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Please Dispose of This Really Big Post-55th Anniversary Viewing in the Usual Manner
(99, What Is the Usual Manner?)
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The Ed Sullivan Show
Season 19, episode 17
Originally aired January 1, 1967
Performances listed on Metacritic:
- The New Vaudeville Band - "Winchester Cathedral," "Whispering" and "Shine"
- Peter Nero - "Summertime" & "It Ain't Necessarily So"
- Lana Cantrell - "You'd Better Love Me" & "I Will Wait For You"
- The Castro Brothers - sing "Tonight" in Spanish
- Joan Rivers (comedian)
- Georgie Kaye (stand-up comedy)
- Hendra & Ullet (comedy team)
- Les Ballets Africains (dance troupe)
- Sandra Balesti (ballet solo to Rodgers & Hammerstein medley)
- The Three Haucs (jugglers)
- The Tovarich Troupe (balancing act)
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Get Smart
"It Takes One to Know One"
Originally aired January 7, 1967
Wiki said:
KAOS agent Octavia (Gayle Hunnicutt) destroys the Number Two men of CONTROL in succession, such that Hymie perforce becomes the newest Number Two. But Hymie might be precisely the right "man" for this job, inasmuch as Octavia is a gynoid.
The episode opens with Max tailing CONTROL's current Number Two, Walters (Martin J. Kelley), who, drunk and despondent, gets ready to jump off a bridge. When Max attempts to talk him down, he confesses to having betrayed his country to a woman named Octavia. Max's attempt works a little too well, as he ends up provoking Walters to slug him, knocking Smart off the bridge instead.
In case you're wondering where Walters and two name-dropped predecessors were on previous occasions when Max took charge of CONTROL, it's established that they were political appointees rather than experienced CONTROL agents. The Chief thinks that KAOS is specifically after CONTROL's Master Code. He gets a call from the Chief Exec on the horn phone (the ring being the sound of a bull) naming Hymie as the next appointee. But first Hymie has to pass a physical, conducted by an outside doctor (Woodrow Parfrey) for political reasons, so Max accompanies Hymie to prevent the doctor from learning that his patient is a robot--Smart's ruse including setting the appointment for an unusually late hour, swiping the doctor's glasses, and covering for Hymie's honest responses regarding his physical habits. The doctor nevertheless sees gears and levers in Hymie's head when examining his ears, but chalks it up as a hallucination.
Hymie's programming is updated to make him more efficient and businesslike, which causes him to start cracking down on Max. Following the Frndly interruption, Octavia gets to Hymie in the Chief's office disguised as a cleaning woman, and though Hymie is confident that he'll be immune to her advances, a kiss from her causes him to start releasing smoke. Hymie takes her back to Max's apartment, where we see that she's also a robot. He's about to hand over classified documents to her, having fallen completely under her spell, but Max and the Chief arrive to confront the two of them. Having deduced her true nature from a miniature tool kit that she left behind, they've come prepared with force field units to immobilize her, but Hymie pushes them into the force field in her place. Hymie expresses his desire to run away with her, but she insists that it couldn't work and, having also fallen in love with Hymie, chooses self-destruction as her way out of continuing to work for KAOS...completely disappearing in a cloud of smoke while leaving Max and the Chief untouched two feet from her.
In the coda, Hymie has resigned from his episodic position and buried himself in a lab trying to recreate Octavia. While he's succeeded in duplicating her appearance, she speaks with Max's voice.
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Mission: Impossible
"The Legacy"
Originally aired January 7, 1967
Wiki said:
In this "treasure hunt" episode, sons of Adolf Hitler's most trusted Nazi officers gather in Zurich, Switzerland, to locate Hitler's "personal fortune" believed to be worth more than $300 million. Rollin infiltrates the group in order to get the money before they do (and prevent them from launching the Fourth Reich). This episode was remade as "The Legacy" (S01/E05) in the series remake (wherein "sons" was changed to "grandsons").
The big reel-to-reel tape in a television van parked at a lumber yard said:
Good morning, Mr. Briggs. Since late in 1945, the Allied Command has been trying to track down Adolf Hitler's personal fortune. Now it looks like we've finally gotten a break. Four young men, sons of Hitler's most trusted officers, are gathering in Zurich, Switzerland. We believe they have knowledge which will lead them to the Hitler treasure. They plan to use it to launch the Fourth Reich. We've been able to identify one of the young heirs. His name is Paul von Schneer [Claude Woolman]. He'll be coming to Zurich from Argentina.
Dan, your mission, should you decide to accept it, is to get that money, believed to be over $300 million, before they do. As usual, should you or any of your IM Force be caught or killed, the Secretary will disavow any knowledge of your actions. Please dispose of this recording in the usual manner.
Incineration is certainly a trusty usual manner, but not the only one they've employed. Ah...good ol' portfolio scene, complete with a reject pile! In the briefing, we learn that the IMF's plan involves taking advantage of how the four Nazi heirs don't know each other.
At customs in Zurich, Dan and Willy pose as federal officers, taking von Schneer into an office and questioning him. Examining his personal effects in another room, the IMFers find a postcard--the picture on the front indicating the meeting place, Zurich Schloss, and astrology symbols written on the back indicating the time, noon of the next day. The real von Schneer is Willied out and detained, and Rollin shows up for the rendezvous posing as him, sans the need for a disguise. (Landau would have been turning 17 in 1945, when von Schneer was supposed to have been 8.) The three other heirs use chalk to draw parts of a symbol on a concrete bench, and Rollin correctly guesses that he needs to turn the plus sign in a circle into a swastika. (That was kind of a gimme.) In private, the four toast to the Fourth Reich over a copy of
Mein Kampf, but Rollin plays hardball when ordered by Ernst Graff (Donald Harron) to divulge his part of a Swiss bank account number.
Rollin manages to sell to the others that holding onto his part of the number until they're at the bank is part of the plan, but he needs to come up with that number by the time they visit said bank the next day. Cinnamon poses as royalty looking to do business with the banker, Alfred Kuderlee (Lee Bergere), whom she invites to a party that evening. At the party, the banker is chatted up by Prof. Lubell (John Crawford), a noted psychologist whom Dan has called upon, who slips something in Kuderlee's drink that causes him to collapse.
While the banker is under the influence and partially immobilized, Lubell questions him in a private room, convincing him that he's dying of a stroke with the aid of Willy at hand dressed as a priest. Dan, posing as the bank director, gets the full account number from Kuderlee, but the IMF are unable to transmit it to Rollin by phone because Graff is listening. The next day as the foursome is leaving for the bank, Barney stages a brief elevator mishap to slip Rollin a matchbook with the number written inside, divided into its four three-digit parts. When it's time for each of the heirs to divulge his part of the number, an awkward pause and stares inform Rollin that his is the third part. The bank account turns out to be a worthless 30 Reichsmarks, but this was understood going in to only be the next part of the puzzle. In private, a microdot is found on the envelope, which when projected on a slide reveals part of a map. Each of the four has a transparency of their own in his pocket watch, to be projected overlapped with the others. But Rollin can't find a pocket watch on him, and Graff starts to rough him up.
Rollin feigns a call to the hotel manager--actually Dan--to report a theft. When the two of them leave the room accompanied by Wolfe (Patrick Horgan), Rollin discovers the pocket that the watch was hiding in, and Wolfe is knocked out. In private with the IMFers, Rollin draws the rest of the map from memory, then fills in the pieces on his slide, indicating a cemetery and four surnames spaced apart as corners of a square. Concerned that Graff will be able to put things together without Rollin's part, the male IMFers hightail it to the cemetery while Cinnamon arranges a visit to Graff and Brucker (Bill Fletcher) by a police inspector (Walter Friedel) to delay them. At the cemetery, Dan, Rollin, Barney, and Willy find markers bearing the four names and walk from the markers to the intersecting point between them--a crypt bearing the name Braun (which matches the name the account was under, E. Brown). They inspect the inside, starting with Barney opening the coffins, only for
a hand to reach out and strangle him! Well, no, but from his reactions, clearly all he finds are decomposing human remains. The IMFers are unable to find anything inside the crypt, and when they step outside, are ambushed by Graff and Brucker--who were able to fill in the cemetery name--and Dan is shot! (I guess they found an excuse for him missing a few episodes.) Rollin ends up tackling and beating Graff, having to be pulled off of him. In the aftermath, bullet holes reveal the location of the treasure--the crypt itself is pure gold, concealed behind a stony tile facade.
This was an interesting return to the season of EIW...the plan was mostly improvised as the IMF learned more. Bob Johnson's voice on tape sounds very different at this point from what I've become accustomed to.
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So I've got four available WWW episodes left to cover, five
Get Smarts that will loop me back around to when I started covering the show as 50th anniversary business in late Season 2, plus six remaining previously missed M:I episodes thrown into the mix...but Post-55th Anniversary Viewing is going to have to take a back seat as a very packed new 50th Anniversary Viewing season begins next week!
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Gen XYZ could learn a lot from songs like this.
Hey! Anyway, a particularly era-evocative song.
Pretty good. Nice Psychedelia.
It's groovy-sounding, but the disappointment of the Airplane not being able to live up to the two songs that Grace brought with her from her previous band begins.
I was expecting to be disappointed by a cover of the Dionne Warwick song, but instead I was disappointed by a completely different song of the same name.
And this one came up at least twice before as 50th anniversary business...
I'll take your word for it, as I can't remember how it goes...
A higher level of nice enough, since it's the Stones.
I have nothing to add to this...
Lock up your daughters and your acid, here come the psychedelic Stones
RJDiogenes said:
Actually, that does ring a horrifying bell.
As I sometimes like to say: If you can remember the '80s...why would you want to remember the '80s?
That does sound familiar. Is that why he started having those Hulk-like tantrums?
I don't recall the tantrums, though it's been a while since I read Byrne's AF.
Cool. Did you get a picture?
Might have some video, but it's on an old format. I've been meaning to get something to play those tapes on for years.
I was never a fan of animators forcing teen or kid characters into shows adapted from live-action, whether it was Jeannie, Emergency +4 or My Favorite Martians, especially when kids watched the syndicated, live-action inspirations all starring adults.
