I get a weird feeling Korrd is going to show up in SNW. We're already getting Sybok.
I get a weird feeling Korrd is going to show up in SNW. We're already getting Sybok.
Actually, Picard is set an alternate timeline caused by a faction in the Temporal Cold War destroying Romulus' sun.One thing I love about Picard: No prequel or canon debates!
For the first time in six years, I'm looking at Canon Debates from the outside. And wow. I'm glad to not be part of that anymore.
"Why Picard DESTROYS canon."You say that now but I'm waiting for the thread with that title.
The fifth or sixth season is when most shows run out of stories. After that you start scraping the bottom of the barrel. I remember Ron Moore or Brannon Braga saying when they were breaking the story for S7's "Interface," they thought, "...We're doing a story about Geordi's mother? This show needs to die."Rewatching TNG and by the time I get to season five I seriously start skipping episodes. There are some excellent episodes in s5 onwards but the series also lost something and I’m not sure what…? Maybe the sheer lack of narrative drive or purpose outside of strictly episodic storytelling. I don’t feel the writers really thought beyond the next episode or two.
Hmm. I thought the show's director of photography had moved over to DS9 around that time, but according to Memory Alpha it was still Marvin Rush, the same person working on TNG since the third season. So I don't know.I’ve also noticed that around the time s5 began they did something to the photography. It looks like there’s a yellow/orange filter over the camera which gives everything a yellowy glow; particularly noticeable in the bridge scenes but others too. Did anyone else notice this?
I think VOY just started doing it because the writers thought just saying "Voyager" sounded more natural than saying "The Voyager." But then they carried the habit over to ENT, and all the characters started calling the ship "Enterprise" instead of "The Enterprise," the way they did on TOS.One of the things that irks me about SNW is the way they call the ship “Enterprise” rather than “the Enterprise”. It seems to be Voyager that set the trend by ditching the “the”. Why, though?
God, that "TOS had cardboard sets!" myth needs to die already. They knew how to build sets out of wood in the 1960s. The only thing in TOS that might qualify as a cardboard set would be the munitions dump in "Errand of Mercy," which I agree did not look great.TOS did not have anything approaching "cardboard" sets, but designs--particularly for the 1701--that were advanced for their era and influenced generations of sci-fi designs. The visual strength of TOS was the reason it was so seamlessly blended into shows produced decades later, such as DS9's "Trials and Tribble-ations" and ENT's "Through a Mirror, Darkly" 2-parter.
2001, which was the problem. It was trying to be 2001 instead of trying to be Star Trek.Which do you think Star Trek: The Motion Picture looks more visually like? TOS or 2001?
God, that "TOS had cardboard sets!" myth needs to die already.
Is it really that big of a deal? People need to stop nitpicking so much.It drives me NUTS and throws me out of the story each and every time they do it. The same as when anyone in the SNW or TOS era calls it an "away team" instead of a landing party.
As I said, it throws me out of the story every time they do it, so yes, it is a big deal for me.Is it really that big of a deal? People need to stop nitpicking so much.
Well, OK, but if something as small as that throws you out of the story, then maybe you just don't enjoy the story.As I said, it throws me out of the story every time they do it, so yes, it is a big deal for me.
I don't expect this to be a universal opinion. Your experience is not my experience.
Oh, obviously you know my mind better than I do, then.Well, OK, but if something as small as that throws you out of the story, then maybe you just don't enjoy the story.
I'm just saying, usually when people are engrossed in a story they don't notice minor things like that.Oh, obviously you know my mind better than I do, then.![]()
I’d actually say that tracks, the third season photography is way more bland and overlit compared to previous seasons. Not to specifically dig on Marvin Rush, I’ve always believed that the soap opera lighting was another one of Berman’s cost-cutting measures, if everything is overlit you don’t have to screw around as much setting up for different shots.Hmm. I thought the show's director of photography had moved over to DS9 around that time, but according to Memory Alpha it was still Marvin Rush, the same person working on TNG since the third season. So I don't know.
Not putting a “the” in front of a ship’s name is the correct convention, so they actually were doing it wrong up to Voyager.I think VOY just started doing it because the writers thought just saying "Voyager" sounded more natural than saying "The Voyager." But then they carried the habit over to ENT, and all the characters started calling the ship "Enterprise" instead of "The Enterprise," the way they did on TOS.
Well, again, they were probably just doing whatever sounded best to the ear.Not putting a “the” in front of a ship’s name is the correct convention, so they actually were doing it wrong up to Voyager.
Unpopular opinion:Beyond is one of the best Star Trek movies made.
No.The only reason why Trekkies love it is because it's the first nuTrek movie where they managed to get Spock & McCoy bickering right (respectfully, instead of, you know, somebody bullying someone mentally unstable who just survived genocide)
It's worth considering that at the time TOS's first season was being made Stanley Kubrick was filming 2001: A Space Odyssey. Look at TOS and look at 2001 and tell me which has "visual strength" and looked "advanced for their era and influenced generations of sci-fi designs". Which do you think Star Trek: The Motion Picture looks more visually like? TOS or 2001?
So isn't it natural that a TV series made 60 years later is also going to look better and more realistic?Yes, a movie budget like 2001 or TMP is naturally going to look better and more realistic than the TOS budget. That's why Roddenberry is referenced as saying that was basically how the Klingons (in TMP) were always supposed to look.
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