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Star Trek Picard is not Star Trek

Methinks it is time to ban the word from the site...
"What do we want...Utopia! When do we want it. Never!
Can we ban "canon," too? Pretty please! :)
I'm sure most trekkies know this, but the Planet 10, [Captain] John Whorfin, and [the SS] Buckaroo Banzai are part of Trek canon (sorry Greg Cox ;)), as those things were identified onscreen, even if in tiny letters onscreen.
 
Although I respect critical opinions, I don't think it's fair to say "________ is not real Star Trek." Things naturally evolve and progress, for better or worse.

Utopia
I'm confused that we're describing TNG Earth/Federation as utopia. I never considered it to be utopia, as the very definition is an "imagined place," not real. But I assumed that it was definitely a more enlightened place overall, at least to the point where old problems like drug addiction, racism, and poverty or wealth inequality were a thing of the past. I don't know what that would look like exactly, but I didn't dwell on it, because it was outer space that was interesting. I did get a kick out of seeing brief glimpses of Earth in TOS, TNG and DS9.
I think what made the enlightened vision of Earth interesting in Star Trek was that it was so different from life is like now. So it really made you feel like you were somewhere else. And often times that what SF is about, a form of escapism. And most importantly, it set itself apart from other sci-fi. Most science fiction that I see or read features something like a dystopia, or something just like life today, but with better technology.

Money
Was money being a thing of the past part of this enlightened culture, or was it just something created for the films as an easy way to contrast our future heroes from present-day humans?
I'm guessing that Roddenberry's idea of the future without money was always his intention, but TOS has references to purchasing and getting paid.
It seems like the idea of a future with no money only really started with Star Trek IV: The Voyage Home, and it would be easy to dismiss it as something they added just to draw a contrast between our future heroes and present-day humans, not to mention it made for some great movie-comedy bits. They got a LOT of mileage out of a currency-less Federation for that movie. Prior to that it seems like they had money.
The TNG comes around, and Gene had more control so we find out there really isn't any money in the Federation's future, or maybe just Earth's. It's played as something serious, not for laughs.
I think it's a great idea, as it's one more thing to this world feel much different from our own. However, it's hard to wrap your head around: how do things get done if there's no pay? Why go to work if you don't have to? Are there people who just don't work at all?
When DS9 starts we're back to having currency.
I like the idea, but I haven't found anything online that shows that the creators took time to fully realize this idea of a currency-less future. If you're going to do that, you should have the details explained in a story-bible. For example, what happens if the Enterprise is stuck somewhere where they DO use money. And lets say the crew either want or need to buy something. What do they do? Shit outta luck or what?

Violence
I think this is the one issue where I'm not torn. It seems like the way people are killed here are more in line with a typical action-flick than it is with more serious speculative fiction. I appreciate that most of the time death was considered to be a very serious thing in TNG. I'm sure there are some inconsistencies here and there, and that's going to happen when you have multiple writers turning in episodes. But overall, it seems like it was always treated as a regrettable thing, whether it involved an enemy or not. In the first episode of PIC it came across as a little mindless at times. The people in helmets trying to kill Dahj and Picard? Who cares? Just bad guys. Faceless bad guys.
 
For the regulars, Russ and Blalock are pretty close in my estimation. I've mostly enjoyed the performances of both. No one touches Nimoy, and Quinto did a nice job with the character.
I put Blalock ahead of Russ. Nimoy and Lenard are at the top.
 
I like them all, portraying a fictional species cannot be easy, they are meant to represent a race of billions, so 6 different portrayals is pretty good. We never discuss who in the franchise gave the best performance of a human (or has that happened in the past?)
 
I put Blalock ahead of Russ.

I think Blalock ended up with more meaty things to do than Russ did. I found both talented and well cast.

Nimoy and Lenard are at the top.

Lenard is an incredible actor, but he didn't have to put on the ears every week. Probably easier to let it all hang out when you're only playing a character once or twice a decade.
 
That's been in Trek since at least VOY if not before with the Breen. It's not new to Trek.

Another reason to dislike VOY.
And if was done with the Breen, then that's something that falls into what I would consider the inconsistencies of TNG which I mentioned. There's also an episode of TNG where they supposedly have to eat someone who died as some sort of ritual or something and the crew is making light of it. Pretty poor writing in my opinion.
However, there were like 178 episodes of TNG. PIC seems to be a two season show at max with what, 12 episodes each?

If you think it's a good thing that they show cliched mindless violence and death, fine. But to say, well, it was done on Voyager. And there was an episode of that in TNG doesn't seem like the strongest argument. And keep in mind here's many instances on that show that I'm very critical of.

But lets say that I'm sitting here with rose-colored glasses on for TNG. If there really is a much higher ratio of mindless violence and death on that show, then I'd be critical of it as well, and suggest that that PIC, if it continues down that path, to aspire to something better. I watched that old Leonard Nimoy interview on violence and how he came up with the Vulcan nerve pinch. That's kind of my view on it.

I'm not coming from a place of prudery. It's just boring and feels like the same ol' same ol'. I like it when they try to inject some degree of realism, and when the revert back to cliches it lessens my enjoyment.
I find the speculative fiction aspect of Star Trek to be far more interesting than when it follows typical action tropes.
 
I don't think it is action for actions sake.

I'm sure it's to move the plot forward, just like that's the purpose of the most cliched action flicks from the 80s and 90s. But it's very evocative of Jason Bourne-like in choreography and speed, but it's also very inline with Hollywood action films from the 80s on up. It's a copy of a copy of a copy.
The helmets were supposed to disguise the Romulans while on Earth but it also ends up making them feel like faceless video game opponents needing to be disposed of.
And take Elnor for example. He's a great character and I like him. I even like his tagline "Choose to live." It's cool. But it's VERY regressive in it's own way. Superficial even.
So far it come across as the show's way of announcing to the audience that heads are gonna roll. That may change by the end of the series, and maybe we see Elnor grappling with all the lives he's taken, the toll it might take on someone. Maybe midway we might see him struggling with his own wording of the choice he supposedly gives to people. But so far it's portrayed as something that's just meant to sound cool while giving the allowing the character to be viewed as the honorable good guy. "See, he's giving them a choice!"
 
I don't see a discernible difference in action between, say, DS9 and PIC. Pacing? Sure. Even the DS9 story arcs and serialized storylines were allowed to exist within a 26-episode season and the prevalence of standalone episodes necessitated that the pace be sped up to conclude an arc much faster than what we've seen in both DSC and PIC.

PIC feels like DS9 on weed. It's got the storyline gravitas but takes things slower and spends more time talking and building a feeling than the previous series did or was capable of within the restraints of a weekly, 26-episodes-per-season format. And I liked that format a lot and still do. But the difference in feel isn't that glaring or big to me.

Both tell heavy stories but one did it faster and with more visible screen energy than the other.
 
I haven't seen that sort of action in Star Trek before but I stopped being a regular watcher after TNG ended. I caught the occasional episode of DS9 and VOY.
I'm guessing that the more choreographed, martial arts-like emphasis on fight sequences started with DISC? Or maybe there was that in the 2009 film series reboot. I've seen a clip of a bearded Vulcan in DISC I think, who has a similar action sequence. I think that's new Spock.
For me, I first noticed Star Trek moving towards the more action-flick route with First Contact. Picard going to an armory with space rifles seemed very different from the simple phasers they had in TNG. They faced crazy things all the time, and it seemed like it was just phasers they were using. Here, they were definitely channeling James Camron's Aliens, specifically the Colonial Mareines, for FC. Then in the next film we got the line, "lock and load." Ugh.
 
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