... Patrick Stewart.
Before anyone starts writing angry comments, let's stipulate that Stewart is an amazing, legendary actor, and the character of Picard and Star Trek wouldn't be what it is today without his contribution towards it. But IGN has an interesting video which argues the big problem with the direction of Star Trek: Picard in its first two seasons was Stewart's instincts about where the story of the Picard character and the bigger universe should evolve.
Reportedly, Stewart basically had 3 conditions for doing Star Trek: Picard.
Also, when it comes to Stewart's instincts for Picard, I do remember reading around the time of the TNG movies there were stories that Stewart pushed for the movies to feature a version of Picard that was more an action hero, instead of the cerebral speech-maker from the TV series. He wanted Picard to be the one that was in the middle of fights, carrying a phaser, and the driver of the action within the stories. That's why Generations, First Contact, Insurrection, and Nemesis all feature "final fights" where Stewart is face-to-face with the villains, or Picard driving a Starfleet dune buggy in the desert, or Picard having the love story with the Baku woman. And there's an argument to be had for sure of whether or not that worked or was a good choice.
Before anyone starts writing angry comments, let's stipulate that Stewart is an amazing, legendary actor, and the character of Picard and Star Trek wouldn't be what it is today without his contribution towards it. But IGN has an interesting video which argues the big problem with the direction of Star Trek: Picard in its first two seasons was Stewart's instincts about where the story of the Picard character and the bigger universe should evolve.
Reportedly, Stewart basically had 3 conditions for doing Star Trek: Picard.
- No uniforms
- No Enterprise
- Not a TNG reunion
Also, when it comes to Stewart's instincts for Picard, I do remember reading around the time of the TNG movies there were stories that Stewart pushed for the movies to feature a version of Picard that was more an action hero, instead of the cerebral speech-maker from the TV series. He wanted Picard to be the one that was in the middle of fights, carrying a phaser, and the driver of the action within the stories. That's why Generations, First Contact, Insurrection, and Nemesis all feature "final fights" where Stewart is face-to-face with the villains, or Picard driving a Starfleet dune buggy in the desert, or Picard having the love story with the Baku woman. And there's an argument to be had for sure of whether or not that worked or was a good choice.