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Spoilers "Superman & Lois" Season 3

He hit his son. I don't think he would be caring to much about the guys psychology. What likely would have happened is he would have given him a warning about coming around his family and then maybe knocking him on his ass with light touch to let him know he means business.

Largely agree with your assessment. Clark's son was physically assaulted by an adult--and Pergande threatened to shoot Lois (by exposing his gun to her). That cannot be taken lightly or have Clark take the woefully unrealistic approach of thinking he was going to talk sense to a violent criminal. Criminals--to anyone who has experience with them--are not of the mindset to listen to 1st world-esque psychobabble, or pleading to any degree (which gives people with an inherent nature of the manipulator / opportunist an advantage in a conflict). There's no reasoning with with a violent criminal of the Pergande variety, as clearly laid out with his move to take the "discussion" to a physical level, so Clark neutralized the threat as any mature father/husband would when his family has been threatened.

While I suspect Pergande will return (possibly allied with greater threats), Clark now knows what he must do with one who lives in the reality of giving an ideological middle finger, physical fist and bullets to the world.

This is not an episode of the Super Friends, so the kind of "solution" seen in that series would have been utterly ridiculous if applied in the Superman and Lois scene.
 
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Superman and Lois
Season 3 - Episode 5 - "Head On"

SM/Clark / Lois / Dr. Irons:
On the eve of the twins going to their Valentine's dance, Lois refuses to take a step back, eager to see her sons dressed in something other than hoodies and sneakers.

Sam argues Lois should not poke around Manheim's hospital instead of focusing on her treatment, but Clark counters that whatever she chooses to do, its her decision.

At the hospital, Lois begins treatment, and against Clark's concerns, decides to walk around to begin her investigation. Clark receives support from a couple of women also receiving treatment; he listens to some very sobering stories--including one about one of the patient's daughter succumbing to cancer once thought to be in remission. Its an understatement to say this information weighs heavily on Clark's thoughts about Lois...

The second woman talks about the stress of cancer on her entire body (draining her physical resources), and how it inspires a psychological reaction she refers to as "the pull"--a need or desire to just let go (read: pass on), which is not a comment on their feelings for loved ones.

Elsewhere, Lois enters a records room and the moment she begins scanning a list, she's caught by Manheim. Lois immediately accuses him--and his Dr. Hook--are using Superman's blood to create enhanced people, but Manheim cuts her off, and gives her a tour of his advanced research lab.

Manheim recounts how his mother fell ill due to the neighborhood (commonly known as "South Metropolis"--SEE NOTES) being near a chemical waste dump, and how no one--the establishment--did not care about the people in his neighborhood. Its inspired his research, and promises to help Lois, and give her access to Dr. Hook's research files, but warns that he will not allow Lois to stop him.

Back at the farm, Clark tires--once again--to convince Lois to rest instead of going to the school dance, but she's having none of his gentle cautioning, only telling him if he's going with her, he should get dressed soon. After Clark returns from the failed D.O.D. mission, he finds a sad and fatigued Lois, who--at last--says Clark gets to have an opinion about her journey through cancer, asking him to continue to offer it--even if she does not agree.

The kids return to the farm, with Lois lamenting that she missed seeing her kids dance. Clark picks up on the message, and plays music as he--and Jonathan dance with Lois.

Irons family: Sam spends time racing off-rad vehicles with Natalie; once returning to the farm, Jordan presents Matteo--the guy she met at the Metropolis party. Out of earshot, Sam argues (with Jordan) that bringing Matteo to the farm violates all safety protocols, as no one knows much about him. Matteo asks Natalie to the Valentine's dance....


Manheim: James DeStafano (aka "Deadline") receives another enhancement treatment in Manheim's lab; he demands an increase in the sessions, as its the only thing keeping him alive, but Manheim cryptically adds its "doing more than that". Manheim pulls the carrot back, promising additonal treatments, only after he completes his task. Said task turns out to be breaking into the D.O.D. and demanding access to its most sensitive files; Superman arrives to face Deadline, but the phasing man uses the equivalent of a Kryptonite shank to repeatedly stab at SM, granting him the time to complete a complete file transfer---to Intergang.

Back at the farm, Sam warns Clark that Deadline sent the info--locations to the D.O.D.'s most sensitive materials--to Intergang, with the group wasting no time raiding the facilities, and what the prize of their heist? The body of Bizarro Superman, which Manheim claims is their priority to revive...(SEE NOTES)..

Jordan / Jonathan II / Natalie / Candice: Jordan complains about Candice pretty much "taking up all of the air: in the Kent farm, and of course, Jonathan tries to downplay his girlfriend's effect on the household.

At the dance, Candice informs Jonathan that her aunt--who lives in Topeka--is willing to allow her to move in, much to Jonathan's dismay. Jonathan purposely takes a weekly position at the fire station as a way of separating himself from Candice (occupying his time and hoping Candice will get the message, but both declare their love fore one another, and promise to find a way to se each other.

Outside, Sarah tries comforting the late mayor's son, who is crushed with grief. He apologizes for his earlier behavior, with Sarah offering to be friends. The two share a drink, but they're caught by an angry Lana. Sarah explains she was just trying to be a good friend, which Lana understands.

Jordan and Sam watch Matteo attempt to kiss Natalie--who does not take kindly to Matteo being so forward, and leaves the dance, followed by Sam. Sam tries to relate to Natalie, who believes Sam won't understand what she's feeling--about never having any experience in the romance department--explaining that she feels she's socially so far behind others her age. Sam--in fact--can relate, revealing he's had no romantic connection since his wife departed; he reassures her that there's nothing wrong with the way she is at this stage, is strong, and is capable of handling the situation (SEE NOTES).

Natalie thanks Sam, calling him her grandfather.

Lana / Kyle / Sarah: Lana's confronted by the late mayor's son, who accuses her of cheating in order to win the election.

Elsewhere, Jonathan runs into Kyle, and asks him if he would like to help the short-handed fire department (SEE NOTES).

NOTES:

Okay, Manheim referring to Hob's Bay as "South Metropolis" in the context of commentary on the neglect and/or abuse of minority neighborhoods to suggested gentrification seems like the writers are trying to quickly build on territory which was the well-developed backbone of numerous Black Lightning characters and plots (which took time and had an inherent template / universe it could use base such a complicated, serious subject), and I sense Manheim will build on his "Superman does not care about people like us" accusation a few episodes back, which in turn, might be a way for the producers to suggest something about Superman and Clark never suggested before. More on that in the weeks to come.

So, Manheim intends to revive Bizarro Superman, noting that he will not appear to be dead for long. I sincerely hope this does not turn into one of the most overused tropes of all: the evil twin plot, which would be the case if Bizarro is "fixed" to mirror SM's physical appearance, and he's used to commit crimes, thus destroying Superman without a direct confrontation.

Jonathan getting involved with the fire departments serves two purposes: one, it gives the character something to do, and two, his parents will likely freak out over the idea of Jonathan placing his life in harm's way, giving the teen the prime opportunity to fire back over their allowing Jordan to risk his. It will not be a shock if this fuels a debate over who gets to be a hero and/or risk their lives.

Natalie being romantically inexperienced explains much about her character--and it could be a comment on Irons being so protective that she was never able to overcome being socially awkward. Sam's gentle advice--leading her to find confidence within herself where Matteo was concerned could be the source of (more) head-butting between Irons and Sam. Further, now that Natalie referred to Sam as her grandfather, I can see Irons sort of bristling at his daughter's perception of Sam--somewhat hypocritically, since he was bonding with his earth prime "sister" in the previous episode.

Jordan making Sam aware of dating apps was rather sweet.

The next episode airs April 25.

GRADE: A.
 
This story is such a downer. Its not really what i want in a Superman show. It makes the SnyderVerse look like the MCU in comparison. :)
 
I want to say that I appreciate TREK_GOD_1 giving recent episodes the high ratings they richly deserve. I do have to disagree with a couple of points, however. Jonathan did not "purposely [take] a weekly position at the fire station as a way of separating himself from Candice (occupying his time and hoping Candice will get the message"). He was in fact going to turn down the opportunity in order to permit weekend visits with Candice, until she firmly talked him out of it -- a selflessly mature choice that I appreciated seeing from her character. Also, I tend to think Natalie's social inexperience is less a result of John Henry's protectiveness, and more a product of her gearhead genius -- i.e., she's been too busy being awesome with her technical talents to have much time for boys. Not to mention the whole thing where she and her family were basically at war with the tyrant Superman on her Earth.

There was so much to enjoy in this episode. Despite thribs's perception that the story is a downer (and certainly Lois's cancer is a dark thread throughout the narrative), I found there was a lot of positivity and even joy in this episode. It was good to see so many characters acting at their best as people. In addition to Candice's stand-up choice with Jonathan, as previously mentioned, we had Jonathan stopping to help Kyle with his flat, which Kyle in turn recognized by offering him the training opportunity; Lana listening to Sarah and accepting her explanation for being outside apparently drinking with Junior, and subsequently choosing to heal wounds left by Mayor Dean instead of deepening them; Sam and Nat's growing relationship and their support for each other; and even Jordan's lovely request to dance with his mom. I'd much rather see these characters behave kindly and generously, than see them sniping or slapping each other.

Speaking of Natalie, I like that they're giving her more and better stuff to do, after underutilizing her last season. The character is great, and Tayler Buck is enormously appealing in the role. And her scenes with Sam Lane are delivering dividends for both characters. Sam has rarely been more enjoyable and likable than when fumblingly but earnestly trying to forge a relationship with his pseudo-granddaughter.

I'm also excited by the potential of Jonathan's storyline as a firefighting trainee. There's a segment of S&L fandom that has advocated ad nauseam for Jonathan to get powers, which I've always thought is a crummy idea. One of the major faults of the Arrowverse, IMO, was the seeming compulsion to suit every character up as a superhero, as though there's no other narrative contribution a character can make, and no way to do good in the world unless you have a costume and a codename. This show, thankfully, has Lois Lane, one of comics' greatest heroes, as the ultimate example to the contrary. Jonathan, too, is hopefully on his way to proving that heroes don't all have to be "super."

The more comic-booky stuff was terrific tonight, too. Superman's fight with Deadline was exciting and inventively staged; I loved when they phased out of the room but we stayed put, following the battle through the effects of Clark's powers as seen from the other side of the wall. And the return of Bizarro is welcome; I thought the show had a great take on the character, and rather wasted him by killing him off so early last season.

Oh, and I can't believe I almost forgot to mention Kyle's dance! That was hilarious and completely delightful.

This season continues to absolutely kill it so far.
 
There was so much to enjoy in this episode. Despite thribs's perception that the story is a downer (and certainly Lois's cancer is a dark thread throughout the narrative), I found there was a lot of positivity and even joy in this episode.

I agree. This was a good episode with a lot going for it. Despite all the problems the characters are dealing with, it tended to go in fairly positive and satisfying directions. I liked seeing Clark bond with the other chemo patients. Yes, they were talking about a sad subject, but they were talking about how to keep fighting and not lose hope. And it was a good demonstration of Clark's inherent niceness and compassion, his ability to connect with people.

It's also interesting how they're developing Mannheim. He's definitely up to no good, but they're establishing that he's driven by something positive, the desire to help a community that the system won't help by working both inside and outside the system. It's a more complex and nuanced portrayal of Mannheim than I've seen before, and I hope it lays the foundation for some kind of reconciliation or redemption for him.

By the same token, though it was too little, too late, they let us see that even the despicable and corrupt ex-mayor had a nobler side, that he was a good father whose son's grief at his loss deserves to be respected.

For me, the weak point was Superman's fight with the phasing villain (Deadline? Why is he called that?). I mean, Superman bursts into the room, the first thing he sees is that the guy is downloading classified information... and instead of rushing to the computer to stop the download, he attacks the villain and just wastes time trying to fight him until the download is over? That made Superman look stupid to advance the plot.


It was good to see so many characters acting at their best as people.

Yes. This was actually a very optimistic episode.


Speaking of Natalie, I like that they're giving her more and better stuff to do, after underutilizing her last season. The character is great, and Tayler Buck is enormously appealing in the role.

That's an understatement. I think she's astonishingly beautiful.


And the return of Bizarro is welcome; I thought the show had a great take on the character, and rather wasted him by killing him off so early last season.

Meh. I hated last season and would prefer not to have any more reminders of it.
 
Not much to add here, but I do wonder if one of the writers either has personal experience with cancer or talked to people who do. The scene with Clark and the chemo patients was beautifully done and felt very truthful.
Agreed. My wife didn’t require chemo (thankfully), but the bit where Lois refused to slow down was very reminiscent of my wife’s early overconfidence that she’d be back at work and with a full-time load within a couple of weeks after surgery. The difficulty accepting the new (temporary) limits was quite authentic.
 
Not much to add here, but I do wonder if one of the writers either has personal experience with cancer or talked to people who do. The scene with Clark and the chemo patients was beautifully done and felt very truthful.
Both the showrunners and Tulloch have talked about doing a lot of research for this storyline, talking extensively with doctors and survivors, etc. They clearly approached it with the appropriate seriousness and commitment, and it's showing in the result.
 
Jonathan did not "purposely [take] a weekly position at the fire station as a way of separating himself from Candice (occupying his time and hoping Candice will get the message"). He was in fact going to turn down the opportunity in order to permit weekend visits with Candice, until she firmly talked him out of it -- a selflessly mature choice that I appreciated seeing from her character.

Hmm--at the dance, Jonathan seemed to change his mind so quickly that to me, it read as if he was helping the coming separation along.

Also, I tend to think Natalie's social inexperience is less a result of John Henry's protectiveness, and more a product of her gearhead genius -- i.e., she's been too busy being awesome with her technical talents to have much time for boys. Not to mention the whole thing where she and her family were basically at war with the tyrant Superman on her Earth.

Perhaps, but having a father as driven as JH does not seem like it would lead to an encouraging environment for Natalie to develop her social skills.

Speaking of Natalie, I like that they're giving her more and better stuff to do, after underutilizing her last season. The character is great, and Tayler Buck is enormously appealing in the role. And her scenes with Sam Lane are delivering dividends for both characters. Sam has rarely been more enjoyable and likable than when fumblingly but earnestly trying to forge a relationship with his pseudo-granddaughter.

Agreed--individually and together, they are a strong part of the show, and now that she's addressed Sam as her grandfather, I hope their relationship takes some of the spotlight.
 
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As if this season wasn't great enough already ....

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"I'm a free man." :eek:
 
As if this season wasn't great enough already ....

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"I'm a free man." :eek:

He didn't manage to escape prison in 2 decades? I dunno bout the ability of this Lex... lol
 
He didn't manage to escape prison in 2 decades? I dunno bout the ability of this Lex... lol

In Elliott S! Maggin's classic '70s Superman novels, IIRC, Lex could escape prison whenever he wanted, but generally chose to return again without his escapes being noticed, because the prison made a good base of operations where he could lay his plans without attracting Superman's attention.
 
That was a good episode. It does feel like its going to lead to Lois getting powers but I don't see this show doing that. I hope they're not doing a love triangle with Sarah and Jonathon. I know it's CW but they are better than that.
Jordan's costume is fine I guess but it needs some colour. I imagine tat will be in the next iteration.
 
Superman and Lois
Season 3 - Episode 6 - "Of Sound Mind"

Note: In-universe, a month has passed since the events of episode 5.

SM/Clark / Lois / Dr. Irons:
Clark has joined a support group for those in relationships with people suffering from cancer; one man breaks down with the knowledge that his wife does not have long to live; the moderator shares her own story of her now late husband's attempt to hang on against the odds--for her sake, but at the end of it all, she had to let her husband go. Hearing two tragic accounts from people in his position shakes him to his core

Lois & Clark begin to put certain pieces together about Atom and Man and Deadline, as both were granted early release from prison due to suffering from terminal cancer, and--as everyone knows--were guinea pigs empowered by a mix of X-K and Superman's blood...but Lois and Clark cannot understand why Manheim used his concoction on two terminally ill men...

Later, Lois speaks to Clark about drafting a Last Will and Power of Attorney papers, as she's accepting the possibility of not surviving cancer. Clark seems nonchalant--almost dismissive about her concern, stating she will not need the paperwork (SEE NOTES), adding its fine if filing the papers makes her feel better...

The next day, Lois and her new friend Peia (at the cancer treatment wing) discuss dealing with optimistic husbands, and how Clark just might make Lois "lose it" if he says "everything is okay" again. Peia informs Lois that Manheim has improved healthcare and the schools in Hobb's Bay, crediting the hospital for saving her life when she (and others) were left with no option in the hands of other doctors. Lois still believes Manheim's work is a cover for something, but her friend cannot bring herself to jump on the "Mannheim-is-guilty" train....

Back at the farm, Lois becomes fed up with Clark, due to his inability to understand the gravity of cancer, which she describes as her villain. Lois adds that in Clark's reality, he never has to deal with illness, or threats which harm or kill humans, so his feel-good platitudes are especially galling to her--a revelation leaving Clark at a loss for anything meaningful to say.

Sam: Sam calls Superman in to talk to Deadline (at the villain's request), he finds the villain ailing-- seemingly close to death. Deadline begs Superman to take him to the one person who can help him--Manheim. Superman honors the request, but their arrival in Manheim's office is met with utter contempt for Superman and disinterest in Deadline's condition, suggesting Superman take the man to a hospital. As Superman whisks the dying Deadline away, Manheim's face is a curious mix of fear & outrage...

Manheim:
Perhaps the fear side of Manheim is the cause of his demands for an updated serum based on the regenerative powers of Superman's blood (and presumably Bizarro's), but the mysterious Onomatopoeia warns Manheim's that his recent moves are reckless--

Jonathan II: Jordan begins his first day as a trainee at the firehouse, cleaning the truck over and over again. Visited by Sarah and Soph, the younger sister complains about her boredom, but Kyle does not have time for her. Sarah approaches Jonathan with an offer to study together (at Kyle's apartment), which the trainee readily accepts. That afternoon, Sarah and Jonathan seem to be hitting it off unlike any other point in their friendship (SEE NOTES), and this leads Sarah to be dismissive of Soph's various complaints. Before they know it, Lana arrives at the apartment, and notices Soph is missing, sending the trio into the streets in search of Soph....

After Jonathan find Soph, he's quick to understand what she's going through, relates to her his own feeling of being neglected--left out, as he did early on. Soph insists her family does not care about her, but Sarah and Kyle's reaction might lead her to change her mind.

Jordan and Clark: At the Fortress, Clark stresses that factors such as risk assessment, tactics and experience are the tools the ever over-confident Jordan needs--not just powering his way through Fortress tests. Soon, Jordan becomes fed up with the tests, spitting out his belief that Clark can't handle the idea of another person being Super...

It does not take long for Clark and Jordan sort of straighten out their differences, but their attempt to find common ground is interrupted when Clark hears Lois' pleas for help. Flying to the rescue, he discovers "Lois" was the trickery of Onomatopoeia, who attacks the second he lands, using her sonic force to blow him through the wall of a warehouse.

At the farm, the real Lois shows up, and once learning of the deception, asks Jordan to listen for his father--now crumbling to Kryptonite energy weapons used by Onomatopoeia's gunmen. Lois sends her son to the rescue, but Jordan--despite his best effort--is quickly shot in the chest, sending him to floor in a heap. The sight of his son appearing hurt--perhaps dead gives Superman the drive to fight back, using his heat vision to blast his assailants and super-punch Onomatopoeia out of the warehouse. The fearful Superman embraces his son who shakes off the effect of the blast, suggesting his half-human biology may give him some sort of immunity to Kryptonite...

That evening, Jordan's attempt to poke fun at his brother's firehouse t-shirt is deflated when Jonathan says Sarah thought the shirt was cool. As you can imagine, Jordan chases after his brother, wanting more information....

With a world of problems on his shoulders, Clark is close to breaking down, admitting to how afraid he's been--that his being overprotective of Jordan was due to feeling that he can do nothing to keep Lois safe. Clark is defeated in a way Lois has not witnessed before, nearly sobbing about how he does not want to lose her, but Lois--not trying to fight back tears--promises to do everything she can to beat cancer--never leaving her family...

The following day, Clark returns to the support group, letting all of his fears out about the idea--a possibility of letting Lois (or the rest of his family) go. He realizes he needs to be the best version of himself he can be, and that requires help he--Superman--never felt the need to request before...

Onomatopoeia returns to Manheim's lab--her powers and her life fading. Manheim is uncharacteristically sympathetic to the villain, who removes her mask to reveal she is...Lois' friend Peia. Manheim caresses her face, promising to save her (SEE NOTES).

Lana / Kyle / Sarah: Lana's aversion to discussing the funds the late mayor used only piques Chrissy's interest, and once Lana sits down with her, she feels discomfort when Lana mentions Kyle...

While Lana searches for Soph (see the Jonathan II entry), she runs into Kyle...and Chrissy--the nature of their rendezvous clear as day. Despite being the one to file for divorce, Lana appears to feel betrayed by Kyle (who still acts as if he's interested in reconciling) and Chrissy, who has been interviewing her--looking her in the face with this most uncomfortable of secrets...

That evening, Kyle visits Chrissy, but she senses where their drama is going and asks Kyle to break up with her. Kyle refuses, going so far as to suggest they make their relationship known to all (SEE NOTES).

NOTES:


Arguably the most powerful episode of the series so far, and the various arc are so solid that I cannot imagine it will lose such weighty momentum heading toward a mid-season finale (whenever that comes).

The moment Peia talked up Manheim's good works and revealed she's from Hobb's Bay, I concluded she had some personal connection to the villain. Now that she's revealed to be Onomatopoeia--and dying--this has the potential of placing Peia in a desperate situation, perhaps using the real Lois as bait to capture Superman with the idea that a body full of Kryptonian blood would be a great resource for Dr. Hook's experiments, yet how would Superman respond when he learns Onomatopoeia is the ailing Peia trying to save her own life?

Er...a triangle involving Sarah and the Kent twins? One would hope this does not turn into Smallville: 90210 where a jealous Jordan becomes a wild risk-taker as a means of blotting out his heartbreak, and ends up stumbling into a Manheim trap.

Kyle and Chrissy go public with their relationship...and Lana now realizes her marriage is truly a thing of the past. Perhaps this leads her to want to grow closer to Irons....

Tulloch and Hoechlin gave the performances of the series in this episode. For all of Clark's cautious behavior about his other life, and trying to keep his civilian life somewhat normal, he's made to appear consistently out of touch with what it means to be a vulnerable human--how people (the rest of the world) cannot brush off violence, disease and other threats. They have no choice but to face it, no matter the outcome, and now he--thanks to Lois being blunt and tenderhearted--finally made Clark feel her struggle, to come down from his Kryptonian pedestal and at least try to feel the fragility in being human dealing with one their worst afflictions.

BTW, in the Luthor trailer, Cudlitz sort of sounds as if he's channeling the voice of Clancy Brown's Luthor delivery from the DCAU.

GRADE: A.
 
The thing that kinda made the least amount of sense with Lois talking about estate planning making a will and talking about how Clark is indestructible and blah blah.

I'm like... Dude... Look at all the friggin enemies he fights, look at just in this *SERIES* not even his entire history we don't know in this universe the times he's almost died.

If anyone should have had a will it should have been Clark lol.
 
This was an excellent one, with a lot of nuance. This season is definitely a vast improvement on the last one.

This show still loves its identity fakeouts, but at least this time it wasn't one teased villain turning out to be a different villain/hero altogether. I figured out who was under Onomatopoeia's mask as soon as she said "I can't do this anymore," though it was partly because I noticed there was only one guest actress credited.
 
Thing is, Clark should be used to the idea of people he loves getting frail since Ma and Pa Kent aren't in this series. At least one of them must have made it to old age (the Jonathan heart attack scenario seems to be the common end for him these days). Granted, it's not a young healthy person suddenly becoming infirm like Lois, but he can't be completely unfamiliar with someone who always seemed strong and who he might have mentally felt would always be around growing weaker and him not being able to do anything about it.
 
Here's the promo spot for next week's episode, since The CW couldn't be bothered to show it last night:

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