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Spoilers Picard 1x1, "Remembrance"

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Sometimes. I remember reading the Into Darkness spoilers, and growing less and less interested as time went on…

Yeah that movie lost me with the Kirk dying scene. I could forgive all the Khan shenanigans, but that was just gratuitous
 
Sometimes. I remember reading the Into Darkness spoilers, and growing less and less interested as time went on…
I did too and it turned me off. Then I watched the movie and thoroughly enjoyed. From then on I sit by my computer with a bucket of salt.
 
Well, I’m currently sat on a train home, and won’t get through my front door for about 3 more hours. Was it worth it, for one episode of Star Trek?

YES!

I’ve decided that, quite frankly, I don’t want to ruin this for people. So, I’m not going to go into deep detail, especially as we were asked not to post spoilers or reviews online until 6pm next Thursday, so I’ll feel a bit guilty if I go spoiler mad. Enough people are putting all the information out there, so I don’t really need to!

With that said, if you want to be kept completely in the dark, don’t read any more of this post...

...

You’ve been warned.

...

- This is a fantastic hour of television. After about 20 minutes, I knew I’d just seen the best opening 20 minutes of a Star Trek series, ever.

- Whilst this show is very clearly a 10-part single story, rather than a 10 episode season (so to speak), I feel that this hour of TV worked absolutely perfectly on its own, too.

- We see the exterior of only one Starfleet starship in this episode, and I doubt there’s a single Trekkie on the planet who won’t be happy with it.

- We do see models of three previously established Starfleet vessels. Can confirm that there has been no redesign of them.

- People who are used to Picard being the way he used to be, are going to be in for a shock. He’s an old man here, and it’s played that way, too. It becomes a particular issue during an action sequence in this episode.

- For all the social media shitstorm that has erupted over Patrick Stewart’s comments about the political nature of things this show is tackling, there is only one scene where the dialogue is clearly being very referential to issues in our own world today. And you know what? It’s one of the best dialogue driven scenes I’ve seen in Star Trek, and is Star Trek to its absolute core. It’s some of Stewart’s best work in Trek too, I think, and reminds me of how he floored me with his acting in the FC scene where he broke his “little ship.”

- That same scene is almost tragic, seeing how Picard’s now perceived by the wider world.

- Visually, I felt they did a good job of making this feel like it takes place about 150 years after Discovery. For as modern as Discovery’s tech can look, the tech in Picard felt like it was even fancier.

- Holograms feel different here. Works great.

- The fate of B4 is rather sad, and takes away that hope from the end of NEM.

- Very few of the main cast are in this episode, which is clear immediately from the opening credits cast list.

- Speaking of the opening credits, they’re visually stunning. Very similar to Discovery’s, in the sense of lots of imagery being created before our eyes, etc. Much like how Discovery’s music ends with the TOS bit, Picard’s ends with a few notes from the TNG music - works much better than Discovery’s, for me. The main theme for this show is great, can’t wait to listen to it properly.

- the TNG era Klingon appearance is still canon.

- Some brilliant one liners in this that Trek fans will laugh out loud at.

- I loved how Earth looked and felt in this. Dahj’s first scene, in particular, looked great.

- Data’s scenes are brilliant. They’re almost a completely different vibe to everything else going on in the episode, and I think that makes them stand out a bit more.

- The death toll of the attack on Mars is MUCH greater than the 3000 shown on screens in Children of Mars. Throw in the impact it had on other things going on in the galaxy, and you could argue it was in the millions/billions. This attack isn’t just a historical event - a few lines of dialogue leave me feeling that it’s going to become a significant plot point as this season develops.

- Isa Briones is now currently my favourite thing about this new era of Star Trek.

- There was a trailer still the end (a “this season on Picard” deal) that contained a LOT of new footage I hadn’t seen. The show looks great.



Honestly, I loved it. I knew I would, anyway, but this still blew me away. The opening sequence was jaw dropping and not at ALL how I thought the show would open, and everything in this episode felt like a love letter to Trek and TNG in particular.

People will have different opinions, of course. But I loved it, my father loved it (took him, as my partner couldn’t make it - no babysitter for us!), and everyone around us was using the word “excellent.”

Big shoutout to Amazon, too. This whole evening was superb, from top to bottom.
@Blooded Honestly I didn't want to read the post to remain in the dark till 23rd, but I so don't regret I did. That was one brilliant review! Thank you so much, makes me even more excited for the show, I cannot wait!:bolian:
 
Where do you get the impression that "society" is disinterested in AIs and disinterested in Data?

Sorry to keep derailing the discussion, but...

"Prototype" is damning enough on its own, and perfectly nails it in the general context, too. That Data is the only AI out there is proof enough that nobody wants AIs. But that Data is out there is also proof that nobody cares enough to kill or even jail him, like they would an Augment.

We don't really see "ordinary" people interacting with Data much at all, but he is certainly treated as special and interesting when those occasions arise.

...Not unlike Riker or Picard.

He's kidnapped by Kivas Fajo because he's unique.

Fajo also collects pottery. Nothing suggests the nature of Data would be appreciated by him.

For comparison, Riker and Picard were also kidnapped and considered worth the effort, their captors finding them fascinating.

Dr. Bashir is excited to meet him.

Bashir was born excited. But the point of "Birthright" here is twofold: first, that Data is Bashir's only choice for a target of study (because efforts to duplicate, imitate or compete with him have not been made in the preceding decades), and second, that Data fascinates Bashir exactly because he has never been studied before and the Doctor thus can't read all about it in a book. Essentially, Bashir's case is a sad confirmation of a rule through being an exception to it.

Torres, who has never met Data, also knows of him and speaks of him with a degree of reverence.

But that's Data the Starfleet hero. I doubt Torres would recognize Captain DeSoto, say, but again the VOY heroes are very familiar with Riker and Picard. They would know Data, too. He is a person of interest all right, at that point of pseudohistory. But nobody is interested in his androidness, in him being a "technological marvel". It's more like he's a disabled or disadvantaged person who nevertheless does good...

Other people have strong reactions to Data, even if they're not positive, like Commander Hobson.

Which may go a long way in explaining why Machine Men are uninteresting. If they were manufactured, they would be hated.

Data is treated with an appropriate amount of interest/fascination/minor celebrity almost all of the time when he encounters new people.

Yet nobody builds a new Data. Or a new Norman. Or a new Ruk.

Yet Mudd builds two-bit androids for his criminal schemes (or gets those from Norman's place?). Dr. Mulhall is ready to build androids to give Sargon, Thalassa and our good Henoch proper bodies. And Soong did churn out androids left and right. It's not as if it couldn't be done. It's just that it isn't done, and when it does get done, people look the other way, and thus Data drifts to Starfleet and starts gathering dust there.

I gather the Frankenstein complex here is pretty much the same as the antipathy towards genetic improvement. Only, the Augments happened before people developed their fear and hatred of those. The Synths killed tens of thousands and perhaps millions only after centuries of distrust (and the sound of "I told you, I told you!" must have been loud enough to be heard across vacuum, like Eminian guns).

Timo Saloniemi
 
Flashback? Dream sequence?

The latter.

@Blooded Honestly I didn't want to read the post to remain in the dark till 23rd, but I so don't regret I did. That was one brilliant review! Thank you so much, makes me even more excited for the show, I cannot wait!:bolian:

No worries! I hope it was more of a tease, than an outright spoiler-filled report, though!
 
Is it possible the old Disco shuttles have been repurposed for Earth use and aren't official Starfleet vessels? This may be quickly debunked in the show, but so far we've seen the shuttle as a school bus in the Short Trek, and in the trailers in San Francisco and later used by Picard? in the desert..

From the trailer that aired after the first episode, the latter one has TAXI written on the side of it, so it certainly seems those old shuttles have been repurposed, rather than being used by Starfleet as top of the line shuttles.
 
So....is there a Title Theme at all? And what´s it like? I´ve read on twitter that its basically a low key version of the TNG theme..?
 
So....is there a Title Theme at all? And what´s it like? I´ve read on twitter that its basically a low key version of the TNG theme..?

I don’t even know where that started, or how it then gathered pace, but the title theme is NOT a low key version of the TNG theme.

A few bars of it appear right at the end, much like the Discovery theme incorporates TOS at its end.
 
Soooooooo anyone going to the Berlin event tomorrow night? We've had members at the other two!
That would be interesting.

I grew up in Germany. All foreign programs are dubbed and lip-synced. As a child, I failed to realise the actors were not speaking German.
I wonder if they get the old German TNG voice talent back (those of whom are still alive) or just premiere it in English with subtitles.

I remember how weird it was that Tom Paris received a new voice halfway through VOY. :)

„Dies sind die Reisen des neuen Raumschiffs Enterprise...“ :hugegrin:
 
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I don’t even know where that started, or how it then gathered pace, but the title theme is NOT a low key version of the TNG theme.

A few bars of it appear right at the end, much like the Discovery theme incorporates TOS at its end.
It was in this tweet that people are still defending that has been debunked by at least 10 people I KNOW saw it.
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