The Marshak/Culbreath books in that early batch were horrid.
The height of the 90s when Pocket Books was publishing up to 5(!) novels a month (TOS, TNG, DS9, VOY, and a hardcover of any series) was just too much and resulted in many rushed feeling novels that felt generic.
I've got "Mission to Horatius", though I think it is about the 600th printing.
I still have "Yesterday's Son" with a great follow up with both "All our Yesterdays" and "City on the Edge of Forever."I have Spock Must Die! somewhere in my house. I first read it in eighth grade. I like how they took the time to have an extended conversation about the transporter and how it picks you apart every time you go into one.
I still have "Yesterday's Son" with a great follow up with both "All our Yesterdays" and "City on the Edge of Forever."
Plus, Spock has a son!
Yes, I do. Just never got around to read it.You do know she wrote a sequel, right? 'Time for Yesterday'.
Yes, I do. Just never got around to read it.
Discovery bad or really bad? I’ve got that book as well but never read it.I had an original from 1968. That story is BAD....it makes the old Gold Key comics stories look like masterpieces.
His son comes back and asks for help with a war or something.It's been so long (read it when it first came out) that I don't remember one thing about it.![]()
Discovery bad or really bad? I’ve got that book as well but never read it.
It wasn't just the rate but the novels had a hard set of guidelines they had to keep to. Basically, nothing in the status quo can change at all in any way. Only the real star writers likes Peter David were even really allowed to add new stuff. That also was a part of what created the generic feel to the novels.
That bat'leth he's holding looks like it could also pass as Legolas' bow.
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