Yeah, TOS's optimistic outlook was humanity working together, not paradise or utopia.
I watch a show and decide for myself whether I enjoy it. What Alex Kurtzman says doesn't have any impact on that. He can say whatever he wants and we can hash it out here however much we want. Flashing, blinking lights won't magically make the show better.
Promotheus is supposed to be a prequel to Alien. The shipboard computers say otherwise, but I suspend my disbelief. I don't say, "The computers in Prometheus don't look like the shitty PCs I was taught keyboarding on in school that were old even back then! This movie sucks!" EDIT: And in the case of Alien and Prometheus, they were both directed by the same guy! Ridley Scott. Even he thought the future shouldn't look like it was projected from the past when making a prequel to his own movie.
(I bet two weeks, I couldn't even make it to 24 hours... smdh... With tendencies like these, I'm glad I don't smoke.)
Honestly I don't think CBS had any intention of making their new show a 'visual reboot' of TOS or other such nonsense. They originally hired Bryan Fuller to come up with an idea, his original plan was to have an anthology show taking place in multiple eras of Star Trek history, and then it all snowballed from there into what we eventually got.
I think all CBS really cared about was making sure their audience didn't confuse their show with Paramount's Kelvin timeline films, and used the word 'prime' only to differentiate that. But then the DSC producers got it into their heads that the show was supposed to be a prequel to TOS even though it looks and feels nothing like that show, simply because the buzzword 'prime' was used. As you say, the move toward a more similar visual look to TOS and previous Trek seems to be the producers doing 'damage control' from the look of season 1.
I don't know; they were going on about the "TOS prequel" stuff pretty hard from day one.
I credit that to a combination of the success of the Abrams Films and the studio wondering if the TNG Era was still toxic. Clearly they've changed their mind since then, with Discovery moving into The Future and the advent of Picard, but I can see them still having that mentality in 2016 back when DSC was still being developed.
I credit that to a combination of the success of the Abrams Films and the studio wondering if the TNG Era was still toxic. Clearly they've changed their mind since then, with Discovery moving into The Future and the advent of Picard, but I can see them still having that mentality in 2016 back when DSC was still being developed.
I think the success of The Orville may have a lot to do with Picard going forwards. TNG fans just go gaga over the series, showing that TNG is no in the realm of forgiving nostalgia.
Yeah but it didn't have a Gestapo flying around in a fleet of black ships doing all the dirty work so they could be all shiny and virtuous. Whether you like it or not, Discovery is a massive re-contextualisation of the TOS era.Yeah, TOS's optimistic outlook was humanity working together, not paradise or utopia.
And weren't we told that we would eventually find out how Section 31 went from being practically out in the open to the organization we saw in DS9 or even Enterprise? Section 31 went from being super secret in Enterprise to having their own badges that people can recognize in Discovery, back to super secret in DS9. Where was the explanation? Did I miss it somewhere? Was it all lumped into "never talk about it again" in the season 2 finale?Yeah but it didn't have a Gestapo flying around in a fleet of black ships doing all the dirty work so they could be all shiny and virtuous. Whether you like it or not, Discovery is a massive re-contextualisation of the TOS era.
Personally I'm cool with it, but I don't really consider Disco to be in continuity with TOS*, where Spock didn't really have a sister and Starfleet didn't have a Section 31 doing all their dirty work and making us no better than the enemy.
*although of course I get that's the official party line and they're sticking to it.
One could surmise that They are saving all that for the Actual "Star Trek: Section-31" Show that They are producing.And weren't we told that we would eventually find out how Section 31 went from being practically out in the open to the organization we saw in DS9 or even Enterprise? Section 31 went from being super secret in Enterprise to having their own badges that people can recognize in Discovery, back to super secret in DS9. Where was the explanation? Did I miss it somewhere? Was it all lumped into "never talk about it again" in the season 2 finale?
I hope that never gets produced and goes the way of Phase II.One could surmise that They are saving all that for the Actual "Star Trek: Section-31" Show that They are producing.
Well you probably won’t get that wish.I hope that never gets produced and goes the way of Phase II.
From what we've already been told a few times now about the behind the scenes stuff, you're hope isn't likely to be fulfilled.I hope that never gets produced and goes the way of Phase II.
Yes, I would expect that re-contextualisation, as you put it. That doesn't put it out of step with TOS, as it just adds an additional layer to previously known information.Yeah but it didn't have a Gestapo flying around in a fleet of black ships doing all the dirty work so they could be all shiny and virtuous. Whether you like it or not, Discovery is a massive re-contextualisation of the TOS era.
Well considering S31 seems to have all but collapsed at the end of Season 2 because of Control, and the joint Klingon-Federation fleet destroyed most of their fleet, they wouldn't have ships flying around during TOS.Yeah but it didn't have a Gestapo flying around in a fleet of black ships doing all the dirty work so they could be all shiny and virtuous.
Um...go rewatch TOS S3 - "The Enterprise Incident". In it you have:Yeah but it didn't have a Gestapo flying around in a fleet of black ships doing all the dirty work so they could be all shiny and virtuous. Whether you like it or not, Discovery is a massive re-contextualisation of the TOS era.
Personally I'm cool with it, but I don't really consider Disco to be in continuity with TOS*, where Spock didn't really have a sister and Starfleet didn't have a Section 31 doing all their dirty work and making us no better than the enemy.
*although of course I get that's the official party line and they're sticking to it.
Well you probably won’t get that wish.
From what we've already been told a few times now about the behind the scenes stuff, you're hope isn't likely to be fulfilled.
They've already mentioned that They are well underway into pre-production with scripts being written.
Ms Yeoh has also stated several times she's looking forward to starting it as soon as her part in DISCOVERY-Season 3 is done.
I'm kinda interested in seeing how it goes, even though it probably isn't really in my wheelhouse of things I'd go out of my way to watch.
Um...go rewatch TOS S3 - "The Enterprise Incident". In it you have:
- The Federation CLEARLY violating a treaty made in good faith.
- A Federation Captain willing to risk his entire career and reputation if it goes wrong.
- Mr. Spock willing to lie.
All to try and capture a new cloaking device develped by the Romulans thatr they feel is a move towards starting another Federation/Romulan War; (and hmmm...I wonder HOW the Federation found out about said device in the first place...IDK maybe a Fleet of more/deeper covert operatives?)
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