It was a treat to see the names 'Asmund' and 'Zoma' in a new publication!
Yup. I get that it's not IDW's priority on this budget, or maybe their contract here limits new lore inventions, but the D'Deridex-class ship leaves my heart feeling empty that the comic did not use the still-never-illustrated Ivarix class like Aventeer Vokar's Tomed or Amarcan class like Volskiar's Victorious.
For me, getting a fresh-ish design for the Theseus in Year Five #13 was a surprise break from monotony.
Romulan issues aside, I really enjoyed the issue. I loved seeing Hiro return. And the use of the Litverse Stargazer crew was great!
Ohhhhh yeah. This feels like the same general mindset of a lack of research which led to an avian species in the Kelvin ongoing being named the 'Felidae'.My one issue there was Mike Johnson seems to think Gilaad Ben Zoma's name is Ben (first name) Zoma (last name). I'm also not sure they would have been in "spandex hell" at that point in time.
I would opine that is an extremely shoddy way to write further context for Data's dialogue. Why would it not be relevant to the staff conversation that they are all flying in space aboard the almost-new D because the Romulans destroyed the C? And he is an android who time and again demonstrates the prodigal mental capacity for loquacious exposition.YE had them attack a Klingon outpost. Nothing with SF, so from SF's perspective, they were not interacting with them.
The real point is that it’s a shame there were never any canonical Romulan ships seen between the bird of prey and the warbird. With the obvious though irrelevant exception of the Klingon battlecrusier. That’s limited tie in writers and artists in more cases than not.
Yup. I get that it's not IDW's priority on this budget, or maybe their contract here limits new lore inventions, but the D'Deridex-class ship leaves my heart feeling empty that the comic did not use the still-never-illustrated Ivarix class like Aventeer Vokar's Tomed or Amarcan class like Volskiar's Victorious.
For me, getting a fresh-ish design for the Theseus in Year Five #13 was a surprise break from monotony.
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