And it's a difficult question for writers because you want to show that kind of unity in humanity, but still be relatable to minorities at the same time. It's a bit of a dichotomy. How do you relate to various minority groups and yet show humanity as a unified whole at the same time? That's why the writers get paid the big bucks I guess.
I don't think it does really do that right, because it basically just effaces cultural diversity in favor of having everyone act like mainstream (i.e. mostly white) America. Equality doesn't mean that our differences are erased or ignored, it means they're welcomed and celebrated.
Dave Galanter touched on this very dilemma in his interview on Trek.fm regarding his Discovery novel Dead Endless, which focuses on the Stamets-Culber relationship. He said that he would have worried writing about a gay couple in a contemporary non-Trek story because, as a straight guy, he couldn't do justice to the gay experience in 2020. But because he was writing a story about a gay couple in Trek, and because anti-gay bigotry in Trek is not supposed to exist, he did feel comfortable with it because he could write them as just a romantic couple without having to worry about the nuances of the contemporary gay experience.
But does that then mean that the story is inauthentic? If it does, how can any Trek story focusing on a minority-by-today's-standards character ever be considered authentic, when the issues the author might need to be aware of in order to make it authentic don't exist in that fictional universe? Plus, isn't the fact that a gay couple is at the centre of a romantic storyline without it being any kind of issue a good thing? Meaning therefore that the author doesn't need to be a member of that minority in order to write that story. But then what if that's used as an excuse not to hire a more diverse writing line-up, because you don't "need" to? How do you square that circle?
Look at Benjamin Sisko. It was a massive deal representation-wise to have a black man as the lead actor on a major sci-fi show in the 1990s. Even if the setting of that show precluded addressing the racial issues directly, just his mere presence and visibility was a big step forward. But the only way to actually address the issue raised by the character's sheer existence head-on was to invoke time travel back to the 20th/21st century – "Past Tense", "Far Beyond the Stars", "Badda-Bing Badda-Bang" – and they wisely got Avery Brooks to take the helm on the biggest of those so that it would be authentic.
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