Rubish.
These two ARE super similar. The "painstakenly" taken arguments were "Ripper's not even blue" (except when he is), and "it's just generic", because, y'know, more than one SF show has a human-sized, sparkling Tardigrade as a means for FTL-transportation....
Ripper. Ain't. Blue. There is no "except when he is". The tardigrade in Abdin's animation is
naturally blue, which we know because it's depicted next to a human character allowing us to see that it's seen in neutral, natural lighting. When Ripper is in neutral, non-tinted lighting he is
muddish brown. He has a blue tint and shine when in blue ambient lighting, because that's
how ambient lighting works. Ever been in a darkroom for developing photos? They have red light bulbs, so
everything you see in the room will be tinted red. That doesn't make the white t-shirt you wore in the darkroom "similar" in color to somebody else's actually red t-shirt. If you put Ripper in red ambient lighting he would look red-ish, green-ish in green lighting, yellow-ish in yellow lighting, and I'm sure you can figure the pattern out from here. It's quite weird that you think the judge should have ignored the difference lighting makes to something's appearance instead of looking at it neutrally.
You keep referring to Ripper as a means for faster than light travel when the show even
explains that that's not what's happening. Ripper, a huge (
welcome to sci fi, where we have a long history of making tiny animals giant) distant cousin to earth's tardigrades (
real life animal with natural association to space due to its ability to survive there) can, via horizontal gene transfer (
something scientists thought tardigrades could actually do until it was debunked in further research), interact with the mycelial network (
sci fi version of real life thing) and use it as a shortcut through a specific plane of subspace (
preexisting Star Trek concept with long franchise history) by utilizing it's ability to almost instantaneously transfer information due to quantum entanglement (
real life fancy physics thing). Humans can utilize this ability to
successfully travel through the network itself (
remember they can travel in the mycelium already at the start of the show, they just can't steer correctly for longer jumps) by using Ripper and later Stamets (
hello again vertical gene transfer) as living navigational computers (
Dune say's hi!). And please note that it's specifically referred as jumps in the show, so
no actual travelling at faster than light speeds ever takes place.
You claim undeniable similarity to Abdin's tardigrade, who's big, and can facilitate space travel for humans.
Somehow. That's the level of depth we're given as an indication how it works in the game. Probably because the game doesn't actually exist yet, and that's pretty much how far he's gotten. And am I really the only one who always had the nagging feeling that the animation Abdin made was originally supposed to be
symbolic or a
dream sequence instead of how the tardigrade would
actually work for space travel when the game proper was finished (since Carter is butt-naked in the unforgiving, inhospitable environment of space while completely unbothered by the complete lack of life support) and that the clip only later was claimed to be a literal interpretation to support the claim of theft? But because Discovery has 1 (one) shot of a big tardigrade re-hydrating in blue ambient lighting in space before disappearing in an effect not dissimilar to warp on Star Trek shows, that somehow counts as similar to Abdin's 1 (one) shot of a giant blue tardigrade hugging a guy who goes from in a space suit to naked, then "digitized" or something before completely enveloped, before we are treated to the tardigrade slowly paddling away into space with it's stout little legs, presumably with the guy still inside it (at least that is what the Kuleshov effect suggests).
Like, how is that actually all that similar?