"Mudd's Women" was definitely a product of its time, with the eponymous white women whose only goal in life was to be married, and of course every human male (except Mudd himself, apparently) -- and only the males, of course -- who struggled to resist their attraction and remain professional in the face of the women's beauty. But what the heck, I was a girl in the 60's, and I found something empowering in Eve's speech about whether her chosen mate would rather have empty beauty or a real, if flawed, woman. So, props for that.
You're right, of course -- don't know how I missed that that was also an option for this round! But as I liked the episode anyway, no regrets on my vote
I like the episode too, despite obvious flaws and foibles and being more of its time than forward-thinking in terms of relationships or other factors, it still had to deal with censorship of the era. It's doing a lot more than what's on the surface. Eve's speech was. has a decent message about believing in yourself and not using drugs that make you fake... 20 years before the official "war on drugs" as well.
You don't want wives, you want this. This is what you want, Mister Childress. I hope you remember it and dream about it, because you can't have it. It's not real! (takes the pills) Is this the kind of wife you want, Ben? Not someone to help you, not a wife to cook and sew and cry and need, but this kind. Selfish, vain, useless. Is this what you really want? All right, then. Here it is.
By 1960s standards, that's huge. She's proactively countering Childress and saying that he doesn't want a partner but a walking sex doll - there's also a neat drug allegory atop that, which - converted for today - arguably amounts amount to popplers or whatever it is people take nowadays for a thrill. Also, the show is revolving around a nuclear family trope - which was by far the most common (FWIW). It's also okay to not be heterosexual (like me...) and seeing nothing wrong with that style arrangement, along with other paradigms as well.
I'll defend that story every single time as a lot of it is still translatable, directly or arguably even indirectly, to many of the myriad of modern day constructs.
I'd have go to with "I, Mudd" here - the better of the two Harry Mudd TOS epsiodes, IMHO. Which leaves
"Mudd's Women" has more social commentary plot meat than "I, Mudd" - a story that is largely a superficial farce (but an entertaining one for sure...) Yes, Stella is funny but it's relying on the worst of 1950s wife-as-butt-of-joke comedy, though considering my ex-fiancee turned out to be the sort of drugged up sot, it's not as hard to notice she's not always the butt of a joke but raising one or two interesting points once the comedic veneer is removed.
That aside, it's all eye candy - involving split screen done on film, which was expensive back in the day. Though why the females got puffy shower curtains and the males got 50 cent undersized sweatpants... not that I'm complaining either way...