TOS Kirk and Spock have never been 'mine', they belong to generations older than my own, and I want future generations to discover and enjoy the old Star Trek in the same way I have, and feel like it matters.
Interesting. Two responses:
1) I don't think appreciating a new take and discovering an older one are contradictory. If anything, I think that's how if often it works. Some folks, after getting hooked on the latest version of a classic property, will be motivated to go back and check out the original -- which they might not have done otherwise. For example, I like to think that the new version of NIGHTMARE ALLEY will inspire at least some folks to go back and check out the classic 1946 version -- and maybe even the original novel by William Gresham. Certainly, judging from what I've seen on social media, a lot of people weren't even
aware of the 1946 movie until the new version came along. So maybe some future version of TOS will inspire many new fans to delve into the history of the franchise.
2). Does it really matter that it "matters"? I admit that that is a pet peeve of mine when it comes to comics fandom: the weird idea that a great old story or issue is no longer worth reading just because it doesn't fit into the current continuity anymore. Or, worse yet, that they wasted their time reading an issue that doesn't "matter" anymore. The story is still as good as it was, right? Has the quality of the art changed, or the writing? Did it provide you with an enjoyable experience up until now? Who cares if doesn't figure into the current storylines? As long as the story is still enjoyable its own, right?
(Says the guy who has spent his entire adult life writing media tie-in books that don't technically "matter," but which I like to think are still good reads.)
Getting back to TOS, I like to think future fans will still be able to enjoy TOS on its own terms (to the degree they can appreciate vintage media in general), even if some 2050 version of STAR TREK takes liberties with this detail or that. Bottom line: a movie or episode's value is not just defined by how it sets up future episodes or series or what it contributes to the world-building. As far as I know, Edith Keeler has never "mattered" onscreen since "City on the Edge Forever," but that doesn't make that episode any less a classic.
It may come to down to whether one sees any dramatic production, including STAR TREK, as primarily an
experience or as an encyclopedia entry.