50th Anniversary Album Spotlight
Wild Life
Wings
Released December 7, 1971
Chart debut: December 25, 1971
Chart peak: #10 (January 22, 1972)
Wiki said:
Wild Life is the debut studio album by the British–American rock band Wings and the third studio album by Paul McCartney after the breakup of the Beatles. The album was recorded in eight days, from 25 July to 2 August 1971, at Abbey Road Studios by McCartney, his wife Linda, session drummer Denny Seiwell, whom they had worked with on the McCartneys' previous album Ram, and guitarist Denny Laine, formerly of the English rock band the Moody Blues. It was released by Apple Records on 7 December in the UK and US, to lukewarm critical and commercial reaction.
The newly formed Wings recorded the album in slightly more than a week with the mindset that it had to be instant and raw in order to capture the freshness and vitality of a live studio recording. Five of the eight songs were recorded in one take.
Clint Harrigan a.k.a. Paul said:
In this wrapper is the music they made. Can you dig it?
While it's certainly not objectively among Paul's strongest work, I've always had a soft spot for this unapologetically raw and funky disc, warts and all, and it got a good deal of play in my car ca. 1989, an era with which I fondly associate it. In my experience, however, even some dedicated Paul fans are put off by the album's one-two combo of improvised, nonsensical opening tracks. I find, "Mumbo," at least, to be a fun bit of business:
Wiki said:
According to [engineer Tony] Clark, they were just jamming and Clark decided to start recording. McCartney, upon noticing, shouted "Take it, Tony" and started ad-libbing lyrics.
An online search reveals that some have attempted to decipher the lyrics, to widely varying results that all seem off the mark in places to me.
Following that number up with its more laid-back counterpart
"Bip Bop" is perhaps pushing things a bit.
The album maintains the same pace with a reggae-flavored cover of Mickey & Sylvia's 1957 hit "Love Is Strange":
A promotional single was distributed in the UK by Apple in December 1971..., but the commercial release was cancelled due to poor album sales.
The first side closes by lowering the pace still more to downright lethargy with its longest and titular track,
"Wild Life". While this album is defined by its attempt at reconciliation with John over the sparring on
Ram and
Imagine, I can't help but hear this as Paul questioning his old partner's activism.
Side two opens with what might have made a better album opener, the first of Paul's olive branches to John, the heartfelt "Some People Never Know":
Some people can't sleep at nighttime
Believing that love is a lie
I'm only a person like you, love
And who in the world can be right all the right times?
I know I was wrong, make me right
I generally find side two to be the easily overlooked heart of the album, and have a particular soft spot for the next track,
"I Am Your Singer".
On the promotional album The Complete Audio Guide to the Alan Parsons Project, Parsons [also an engineer on Wild Life] discusses how he did a rough mix of "I Am Your Singer" that Paul liked so much, he used it for the final mix on the album.
While Linda isn't as polished a singer as Paul, I've always enjoyed the couple's vocal chemistry.
The album includes two brief instrumental tracks that had been "hidden" on vinyl, not appearing on the LP label, though they came to be formally listed in the digital age. The first of these is
"Bip Bop Link".
"Tomorrow" is usually held up as the "good" track on the album, and certainly might have had some potential as a single:
In 1976, American singer David Cassidy had a hit with his cover version of the song.
If you consider #52 UK, #10 South Africa to be a "hit".
The album formally closes with the second, more vulnerable and direct apology to John, "Dear Friend":
Music critic Ian MacDonald cited "Dear Friend" as a counter-argument to the caricature of McCartney as an emotional lightweight.
The album's actual close is the second hidden track,
"Mumbo Link".
Wings' LP debut is certainly nobody's idea of a great album, and neither set the music world ablaze nor adequately demonstrated the group's potential, but it has its charms if one is open to them.
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Okay, I think they're just trying to confuse me.
An enjoyably funky obscuro.
"Beautiful Sunday" is better.
Is it...?

While the Osmonds are cribbing the riff from "The Immigrant Song," I've gotta give them credit for making an effort not to sound so lame.
I will absolutely adore everything you post by Jim Croce.
A song that really captures the era, and with which I definitely recall first-hand exposure...if not from its initial chart run, from it continuing to receive regular airplay afterward.
Oh, yeah, another classic early 70s Rocker.
A pleasant piece of period power pop.
This got a fair amount of Oldies airplay. It's all right.
I find it pretty meh as chart-toppers go...it doesn't really grab me.
Hardly surprising at this point.

Did I make the same comment?
Well, as "Parliaments" is such a search-friendly term...
Catchy, but I don't think I remember it at all.