DISCO should have been set in the 32nd century future future since the pilot.
It should never have been a prequel. Should have been set after Nemisis. It would have fit so much better in pretty much every way.
DISCO should have been set in the 32nd century future future since the pilot.
And yet...DISCO should not be a 2020 show filtered through 1960s.
Yeah, as I said in the other thread, I love TNG, but even if this was a Stargazer series I wouldn't want it to look like a show from the 80s, I would want it to look like a modern show.
Having just completed seven seasons of a TNG rewatch, I never want to see that beige bridge again.Although, admittedly, that TNG/TMP aesthetic has a better chance of being acceptable to audiences than that of TOS.
*hands you eye drops*Having just completed seven seasons of a TNG rewatch, I never want to see that beige bridge again.![]()
I've move on to the TNG films and Picard. Man, they totally darkened the bridge set for Generations. Troi probably crashed because she couldn't see.*hands you eye drops*
Yeah, the lighting choices in that film were...strange.I've move on to the TNG films and Picard. Man, they totally darkened the bridge set for Generations. Troi probably crashed because she couldn't see.![]()
How should a bridge look like?Honestly, lighting aside, the bridge in Generations with all the extra stations is how it should have looked in the first place.
And yet what? A show set in the 2260s needn't be a show channeled through ("filtered through"/channeling) the 1960s. One is 250 years in a fictitious future, one is 50 years in the historical past. Star Trek is not a period piece like Mad Men.And yet...
Although, admittedly, that TNG/TMP aesthetic has a better chance of being acceptable to audiences than that of TOS.
How should a bridge look like?
Yeah, the lighting choices in that film were...strange.
How should a bridge look like?
Yep.Too soon?
Something something not a military.less like a den and more like a command center. Look at Voyagers bridge. Aside from the weird dual center seats, that layout and look is pretty good.
Yes, but it's easier if the two shows are completely separate and you don't have to worry about them duplicating or contradicting each other at all. Because if you can make the two shows significantly different from each other, why wouldn't you?Eh, Starfleet's a big place. One classified ship doing one season-long mystery/adventure probably wouldn't be bothered by another ship going on 10 or 13 episodic adventures hundreds of light-years away. DS9 and TNG worked together fine for two years with some mild crossovers between them (Emissary, Birthright, Firstborn).
Well, two out of three.Let’s see:
The lighting in Generations was incredibly effective. Think the scene with Troi and Picard when he tells her what happened.
DSC 900 years in the future is awesome.
Voyager had the best bridge.
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Something something not a military.
How so?didn’t say it had to look militaristic. Just that it had to look more like a command center. And the changes they made in between AGT and Generations accomplished that.
As a Star Trek set it was a well oiled machine, very effective at being interesting and arranging the characters for bridge scenes. My main quibble with it is that Paris's sliding chair suggested the need for a co-helmsman.Voyager had the best bridge.
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