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The Classic/Retro Pop Culture Thread

55 Years Ago This Week

Wiki said:
December 6 – The 1-hour stop-motion animated special Rudolph the Red-Nosed Reindeer, based on the popular Christmas song, premieres on NBC. It becomes a beloved Christmas tradition, still being shown on television more than 50 years later.
December 10 – Dr. Martin Luther King Jr. is awarded the Nobel Peace Prize in Oslo, Norway.
December 11
  • Sam Cooke, African American singer-songwriter (b. 1931), is shot and killed at a motel in Los Angeles, California.
  • Che Guevara addresses the United Nations General Assembly.[7] A bazooka attack is launched at the Headquarters of the United Nations in New York City.
December 12 – Jamhuri Day: Kenya becomes a republic, with Jomo Kenyatta as its first President.


"You Send Me"
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(Charted Oct. 21, 1957; #1 US the weeks of Dec. 2 through 23, 1957 [various pre-Hot 100 charts]; #1 R&B; #29 UK; #115 on Rolling Stone's 500 Greatest Songs of All Time)

"Wonderful World"
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(Charted May 9, 1960; #12 US; #2 R&B; #27 UK; #373 on Rolling Stone's 500 Greatest Songs of All Time)

"Cupid"
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(Charted June 5, 1961; #17 US; #20 R&B; #7 UK; #452 on Rolling Stone's 500 Greatest Songs of All Time)


Selections from Billboard's Hot 100 for the week:
2. "She's Not There," The Zombies

4. "Come See About Me," The Supremes
5. "I Feel Fine," The Beatles
6. "Time Is on My Side," The Rolling Stones
7. "You Really Got Me," The Kinks
8. "Baby Love," The Supremes
9. "I'm Gonna Be Strong," Gene Pitney
10. "Dance, Dance, Dance," The Beach Boys
11. "Leader of the Pack," The Shangri-Las
12. "Mountain of Love," Johnny Rivers
13. "I'm into Something Good," Herman's Hermits
14. "Goin' Out of My Head," Little Anthony & The Imperials
15. "Ask Me," Elvis Presley
16. "Everything's Alright," The Newbeats
17. "Sha La La," Manfred Mann

19. "Saturday Night at the Movies," The Drifters
20. "Big Man in Town," The Four Seasons
21. "The Jerk," The Larks
22. "Come a Little Bit Closer," Jay & The Americans
23. "Walking in the Rain," The Ronettes
24. "Any Way You Want It," The Dave Clark Five
25. "Sidewalk Surfin'," Jan & Dean

27. "Oh No Not My Baby," Maxine Brown

29. "She's a Woman," The Beatles
30. "Amen," The Impressions
31. "Gone, Gone, Gone," The Everly Brothers
32. "Reach Out for Me," Dionne Warwick

34. "Too Many Fish in the Sea," The Marvelettes
35. "Last Kiss," J. Frank Wilson & The Cavaliers
36. "Willow Weep for Me," Chad & Jeremy
37. "Is It True," Brenda Lee
38. "Ain't That Loving You Baby," Elvis Presley

40. "How Sweet It Is (To Be Loved by You)," Marvin Gaye

42. "As Tears Go By," Marianne Faithfull

44. "Keep Searchin' (We'll Follow the Sun)," Del Shannon

48. "Have I the Right?," The Honeycombs
49. "Love Potion Number Nine," The Searchers

58. "Leader of the Laundromat," The Detergents

67. "Boom Boom," The Animals

77. "You've Lost That Lovin' Feelin'," The Righteous Brothers

81. "I'll Be There," Gerry & The Pacemakers

89. "Promised Land," Chuck Berry

90. "The Name Game," Shirley Ellis


Leaving the chart:
  • "Oh, Pretty Woman," Roy Orbison (15 weeks)

New on the chart:

"The Name Game," Shirley Ellis
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(#3 US; #4 R&B)

Mixer, Mixer, bo Bixer
Bonana fanna fo Fixer
Fee fi mo Ixer
Mixer!

"You've Lost That Lovin' Feelin'," The Righteous Brothers
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(#1 US the weeks of Feb. 6 and 13, 1965; #2 R&B; #1 UK; #34 on Rolling Stone's 500 Greatest Songs of All Time)

Not in my collection, but topping the chart this week:

"Mr. Lonely," Bobby Vinton
(Charted Oct. 31, 1964; #1 US the week of Dec. 12, 1964; #3 AC)


And new on the boob tube:
  • 12 O'Clock High, "Soldiers Sometimes Kill"
  • Gilligan's Island, "Angel on the Island"

_______

No offense to you Mixer, but fuck all these songs that glorify the Confederacy and attempt to cast it in a noble light in any way. Thank god for Stoneman and his cavalry and screw Robbie Robertson and the sentiment that caused this POS of a song to ever have been written. Dixie needed to be driven down.

On another note, I otherwise like The Band and respect them as musicians. :)
First and foremost, keep in mind that the Band were Canucks. And in general, I'd say it's possible to glean a more universal meaning from the song, outside of its specific historical context...especially in the era in which the song was released, when young men were being sent to die in an unwinnable war.

Here's one that I've seen
OK, now I really do feel like a Johnny-come-lately--even you've seen it! :p

I believe it's right after this that Sundance wakes up and says, "You can have her." :rommie: (Although it's been a long time since I've seen it.)
Yep.

The thing that made me say that is that the last verse has a kind of "you've still got a lot to live for" quality to it.
Maybe she was just gonna lend her gun to Kenny Rogers....
 
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"You Send Me"
Still hard to believe that this gospel artist had a number 1 pop hit his first time out of the gate.
"The Name Game," Shirley Ellis
"Now do Chuck". We thought we were so clever when i was a kid. :lol:
"You've Lost That Lovin' Feelin'," The Righteous Brothers
Great song and just a phenomenal performance. Bill Medley's voice was a national treasure. I would give serious money to be able to sing "you never close your eyes anymore..." Just that line.
First and foremost, keep in mind that the Band were Canucks. And in general, I'd say it's possible to glean a more universal meaning from the song, outside of its specific historical context...especially in the era in which the song was released, when young men were being sent to die in an unwinnable war.
I didn't know they were Canadian, but that doesn't change my feelings about this song and others like it. With respect to the song's "universal meaning", I assume you're referring to the Viet Nam war, I suppose you could look at it as 'war is war' no matter which war, but I can't compare Viet Nam and it's participants with the Civil War and it's participants. The fact that the song uses a fighter for the confederacy to illustrate a point about war is just plain unfortunate.

War is always terrible but for me, it is always made that much worse when one side is fighting to uphold tyranny. So I can't muster any sympathy for good old Virgil Cane. He was fighting on the wrong side.
 
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"You Send Me"
"Wonderful World"
Classics all.

"The Name Game," Shirley Ellis
A classic in its own right. I get a kick out of the Wiki page:

(X), (X), bo-b (Y)
Bonana-fanna fo-f (Y)
Fee fi mo-m (Y)
(X)!
:rommie:
"You've Lost That Lovin' Feelin'," The Righteous Brothers
An amazing song. Epic, like a little opera.

In contrast.... :rommie:

First and foremost, keep in mind that the Band were Canucks. And in general, I'd say it's possible to glean a more universal meaning from the song, outside of its specific historical context...especially in the era in which the song was released, when young men were being sent to die in an unwinnable war.
Exactly. And one of the remarkable things about it is that this sympathetic ballad of a common soldier's tragedy was so successful at a time when our own kids were being abused for fighting on the wrong side (which was one of the things that made me distinguish very early on between the Left Wing and Liberalism).

OK, now I really do feel like a Johnny-come-lately--even you've seen it! :p
Yup, there are actually some non-genre movies that I've seen and enjoyed. :rommie:

Maybe she was just gonna lend her gun to Kenny Rogers....
:rommie:
 
First and foremost, keep in mind that the Band were Canucks.

Four-fifths, anyway.

I didn't know they were Canadian, but that doesn't change my feelings about this song and others like it. With respect to the song's "universal meaning", I assume you're referring to the Viet Nam war, I suppose you could look at it as 'war is war' no matter which war, but I can't compare Viet Nam and it's participants with the Civil War and it's participants. The fact that the song uses a fighter for the confederacy to illustrate a point about war is just plain unfortunate.

I take the song as a character piece. The narrator is a poor white Southerner. He didn't have much to begin with, he had no choice about fighting in the war, and total war in his homeland has wiped out what little he had. The politics of slavery and secession were so far above his level as to be almost in another world.

But that said, I don't disagree with you. Virgil Cain should be blaming the selfish and corrupt white planter aristocracy for his plight. But from the song lyrics, it doesn't seem that he's made that connection.

The song is masterful, it has a real weight and presence to it, and presented a historical character and setting in a way few popular songs ever have. But yes I do wish it had approached the subject in a way that wasn't so easily adapted to fit in with the Lost Cause myths that belong in history's cesspool. I wish RR had written as great a song about a black Southerner. Do I group "The Night They Drove Old Dixie Down" along with Gone With the Wind? Yeah I guess I do. They've tarnished.
 
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50 Years Ago This Week

Wiki said:
December 7 – The animated Rankin Bass Christmas special Frosty the Snowman premiers on CBS.
What the hell, got room for it...
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Mark Lewisohn's The Beatles Day by Day said:
December 11 – Ringo, Maureen, John and Yoko attend the royal world premiere of The Magic Christian at the Odeon Cinema, Kensington, London.
December 12 – First UK release of the Plastic Ono Band LP Live Peace in Toronto.
Wiki said:
December 12 – The Piazza Fontana bombing in Milan, Italy kills 17 people and injures 88.



Selections from Billboard's Hot 100 for the week:
1. "Na Na Hey Hey Kiss Him Goodbye," Steam
2. "Leaving on a Jet Plane," Peter, Paul & Mary
3. "Someday We'll Be Together," Diana Ross & The Supremes
4. "Come Together" / "Something", The Beatles
5. "Down on the Corner" / "Fortunate Son", Creedence Clearwater Revival
6. "Take a Letter Maria," R.B. Greaves
7. "Yester-Me, Yester-You, Yesterday," Stevie Wonder
8. "And When I Die," Blood, Sweat & Tears
9. "Raindrops Keep Fallin' on My Head," B.J. Thomas
10. "Backfield in Motion," Mel & Tim
11. "Eli's Coming," Three Dog Night
12. "Wedding Bell Blues," The 5th Dimension
13. "Holly Holy," Neil Diamond
14. "Smile a Little Smile for Me," The Flying Machine
15. "Baby, I'm for Real," The Originals
16. "Cherry Hill Park," Billy Joe Royal
17. "Eleanor Rigby," Aretha Franklin
18. "Friendship Train," Gladys Knight & The Pips
19. "I Want You Back," The Jackson 5
20. "These Eyes," Jr. Walker & The All Stars
21. "Whole Lotta Love," Led Zeppelin
22. "Midnight Cowboy," Ferrante & Teicher
23. "Going in Circles," The Friends of Distinction
24. "Heaven Knows," The Grass Roots
25. "A Brand New Me," Dusty Springfield
26. "Baby It's You," Smith
27. "Suite: Judy Blue Eyes," Crosby, Stills & Nash
28. "Suspicious Minds," Elvis Presley
29. "Up on Cripple Creek," The Band
30. "Groovy Grubworm," Harlow Wilcox & The Oakies
31. "Jam Up and Jelly Tight," Tommy Roe
32. "Sugar, Sugar," The Archies
33. "Undun," The Guess Who
34. "La La La (If I Had You)," Bobby Sherman
35. "Evil Woman, Don't Play Your Games with Me," Crow
36. "Don't Cry Daddy" / "Rubberneckin'", Elvis Presley
37. "Mind, Body and Soul," The Flaming Ember
38. "Try a Little Kindness," Glen Campbell
39. "Cold Turkey," Plastic Ono Band
40. "Ain't It Funky Now (Part 1)," James Brown

42. "Early in the Morning," Vanity Fare
43. "Kozmic Blues," Janis Joplin

46. "Reuben James," Kenny Rogers & The First Edition

48. "Jingle Jangle," The Archies

60. "Wonderful World, Beautiful People," Jimmy Cliff

65. "She," Tommy James & the Shondells
66. "Jingo," Santana

69. "Tonight I'll Be Staying Here with You," Bob Dylan
70. "One Tin Soldier," The Original Caste
71. "Winter World of Love," Engelbert Humperdinck

73. "Volunteers," Jefferson Airplane
74. "Walkin' in the Rain," Jay & The Americans

77. "Venus," Shocking Blue

83. "She Came in Through the Bathroom Window," Joe Cocker

89. "Arizona," Mark Lindsay

91. "Look-Ka Py Py," The Meters


Leaving the chart:
  • "Ballad of Easy Rider," The Byrds (6 weeks)
  • "I Can't Get Next to You," The Temptations (17 weeks)

New on the chart:

"She," Tommy James & the Shondells
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(#23 US)

"Venus," Shocking Blue
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(#1 US the week of Jan. 31, 1970; #8 UK)


And new on the boob tube:
  • Mission: Impossible, "The Double Circle"
  • Rowan & Martin's Laugh-In, Season 3, episode 13
  • The Mod Squad, "The Healer"
  • That Girl, "She Never Had the Vegas Notion" (Part 1)
  • Ironside, "Beyond a Shadow"
  • Get Smart, "Is This Trip Necessary?"
  • The Brady Bunch, "Vote for Brady"
  • Hogan's Heroes, "The Antique"
  • Adam-12, "Log 143: The Cave"

_______

Still hard to believe that this gospel artist had a number 1 pop hit his first time out of the gate.
Classics all.
Sam Cooke pioneered the soul genre, paving the way for the '60s artists to come. We'll be hearing a little more from him here, as both sides of a posthumous single will be coming up as 55th anniversary business.

gblews said:
"Now do Chuck". We thought we were so clever when i was a kid. :lol:
Somebody always brings up Chuck....

gblews said:
Great song and just a phenomenal performance. Bill Medley's voice was a national treasure.
RJDiogenes said:
An amazing song. Epic, like a little opera.
The Righteouses are pretty much the definition of "blue-eyed soul"...and definitely bringing a distinctive sound to the table at this point.

In contrast.... :rommie:
So it's not just me this time!

And one of the remarkable things about it is that this sympathetic ballad of a common soldier's tragedy was so successful at a time when our own kids were being abused for fighting on the wrong side
I take the song as a character piece. The narrator is a poor white Southerner. He didn't have much to begin with, he had no choice about fighting in the war, and total war in his homeland has wiped out what little he had. The politics of slavery and secession were so far above his level as to be almost in another world.
These touch upon something I'd been attempting to get at indirectly: Can we blame a young (possibly underaged), working-class Southerner for the cause/society that he was being sent to fight and die for, any more than we could blame his counterpart from a hundred years later, being sent to die in Vietnam?

Gone With the Wind
(Another one I've never sat and watched... :shifty: )
 
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These touch upon something I'd been attempting to get at indirectly: Can we blame a young (possibly underaged), working-class Southerner for the cause/society that he was being sent to fight and die for, any more than we could blame his counterpart from a hundred years later, being sent to die in Vietnam?
I'm no civil war scholar, though I have done some reading about it, and from what I gather, many, perhaps not all, southern soldiers believed they were fighting to uphold the southern lifestyle among other things, which included slavery and the overthrow of the United States government.

Viet Nam wasn't exactly a noble pursuit either, as the US fought a proxy war against the USSR which they knew early on they could not win without using nuclear weapons but continued anyway.

I never thought it was right to direct war protests at the individual soldiers, though war protesters overall, were heroes because they risked their lives to end the war earlier than it would have, thereby saving thousands of lives. But most Viet Nam era soldiers were drafted, and though they did have a choice, it wasn't much of a choice.

Regardless, they weren't the bad guys, not really, so not too difficult to sympathize with Viet Nam soldiers.

I have little to no sympathy for confederate soldiers because they chose to fight to uphold an evil regime that was attempting to overthrow the American government. All this so they could continue that evil. They knew what they were fighting for but they, like Confederate leaders, didn't find it evil.
 
What the hell, got room for it...
Here's a holiday classic. I'm surprised somebody hasn't remade it in CGI or live action or something. Or maybe they did and I missed it or blocked it out.

"She," Tommy James & the Shondells
Well, I suppose H Rider Haggard might have liked it.

"Venus," Shocking Blue
Definitely a classic.

These touch upon something I'd been attempting to get at indirectly: Can we blame a young (possibly underaged), working-class Southerner for the cause/society that he was being sent to fight and die for, any more than we could blame his counterpart from a hundred years later, being sent to die in Vietnam?
That's it exactly. Kids like this were just cannon fodder who were fed a line about Northern aggression.

(Another one I've never sat and watched... :shifty: )
I've seen it on TV many times, but I can't recall if I've ever sat down and watched it straight through.
 
_______

55th Anniversary Viewing

_______

12 O'Clock High
"Here's to Courageous Cowards"
Originally aired December 4, 1964
IMDb said:
Corporal Lawrence, a mild-mannered desk clerk, stows away aboard a B-17 to try his hand as a gunner and actually turns out to have a good eye. Major Morse, the pilot and group commander when Savage isn't flying, is so impressed, he urges Lawrence to get accelerated training and become a full time crew member. To his dismay, Lawrence balks at the offer, and Morse subsequently learns that he was a conscientious objector before he enlisted. With a distinguished service record and a penchant for driving himself and his crews hard in battle, Morse is infuriated with Lawrence and pressures him to become a combatant. But Morse must also deal with the enormous pressure he has placed on himself as it starts to erode his judgment and cost the lives of more and more men.

I found this one to be not as engaging as most episodes up to this point, due in part to how the story is split between two protagonists, whose threads overlap but don't really come together in a meaningful way. After Lawrence (Brandon de Wilde, whom I read was the kid in Shane) turns down Morse's (Gerald O'Loughlin) offer to become a regular gunner, Morse looks into him and discovers that he's working in Savage's office because he's a conscientious objector (or, as the other IMDb guy describes him, a "conscientious objector corporal who still joined the Air Force"). Meanwhile, Morse has problems of his own, as Savage is trying to get him to voluntarily step down as a group leader because he's become reckless, always hitting the primary target regardless of the danger and refusing to take evasion action when it's warranted, which is resulting in heavy losses on his missions. Savage won't just relieve him of the duty because he's so popular with the men...which hasn't stopped the general before, but whatever. Wanting to take the heat off himself, Morse brings Lawrence's objector status, which Stovall knew about, to Savage's attention.

Savage is desperate for replacement crews and having men who should be on sick leave put back on active duty, so he persuades Lawrence to put his beliefs to the test a little more by going through the training montage. In the climactic Act IV mission, both guest protagonists face their respective moments of truth on the same bomber, but their stories still remain at arm's length. First the group is approaching a heavy flak cloud, and Morse's copilot and concerned friend throughout the episode, Captain Wilson (Dabney Coleman, not playing a villain or an asshole for a change), tries to persuade him to take evasive action. Morse can't bring himself to do it personally, but surrenders control of the bomber to Wilson. When the Luftwaffe attacks, Lawrence can't bring himself to fire his gun until his friend and fellow waist gunner is killed, at which point he opens up and unleashes his fury on the stock footage.

In the end, Morse has finally decided to step down to a desk job, recommending that Wilson replace him as group commander; and we find Lawrence attending a mission briefing, evidently still in the game.

If the episode spelled out exactly what was going on with Morse psychologically, I didn't catch it. From an anxiety attack that he had while alone on the ground, combined with the title of the episode, my impression is that his uncompromising command style was his way of dealing with his fears.

_______

Gilligan's Island
"Waiting for Watubi"
Originally aired December 5, 1964
Wiki said:
Skipper finds a tiki idol, a small statue of Kona, the god of evil. Skipper believes he is cursed as he disturbed his resting place. Only a visit from Watubi can lift the spell.

Skipper's just taken over the digging of a pit for the castaways' food supply when he finds an idol that he recognizes as Kona, the god of evil. Skipper's superstition and knowledge of lore seems to be an emerging trait. Skipper tries to rebury it, but the Howells are snooping nearby and dig it back up.
Mr. Howell with a shovel said:
Good heavens, Lovey, how do you work one of these?
Skipper later finds it in their hut when going to retrieve the steamer trunk that they'll be storing the food in, and sends Gilligan out to bury the idol again, but Gilligan loses it in the jungle, following which the Skipper temporarily gets stuck in some quicksand. The girls later happen upon the idol and give it to the Skipper as a present at his birthday party.

Gilligan and the Professor try to bury the idol yet again, but the Skipper wanders by, falls in the hole, and finds himself face-to-face with it. Hammock-ridden from a head injury, at this point the Skipper thinks that only a legendary witch doctor named Watubi can save him. When Watubi doesn't come, the Skipper tries to give Gilligan his most valuable possessions, including his hat...
The Skipper said:
After I'm gone, you'll be Skipper.
The castaways are doomed!

The Professor comes up with the idea of Gilligan posing as Watubi. Gilligan does so, accompanied by the girls, who look very recognizable (and are showing their full midriffs, making me wonder about the Jeannie situation). Somehow the Skipper is actually fooled by this. Overjoyed at being able to walk again, he runs outside...and into a tree.

_______

Well, I suppose H Rider Haggard might have liked it.
Had to look that one up. The song is underwhelming and unmemorable, and will be the Shondells' last Top 40 single...though Tommy James will be scoring a solo Top 10 in 1971.

Definitely a classic.
And yes, my first exposure was Bananarama.
 
I found this one to be not as engaging as most episodes up to this point, due in part to how the story is split between two protagonists, whose threads overlap but don't really come together in a meaningful way.
Sounds like a couple of ideas that didn't gel, or maybe some leftover plot seeds that they threw together to meet a deadline. It's too bad, because they are interesting ideas. In particular, the idea of a conscientious objector who enlists to make a contribution-- because the abhorrence he feels for the Nazis is in conflict with her personal beliefs-- is compelling (although the gimmick of him sneaking on board and so on is pretty contrived).

Skipper's superstition and knowledge of lore seems to be an emerging trait.
He's an Old Salt. He's been around. He's seen things!

Skipper later finds it in their hut when going to retrieve the steamer trunk that they'll be storing the food in
I don't think the Howells really grasped the concept the three-hour tour. :rommie:

The castaways are doomed!
But it's one of those understated heartwarming moments that really make this show a classic.

(and are showing their full midriffs, making me wonder about the Jeannie situation)
Different network? Different inquisitors? Different context? You can never be sure what will or won't trigger the censorious mind.

Overjoyed at being able to walk again, he runs outside...and into a tree.
The not-so-understated slapstick also contributes to the classic status as well. :rommie:

Had to look that one up. The song is underwhelming and unmemorable, and will be the Shondells' last Top 40 single...though Tommy James will be scoring a solo Top 10 in 1971.
I Googled the lyrics and they sound like somebody talking in his sleep. A little more effort would have helped.

And yes, my first exposure was Bananarama.
That was a good cover.
 
And that's my favorite line in the film: Butch laughs uproariously and says, "Are you crazy? The fall will probably kill you." :rommie:
I've always been fond of this line, myself.
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_______

50th Anniversary Viewing

_______

The Ed Sullivan Show
Season 22, episode 10
Originally aired November 30, 1969
As represented in The Best of the Ed Sullivan Show

Ed said:
Here is Neil Diamond.
Best of shows us Neil's performance of his hit from earlier in the year, "Sweet Caroline" (complete with an awkward orchestral end in place of the fade-out, not shown here):
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But tv.com indicates he was really there to plug his still-rising current single, "Holly Holy".

Ed said:
Now from Argentina, the fire-juggling Martin Brothers.
The brothers comedically accentuate their act by simultaneously switching pins, hats, and cigarettes between each other. Then come the lit torches, which they toss between each other from a distance while both are blindfolded and hooded.

Ed said:
And now, comedy star Irwin C. Watson!
Watson's routine as shown on Best of consists mainly of an extended joke about going to the Moon to find Indians hiding there, from the angle of his own racial perspective.

Ed said:
Accompanied by Hank Jones, 15-year-old Brooklynite Julie Budd singing Johnny Mercer's and Hoagy Carmichael's "Skylark".
She reminds me of Streisand.

Ed introduces Sergio Franchi by showing a clip of the two of them in a line of people passing wine bottles during the filming of The Secret of Santa Vittoria in Italy. Sergio then sings a theme from the film, "Stay".

Ed said:
Now here are Jim Henson's Muppets!
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:D I was too young to know what was going on at this point, but my sister might have enjoyed this. And what, Ed didn't give a shout-out to "all you youngsters"?

Also in the original episode according to tv.com:
Music:
--Sergio Franchi sings "Stay" & " Granada" (both songs in English & Italian).
--Voices Of East Harlem (led by Bernice Cole) - medley including "For What It's Worth" (Gospel style singing).
Comedy:
--Pat Henry - stand-up topics include New York, marriage, and health.
Also appearing:
--Audience bows: Toots Shore & Bob Considine (with their wives), Wayne Zahn (bowling champ), and Raymond A. Gallagher (VFW Commander-In-Chief).
Filmed segments: A scene from "A Boy Named Charlie Brown"; baseball sketch from Broadway play

_______

Mission: Impossible
"Robot"
Originally aired November 30, 1969
Wiki said:
A country is unaware that its premier is long dead and has been replaced by a double (both played by Leonard Nimoy) who is about to name a successor.

The recent death of Premier Pavel Zagov is being kept secret by Deputy Premier Gregor Kamirov (Malachi Throne), who's replaced Zagov with an imposter code-named Gemini (Nimoy, in very good old-age makeup--last picture here). Gemini is being kept around until he can give a broadcast naming Kamirov as his successor...which is only two days from when Jim listens to the tape!
The miniature reel-to-reel tape in the glove compartment of a Recreation & Parks truck said:
This tape will self-destruct in five seconds. Good luck, Jim!

We see a little more of Jim's apartment as he does some planning out on his balcony before he whips out the portfolio to show us that Lee Meriwether is back as Tracey.

The man that the IMF is hoping to get put in as premier is Anton Massik (Vic Perrin), but he can't be directly involved in order to maintain his political neutrality. They use a mysterious phone call to Massik that they know is tapped to point Kamirov's men to a rendezvous at the airport, which turns out to be Tracey meeting Horn-Rimmed Jim and his lovely assistant, Willy, who run a stage show called "The Marvelous Mr. Mechanico," which involves an extremely lifelike mechanical dummy (Ken Delo). Digging up Jim's file (as planted by Tracey), they find a film of a fake TV appearance demonstrating the dummy. I'm not clear if the film is supposed to have been faked in-story...the cuts and illusions involved with removing his head and then having it talking on a table are fairly obvious to the viewer, but good enough in-story to fool Kamirov.

Searching Jim's apartment, one of Kamirov's men, Danko (Jan Merlin), finds broadcasting equipment and, inside one of Jim's crates that he and Willy had at the airport, a dummy of Zagov. This is all to convince Kamirov that there's a plot to cut into the succession broadcast to replace Fake Zagov's announcement with Even Faker Zagov's announcement. Some additional subterfuge makes it appear that Kamirov's man Colonel Silensky (Larry Linville) is plotting with Gemini to get himself named as the new premier. Having "caught" Tracey along the way, Kamirov sends her with Danko to retrieve Jim, Willy, and the crates. The way up to see Kamirov involves passing through Kamirov's jail, which is now housing Gemini. (I'm not clear if that was supposed to be the usual arrangement, or was the result of the false conspiring with Silensky.) Willy leaves one of the crates propped up against Gemini's cell, from which Barney stealthily works on the bars. With the help of a seduction distraction of Danko by Tracey from her cell, Barney hangs Dummy Zagov in Gemini's cell. Danko is knocked out and left in Gemini's cell while Barney frees Gemini and Tracey.

The other crate contains Paris as Even Faker Zagov. In Kamirov's office, Jim demonstrates his "mechanical" double of Zagov, using signals pressed against Paris's back and a mechanical extra arm to convince Kamirov that he's the genuine fake article. Paris/Nimoy puts on a good performance that includes having his volume adjusted and being switched on and off in mid-speech. The fake programmed speech names Silensky (who's been reported as having shot himself in custody, though my impression from the way the news was delivered to Kamirov is that this was the cover story for his execution) as Zagov's successor. Kamirov wants Jim to reprogram EFZ to name him as Zagov's successor instead, eliminating the need for Gemini.

While Kamirov is entertaining distinguished guests (including Massik) who are there to watch the succession broadcast, the assembled IMFers swap Gemini and Paris, so that it's Gemini who actually gives the speech, calling for free elections to be held. Kamirov makes himself look unhinged by going into the broadcast booth and trying to remove Gemini's arm to show everybody that he's fake. When he can't, he realizes that it's Gemini.

This seems like a ludicrously convoluted scheme to get the original Fake Zagov to say something different than what Kamirov intended for him to say!

Tracey's character's height is given as 5'6" on a forged ID sheet; Meriwether is a slightly more statuesque 5'9".

_______

Rowan & Martin's Laugh-In
Season 3, episode 12
Originally aired December 1, 1969
The Wiki list of guest appearances said:
Jack Benny, Johnny Carson, Zsa Zsa Gabor, Engelbert Humperdinck, Jill St. John, Peter Lawford

A musical skit about the office:
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The news song is pilgrim-themed...a bit late for Thanksgiving.

A surprise cocktail party:
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Laugh-In looks at privacy:
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_______

The Mod Squad
"A Place to Run, a Heart to Hide In"
Originally aired December 2, 1969
Wiki said:
Pete, Linc and Julie pose as college students for the campus investigation of a young man's mysterious death.

Lotta kids dying on campuses these days. Actually, it happens outside of a sanitarium, in a cryptic teaser scene that involves Edward Timmers (Mike McGreevy) having just visited a woman there and threatening to expose an unknown party to another unknown party whom he's talking to. A scuffle ensues in which Zimmers's head is slammed into the gate bars. He's found on a vacant lot, so Greer has the Squadders investigate the school that he attended, Simms College. Pete's cover makes use of prior experience playing football, so he goes to the football-centric frat house in the middle of a hazing ritual. On the word of their BMOC, Holly Anders (Christopher Stone), the fraternity lets Pete in right away without a hazing.

Linc investigates as an African exchange student, doing a really awful accent. He intervenes when a drunk security guard, Dever (Tom Tully), who seems to know something is roughed up by a couple of the frat boys. Pete arranges for Holly to meet his "cousin," Julie--yes, she's actually active in this episode! We learn that Anders is resentful of his overbearing, influential father, George Anders (Don DeFore), who contributes to the college and does everything he can to promote Holly.

George Anders's "promotion man," Mike (Paul Lukather), sees Pete meeting with Linc, and follows Linc to Julie's. Having guessed that they're cops, he nabs Linc and Julie at gunpoint, then nabs Pete, and holds the three of them in the college gym and summons both of the Anderses, who seem shocked about the situation. It comes out that Holly was responsible for putting the girl in the asylum, implicitly via a sexual assault, though they don't spell it out; and that Mike killed Timmers, who was the girl's boyfriend. Dever drops in, sharing what he saw of the incident, and when he threatens to draw his pistol, Mike takes a shot at him and the others jump Mike. A chase outdoors through the stadium ensues, with Greer and a squad car showing up because Dever had just called them. Holly busts his leg in the bleachers, and shames his father when he's more concerned about that than what Holly had done.

After Holly hobbles into the back of a squad car on crutches, the Mod Trio do their customary walk-off on the football field.

The psychedelic John Lennon poster returns in the frat house.

_______

Ironside
"L'Chayim"
Originally aired December 4, 1969
Wiki said:
Ironside must recover a stolen Torah before the thieves learn it's only of value to members of a synagogue.

This time the front-billed main guest isn't much of a suspect...David Opatoshu as Rabbi Herschel Farber, who's injured during the robbery. The thieves leave a swastika painted on the wall of the shul. It turns out that the Rabbi is another figure who was there when Ironside was recovering after he was crippled, so the Chief wants to return the favor. As hinted at, the Torah isn't inherently valuable...it's a powerful symbol of faith for its synagogue because it was lost in Europe during the war and only recently recovered.

Via the rabbi's young grandson, Allie (Stephen Liss), Ironside catches wind of a local street gang called the Loyals, so he checks them out. Their leader, Digby (Hilly Hicks), protests that the Loyals are "too big" to have committed such an act...
Digby said:
Bustin' up a Jewish church and crack an old rabbi's head, that ain't our bag!
The African American gang gains some additional benefit of the doubt when it turns out that there's a holy man in their midst, Reverend Hanley (Hal Frederick). In Mark's parlance, Hanley "grooves with them".

We subsequently get a good look at the thieves, who definitely aren't Loyals, when they try to fence their loot only to be told that there's no market for hot Torahs. One of them, Royce (Greg Mullavey), wants to toss it in the bay, but the other, Trannon (Shelly Novack), won't let him because it's a holy object. They learned about the torah because of a write-up that its recovery got in the paper, so Ironside has a piece written in the same column about how the scroll is only valuable to the congregation. This gives Royce the idea to ransom it, which includes sending a piece of it as proof, to the rabbi's distress.

Digby visits the Ironsidecave trying to sell information. It turns out that his price is help opening a local high school gym to local kids for use at night. He only has the first three letters of the license plate, but between that and another tip about the make of the car that comes from the fence via a go-between, the Chief is able to zero in on the vehicle used by the robbers. Eventually Ed finds the robbers' hotel room, to discover that Trannon has been injured by Royce in a scuffle over Royce's desire to string along the synagogue for more money.

Allie shows up for the delivery as arranged, with a paper bag full of money procured from Commissioner Randall by the Chief, and the beachside area is thoroughly staked out by Team Ironside and the police. Royce grabs the bag from a car that the boy passes and tries to make a getaway, but finds himself in hot pursuit by the Ironsidemobile, Ed's car, and a squad car. But once they've got him, they still don't know where the Torah is, and Royce hints that there's a ticking clock involved. With Trannon's help, they check the cove where Royce had been threatening to toss the Torah earlier in the episode, and Mark locates it among the rocks just as the tide's starting to splash in.

At the end the Loyals' have gotten their gym access, and the reverend has several neighborhood boys sing at the synagogue's celebration of the scroll's recovery.

_______

Get Smart
"Age Before Duty"
Originally aired December 5, 1969
Wiki said:
Max is bewildered when his young 28-year-old contact dies of old age. A disgruntled CONTROL photographer, Felix (John Fiedler), has developed a paint (called "Dorian Gray"), which causes aging once the paint is applied on the photo of the intended target. Rejected by the Chief, Felix shops his dark art to KAOS, which has paid him $100,000. Before long, everyone at CONTROL is aging rapidly, except Larrabee, who has not yet had his ID photo renewed. The episode is a spoof of The Picture of Dorian Gray and the title is a spoof of the old adage, "age before beauty".

Max meets his aged contact, Carruthers (Ralph Moody), at a harbor bar, where his passphrase is "I lost my dinghy," which elicits some reactions when he goes around saying it. The before picture that we later see of Carruthers still looks a lot older than 28.

Felix is working in the CONTROL photo lab, which is how he has access to the photo ID pictures. The antidote turns out to be wiping the Dorian Gray off the retouched photos with a cleaning solution.

_______

The Brady Bunch
"Every Boy Does It Once"
Originally aired December 5, 1969
Wiki said:
After Bobby watches a television adaptation of "Cinderella," older stepsisters Marcia and Jan tease him, then Carol asks for his help in sweeping the chimney. Bobby reasons that what he just saw on TV was correct: All stepmothers and stepsisters are evil. Feeling unloved and unwanted, he decides to run away.

Guest stars: Michael Lerner as Johnny, Larry McCormick as the TV announcer (voice only)

I've noticed how they seem to be giving each kid a spotlight episode early on. After the bit about being asked to sweep the fireplace (not the chimney), Bobby's put out further by Carol fixing up Greg and Peter's old clothes for him instead of buying him new clothes. (See? Mike's not made of money.) Marcia and Jan acting so mean to him (mainly rubbing things in by making fun of his hand-me-downs) seems out of character. Then Mike chooses to fix Cindy's doll cradle before Bobby's bike. Later, after Alice tells Carol about a talk she had with Bobby about the ideas he got from the show, Carol realizes how she contributed by asking him to sweep out the fireplace. By that point the adults all know what's bothering Bobby, but nobody can talk any sense into him. What he doesn't know when he decides to run away is that Carol and Mike are out getting his bike fixed early as a surprise.
Bobby tells Peter what he's doing when Peter catches him packing.

Peter: I told ya, I can't tell ya, I promised Bobby. The only reason he told me is 'cause I'm his brother!
Greg: Well so am I, dummy!​

It doesn't look as funny in print, but Barry Williams's delivery got a good LOL from me. Greg tells Alice in an unsubtly roundabout way, and Mike and Carol get home (without the bike, having decided that it would be like bribing Bobby) while Bobby's still packing--Bobby's got a big-ass suitcase for a little kid...he could almost sleep in it! Mike goes up to talk to him, acting like he doesn't plan to stop Bobby, but putting some ideas in his head about the drawbacks of being out alone in the world. Then when Bobby goes down to the door he finds Carol there with her own suitcase packed, saying that she plans to join him. It's only this that convinces Bobby that everyone cares about him.

Bobby's bike is a bit of a period piece. It's got a banana seat and a high "sissy bar" (as a bit of Googling told me it's called) behind the seat with a nameplate on it.

_______

Hogan's Heroes
"The Empty Parachute"
Originally aired December 5, 1969
Wiki said:
To spook a courier into unchaining a briefcase from his wrist, the team convinces security that there’s a commando somewhere in camp.

Hogan's in Klink's office when Hochstetter brings the courier, Schlager (Parley Baer) in. The coffee pot listening device lets the prisoners spy on one side of a phone conversation with the Fuehrer, so they know it's something big. They perpetrate their ruse by letting Schultz find a half-buried parachute...though they have to go out of their way to draw his attention to it. That convinces Schlager and Hochstetter to put the briefcase in a "more secure" place...Klink's safe, which has a history of secretly being broken into, but under guard. This time Newkirk does the deed while everyone is in the office, with the help of a planted speaker that makes the Germans think they're hearing a radio broadcast of a speech by Hitler--which Kinch's announcement tells them they are ordered to listen to! Newkirk is ostensibly there to do cleaning, and smuggles the briefcase out in his basket, which gives the prisoners some time to inspect it in the tunnel.

Hogan quickly surmises that it's rigged to blow if opened normally, so he radios to London for a not-guaranteed walk-through of how to open it...which is a bit more elaborate than with Bond's FRWL case. Inside they find American currency, which they realize is counterfeit because it's accompanied by the plates that made it. They put a way-too-obvious flaw in the plates--a swastika and Hitler's face! Then they have to perpetrate another ruse to smuggle it back into the safe, so one of them tosses a German grenade (easily purloined from Schultz's belt, and with the pin still in it) into Klink's window right as the safe has been opened. In the coda, Hogan brings the search for the commando to an end when he shows Klink that the parachute was made in Berlin.

DISSS-missed!

_______

In particular, the idea of a conscientious objector who enlists to make a contribution-- because the abhorrence he feels for the Nazis is in conflict with her personal beliefs-- is compelling
His attitude toward the Nazis was more like, "I've heard about all the things they've done, but..."
(although the gimmick of him sneaking on board and so on is pretty contrived).
I thought so, too. If he felt so strongly, it didn't make any sense that he'd put himself in that position.

He's an Old Salt. He's been around. He's seen things!
You should do a Young Skipper prequel series!

I don't think the Howells really grasped the concept the three-hour tour. :rommie:
I can just imagine trying to bring all that crap aboard a whale watch or a schooner.

Different network? Different inquisitors? Different context? You can never be sure what will or won't trigger the censorious mind.
I suspect different context. The difference with Jeannie's costume was probably that she'd be running around in it all the time, so they would have been concerned about not making it "too naughty".

Made a completely random visit to the Decades site to see what was up these days and they had something interesting posted...they're finally getting more episodes of Dark Shadows.

One of the Petticoat Junction episodes that Me played yesterday morning involved a beatnik coffee house...which seemed a bit behind the times considering that the episode aired in early '67.
 
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I've always been fond of this line, myself.
Another good one. :rommie:

But tv.com indicates he was really there to plug his still-rising current single, "Holly Holy".
"Sweet Caroline" was better, anyway.

The brothers comedically accentuate their act by simultaneously switching pins, hats, and cigarettes between each other. Then come the lit torches, which they toss between each other from a distance while both are blindfolded and hooded.
I wonder if the juggling trade survived the end of the Ed Sullivan Show.

:D I was too young to know what was going on at this point, but my sister might have enjoyed this. And what, Ed didn't give a shout-out to "all you youngsters"?
Perhaps he understands by now that everybody loves The Muppets. :mallory:

We see a little more of Jim's apartment as he does some planning out on his balcony before he whips out the portfolio to show us that Lee Meriwether is back as Tracey.
It's too bad they didn't just make her a regular.

Horn-Rimmed Jim and his lovely assistant, Willy
Hubba hubba!

Willy leaves one of the crates propped up against Gemini's cell, from which Barney stealthily works on the bars.
Barney must have claustrophilia.

This seems like a ludicrously convoluted scheme to get the original Fake Zagov to say something different than what Kamirov intended for him to say!
Sounds like a fun one, though.

Laugh-In looks at privacy:
Fifty years ago!

We learn that Anders is resentful of his overbearing, influential father, George Anders (Don DeFore), who contributes to the college and does everything he can to promote Holly.
At least he didn't bribe anybody.... quite.

Holly busts his leg in the bleachers, and shames his father when he's more concerned about that than what Holly had done.
So George didn't know about the rape or murder?

We subsequently get a good look at the thieves, who definitely aren't Loyals, when they try to fence their loot only to be told that there's no market for hot Torahs.
Maybe they should have done some market research first.

At the end the Loyals' have gotten their gym access, and the reverend has several neighborhood boys sing at the synagogue's celebration of the scroll's recovery.
Nice. No murders or deadly peril, but just a genuine concern for a historical object of cultural value.

(See? Mike's not made of money.)
Not anymore! :rommie:

Bobby's got a big-ass suitcase for a little kid...
He's going on a three-hour tour.

His attitude toward the Nazis was more like, "I've heard about all the things they've done, but..."
More like a conscience-less objector then.

You should do a Young Skipper prequel series!
That's not a bad idea. Not a series, but maybe a character appearance who is implied to be a young Skipper.

I can just imagine trying to bring all that crap aboard a whale watch or a schooner.
That's too much for the whole vacation, let alone the sightseeing cruise. :rommie:

I suspect different context. The difference with Jeannie's costume was probably that she'd be running around in it all the time, so they would have been concerned about not making it "too naughty".
That's probably it.

Made a completely random visit to the Decades site to see what was up these days and they had something interesting posted...they're finally getting more episodes of Dark Shadows.
Damn. And us without Decades.

One of the Petticoat Junction episodes that Me played yesterday morning involved a beatnik coffee house...which seemed a bit behind the times considering that the episode aired in early '67.
Well, they are out in the boonies. They're probably just hearing about Punk Rock right about now. :rommie:
 
Barney must have claustrophilia.
Took me a second look to see what you did there.

So George didn't know about the rape or murder?
I don't remember now if he knew about the implied rape. Neither of the Anderses knew about the murder.

He's going on a three-hour tour.
The Schwartzverse comes together. Did you notice that Brady Bunch and Gilligan's Island use the same or similar fonts in their onscreen lettering?

More like a conscience-less objector then.
Went back to rewatch his talks with Savage. There was an angle where he never knew either of his parents, but he knew that his father died on Armistice Day 1918. So he was pretty cynical about the necessity of war...specifically mentioned that WWI was supposed to be the "war to end wars," and didn't do any good.

That's not a bad idea. Not a series, but maybe a character appearance who is implied to be a young Skipper.
I was picturing something more along the lines of The Young Jonas Grumby Chronicles.
 
Took me a second look to see what you did there.
:D

I don't remember now if he knew about the implied rape. Neither of the Anderses knew about the murder.
Okay, that's more or less what I thought.

The Schwartzverse comes together. Did you notice that Brady Bunch and Gilligan's Island use the same or similar fonts in their onscreen lettering?
I didn't, but you're right. And I see that Schwartz was also involved in My Favorite Martian, even if he didn't create it, which is great because I also wanted to bring Uncle Martin to the island. And I also imagined the It's About Time scenario as really a lost world on the other side of the island, or a neighboring island. Now I just have to figure out how to get Tim and the Brady Bunch there. Then there's Dusty's Trail. :rommie:

Went back to rewatch his talks with Savage. There was an angle where he never knew either of his parents, but he knew that his father died on Armistice Day 1918. So he was pretty cynical about the necessity of war...specifically mentioned that WWI was supposed to be the "war to end wars," and didn't do any good.
All well and good, and I can understand objecting to a questionable scenario like Vietnam, but the Nazis weren't exactly a moral gray area.

I was picturing something more along the lines of The Young Jonas Grumby Chronicles.
Which is a great idea, very much a Pulp or movie serial scenario. It would have to be a pastiche, of course (as would the Schwartzverse), due to copyright issues, but that's fine. Actually, the thing that popped into my head just now was Tales of the Gold Monkey, if you remember that show. Jake and Corky had a kind of Skipper and Gilligan relationship-- so what if the Skipper was actually more of a Gilligan in his youth, and that's why he's so tolerant of his little buddy.
 
Now I just have to figure out how to get Tim and the Brady Bunch there.
Well, the Bradys vacationed in Hawaii...

It would have to be a pastiche, of course (as would the Schwartzverse), due to copyright issues, but that's fine.
Ah, so you're thinking actual publishing? I was just picturing fanfic.

Actually, the thing that popped into my head just now was Tales of the Gold Monkey, if you remember that show.
Did used to watch it back in the day. Haven't seen it since, though, so it's been a long time.
 
Well, the Bradys vacationed in Hawaii...
That's true. It's all starting to come together. It's fate! :rommie:

Ah, so you're thinking actual publishing? I was just picturing fanfic.
If I actually write it, it would be to publish it. I prefer to actually own my stuff. I haven't written in somebody else's universe since I submitted a couple of stories to the Strange New Worlds anthologies back in the 90s (didn't make the cut-- turns out they were serious about the "no new characters" rule).

Did used to watch it back in the day. Haven't seen it since, though, so it's been a long time.
It's one of my all-time favorites. Fantastic Pulpy, movie serial vibe, really nice stories, and a great cast-- including Roddy McDowall, who is magnificent in everything he does.
 
55 Years Ago This Week

Wiki said:
December 14 – Heart of Atlanta Motel v. United States (379 US 241 1964): The U.S. Supreme Court rules that, in accordance with the Civil Rights Act of 1964, establishments providing public accommodation must refrain from racial discrimination.
December 18
  • In the wake of deadly riots in January over control of the Panama Canal, the U.S. offers to negotiate a new canal treaty.
  • The deadly Christmas flood of 1964 begins; It becomes one of the most destructive weather events to affect Oregon in the 20th century.
Mark Lewisohn's The Beatles Day by Day said:
December 18 – First UK release of 'Another Beatles Christmas Record', recorded especially for the group's official fan club.
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Note the hints of things to come in '65, including John's second book, A Spaniard in the Works, and the Beatles' second film, Help!


Selections from Billboard's Hot 100 for the week:
1. "Come See About Me," The Supremes
2. "I Feel Fine," The Beatles

4. "She's Not There," The Zombies

6. "Time Is on My Side," The Rolling Stones
7. "Goin' Out of My Head," Little Anthony & The Imperials
8. "Dance, Dance, Dance," The Beach Boys
9. "I'm Gonna Be Strong," Gene Pitney
10. "You Really Got Me," The Kinks
11. "Mountain of Love," Johnny Rivers
12. "The Jerk," The Larks
13. "I'm into Something Good," Herman's Hermits
14. "She's a Woman," The Beatles
15. "Baby Love," The Supremes
16. "Sha La La," Manfred Mann

18. "Saturday Night at the Movies," The Drifters
19. "Any Way You Want It," The Dave Clark Five
20. "Leader of the Pack," The Shangri-Las

22. "Big Man in Town," The Four Seasons
23. "Everything's Alright," The Newbeats
24. "Amen," The Impressions

26. "Oh No Not My Baby," Maxine Brown
27. "Ask Me," Elvis Presley
28. "Willow Weep for Me," Chad & Jeremy
29. "Too Many Fish in the Sea," The Marvelettes
30. "Love Potion Number Nine," The Searchers

32. "Walking in the Rain," The Ronettes
33. "Leader of the Laundromat," The Detergents
34. "How Sweet It Is (To Be Loved by You)," Marvin Gaye

36. "As Tears Go By," Marianne Faithfull
37. "Sidewalk Surfin'," Jan & Dean

39. "Keep Searchin' (We'll Follow the Sun)," Del Shannon

42. "Come a Little Bit Closer," Jay & The Americans

49. "Gone, Gone, Gone," The Everly Brothers

55. "Boom Boom," The Animals

60. "You've Lost That Lovin' Feelin'," The Righteous Brothers

63. "I'll Be There," Gerry & The Pacemakers

65. "Promised Land," Chuck Berry

73. "The Name Game," Shirley Ellis

75. "Hold What You've Got," Joe Tex

87. "Downtown," Petula Clark


Leaving the chart:
  • "Ain't That Loving You Baby," Elvis Presley (10 weeks)
  • "Have I the Right?," The Honeycombs (13 weeks)
  • "Is It True," Brenda Lee (9 weeks)
  • "Last Kiss," J. Frank Wilson & The Cavaliers (15 weeks)
  • "Reach Out for Me," Dionne Warwick (8 weeks)

Recent and new on the chart:

"Promised Land," Chuck Berry
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(Dec. 12; #41 US; #16 R&B; #26 UK)

"I'll Be There," Gerry & The Pacemakers
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(Dec. 12; #14 US; #15 UK)

"Hold What You've Got," Joe Tex
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(#5 US; #1 R&B)

"Downtown," Petula Clark
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(#1 US the weeks of Jan. 23 and 30, 1965; #2 UK)


And new on the boob tube:
  • 12 O'Clock High, "The Suspected"
  • Gilligan's Island, "Birds Gotta Fly, Fish Gotta Talk"

_______

turns out they were serious about the "no new characters" rule
How does that work in 25 words or less?
 
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December 18 – First UK release of 'Another Beatles Christmas Record', recorded especially for the group's official fan club.
I've heard this recording before, years ago on the old radio show, Breakfast With the Beatles". John was definitely the funny Beatle, "it says here." :)
"Hold What You've Got," Joe Tex
Whenever I think of Joe Tex I think of the 70's because of his delicate understated classics, Skinny Legs and All, and Ain't Gon Bump No More With No Big Fat Woman :lol:. I don't recall "Hold On" going all the way back to the 60's.

Some trivia; supposedly, Joe and James Brown had a blood feud going on for years that included a physical altercation.
 
Whenever I think of Joe Tex I think of the 70's because of his delicate understated classics, Skinny Legs and All, and Ain't Gon Bump No More With No Big Fat Woman :lol:. I don't recall "Hold On" going all the way back to the 60's.
So does "Skinny Legs"...it was on the chart in '67-'68.

Some trivia; supposedly, Joe and James Brown had a blood feud going on for years that included a physical altercation.
Now that sounds interesting...!
 
"Promised Land," Chuck Berry
Not exactly a classic, but it sounds like Chuck Berry.

"I'll Be There," Gerry & The Pacemakers
This is pleasant enough.

"Hold What You've Got," Joe Tex
I don't think I've heard this one before. Not bad.

"Downtown," Petula Clark
Definitely a classic.

How does that work in 25 words or less?
Sorry, Strange New Worlds was a series of Trek anthologies open to amateur writers back in the 90s and early 2000s (later than I remembered, and with a revival I wasn't aware of until just now). To avoid creator's rights issues, they had a bunch of rules, including no new characters-- a rule which I flagrantly flaunted, to my detriment. Twice.
 
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