There's a great scene in Into Darkness where Pike basically calls Kirk out for being so cocky.If you want films that really glorify Kirk being an a#%, check out the two Star Trek films written by Kurtzman himself.
There's a great scene in Into Darkness where Pike basically calls Kirk out for being so cocky.If you want films that really glorify Kirk being an a#%, check out the two Star Trek films written by Kurtzman himself.
I’d rather have good stories that honor and respect older material than reshaping it into what it wasn’t. Unless you’re only in this new era of Star Trek for Michael Burnham, we haven’t had a good story told yet in this new era.
This idea of “recontextualizing” to tell good stories? Sure. Let’s look at Will Riker. His son is dying and the only way to cure him involves something that is against the law. The Riker I know would try to find a way around. He’s done worse for less. But that wouldn’t work for the ‘good storytelling’ that Picard was aiming for so they ‘recontextualized’ his character into accepting the law rather than do everything in his power to save his son’s life. You call that good storytelling, I call it character assassination.
Or how about the basic premise of TNG’s ‘Lower Decks’, an episode about characters who aren’t of senior rank and how they deal with the crew, the assignments they’re given and having to face the risks that no one even on the bridge would face?
But let’s ‘recontextualize’ any notion of that and not only have characters who don’t serve on the bridge behave like unprofessional idiots, let’s literally have them continually badmouth their superior officers, cause grievous harm to their fellow crew and make light of truly horrific situations.
Good. They shouldn't love it. They should tell stories they want to in the Star Trek sandbox, not handle Star Trek like fine china that could break. Star Trek is more than sets and the fact that the litmus test of "real Trek" are sets is something I do not understand.I seem to recall that the Enterprise in ‘Trials and Tribble-ations’ looked like the original series Enterprise when that episode aired on DS9. I even recall the USS Defiant, the sets and the position of the dead crew to look the same as it did in ‘The Tholian Web’ when ‘In A Mirror Darkly’ first aired. They took great care into recreating the look, sound and feel of the original sets because that was part of Star Trek’s identity.
There was a real sense that the people who actually worked on these shows loved Star Trek as much as we did. I don’t get that feeling with ANYONE on these new shows. Not Discovery, not Picard, not Lower Decks. No one. They are all too happy and eager to change what was so their work can be looked at as the real reason why things are what they are in Star Trek.
Kirk had a reason to be that way in 09 and ID and made for a more interesting and richer character. TMP did not and was probably the most disrespectful of that character from TOS. It was merely to make him an ass and it did nothing for the plot.At least the film established that Kirk has been out of the loop for years and that simply taking command of an updated Enterprise was not as easy as simply sitting on the chair. His behavior is not only called out, but made a point that could it jeopardize the mission. Kirk was put on the spot by new and familiar characters and they were both right.
If you want films that really glorify Kirk being an a#%, check out the two Star Trek films written by Kurtzman himself.
IDK. I felt exactly the same way when TNG premiered in 1987. 1701D design sucked hard. And the only reason for any existing 'visual continuity' in TNG was because overall, they reused most of the set elements from Star Trek The Motion Picture and the TOS era feature films.I seem to recall that the Enterprise in ‘Trials and Tribble-ations’ looked like the original series Enterprise when that episode aired on DS9. I even recall the USS Defiant, the sets and the position of the dead crew to look the same as it did in ‘The Tholian Web’ when ‘In A Mirror Darkly’ first aired. They took great care into recreating the look, sound and feel of the original sets because that was part of Star Trek’s identity.
There was a real sense that the people who actually worked on these shows loved Star Trek as much as we did. I don’t get that feeling with ANYONE on these new shows. Not Discovery, not Picard, not Lower Decks. No one. They are all too happy and eager to change what was so their work can be looked at as the real reason why things are what they are in Star Trek.
There's being cocky, there's being an insufferable a-hole, and than there's the insufferable a-hole who doesn't learn a thing.There's a great scene in Into Darkness where Pike basically calls Kirk out for being so cocky.
Kirk certainly learned a thing or two by the end of the movie.There's being cocky, there's being an insufferable a-hole, and than there's the insufferable a-hole who doesn't learn a thing.
And it is a bad scene because nothing of consequences happens. Not only does Kirk get away from the punishment he so rightfully deserved (Sending him back to the Academy), he gets a simple demotion to First Officer on the Enterprise. You'd think Kirk would at least contemplate that maybe lying on the report was a mistake and that if he stood by his decision, he might not have lost command in the first place. But no, Kirk still continues to blame Spock for losing his command. Going so far as to call Spock's actions a 'stab in the back'.
That's the thing about great scenes. They leave a lasting impact on the characters. That is not what happened in that scene. Kirk still believed he did nothing wrong and continued to blame others for his mistakes. Naturally Kirk gets command of the Enterprise back a few minutes later.
Gene Roddenberry's "Utopian" version of Humanity was always a problem because when you boil it all down, it was 'his' idea of a perfect humanity. Not everyone's.What I enjoyed about Star Trek was jettisoned in favor of Gene Roddenberry's new "Utopian" version of humanity.
I thought the argument you were making was that the two films glorify Kirk being an asshole? Into Darkness, flawed as it is, doesn’t glorify him at all really. He makes rash decisions, pushes his crew away and gets a lot of them killed. He’s pretty actively punished throughout for his behaviour. Sometimes arcs take longer than just one scene to manifest.There's being cocky, there's being an insufferable a-hole, and than there's the insufferable a-hole who doesn't learn a thing.
And it is a bad scene because nothing of consequences happens. Not only does Kirk get away from the punishment he so rightfully deserved (Sending him back to the Academy), he gets a simple demotion to First Officer on the Enterprise. You'd think Kirk would at least contemplate that maybe lying on the report was a mistake and that if he stood by his decision, he might not have lost command in the first place. But no, Kirk still continues to blame Spock for losing his command. Going so far as to call Spock's actions a 'stab in the back'.
That's the thing about great scenes. They leave a lasting impact on the characters. That is not what happened in that scene. Kirk still believed he did nothing wrong and continued to blame others for his mistakes. Naturally Kirk gets command of the Enterprise back a few minutes later.
No. Berman stated back in the day it was done because he wanted new viewers to check the show out who weren't Star Trek fans, and was worried the Star Trek name would scare them off. UPN then decided to add Star Trek to Enterprise's title in the third season because of its low ratings, thinking the Star Trek name would attract viewers. To his credit, Berman actually spoke out against the idea, saying "I'm pretty sure everyone who already is a Star Trek fans is already aware of Enterprise."thought the reasoning behind not having Star Trek in Enterprise was because it pre-dated, well Star Trek?
I don't do that at all. If a show interests me, I'll watch it. If it doesn't, I won't. I don't care what awards, accolades or acclaim it does or does not get.don’t we all seek out critically-acclaimed, award-winning films and series regardless of genre
You are aware Lower Decks is a comedy, right? Its purpose is to make us laugh. Which it succeeds at.But let’s ‘recontextualize’ any notion of that and not only have characters who don’t serve on the bridge behave like unprofessional idiots, let’s literally have them continually badmouth their superior officers, cause grievous harm to their fellow crew and make light of truly horrific situations.
Picard is definitely written by people who know and love TNG. Look no further than the scene with him dressed up as Kipling while walking among Romulan refugees. That was definitely written by someone who knows TNG in general and the character Jean-Luc Picard specifically inside and out.There was a real sense that the people who actually worked on these shows loved Star Trek as much as we did. I don’t get that feeling with ANYONE on these new shows. Not Discovery, not Picard, not Lower Decks.
What did he learn? That revenge is bad and "not who we are"? Even that point is ludicrous when you take into consideration all the things that happened in that movie. To quote SFDebris,Kirk certainly learned a thing or two by the end of the movie.
By punished throughout, you mean "We're taking away your ship! Actually, you can still serve on that ship as second-in-command... You know what? Forget about it. You're still Captain."I thought the argument you were making was that the two films glorify Kirk being an asshole? Into Darkness, flawed as it is, doesn’t glorify him at all really. He makes rash decisions, pushes his crew away and gets a lot of them killed. He’s pretty actively punished throughout for his behaviour. Sometimes arcs take longer than just one scene to manifest.
To be fair, everyone was supposed to die, according to Marcus when he put Kirk back in command. Kirk was nothing more than a fall guy.By punished throughout, you mean "We're taking away your ship! Actually, you can still serve on that ship as second-in-command... You know what? Forget about it. You're still Captain."
*Commands the Enterprise. A lot of crewman die.*
Such greatness.
No, you're missing the point. I'm not talking about literal punishment by tribunal, or whatever. We're talking about how the film frames his attitude and his actions. In '09, when he breaks the chain of command and takes matters into his own hands, he's rewarded by being right. His actions actively lead to a positive outcome.By punished throughout, you mean "We're taking away your ship! Actually, you can still serve on that ship as second-in-command... You know what? Forget about it. You're still Captain."
*Commands the Enterprise. A lot of crewman die.*
Such greatness.
That actions have consequences. And he definitely learned humility in the face of his crew being killed.What did he learn?
But his take is still a valid one. Everyone who let in the "darker aspects" got what they wanted and we're supposed to believe that's the only lesson that matters.Kirk literally talks about not giving in to darker aspects. I like SF Debris a lot but don't agree on his Into Darkness take.
In fact, Kurtzman's depiction of Humanity in Star Trek is rather uninspired and downright vile most of the time.
I'm not saying his take isn't valid. Only that I disagree because Kirk's whole rationale behind lying on the report was the simple fact that no one died. Except, he couldn't deny that post-Vengeance. His crew suffered massive losses, as did San Francisco because he let his need for revenge make him a useful puppet for Marcus. His sacrifice is exactly the lesson he needed to learn.But his take is still a valid one. Everyone who let in the "darker aspects" got what they wanted and we're supposed to believe that's the only lesson that matters.
What makes this whole thing worse is that this film DOES have more important lessons that our heroes can learn from. As far as anyone knows, Kirk still believes that lying on the report was still not a mistake.
Indeed.We must have been watching different TV shows.
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