You see the future in dreams as well? What are next week’s lotto numbers then?I really hope that Dreamer isn’t going to be a one season character, I want more of her. I rarely get characters I can actually identify with.
You see the future in dreams as well? What are next week’s lotto numbers then?I really hope that Dreamer isn’t going to be a one season character, I want more of her. I rarely get characters I can actually identify with.
I really hope that Dreamer isn’t going to be a one season character, I want more of her. I rarely get characters I can actually identify with.
You can make the case that IV has its heart in its right place, in that it's not a comedy vehicle for Richard Pryor and seems to be trying to recapture the magic of the first two movies, right down to bringing back Gene Hackman and Margot Kidder, but they weren't able to pull it off, in part because of the shoestring budget.
The one decent Superman III sequence for me was Superman's struggle with himself (IE the mental 'Dark' Superman). IF they wanted to juist do a Richard Prior film; maybe they should have just had him become "Black Vulcan" (ala the "Superfriends" cartoon version) and done a 'team up' flick.It’s Superman III that I really hate. It seems to focus more on that computer guy than on Superman. Plus it’s boring.
The one decent Superman III sequence for me was Superman's struggle with himself (IE the mental 'Dark' Superman). IF they wanted to juist do a Richard Prior film; maybe they should have just had him become "Black Vulcan" (ala the "Superfriends" cartoon version) and done a 'team up' flick.
Also while I am talking Luthor's is Lionel Luthor still alive in this universe? Part of me would love to see Lionel Luthor from "Smallville" somehow come aboard. Maybe throught Elswor;ds tinkering or something.
The one decent Superman III sequence for me was Superman's struggle with himself (IE the mental 'Dark' Superman). IF they wanted to juist do a Richard Prior film; maybe they should have just had him become "Black Vulcan" (ala the "Superfriends" cartoon version) and done a 'team up' flick.
If one can ignore the Pryor parts, Superman III has "good bones" so to speak, starting with the dark Superman struggle, which was carried off flawlessly by Reeve. Then, there's the Smallville scenes with Lana, who was a genuinely interesting character to revisit, since she had been seen as sympathetic / sort of sweet on Clark in the Smallville scenes from the first film. She was a good contrast to Lois, and would have been a good addition to the series if it had continued in the right hands.
If one can ignore the Pryor parts, Superman III has "good bones" so to speak, starting with the dark Superman struggle, which was carried off flawlessly by Reeve. Then, there's the Smallville scenes with Lana, who was a genuinely interesting character to revisit, since she had been seen as sympathetic / sort of sweet on Clark in the Smallville scenes from the first film. She was a good contrast to Lois, and would have been a good addition to the series if it had continued in the right hands.
I've always found the comics story a bit overrated, and not as profound or important as it thinks it is, so I didn't mind that they weren't all that beholden to it. And I don't think Kara really compromised, nor did she technically lie. As she told President Assmunch (what the hell did Marsdin see in this guy as a running mate?), "there was no other choice."A pretty good episode per se, but I'm disappointed that it didn't really engage with the themes of the comics story it's named after. That was about Manchester Black and the Elite challenging whether Superman's refusal to kill was naive in these more violent times, and Superman ultimately giving a terrific speech reaffirming his principles and exposing the emptiness of Black's. This episode somewhat engaged with the theme, but didn't really focus on it, and if anything, the climax went slightly in the opposite direction by having Supergirl compromise by destroying the satellite and lying about it.
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