I misspoke and meant "Look around in it." Apologies for the false information.Where does one find the Kelvinprise bridge in VR?
I love the look of it.
Something else I like:
I misspoke and meant "Look around in it." Apologies for the false information.Where does one find the Kelvinprise bridge in VR?
Ah. Of course.When it's designed by Matt Jefferies, of course.
It was designed by Aristotle. Possibly Plato.
It’s not the budget, it’s what you do with it that counts. Budget limitations can sometimes lead to more creative storytelling because the great special effects can’t be relied on.To be fair the modern equivalent of a TOS weekly budget or TNG per-episode allocation would make it all look like a SyFy Channel movie of the week.
But enough about the ENT-D bridgeA monotone, over lit, misshapen lid.![]()
The first thing I would do with a smaller budget would not be Star Trek. Not that I have anything against Paramount's Star Trek but consider.It’s not the budget, it’s what you do with it that counts. Budget limitations can sometimes lead to more creative storytelling because the great special effects can’t be relied on.
You've obviously never been to the neutral zone.THE TREK BBS
Mankind's last best hope to escape Political discussion
THE TREK BBS
Mankind's last best hope to escape Political discussion
You've obviously never been to the neutral zone.
I haven't been serious since 1978. lesson learned.Bwaaaahahahahahahahahaa! Wait... were you serious?
District 9. $30 million budget returning $200 million) I swear, $25 million of that had to go into promotional ads because I've seen better fan films.
But still - if a new Trek series looks for any inspiration - SNW is amazing, but feels like a very specific reboot of a specific show (TOS/2009 movie), that cannot be repeated again.
Whereas 'Lost in Space' offers a pretty good "modern" vision of a future that a new Trek series could & should well get inspired by for tone and style.
I will come in second to none in my love for Netflix LiS. I'm a little on the fence about calling it Star Trek. Although re-reading your post I'm thinking about getting off of that fence. It certainly was trying to appeal to a wider audience than, say, Disco.Netflix' 'Lost in Space' is a better Star Trek series than DIS or PIC.
While I will admit that there are times when there is a certain thrill knowing that I don't KNOW who is going to make it through a show, did we ever feel that Star Trek or even TNG had "stakes" (here meaning a character's death)? Yar's death didn't feel like "stakes". It felt like someone leaving the show and unlike in 1966 she wouldn't just disappear. DS9 might have felt a little more so, but that didn't have to do with death as much as what could happen to characters and how they would deal with it. And Lost in Space had that by the Chariot-load.Where it suffered was that obviously no one of the family was ever going to die
Netflix' 'Lost in Space' is a better Star Trek series than DIS or PIC.
COVID did bad things to Lost in Space. You could tell that there was stuff they needed to have that they just didn't get. Mostly with Will.And the finale for Netflix's "Lost in Space" was not that satisfying for me.
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