Published next year.Can't wait for the comic explaining Robert April turning white between SNW and TAS. Or Chief Kyle going from Asian to British.
Why pass up a good story opportunity?
Published next year.Can't wait for the comic explaining Robert April turning white between SNW and TAS. Or Chief Kyle going from Asian to British.
*Beyond the obvious re-cast, for anyone demanding “an explanation” for the substantial difference in appearance, the line where Khan says (paraphrase from memory) “John Harrison was a fiction created by Admiral Marcus” can easily be read as including some form of physical alterations via surgery (my go to “explanation” for friends who couldn’t go with the flow of the re-casting).
I don’t know if it’s really more problematic now but I do know I have less and less patience for the spoon feeding.Audiences don't want to think about what they are watching anymore. If it isn't spoonfed to them, the writers are failures.
And if it isn't, or there is something that you have to work out for yourself, they claim plot hole.Audiences don't want to think about what they are watching anymore. If it isn't spoonfed to them, the writers are failures.
And if it isn't, or there is something that you have to work out for yourself, they claim plot hole.
I don’t know if it’s really more problematic now but I do know I have less and less patience for the spoon feeding.
I grew up with the idea that storytelling involved leaving some things for the imagination of the listener / viewer to fill in.And if it isn't, or there is something that you have to work out for yourself, they claim plot hole.
I grew up similarly to you. I personally love filling in gaps. It's why alternate timelines are both fun to see the possibilities, and also a bit tired to excuse inconsistencies. Coming up with rationalizations of different aspects of a fictional world is one aspect that I always enjoy.I grew up with the idea that storytelling involved leaving some things for the imagination of the listener / viewer to fill in.
Well, I would hope at least some people are not that intellectually lazy.Unsurprisingly, not everyone agreed with this thinking.
I use to think that, and I am less and less convinced that it is not a matter of intellectual laziness any more, but a lack of patience. We live in a very immediate gratification culture, with knowledge at our finger tips, waiting and thinking about possibilities is less satisfying to just looking something up and having it confirmed. It's very much a product of just not wanting to instantaneous gratification.Well, I would hope at least some people are not that intellectually lazy.
Or Chief Kyle going from Asian to British.
I use to think that, and I am less and less convinced that it is not a matter of intellectual laziness any more, but a lack of patience. We live in a very immediate gratification culture, with knowledge at our finger tips, waiting and thinking about possibilities is less satisfying to just looking something up and having it confirmed. It's very much a product of just not wanting to instantaneous gratification.
Hated by a subset of Star Trek fans is probably more accurate.I don't know if ID was really "hated." I think it frustrated the hell out of a lot of people, but it generally has pretty good critical and general audience scores.
I think we as Trekkies sometimes forget most folks who would consider themselves Star Trek fans don't religiously watch the old stuff, Wrath was thirty years old when Into Darkness came out, that's ancient history for most movies.
Honestly, STAR TREK and ST: INTO DARKNESS are the only movies I ever liked from JJ Abrams.
Gosh, I'm mixed with the series, I love One, liked 2, hated 3, love 4 Ghost Protocol, hated 5, and liked 6 in the M:I series. I didn't like Phillip Hoffman's role and hated the Rabbit's Foot MacGuffin, to me it was worst M:I movie I'd ever seen.I liked Mission Impossible 3 too.
The first one still pains me because of how it all goes down.I like all the Mission Impossible movies, except for the first one but only because they did the dirty to a beloved character from the original.
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