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Spoilers Star Trek: Picard 3x02 - "Disengage"

Engage!


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At least last names is better than ‘I didn’t enjoy it because I don’t know how to set the brightness properly on my television’.

But it's true. If you have to adjust the brightness on your tv the lighting was not done well on the show. This is the only show I've ever had to do that in my whole life watching TV and it honestly doesn't even help much. I've had to set brightness all the way up. Same with my phone. The skimmped on the lighting to save money hoping the set lights on the actual bridge would light the scenes. It doesn't work.
 
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But it's true. If you have to adjust the brightness on your tv the lighting was not done well on the show. This is the only show I've ever had to do that in my whole life watching TV and it honestly doesn't even help much. I've had to set brightness all the way up. Same with my phone. The skimmped on the lighting to sabe money hoping the set lights on the actual bridge would light the scenes. It doesn't work.

It looks fine on my tv.... not like that Game of Thrones episode where I thought Sam died three times because I couldn't see.
 
On second watch, episode comes across a lot better. Acting and effects very well done, the story remains to be seen.
 
Why does Shaw know that Dr Crusher is Picard’s “ex girlfriend”? She’s been MIA for 20 years and it sounds like any actual relationship they had didn’t last long.

And why does Seven know who Crusher is? Did I miss something (fully admit to not watching Nemesis more than one time 20 years ago) or are we supposed to believe that the Enterprise-D crew is so famous that she would know the name? Or maybe they are hinting at some connection outside of Starfleet, like Seven met the Crusher duo while she was a Fenris ranger?
 
And why does Seven know who Crusher is? Did I miss something (fully admit to not watching Nemesis more than one time 20 years ago) or are we supposed to believe that the Enterprise-D crew is so famous that she would know the name? Or maybe they are hinting at some connection outside of Starfleet, like Seven met the Crusher duo while she was a Fenris ranger?

She was part of the collective. So was Picard. It's safe to assume she knows everything Picard knows and vice versa. Honestly, I wish they would delve further into that unique aspect of their relationship.
 
Even now, if a husband wanted to legally take his wife's surname, in some states it would be a somewhat complex process, while the reverse is easier because it is considered a "naturally" part of marriage.

Interesting. My wife and I got married last October and decided to hyphenate our surnames. Hers went before mine. Maryland law allows people who have gotten married to change their names without need of a court order, so we just made an appointment to go to the local Social Security office, gave them certified copies of our marriage certificates and existing I.D. documents, and received new Social Security cards. From there, we made appointments at the local DMV to get new driver's licenses, and then from there we mailed in applications for new passports along with certified copies of our marriage certificates. It's been tedious and time-consuming, but I haven't run into any real problems with adding her name to mine. Only hurdle so far was that my new passport came back with my birth name (I assume because of a clerical error), so I sent back a new application using the passport office's "oops we messed up" form.

I'm reasonably sure they weren't more enlightened in '87 than that. I mean, Star Trek was just AMERICA IN SPACE. Before the new series the characters were very fond of saying how progressed and brightened the future was, but you rarely saw any evidence of that on screen. I mean, during TOS they thought it was incredibly modern to have a black woman be a glorified receptionist in a miniskirt, whereas in the contemporary "Mission Impossible" a black man was a scientific genius and was treated on a par with other team members.

Yeah. Star Trek does deserve some credit for some of its progressive vision, but that credit definitely needs to be tempered with an understanding of the ways in which it still depicts as natural the entrenched racialized and sexual hierarchies of mid-20th Century America.

In Nemesis. Picard even jokes by calling Riker MR Troi

Which was an incredibly misogynistic joke that should never have been there.

Does anyone else find it wholly …inappropriate that Beverly names her and Picard’s secret son after her long dead husband?? I mean, talk about adding insult to injury. She really must have had it in for Jean-Luc for whatever reason.

She sure got a LOT of explaining to do.

There's nothing wrong with it. Beverly is not Jean-Luc's property; she has the right to love the men whom she has loved, and she has the right to name her son in honor of her first husband. It would be incredibly inappropriate of Jean-Luc to be offended by her choice of name, particularly since Beverly was at no point in a monogamous relationship with him.

Someone mentioned it already, but in the novels he was named Jacques after Jack Crusher.

To be specific, in the novels set in the First Splinter Timeline, Beverly and Jean-Luc get married in 2380 and have a child in 2381 named René Jacques Robert Francois Picard. René after Jean-Luc's late nephew, Jacques after Beverly's first husband, and Robert after Jean-Luc's late brother. Jack seems to have been born a year or two before René, so I would be inclined to interpret them as separate characters rather than as alternate timeline versions of the same character.

I think I just came up with a perfect time for Picard/ Crusher to have hooked up! It could’ve happened in the gap between Generations and First Contact and that would be perfect. The time factor is just about right and Picard was very distraught over the loss of his brother and nephew. Would make sense for him to seek comfort with Bev

Star Trek: Generations was set in 2371. Star Trek: First Contact was set in 2373. Star Trek: Nemesis was set in 2379.

It beggars credibility to imagine that Beverly could have conceived a child, carried him to term, delivered him, and raised him for seven years, all the while serving as chief medical officer aboard a starship under Jean-Luc's command, without Jean-Luc or anyone else noticing.

Yeah the "kid" looks much older than 20. He looks closer to 35. They need to come up with solution to that.

I mean, no, they really don't. It's not a big deal; we can suspend a bit of disbelief. (Maybe during one of his adventures, Jack got caught in a rapid aging machine or something.)

he seemed really fine to me. Both him and worf proved that that the “old” makeups are totally still viable today, imho.

I mean, the character design for Sneed certainly hews close to the look of the Ferengi from the Michael Westmore era, but it's also very clear that the makeup techniques used to achieve that character design are now very, very different. Sneed's skin tone is much more naturalistic than, say, Quark's -- the orange-ish base is gone. There's no eye shadow on Sneed, and the delineation between the actor's natural skin and the appliance is much less obvious than it used to be. Westmore's makeup techniques were built around low-resolution CRT television sets; they weren't designed to withstand the scrutiny of ultra-high-resolution modern televisions. So while the character designs are similar, the makeup itself is very different.

there was always a sense that Federation society was trying to live the higher ideals even if they never quite achieved it. Picard might have been a more ardent promotor of said ideals, than most, but he believed in them. Even as messed up as they are, the crew of the Cerritos still largely holds true to those ideals later.

The future of Picard is a bleak fucked up dystopia

Even at its absolute darkest, the Federation of Star Trek: Picard is not a dystopia. It is clearly still a constitutional liberal democracy in which poverty, disease, and most systems of oppression have been eliminated. Picard S1 begins at the tail end of a time when the Federation has betrayed some of its values, but the plot of S1 is literally Jean-Luc Picard leading the Federation into realizing it has done wrong and making amends for it. I mean, it literally ends with the Federation Starfleet sending an armada to protect the androids whom it had once banned from being genocided and rescinding their laws against synthetic lifeforms.

where you are constantly reminded that the universe is under never ending threat,

Star Trek: Picard S2 is not about a universe-ending threat. Its primary story is about how someone who began as an adversary of Jean-Luc's has come to love him so much that, at the end of his life, he gives of himself to nudge Jean-Luc into confronting the trauma that had previously prevented him from establishing healthy romantic relationships. S2's secondary plot is about how the Federation's deadliest enemies come to be redeemed and then join the Federation as friends and allies.

you can't trust anyone,

Beverly, at this moment, believes that there is a mole within Starfleet but cannot identify who it is, and therefore asks Jean-Luc not to involve Starfleet. Jean-Luc turns around and involves Starfleet, because to do otherwise is impossible. This is no more an example of "Star Trek: Picard says you can't trust anyone!" than was the alien parasite infiltration of Starfleet in Next Generation S1, or Admiral Satie's Romulan spy witchhunt from "The Drumhead," or the evil admiral who conspired to use Ensign Ro to frame the Bajorans in "Ensign Ro," or the evil admiral who conspired to retrieve an illegal cloak in "The Pegasus," or the Changeling infiltration of Starfleet in Deep Space Nine.

Hell, it's Deep Space Nine S3 that ends with a Founder saying, "It's too late -- we're everywhere!"

todays children are tomorrows murder victims,

Star Trek has always depicted a universe in which terrible things sometimes happen to people who do not deserve such fates.

and no one is protecting or guarding anything.

Absolutely false. We see Starfleet protecting the Coppelius Androids in "Et in Arcadia Ego, Part II;" we see Starfleet protecting the Federation from an apparent Borg threat in "The Star Gazer," and then joining Jurati's Borg Commonwealth as friends and allies to protect inhabited systems from the anomaly in "Farewell;" and we see Captain Shaw and the crew of the USS Titan act to protect the Eleos right here in "Disengage."

No one has a happy ending, even an agreeably calm one.

Absolute nonsense. For one thing -- none of the legacy characters' stories have ended!

Jean-Luc is in a much happier place at the start of Picard S3 than he was throughout all of Next Generation! We have no reason to think at this time that Worf is unhappy in his life, nor Geordi. Will and Deanna have obviously gone through the pain of losing a child, but they've clearly also built a life for themselves and were able to find happiness again in spite of that loss. Wesley seems perfectly happy in his life as a Traveler. Obviously Beverly's going through some crap but we don't know the details yet, and there's every possibility that her story may yet end happily.

So far, the only Next Generation character to be definitively denied a happy ending is Tasha Yar -- who received not one, but two unhappy endings (one killed by the evil tar monster in S1, and one where she was taken prisoner, sexually assaulted, and forced to bear a child with her Romulan captor after traveling to the 2340s from the alternate timeline of "Yesterday's Enterprise")... and she received those horrible, unhappy endings on Next Generation!!

The future of Picard sucks. They don't show a single enjoyable facet. I don't know why trillions of people aren't just phasering their brains out.

You are either arguing in bad faith, or you just really overreact to slightly darker tones in your works of art. If that is the case, do yourself a favor, and don't ever watch, say, the 2012 French movie Amour, or read John Green's 2005 novel Looking for Alaska, because your words imply that you don't like the idea of finding aesthetic pleasure or catharsis leading to hope for the future through an artistic confrontation with mortality.

Clearly it's not going to get better, and whatever tools that had to keep the UFP dream in play (it was never utopia but it had aspirations), it's all over now.

Again, pure nonsense. Even at its darkest, when the Federation walked away from rescuing the Romulan people from their supernova and banned synthetic organisms, the Federation was clearly still a constitutional liberal democracy without poverty, disease, or more systems of internal oppression. We see Romulan immigrants living on Earth peacefully. We see the Federation realize it was wrong, act to protect the Coppelius Androids, and rescind its ban on synthetic lifeforms. We see the Federation has, in spite of the supernova, established a positive relationship with the Romulan Free State, since there is no more neutral zone and the RFS is allowing Federation citizens to help them study the Artifact and revive and treat XBs from that cube. We see the Federation is building a positive relationship with the Coppelius Androids in S2, that it has embraced Jean-Luc without reservation in spite of his new status as a Synth, and that it is willing to embrace the Jurati Borg as friends, allies, and potential Federation Members. A large part of the story of Star Trek: Picard is the story of the Federation redeeming itself from its mistakes and becoming a better society than it already was.

Hell, Star Trek: Voyager arguably depicted the Federation as far worse than Picard ever did, since it depicted the Federation as using sentient EMHes for slave labor in "Author, Author."

It's in the Federation. The Fed let Riker and Troi's son die rather than reactivate a synth,

And then the Federation realized its terrible mistakes in "Et in Arcadia Ego, Parts I & II." Why do you keep citing the fall into darkness but ignore the redemption back into light?

we're all but told that the Federation wasn't a safe place for Crusher and her son to be a family with Picard on Earth,

We do not yet understand the nature of the threat Beverly perceived or why she chose to raise Jack away from Jean-Luc. Don't jump to conclusions.

Seven is immediately paired with Shaw who still has Borg issues rather than letting him truly heal from them *before* assigning him with an ex-Borg,

1) Everyone has jumped to this conclusion about Shaw, but we don't know his deal yet. Don't jump to conclusions.

2) If Shaw has anti-Borg prejudices, so what? Miles O'Brien displayed prejudice against Cardassians multiple times, especially in "The Wounded" (TNG) and "Cardassians" (DS9). Kirk himself was prejudiced against Klingons in The Undiscovered Country. Bones was constantly bigoted against Vulcans in The Original Series, especially in "The Galileo Seven." Individualized prejudice is a recurring feature throughout Star Trek's depiction of the Federation. But even as Shaw might have issues with the Borg, we literally just saw the Federation embrace a Borg community as friends and allies in the S2 finale!

and Raffi is given the one job in the Federation that immediately opens her to underworld elements giving her constant opportunities to relapse into whatever she was addicted to before.

What the hell does that have to do with the fundamental structure of Federation society? Yeah, you've discovered that characters have to struggle with bad things in a story. The fact that Raffi has had to go to a foreign planet and deal with drug pushers does not make the Federation a dystopia.

That's not even getting into what everyone has to look forward to come the future shown in Discovery.

You mean, a society that has bounced back from near-collapse and is now on the upswing?

Seriously, it's like people thinks stories should never feature bad things happening.

Was it?
I was under the impression, that dilithium based warp travel was threatened by resource shortages, resulting in cultural and political pressures before the burn.
Hence the Ni’var and other factions researching for alternative propulsion methods.
They pushed their experiments so far that they were not convinced they didn’t cause the Burn themselves somehow.
I don’t remember if they had already left the Federation at that point, but other members had for sure.
They were on a decline for about a century before the Burn.

Yeah, and dilithium scarcity is still a problem the 32nd Century Federation is coping with. But, again, the 32nd Century Federation of Discovery S3-4 is on the upswing -- it's recovering from near-collapse at an astonishing rate!

And even during that period (which we did not see, bear in mind) when the Federation was having some serious problems in the century leading up to the Burn? There was still some serious progress! I mean, the Romulans and Vulcans reunified! That's amazing!

Why ate you even counting Gary Mitchel? The guy was charged by the charge fe got from the great barrier. How about Charlie. He wasn't raised by humans but instead by bodiless aliens.

So you concede that characters' individual personalities are not necessarily fundamental indictments of Federation society?

Star Trek has never been perfect and yes there have been bad people that were crazy or mad but on the whole the society was closer to a idealized societythN what we have been getting lately especially in STD or Picard.

No. The Federation of Next Generation was a society with serious systemic issues and a lot of internal corruption. In substance, the Federation of Picard is not that different from the Federation of Next Generation -- what you are responding to is tone, not substance.

I mean Picards mom committed suicide. She couldn't get any help.

False. The failure there was Maurice, who chose not to get the help Yvette needed and left Yvette unsupervised during a suicidal episode. There was never any indication whatsoever that she could not have gotten any help. The failure here was individual, not systemic.

There are drunks and drug addicts in starfleet

Raffi did not develop her addiction until she left Starfleet. She has stayed sober since returning until she was coerced into using the Space Drug in "Disengage."

I am furthermore at a loss as to how one could clutch one's pearls over "drunks" in Starfleet given, y'know, Montgomery Scott.

and 7 kills a unarmed woman begging for her life.

Seven kills an unrepentant murderer who poses an ongoing threat to the lives of innocent people and who lives on a planet where there is no rule of law. I repeat: Bjayzl lived above the law on Freecloud, a non-Federation world. Killing organized crime leaders in an environment where the rule of law does not exist is a very different moral question than in one where there is the rule of law.

Sorry butthe society as a whole seems closer to 21st century earth than the 25th.

Most of the examples you cite are frankly comparable to the examples of Charlie X or Gary Mitchel: individual issues rather than systemic failures or people living outside of the Federation.

If Starfleet has simply lost its way, become complacent, and needs to be gently nudged back on the path to righteousness, I can definitely get behind that.

That's exactly what happened at the end of Picard S1 three years ago, but for some reason the haters never mention that part of the show.
 
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And?

That doesn't someone erase my point that that's fucking dark. I'm not saying I disagree; only that the supposed evolved captain of the starship decides that executing his crew painlessly is the best option. That's optimistic? O_o

I never said it was optimistic. It's a horror episode in every sense.

But given the circumstances... yes, I might call it an optimistic solution, given the situation.
 
Interesting. My wife and I got married last October and decided to hyphenate our surnames. Hers went before mine. Maryland law allows people who have gotten married to change their names without need of a court order, so we just made an appointment to go to the local Social Security office, gave them certified copies of our marriage certificates and existing I.D. documents, and received new Social Security cards. From there, we made appointments at the local DMV to get new driver's licenses, and then from there we mailed in applications for new passports along with certified copies of our marriage certificates. It's been tedious and time-consuming, but I haven't run into any real problems with adding her name to mine. Only hurdle so far was that my new passport came back with my birth name (I assume because of a clerical error), so I sent back a new application using the passport office's "oops we messed up" form.
Very interesting. And I suppose if your wife had "just" wanted to take your surname as per tradition it would have been much, much simpler, right?

Another user said that no one forces wives to take their husband's surname. But if a society, even through the use of laws and traditions, makes all other options more difficult, well, isn't that practically forcing?

Incidentally, I see many here grasping at straws to say that Deanna "obviously" took her last name from her mother, which was "Troi" and that her husband also took it after their marriage, because Betazoid was a matriarchal society and blah blah blah.

Look, I understand that many here are desperate to prove how enlightened the future of Star Trek is and how accepting of other cultures it is, but really. As for Lwaxana, it is simply not spelled out explicitly on the screen that she took her husband's surname, but just look at the precedents to understand what the intentions of the authors were.

Every single child born of a marriage that we have seen in the Star Trek series and films before the new ones has always taken the father's last name. Always. Not the mother's. Not both as is customary in some Latin countries. Not a patronymic like in Iceland or some Slavic countries. The Anglo-Saxon tradition of giving children the surnames of their fathers has always been followed.

Now, do we really want to believe that Deanna is the only exception in the whole galaxy? For the authors of Star Trek in the 80s it would have been like imagining a world without water for an abysmal fish. It simply would not have been conceivable.

I mean, they're the same ones for whom this was the best condemnation of sexism


And this was their fierce and intelligent critique (ah ah) of homophobia



Yep! The writers were really a bunch of enlightened white guys!
 
Westmore's makeup techniques were built around low-resolution CRT television sets; they weren't designed to withstand the scrutiny of ultra-high-resolution modern televisions. So while the character designs are similar, the makeup itself is very different.
I believe their point was that the old designs are fine. That pointlessly over-re-designing them is not necessary, and that this kind of 'respectful' update works just fine.

Westmore didn't play to old resolution, he did top-notch work with the materials available at the time. With the occasional ball-fumble due to budget or time. That's TV for you. nuTrek falls prey to this too sometimes.
 
John M. Ford Klingons, the One True Klingons, have much shorter lifespans than humans. If Worf had read The Final Reflection, he'd have been dead decades ago. ;)
The DS9 Klingons we’re a century old or so…

Why does Shaw know that Dr Crusher is Picard’s “ex girlfriend”? She’s been MIA for 20 years and it sounds like any actual relationship they had didn’t last long.
He probably guessed.

And why does Seven know who Crusher is?

Did I miss something (fully admit to not watching Nemesis more than one time 20 years ago) or are we supposed to believe that the Enterprise-D crew is so famous that she would know the name?
Crusher was the doctor who removed Picard’s implants, I’m sure 7 was familiar with her work even while still on Voyager.
 
Very interesting. And I suppose if your wife had "just" wanted to take your surname as per tradition it would have been much, much simpler, right?

No, the process would have been the same: she would have needed to acquire certified copies of the marriage certificate, make an appointment with the local Social Security office to obtain a new Social Security card using one of those certified copies, waited for a new Social Security card to be mailed to her, make an appointment with the local DMV to get a new driver's license, and then mail in an application for a new passport.

The only way in Maryland in which changing your name after marriage is easier than changing your name otherwise is that you do not need to obtain a court order (and therefore do not need to jump through all the hoops that entails, including applying for the judge to issue the order, explaining why you want your name changed, paying a fee, and publishing notice of intent to change your name in a newspaper).

Another user said that no one forces wives to take their husband's surname. But if a society, even through the use of laws and traditions, makes all other options more difficult, well, isn't that practically forcing?

I mean, I would certainly say that the social pressure on women to take their husbands' names is oppressive and is itself a symptom of deeper internalized misogyny in our culture. But it's not literally coercive; it would in fact have been easier for her to go on using her birth name. (Same for me.) The fact that people respond so deeply to the idea that women should take their husbands' names that they'll go through such an obnoxious process to change their names is, itself, an indication of how deep that misogyny goes.

Now, do we really want to believe that Deanna is the only exception in the whole galaxy?

I don't think there's anything wrong with intentionally re-interpreting Deanna along those lines, but, yeah, it needs to be done with an understanding that Star Trek has very often been quite regressive in its depiction of things like women taking husbands' names.

I believe their point was that the old designs are fine. That pointlessly over-re-designing them is not necessary, and that this kind of 'respectful' update works just fine.

Yes, of course. My point was that we need to distinguish between "makeup design" and "character design," because the makeup design is actually radically different even if the effect is to achieve a very similar character design.

Westmore didn't play to old resolution, he did top-notch work with the materials available at the time. With the occasional ball-fumble due to budget or time. That's TV for you. nuTrek falls prey to this too sometimes.

Of course. To acknowledge the limitations of the Westmore designs is not to insult them or denigrate them; he did amazing work with limited resources that worked well for the task at hand. But the task at hand has changed as a result of new TV resolutions, and that has to be acknowledged too.
 
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