a streamer for a month or two so as to binge the shows they want, then cancel that streamer, then pay for a month of another one, and generally hop around from streamer to streamer. And the end result is that almost none of these streamers are making enough money to pay their bills; they're either being subsidized by their corporate parents (as in the case of Disney+), or they're literally threatening to pull their corporate parents underwater (as we have recently learned might be the case with Paramount+).

But the fact that they force bundles on you is what brought them their down-fall.

I mean, yeah, when customers were given the option to use streaming services that were being subsidized by their corporate parents. But now that was a bubble; the bills are coming due, corporate parents are starting to not be willing to subsidize their unprofitable streamers, and so we're in this situation where shows like Star Trek: Prodigy are being "disappeared" for tax purposes. It's not a viable alternative in the long-term, and in the meantime it harmed the system that was viable, which was cable.

This is the equivalent of how Uber undermined cab companies, then became worse than cab companies, but there weren't enough cab companies anymore for customers to return to because Uber had destroyed so many of them.

My time is money. I'd rather buy physical media than have to watch ads again. 18 minutes every hour is a lot of wasted time.

Okay, then you're saying you want a production model that will really only support massive juggernauts and micro-budget niche stuff. Star Trek has never been either of those, so in the production model you seem to want, there wouldn't be much Star Trek because there would be no financially viable production model for it.

I agree. But the thing is, if it's a show made for the streaming format, then generally they've shied away from structuring it for ad breaks.

Yeah, like I said, I think they're gonna need to start designing shows with ad breaks again even if they're for streamers.
 
This is the equivalent of how Uber undermined cab companies, then became worse than cab companies, but there weren't enough cab companies anymore for customers to return to because Uber had destroyed so many of them.
Yet the Cab Companies are still around, I know, I've seen them.

They're still doing their schtick.
 
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