Critics are very mixed on this movie. Its the audiences that are raving.I just got on Metacritic earlier today, and was shocked to see that this only has a score of 59/100, with all of the supposed rave reviews and Oscar buzz, I was expecting it to be a lot higher.
Its the audiences that are raving.
Critics are very mixed on this movie. Its the audiences that are raving.
Just saw it. Quick take:
Phoenix is outstanding, as is cinematography, set design and the rest of the technical side of filmmaking.
Story is thinner than I’d hoped but I’ve long since become a viewer who favours performance ahead of plot in film and theatre, so this will be added to the collection.
Owen Gleiberman: Peter, I have a confession to make. I have just seen a movie that struck me as an outrage. A scandal. An irresponsible exploitation fantasy. A dangerous provocation. A piece of rabble-rousing incel propaganda. A piece of studio product masquerading as a ’70s-style art film. A crime against humanity.
Actually, I’m joking! I did just go to see “Joker” for a second time, and I don’t believe the picture is any of those things. I think it’s a drama of enthralling and scabrous power, all rooted in the fantastic ambivalence with which we’re asked to view the central character.
This Joker looks more pathetic than evil, and the preview provided social media with the one thing it will not tolerate: moral ambiguity.
what struck me most is that what the film wants to say — about mental illness or class divisions in American society — is not as interesting as what it accidentally says about whiteness. For it is essentially a depiction of what happens when white supremacy is left unchecked.
Worldwide it is now just about 50 million shy of being a billion dollar movie.
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Interesting debate about the film. I largely agree with Gleiberman (though I would quibble with the degree of sympathy for Fleck he suggests is in the film).
The Joker is already the biggest R rated movie blockbuster of all time.
This is very impressive considering, Joker has not been approved for release in the China's market, because of it's violent and anti authority content.
https://www.marketwatch.com/story/t...the-ways-joker-is-breaking-records-2019-11-06
Which proves its an undeniable movie phenomenon without having to rely on the Chinese market like so many studio films do. Clearly, Joker is touching people in ways no one could imagine a villain-staring film could. On that note, I do not expect that particular lightning to strike twice, but it will not stop other studios from trying to push their own Joker-esque film, right down to shameless copies.
Which proves its an undeniable movie phenomenon without having to rely on the Chinese market like so many studio films do.
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