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Why Is "Into Darkness" So [imagine a different, more accurate past participle here]?

*Beyond the obvious re-cast, for anyone demanding “an explanation” for the substantial difference in appearance, the line where Khan says (paraphrase from memory) “John Harrison was a fiction created by Admiral Marcus” can easily be read as including some form of physical alterations via surgery (my go to “explanation” for friends who couldn’t go with the flow of the re-casting).

Audiences don't want to think about what they are watching anymore. If it isn't spoonfed to them, the writers are failures.
 
Audiences don't want to think about what they are watching anymore. If it isn't spoonfed to them, the writers are failures.
And if it isn't, or there is something that you have to work out for yourself, they claim plot hole.
 
I don’t know if it’s really more problematic now but I do know I have less and less patience for the spoon feeding.

And if it isn't, or there is something that you have to work out for yourself, they claim plot hole.
I grew up with the idea that storytelling involved leaving some things for the imagination of the listener / viewer to fill in.

A while back, there was someone here who strongly insisted that that style of storytelling was now obsolete, and that it was the obligation of the director / filmmaker to fill all the gaps and tie up all the loose ends, such that nothing whatsoever was left to the imagination of the audience. Any failure on the part of the filmmaker to do this, said this someone, was to be counted as a plot hole.

Unsurprisingly, not everyone agreed with this thinking.

For myself, it seemed like what they were describing left the viewer to be nothing more than a receptacle of someone else's ideas -- a mere potato absorbing whatever gravy was ladled upon it, never aware of anything but that gravy. Being engaged in the story and (whether consciously or unconsciously) filling in the blanks from one's own imagination just sounds more satisfying.
 
I grew up with the idea that storytelling involved leaving some things for the imagination of the listener / viewer to fill in.
I grew up similarly to you. I personally love filling in gaps. It's why alternate timelines are both fun to see the possibilities, and also a bit tired to excuse inconsistencies. Coming up with rationalizations of different aspects of a fictional world is one aspect that I always enjoy.
 
Well, I would hope at least some people are not that intellectually lazy.
I use to think that, and I am less and less convinced that it is not a matter of intellectual laziness any more, but a lack of patience. We live in a very immediate gratification culture, with knowledge at our finger tips, waiting and thinking about possibilities is less satisfying to just looking something up and having it confirmed. It's very much a product of just not wanting to instantaneous gratification.
 
Or Chief Kyle going from Asian to British.

I'd really rather that was just a coincidence, there's already too much suggestion in SNW that Chris Pike's Enterprise is where Starfleet's best and brightest go to have their careers stall out and/or regress. At least under Kirk, they still got promotions, even if they stuck with the same job.
 
I use to think that, and I am less and less convinced that it is not a matter of intellectual laziness any more, but a lack of patience. We live in a very immediate gratification culture, with knowledge at our finger tips, waiting and thinking about possibilities is less satisfying to just looking something up and having it confirmed. It's very much a product of just not wanting to instantaneous gratification.

Well said
 
I don't know if ID was really "hated." I think it frustrated the hell out of a lot of people, but it generally has pretty good critical and general audience scores.
Hated by a subset of Star Trek fans is probably more accurate.

General audiences and critics liked it well enough. Stuff that frustrated Trek fans, wouldn't have been an issue to most folks. The majority of complaints largely had to do with Khan and use of TWOK elements, but I'd bet a sizable percentage of people who saw Into Darkness never even saw The Wrath of Khan, or maybe saw it once or twice when they were a kid and barely remembered it. I think we as Trekkies sometimes forget most folks who would consider themselves Star Trek fans don't religiously watch the old stuff, Wrath was thirty years old when Into Darkness came out, that's ancient history for most movies.
 
I think we as Trekkies sometimes forget most folks who would consider themselves Star Trek fans don't religiously watch the old stuff, Wrath was thirty years old when Into Darkness came out, that's ancient history for most movies.

its-true
 
I like all the Mission Impossible movies, except for the first one but only because they did the dirty to a beloved character from the original.
 
As it stands on its own, it's just not that good. As a reimaging of Khan, it's a hell of a lot worse. It's a movie that never needed to be made.

I like the concept of the Kelvin Universe movies. There are moments that really capture the Kirk, Spock, McCoy chemistry. I would actually love to see them return as prime characters because the characters are well-acted. Sans the lens flare and rehashed stories, of course. But "Into Darkness" just wasn't that good.
 
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