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The Classic/Retro Pop Culture Thread

They did one special, 33 1/3 Revolutions per Monkee, which aired in April '69, and is available on YouTube. I may visit it when the time comes.

Please do, as it is a valuable part of Monkees history, ad a look at "what would have been" if the special had not been scheduled against some then-unfair competition...


I hope he didn't talk over the songs like that on the radio. And I hope his mob connections don't rub me off for criticizing him.

Well, like many DJ's, he would speak over song intros, although not at the same length. As for his mob connections, I think that relationship went sour for Blavat after the DJ "ratted" on Joseph "Uncle Joe" Ligambi, so you might be safe criticizing "The Geator with the Heater".



Fascinating! I loved that cartoon when I was a kid and that theme song still pops into my head frequently to this day.

It can be a bit repetitive, but its fun to catch when in nostalgia mode.
 
"All Along the Watchtower," The Jimi Hendrix Experience

From the sessions that had Brian Jones contributions, although some of his work was mixed out of final versions.

"Over You," Gary Puckett & The Union Gap
(#7 US; #3 AC; #54 UK)

Timeless.

"Elenore," The Turtles
(#6 US; #7 UK)

Ditto.

And new on the boob tube:
  • Rowan & Martin's Laugh-In, Season 2, episode 1
  • Ironside, "Shell Game" (Season 2 premiere)
  • Hawaii Five-O, "Cocoon" (series premiere)
  • Star Trek, "Spock's Brain" (Season 3 premiere)
  • Adam-12, "Log 1: The Impossible Mission" (series premiere)
  • Get Smart, "The Impossible Mission" (Season 4 premiere)

A very busy week for late 60's hallmarks, which will continue the following week.




From what I glanced over on its Wiki page, it sounds like they took more of a Star Wars Holiday Special approach...presenting variety show content in the framework of a questionable story. Peter described it as "the TV version of Head."

Tork was sort of right in comparing it to Head--at least with the plot commenting on the band's origins. Both are watchable just for scenes of the group playing non-Kirshner era songs.
 
My dislike of Jack Lord prevented me from ever getting into Hawaii Five-0, despite the exotic locale and the babes, but that is one of the greatest TV themes and intros of all time.
Definitely and easily! Rivaled only by Mission: Impossible in my book. And we'll be getting a bona fide hit single version of it in about six months.

For clarity, I only got the two-episode edit of the pilot movie from Decades, so that's all I'll be reviewing. A pity, because I did find it pretty good, having started this week's viewing early for reasons. Jack even got in some expressiveness...there was one moment I was inclined to take a screenshot of, where he gives a dramatic, silent fistpump to his guys (including Pilot Danno, played by a different actor) while getting some information on the phone.

I was never a big fan of Jimi, but in terms of nostalgia this really conjures up the time and place.
Testifying to the single/album rock divide of the era, this was, rather surprisingly, Jimi's only Top 40 hit in the States!
From the sessions that had Brian Jones contributions, although some of his work was mixed out of final versions.
To Wiki!
Wiki said:
Hendrix's friend and Rolling Stones multi-instrumentalist Brian Jones played the various percussion instruments on the track. "That’s him playing the thwack you hear at the end of each bar in the intro, on an instrument called a vibraslap."
That's the best part of the song!

While we're hanging around the Wiki page...
Wiki said:
Dylan has described his reaction to hearing Hendrix's version: "It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn't think of finding in there. He probably improved upon it by the spaces he was using. I took license with the song from his version, actually, and continue to do it to this day." In the booklet accompanying his Biograph album, Dylan said: "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way... Strange how when I sing it, I always feel it's a tribute to him in some kind of way."
High praise indeed!

RJDiogenes said:
Another great single from these guys.
TREK_GOD_1 said:
Timeless.
Not quite as strong and memorable to my ear as a couple of their prior singles, but it definitely delivers on the group's distinctive sound and is one of those friendly oldies radio classics.

RJDiogenes said:
I love this one. A prime example of Happy 60s. :D
TREK_GOD_1 said:
This one has a very interesting story, which I read about on Wiki. It was recorded for their then-upcoming The Turtles Present the Battle of the Bands, a concept album on which they played songs in a variety of styles while pretending to be different, competing groups. "Elenore" was meant to be a parody of themselves...specifically of "Happy Together," which was the type of single that their record label kept pressuring them to put out more of...and the Turtles gave the song deliberately bad lyrics as part of the joke. But their record label took the song at face value and put it out as a single...and the record-buying public seemed to agree with the label's assessment!

RJDiogenes said:
Due to stuff, we've only watched one of them, but we'll probably see a couple more today. The one we saw was the first-filmed blind Jungle Girl episode, which I found entertaining, but rather bad in terms of quality. The story was very disjointed and badly directed, with a lot of those post-production voiceovers that make a show seem amateurish.
I don't distinctly recall that episode as a particularly bad example, but sloppy editing, sometimes meant to convey action but resulting in confusion, was a recurring issue with the series. I've read that it was a very expensive series to film, FWIW.

And "A Life for a Life," which should be the next one in the order you recorded them, is the one that I suspect of having been filmed first. "Eyes of the Lion" was the first aired.

True. I was just thinking that it would have been an opportunity to give a boost to an existing band. The Monkees seem like the kind of guys who would want to do that.
The one tricky thing in this scenario is that it was supposed to be a female singer pretending to be a male singer, which might have been more difficult to pull off, but they did it in reverse with the song performed by the Monkees while Davy was in drag. Giving the girl band a Chipmunk-speed Monkees song, however, was completely sidestepping the issue.

Please do, as it is a valuable part of Monkees history, ad a look at "what would have been" if the special had not been scheduled against some then-unfair competition...
But deliberately so, because the network wanted to bury it, from what I read.

Well, like many DJ's, he would speak over song intros, although not at the same length.
There's one DJ on Sirius XM's '60s on 6 who goes out of his way to breathlessly talk over every last split-second of a song's intro, sometimes clearly improvising just to make sure he fills up that little bit of extra length and bumps right up against the first lyric. It annoys the shit out of me.

A very busy week for late 60's hallmarks, which will continue the following week.
And will include the chart debut of 50th Anniversaryland's latest made-for-TV band:
Archies.jpg
 
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I have some good news, to make up for losing Decades...I just discovered that MeTV is back in my cable lineup! The retro channel that started it all for me!

Alas, they're only playing one episode of Wild Wild West a week, and it's a year behind my 50th anniversary viewing. And Hawaii Five-O isn't currently in their lineup.

_______

Selections from Billboard's Hot 100 for 55 years ago this week:
2. "My Boyfriend's Back," The Angels
3. "If I Had A Hammer," Trini Lopez
4. "(Love Is Like a) Heat Wave," Martha & The Vandellas
5. "Sally Go 'Round the Roses," The Jaynetts
6. "Then He Kissed Me," The Crystals
7. "Surfer Girl," The Beach Boys
8. "Mickey's Monkey," The Miracles
9. "Hello Mudduh, Hello Fadduh! (A Letter from Camp)," Allan Sherman
10. "Cry Baby," Garnet Mimms & The Enchanters
11. "Wonderful! Wonderful!," The Tymes
12. "Be My Baby," The Ronettes
13. "The Monkey Time," Major Lance
14. "A Walkin' Miracle," The Essex feat. Anita Humes

16. "Hey Girl," Freddie Scott
17. "Mockingbird," Inez & Charlie Foxx

19. "Martian Hop," The Ran-Dells
20. "Frankie and Johnny," Sam Cooke
21. "The Kind of Boy You Can't Forget," The Raindrops
22. "Little Deuce Coupe," The Beach Boys
23. "Busted," Ray Charles
24. "Candy Girl," The Four Seasons
25. "Denise," Randy & The Rainbows

27. "Honolulu Lulu," Jan & Dean
28. "Blowin' in the Wind," Peter, Paul & Mary
29. "Hey There Lonely Boy," Ruby & The Romantics

32. "Wham!," Lonnie Mack
33. "Fingertips, Pt. 2," Little Stevie Wonder
34. "More," Kai Winding & Orchestra
35. "Only in America," Jay & The Americans

40. "I Can't Stay Mad at You," Skeeter Davis

49. "Wait 'Til My Bobby Gets Home," Darlene Love
50. "Mean Woman Blues," Roy Orbison
51. "Don't Think Twice, It's Alright," Peter, Paul & Mary
52. "Donna the Prima Donna," Dion

55. "I'll Take You Home," The Drifters

57. "Talk to Me," Sunny & The Sunglows

63. "Wipe Out," The Surfaris
64. "Fools Rush In," Rick Nelson
65. "Sugar Shack," Jimmy Gilmer & The Fireballs

70. "Blue Bayou," Roy Orbison

74. "Deep Purple," Nino Tempo & April Stevens

92. "Cry to Me," Betty Harris

100. "Washington Square," The Village Stompers



Leaving the chart:
  • "Green, Green," The New Christy Minstrels
  • "I (Who Have Nothing)," Ben E. King
  • "Judy's Turn to Cry," Lesley Gore


55 Years Ago Spotlight

This is another near-chart topper that I wasn't familiar with before I got it, but it proved to be quite the earworm:

"Sally Go 'Round the Roses," The Jaynetts
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(Charted Aug. 31, 1963; #2 US; #4 R&B)

This one's a little cheesy, but I like April's breathy recital of the lyrics:

"Deep Purple," Nino Tempo & April Stevens
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(Charted Sept. 14, 1963; #1 US the week of Nov. 16, 1963; #4 R&B; #17 UK)

_______

Here's the Jack Lord fistpump...less "dramatic" and more "cray-cray":

HFO.jpg

A couple shots of the Archies with different-colored backgrounds and more of Betty's face:

ArchiesRed.png ArchiesYellow.jpg

I remember back in the day, somebody around here had an animated avatar of Reggie's close-up.

Totally unrelated to anything...Superman and the Chairman:

FHTE.jpg
(From Here to Eternity, 1953)
 
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It can be a bit repetitive, but its fun to catch when in nostalgia mode.
Apparently there's a DVD, but it's incomplete. I'm sure there must be episodes on YouTube, though.

Definitely and easily! Rivaled only by Mission: Impossible in my book. And we'll be getting a bona fide hit single version of it in about six months.
Yes, those are two of the greatest.

Jack even got in some expressiveness...there was one moment I was inclined to take a screenshot of, where he gives a dramatic, silent fistpump to his guys
:eek:

"Elenore" was meant to be a parody of themselves...specifically of "Happy Together," which was the type of single that their record label kept pressuring them to put out more of...and the Turtles gave the song deliberately bad lyrics as part of the joke. But their record label took the song at face value and put it out as a single...and the record-buying public seemed to agree with the label's assessment!
Indeed, I sure did. That lyrical style-- the playfulness and irreverence-- is what I love about the song and the band.

And "A Life for a Life," which should be the next one in the order you recorded them, is the one that I suspect of having been filmed first. "Eyes of the Lion" was the first aired.
I knew it was the first something. I thought I was watching them in order, but I didn't see "A Life For A Life," so I hope I didn't miss recording it. Yesterday, we saw the two-part "Deadly Silence," which was good. I thought it was particularly striking that the show allowed the sergeant to get the win-- when the colonel turned on him, I assumed he would die and that the showdown would be with Tarzan. Nice. Then we saw both Giant Clam episodes, the one with the beautiful scientist and the one with the beautiful archaeologist, both of which were good, and both of which had surprising moments.

There's one DJ on Sirius XM's '60s on 6 who goes out of his way to breathlessly talk over every last split-second of a song's intro, sometimes clearly improvising just to make sure he fills up that little bit of extra length and bumps right up against the first lyric. It annoys the shit out of me.
Sounds like an overzealous attempt to be retro.

I have some good news, to make up for losing Decades...I just discovered that MeTV is back in my cable lineup! The retro channel that started it all for me!
That's great. :bolian:

Alas, they're only playing one episode of Wild Wild West a week, and it's a year behind my 50th anniversary viewing. And Hawaii Five-O isn't currently in their lineup.
Yeah, WWW segues from their Western block to their Sci-Fi block on Saturday.

"Sally Go 'Round the Roses," The Jaynetts
Nice. I've never heard of the song or the band.

"Deep Purple," Nino Tempo & April Stevens
Ack! Donnie and Marie flashblack! :crazy:

Here's the Jack Lord fistpump...less "dramatic" and more "cray-cray":
Maybe he saw that and decided to go with the flat affect thereafter. :rommie:

Totally unrelated to anything...Superman and the Chairman:
So he's got more than one secret identity....
 
I knew it was the first something. I thought I was watching them in order, but I didn't see "A Life For A Life," so I hope I didn't miss recording it.
Sounds like you did. They aired on Decades in airdate order, so it should have been next after "Eyes of the Lion".

Yeah, WWW segues from their Western block to their Sci-Fi block on Saturday.
I'm thinking I might just start recording it and watch it as odd viewing during the next Summer hiatus.

Nice. I've never heard of the song or the band.
If it works like it did on me, you'll be hearing it more today.

Ack! Donnie and Marie flashblack! :crazy:
Ah...I didn't know (or remember) that they did that one. Nino and April were also a brother/sister duo.
 
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Sounds like you did. They aired on Decades in airdate order, so it should have been next after "Eyes of the Lion".
Must have then. And I guess there won't be any more chances.

Ah...I didn't know (or remember) that they did that one. Nino and April were also a brother/sister duo.
Yeah, that was their signature song back when they had their variety show in the 70s.
 
Yeah, that was their theme song, but "Deep Purple" was the song that they were known for-- I forget if it came before or after the show started. They used to do things like dress Donnie up in purple superhero costumes and stuff like that. I didn't watch the show, but it would be on sometimes thanks to younger siblings.
 
_______

50th Anniversary Viewing

_______

Rowan & Martin's Laugh-In
Season 2, episode 1
Originally aired September 16, 1968
The Wiki list of guest appearances said:
Barbara Feldon, Zsa Zsa Gabor, Hugh Hefner, Bob Hope, Jack Lemmon, Richard Nixon, Sonny Tufts, John Wayne, John B. Whitney
Probably Laugh-In's most iconic moment:
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The Mayor of Beautiful Downtown Burbank formally welcomes the show back.

And here comes the judge! Pigmeat Markham has joined the show:
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This episode includes multiple small judge bits throughout the show.

Jack Lemmon said:
Has this kind of stuff won sixteen Emmies?


Future Partridge Family co-star Dave Madden is introduced as a new cast member.

The onscreen blurb said:
George Wallace...your sheets are ready.


Comedy duo McCall & Brill appear in this one. I saw their act on the February 9, 1964, episode of The Ed Sullivan Show, thanks to a Best of installment that featured other performers from that historic hour. What I didn't realize until I looked them up related to this week's viewing is that Brill also played Arne Darvin in "The Trouble with Tribbles".

Another recurring gag throughout this episode involved several cast members using an automat.

Multiple cast members dress as Tiny Tim to perform the song introducing the news segment, and continue to appear in costume for various bits:
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New to this season: the episode includes more than one cocktail party segment.

Mod, Mod World takes a look at Higher Education.

A side-note on the origin of the phrase "sock it to me"...in a recent Cousin Brucie appearance, Mitch Ryder credited his use in the song "Sock It to Me, Baby!" to Aretha's use in "Respect". That just muddies the issue, however, as the Mitch Ryder single was released in January 1967, and charted in February. Whereas the album on which Aretha's version of "Respect" first appeared was released in March 1967. Unless Mitch was privy to the song pre-release, his claim seems gracious but unlikely.

_______

Ironside
"Shell Game"
Originally aired September 19, 1968
Wiki said:
Ironside matches wits with a master jewel thief intent on adding more to his collection.

Guesting Sorrell Booke as Arthur Justin, the charming but potentially murderous thief with whom Ironside engages in a battle of wits. Ironside's not using the Ironsidemobile serves as a clue to Justin as to what the Chief is up to, which is the source of the episode's title. But the Chief is a step ahead of Justin, and the Ironsidemobile itself proves to be a diversion.

And this episode, for the first time that I've noticed, the term "Ironsidemobile" is actually used on the show, as a radio callsign! :lol: I thought it was my idea, but I guess the writers were about 49 years ahead of me! We also get an interior that can been seen from the outside when the back doors are open; last season they always had the back conspicuously dark in such shots.

Other guests include Robert DoQui, whom I recognize from roles on Tarzan, as one of Justin's men.

Apparently some are still saying "HEELeycopter" in 1968.

Sign o' the times: Justin's gas gadget is activated by a garage door remote...something that may have been around for a while at that point, but was still newfangled enough to require explanation.

_______

Hawaii Five-O
"Cocoon"
Originally aired September 20, 1968
Series premiere
Wiki said:
Stephen Aloysius "Steve" McGarrett (Jack Lord) is embroiled in a tale of espionage and murder in this story, which marks the first appearance of villain Wo Fat (Khigh Dhiegh). Andrew Duggan, Leslie Nielson, Soon-Tek Oh and Nancy Kwan guest stars. Only appearance of Tim O'Kelley as Danny "Danno" Williams.

What I recorded from Decades was actually the two-part rerun edit of the pilot movie, whatever the differences may be. I was disappointed to discover that James MacArthur wasn't in it, but it has a few other familiar faces, mentioned above. The credits show some different footage where Danno should be. Note that Soon-Tek Oh is uncredited. Other guests not listed above include Philip Ahn as Hawaii's attorney general and James Gregory as an American intelligence official.

Wo Fat's electronic monitoring system for his sensory deprivation chamber make what sounds like the classic Trek communicator activation noise, as well as bridge sounds from "The Cage".

Duggan and Nielsen are playing operatives of "(Local) Intelligence," whatever that's supposed to be, who are investigating the death of one of their men. The Chinese are after the identity of an intelligence chief named "Control," which seems a little too James Bond. The identities of American intelligence agency heads are public knowledge.

Sign o' the times: In a romantic interlude with Rosemary Quong (Nancy Kwan), McGarrett likens his reason for becoming a cop to her reason for becoming a hippie...because he cares.

One scene had Pilot Danno way overexplaining how pieces of a word on partially burnt fragments of paper fit together...I could see the word coming way before he got around to what was clearly meant to be the "a-ha" moment.

McGarrett proves what a big damn hero he is by lasting 8 hours in Wo Fat's chamber--over twice as long as the agent in the teaser--without being turned into a vegetable. He does "break," but only to spill false information that was drilled into him via hypnosis. And somehow, the entire interrogation process, including the information that McGarrett divulges, occurs while it's night outside.

Quong: To cops.
McGarrett: To hippies.
Quong: Peace?
McGarrett: Peace.​

Overall this was pretty good. In contrast to Ironside, it was more espionage/intrigue than mystery, and kept my interest but wasn't hard to follow. It's too bad that this is all I've currently got for the series.

_______

Star Trek
"Spock's Brain"
Originally aired September 20, 1968
Stardate 5431.4 (or maybe 4351.5)
H&I said:
A woman beams directly aboard the Enterprise and uses a device to render the crew unconscious. When they awaken, McCoy discovers that the alien visitor has removed Spock's brain.
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See my post here.

_______

Adam-12
"Log 1: The Impossible Mission"
Originally aired September 21, 1968
Series premiere
Wiki said:
Three weeks earlier, Officer Pete Malloy's (Martin Milner) beat partner was shot and killed during an attempt to arrest an armed robber. Malloy is deeply saddened to a point where he plans to retire. On what is to be his last day on the police force, he is assigned to take rookie Officer Jim Reed (Kent McCord) out for his first night on the force. Reed shows tremendous potential on the job but, like all rookies, still has much to learn. With encouragement from Lieutenant Moore, Malloy agrees to help mold Reed and guide him through his probationary period. During their first watch together, they pursue a suspect vehicle, respond to a baby in distress call, encounter a lady who thinks she felt something and at the end, after Malloy hears gunfire, he lectures Reed but soon they get along well.
The Wiki descriptions won't always be so overflowing with detail.

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Since I first saw it several years back, I've always found this to be a good "origin" episode for the series. A circumstantially cynical Malloy is paired with a comically extra-green Reed. Malloy acts more Joe Friday-ish than will be usual, lecturing Reed while chewing him out for this and that. I always cite this as an example when people think that Pike's situation in "The Cage" was an unusual way to start a series.

This episode jokingly begins the ongoing situation of Reed never getting to drive, which you think would be part of his training. And in what won't become a tradition, their first call-in for a Code 7 is miraculously approved! Here it serves the purpose of giving Reed and Malloy a chance to get better acquainted while Malloy shares some exposition about his situation.

The episode also features the first appearances of William Boyett as Sgt. MacDonald (complete with black-and-white station wagon) and Art Gilmore, whom IMDb credits as Lt. Val Wangsgard, though his character will be known as Lt. Moore in future appearances.

Bits of police business in this episode include a car chase in a channel of the Los Angeles River (with the fleeing suspects' car managing to burst into flames in true TV fashion, even though it crashes in the water); and Malloy giving mouth-to-mouth to a baby, while the audience and parents are teased into thinking that the child won't make it. I'm not sure what the bit in the description about the lady who "thinks she felt something" is about...possibly a story beat that fell victim to the syndication edit.

In the climactic park shoot-out, Reed disobeys orders and takes a chance to get the drop on the bad guys. Malloy, of course, finds new purpose in seeing that his overeager rookie partner stays alive long enough to become a seasoned officer.

_______

Get Smart
"The Impossible Mission"
Originally aired September 21, 1968
Wiki said:
Max and 99 infiltrate Herb Talbot's Tijuana Tin (a parody of Herb Alpert and his Tijuana Brass) to stop KAOS agent The Leader from smuggling the Hellman theory out of the country. This is the episode in which Max reveals his feelings for 99 and first kiss, ultimately agreeing to marry 99 if they both survive this dangerous mission. A spoof of Mission: Impossible.
And this one actually does spoof M:I, at least in its earlier scenes.
The recording of the Chief said:
Should you decide to accept this assignment, this department will disavow any knowledge of your actions. Should you decide not to accept it, you're fired. As usual, this tape will self-destruct in exactly five seconds.

Maybe six.
After the credits, Max goes through a portfolio of photos that includes Alfred E. Neuman, Mona Lisa, and Tiny Tim (the latter of which he tears up).

Other gags include a silent movie-style chase while Max and 99 are dressed as Charlie Chaplin.

Guesting Jamie Farr as a murdered informant who was a trumpet player in the Tijuana Tin.

Ann Elder's Dr. Simon seems to be a continuation of the Dr. Steele character from last season, but renamed.

Regarding Herb Alpert parody "The Leader"...
Max said:
If only he'd used his music for niceness instead of evil.


Maybe I'm appreciating this show's brand of humor a bit better after enduring two seasons of The Monkees, but this episode seemed to be the show on its farcical game.

_______

More good retro TV news: This TV is getting The Avengers! They seem to be starting it on October 1 with early British episodes featuring Cathy Gale and Dr. King.

ETA: Have Movies! on in the background, playing Sands of Iwo Jima (1949), and just caught a scene with a really young Martin Milner--He would've been about 17 at the time!
 
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Probably Laugh-In's most iconic moment:
I've probably mentioned this before, but when they briefly resurrected Laugh-In in the 80s, they tried to get Nixon to come back and say, "You can stop now." He didn't go for it.

Multiple cast members dress as Tiny Tim to perform the song introducing the news segment, and continue to appear in costume for various bits:
Man, the world really gave Tiny Tim a lot of grief.

A side-note on the origin of the phrase "sock it to me"...in a recent Cousin Brucie appearance, Mitch Ryder credited his use in the song "Sock It to Me, Baby!" to Aretha's use in "Respect". That just muddies the issue, however, as the Mitch Ryder single was released in January 1967, and charted in February. Whereas the album on which Aretha's version of "Respect" first appeared was released in March 1967. Unless Mitch was privy to the song pre-release, his claim seems gracious but unlikely.
Maybe she performed it in concert or something before the album came out?

And this episode, for the first time that I've noticed, the term "Ironsidemobile" is actually used on the show, as a radio callsign! :lol:
Nice. :rommie:

Apparently some are still saying "HEELeycopter" in 1968.
Must be from back in them thar hills.

Hawaii Five-O
Stephen Aloysius McGarrett, James Tiberius Kirk, Richard Diogenes Hutchins-- what a bunch of pompous jackasses.

What I recorded from Decades was actually the two-part rerun edit of the pilot movie, whatever the differences may be. I was disappointed to discover that James MacArthur wasn't in it, but it has a few other familiar faces, mentioned above.
Indeed. Now I'm getting interested in it just for the sake of Nancy Kwan.

Sign o' the times: In a romantic interlude with Rosemary Quong (Nancy Kwan), McGarrett likens his reason for becoming a cop to her reason for becoming a hippie...because he cares.
Aww.

McGarrett proves what a big damn hero he is by lasting 8 hours in Wo Fat's chamber--over twice as long as the agent in the teaser--without being turned into a vegetable.
Wellll....

Quong: To cops.
McGarrett: To hippies.
Quong: Peace?
McGarrett: Peace.
Awwww.

Overall this was pretty good. In contrast to Ironside, it was more espionage/intrigue than mystery, and kept my interest but wasn't hard to follow. It's too bad that this is all I've currently got for the series.
That is too bad. I'd like to hear more about it. I'm kind of curious how this should would feel to me now, as opposed to how it feels in my memory.

I always cite this as an example when people think that Pike's situation in "The Cage" was an unusual way to start a series.
That makes me think that Martin Milner would have made a good Trek guest.

After the credits, Max goes through a portfolio of photos that includes Alfred E. Neuman, Mona Lisa, and Tiny Tim (the latter of which he tears up).
Poor Tiny Tim. That actually would have been a cool team. And even impossible.

Maybe I'm appreciating this show's brand of humor a bit better after enduring two seasons of The Monkees, but this episode seemed to be the show on its farcical game.
You can't resist it. :rommie:

More good retro TV news: This TV is getting The Avengers! They seem to be starting it on October 1 with early British episodes featuring Cathy Gale and Dr. King.
Oh, that's good. I'm pretty sure we still have This.
 
_______

50 Years Ago This Week
September 23 – Vietnam War: The Tet Offensive comes to an end in South Vietnam.
September 24 – 60 Minutes debuts on CBS and is still on the air as of 2018.
September 27 – Marcelo Caetano becomes prime minister of Portugal.
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Selections from Billboard's Hot 100 for the week:
1. "Hey Jude," The Beatles
2. "Harper Valley P.T.A.," Jeannie C. Riley
3. "People Got to Be Free," The Rascals
4. "Hush," Deep Purple
5. "Fire," The Crazy World of Arthur Brown
6. "The Fool on the Hill," Sergio Mendes & Brasil '66
7. "1, 2, 3, Red Light," 1910 Fruitgum Co.
8. "I've Gotta Get a Message to You," Bee Gees
9. "Girl Watcher," The O'Kaysions
10. "Slip Away," Clarence Carter
11. "Time Has Come Today," The Chambers Brothers
12. "Revolution," The Beatles
13. "The House That Jack Built," Aretha Franklin
14. "I Say a Little Prayer," Aretha Franklin
15. "Born to Be Wild," Steppenwolf
16. "On the Road Again," Canned Heat
17. "Light My Fire," Jose Feliciano
18. "Midnight Confessions," The Grass Roots
19. "My Special Angel," The Vogues
20. "Little Green Apples," O.C. Smith
21. "Say It Loud - I'm Black and I'm Proud (Part 1)," James Brown
22. "You're All I Need to Get By," Marvin Gaye & Tammi Terrell
23. "You Keep Me Hangin' On," The Vanilla Fudge
24. "Piece of My Heart," Big Brother & The Holding Company
25. "Magic Bus," The Who
26. "Special Occasion," Smokey Robinson & The Miracles
27. "Suzie Q," Creedence Clearwater Revival
28. "(The Lament of the Cherokee) Indian Reservation," Don Fardon
29. "Over You," Gary Puckett & The Union Gap
30. "The Snake," Al Wilson
31. "All Along the Watchtower," The Jimi Hendrix Experience
32. "Tuesday Afternoon (Forever Afternoon)," The Moody Blues

34. "Baby, Come Back," The Equals

36. "Shape of Things to Come," Max Frost & The Troopers
37. "Love Makes a Woman," Barbara Acklin
38. "In-a-Gadda-da-Vida," Iron Butterfly
39. "Do It Again," The Beach Boys

42. "Hey, Western Union Man," Jerry Butler

47. "Down on Me," Big Brother & The Holding Company

54. "Elenore," The Turtles

56. "Street Fighting Man," The Rolling Stones

59. "Hold Me Tight," Johnny Nash

61. "Fool for You," The Impressions

63. "The Weight," The Band

70. "Those Were the Days," Mary Hopkin
71. "Bang-Shang-A-Lang," The Archies


87. "Light My Fire," The Doors

89. "Sweet Blindness," The 5th Dimension


Leaving the chart:
  • "Classical Gas," Mason Williams (14 weeks)
  • "The Eyes of a New York Woman," B.J. Thomas (14 weeks)
  • "Hello, I Love You," The Doors (12 weeks)
  • "I Can't Stop Dancing," Archie Bell & The Drells (10 weeks)
  • "Sealed with a Kiss," Gary Lewis & The Playboys (14 weeks)
  • "Stay in My Corner," The Dells (13 weeks)
  • "Sunshine of Your Love," Cream (26 weeks total; 12 weeks this chart run)
  • "Turn Around, Look at Me," The Vogues (15 weeks)

New on the chart:

"Bang-Shang-A-Lang," The Archies
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(#22 US)

"Sweet Blindness," The 5th Dimension
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(#13 US; #45 R&B)

"Those Were the Days," Mary Hopkin
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(#2 US; #1 AC; #1 UK)


And new on the boob tube:
  • The Avengers, "Game" (US season premiere)
  • Rowan & Martin's Laugh-In, Season 2, episode 2
  • The Mod Squad, "The Teeth of the Barracuda" (series premiere)
  • That Girl, "Sock It to Me" (Season 3 premiere)
  • Ironside, "Split Second to an Epitaph"
  • Star Trek, "The Enterprise Incident"
  • Adam-12, "Log 141: The Color TV Bandit"
  • Get Smart, "Snoopy Smart vs. the Red Baron"
_______

I've probably mentioned this before, but when they briefly resurrected Laugh-In in the 80s, they tried to get Nixon to come back and say, "You can stop now." He didn't go for it.
'70s, and did not know that!

Maybe she performed it in concert or something before the album came out?
It seems that she did, but it's unclear if the use of "sock it to me" predated her studio recording.

Stephen Aloysius McGarrett, James Tiberius Kirk, Richard Diogenes Hutchins-- what a bunch of pompous jackasses.
:lol:

Wellll....
Touche.

That is too bad. I'd like to hear more about it. I'm kind of curious how this should would feel to me now, as opposed to how it feels in my memory.
With any luck, Me will bring it back, though it'd force me to do the catch-up viewing thing.
 
The Monkees "The Monkees Blow Their Minds"
Originally aired March 11, 1968

This time what would normally be the end-of-episode tag is at the beginning, with Mike and Frank Zappa impersonating each other as "Mike" interviews "Frank". During the interview, they reference the Beach Boys and the Byrds. Then they drop the disguises and smash up a car.

Once again the Monkees show how diverse their musical interests were outside of their own music. The Mothers of Invention song played during the car's destruction was "Mother People" from their 1968 album, We're Only in it for the Money. The Mothers were definitely an acquired taste, with much of their music--in my opinion--being beyond experimental, even for the late 1960s. Theirs was THE kind of music "Aren't I Cutting Edge" music critics would celebrate, with some placing on the level of The Beatles work.

While Nesmith only gave audiences a taste of The Mothers' sound, I'm not sure it would have gone over well on TV if The Monkees' desired "showcase" show hit the airwaves.

The single version of "Valleri" makes an appearance (12:07+) as Davy and Micky try to break Peter out of his trance.

NOTE: This might be the last full frame appearance of the "Mr. Schneider" dummy on the series.

Burgess Meredith appears intermitently at 17:57+. He's costumed but not made up, sitting at a table in the nightclub doing a subdued version of his Penguin laugh. The gag just keeps popping up without really going anywhere.

I think the cuts back to Meredith was just more season two weirdness; the group and the producers knew the world would get what Meredith was doing, but the gag of it all was the fact his unnamed character was in the nightclub at all.

An instrumental version of "Gonna Buy Me a Dog" plays as everyone starts acting like dogs (20:48+). This climactic song sequence is vaguer than usual about how the Monkees get out of their predicament...maybe the director should have spent more time behind the camera.

Admittedly, this was a thin script, saved (up to a point) by Monte Landis' constantly scheming, truth-spinning Oraculo.

The Monkees "The Frodis Caper"
Originally aired March 25, 1968 Series finale

Yep, and it was not a bad way to wrap things up....

The basic premise of this episode is a bit too similar to the previous one, but this installment has the benefit of being more surreal and unusually shot.

Surreal is right, with endless not-so-hidden messages about TV "brainwashing" viewers, how the police would assume the oft-used "Long haired weirdos"--just on appearance--would be guilty instead of the bizarre Wizard Glick, and of course, the "power" of the Frodis alien is supposed to be something smoked by many in the rock scene of that era....

At one point the Monkees use a pseudo-Fizzbin gag to escape, but it involves cribbage and is much more brief in its execution.

...and the guard ("Otto") who was so confused by the "Creebage" (sp.) game was seasoned character actor Tony Giorgio, perhaps best known as Bruno Tattaglia in The Godfather (Paramount, 1972).

The climactic song sequence (or "Typical Monkee Romp" as the text flashed onscreen describes it) features "Zor and Zam" (18:15+).

"Zor and "Zam"
--like other Monkees songs was introduced on TV before its actual vinyl release, in this case on the fifth Monkees LP, The Birds, the Bees and The Monkees.

In the unconnected end sequence (21:08+), Tim Buckley performs "Song to the Siren" while sitting on or in front of the car that Mike and Frank Zappa smashed up.

Nice song--probably Buckley's best. The historically stand off-ish Buckley appeared here thanks to Dolenz being a big fan, and talking him up in print interviews of the period. This live version of "Song to the Siren" was never officially released, but he did record it for his 1970 LP, Starsailor.

Adam-12 "Log 1: The Impossible Mission"
Originally aired September 21, 1968 Series premiere

Solid pilot--like most Jack Webb series. Although Webb was a staunch supporter of the police in general, the LAPD I particular, Adam-12 would deal with issues of cops with violence and other hot-button issues of the day. The series is not as gritty or depressing as Naked City (ABC, 1958-63) or the original N.Y.P.D. (ABC, 1967-69), and that's to be expected, as Webb's version of darkness always had to be cradled with the sales pitch of the "honest cop" always being a positive presence. That sort of hobbled the development of Malloy and Reed, as Webb's worldview often placed characters in a box where the message was more important than character development that challenged his (Webb's) perceptions of the police.
 
Solid pilot--like most Jack Webb series. Although Webb was a staunch supporter of the police in general, the LAPD I particular, Adam-12 would deal with issues of cops with violence and other hot-button issues of the day. The series is not as gritty or depressing as Naked City (ABC, 1958-63) or the original N.Y.P.D. (ABC, 1967-69), and that's to be expected, as Webb's version of darkness always had to be cradled with the sales pitch of the "honest cop" always being a positive presence. That sort of hobbled the development of Malloy and Reed, as Webb's worldview often placed characters in a box where the message was more important than character development that challenged his (Webb's) perceptions of the police.
I think that works with the conceit of the series being based on actual stories, which makes Reed and Malloy sort of "composite cops". As I recall from my recent watch-through, some of the stories did go to pretty dark places, though.
 
Yesterday we saw the "Voice of the Elephant" episode of Tarzan. "The law is for all elephants." It was really good and the series in general is better than I expected (except maybe for the Jungle Girl episode, unfortunately). Ron Ely makes for a very good and lovable Tarzan. If it's possible to buy individual episodes, I wouldn't mind having this one.

"Bang-Shang-A-Lang," The Archies
This seems vaguely familiar, I guess. It's not really that great.

"Sweet Blindness," The 5th Dimension
Another great 5D song. And I love seeing all these old music videos that I never knew existed. We need a retro MTV channel-- not that MTV is really MTV anymore.

"Those Were the Days," Mary Hopkin
I really love this song. I loved it when I was a kid for the sense of defiance in the music that acts as a counterpoint to the melancholia of the lyrics, but I love it orders of magnitude more now.

'70s, and did not know that!
Memory is tricking me again. My associational memories told me early 80s.

That sort of hobbled the development of Malloy and Reed, as Webb's worldview often placed characters in a box where the message was more important than character development that challenged his (Webb's) perceptions of the police.
We often made fun of the cardboard characters on Dragnet and Adam-12 back in the day, but in retrospect I don't think they were as bad as we thought.
 
Yesterday we saw the "Voice of the Elephant" episode of Tarzan. "The law is for all elephants." It was really good and the series in general is better than I expected (except maybe for the Jungle Girl episode, unfortunately). Ron Ely makes for a very good and lovable Tarzan. If it's possible to buy individual episodes, I wouldn't mind having this one.
Glad you're enjoying! :techman:

This seems vaguely familiar, I guess. It's not really that great.
It's a bit of fluff but I like it. And it has some novelty factor for being that forgotten first minor hit. If you asked anyone what the Archies' first charting single was, you know what they'd probably say....

Another great 5D song. And I love seeing all these old music videos that I never knew existed. We need a retro MTV channel-- not that MTV is really MTV anymore.
Surprised you didn't mention that it was written by Laura Nyro. It's a cute one. And the video is apparently from European television, for what it's worth.

I really love this song. I loved it when I was a kid for the sense of defiance in the music that acts as a counterpoint to the melancholia of the lyrics, but I love it orders of magnitude more now.
Interesting take...I'm sure this was originally meant to be nostalgic for some other era, which the style of music attests to...but now it can not only be listened to in terms of nostalgia for the era in which this single was released, but even eras that had yet to come at that point.

This would be our first major hit from an Apple artist (not counting the Fabs themselves, of course), one who was Paul's protege at the time. He discovered and selected the number (an English-language rearrangement of an old Russian song) and produced the recording. And it was ironically kept out of the top spot on the Hot 100 for three weeks by "Hey Jude".

We often made fun of the cardboard characters on Dragnet and Adam-12 back in the day, but in retrospect I don't think they were as bad as we thought.
Reed and Malloy could be pretty whitebread, but I think they represented a sort of ideal of what cops were supposed to be, and what plenty of good cops out there probably were/are. And they generally avoided crossing the line of being like Joe Friday, who was a sort of unintentional parody...though Malloy's drilling of Reed in the first episode was very Joe Friday-ish.
 
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Selections from Billboard's Hot 100 for 55 years ago this week:
2. "Sally Go 'Round the Roses," The Jaynetts
3. "Be My Baby," The Ronettes
4. "(Love Is Like a) Heat Wave," Martha & The Vandellas
5. "My Boyfriend's Back," The Angels
6. "Then He Kissed Me," The Crystals
7. "Wonderful! Wonderful!," The Tymes
8. "Mickey's Monkey," The Miracles
9. "Cry Baby," Garnet Mimms & The Enchanters
10. "If I Had A Hammer," Trini Lopez
11. "Surfer Girl," The Beach Boys
12. "A Walkin' Miracle," The Essex feat. Anita Humes
13. "Busted," Ray Charles
14. "The Monkey Time," Major Lance
15. "Little Deuce Coupe," The Beach Boys
16. "Martian Hop," The Ran-Dells
17. "The Kind of Boy You Can't Forget," The Raindrops
18. "Hello Mudduh, Hello Fadduh! (A Letter from Camp)," Allan Sherman
19. "Sugar Shack," Jimmy Gilmer & The Fireballs
20. "Honolulu Lulu," Jan & Dean

22. "Hey Girl," Freddie Scott

25. "Only in America," Jay & The Americans
26. "Wham!," Lonnie Mack
27. "Hey There Lonely Boy," Ruby & The Romantics
28. "Mockingbird," Inez & Charlie Foxx
29. "I Can't Stay Mad at You," Skeeter Davis

31. "Talk to Me," Sunny & The Sunglows
32. "Mean Woman Blues," Roy Orbison
33. "Donna the Prima Donna," Dion
34. "Don't Think Twice, It's Alright," Peter, Paul & Mary

36. "Blowin' in the Wind," Peter, Paul & Mary
37. "Denise," Randy & The Rainbows

40. "Frankie and Johnny," Sam Cooke
41. "I'll Take You Home," The Drifters

45. "Blue Bayou," Roy Orbison
46. "Fools Rush In," Rick Nelson

48. "More," Kai Winding & Orchestra

50. "Candy Girl," The Four Seasons

58. "Deep Purple," Nino Tempo & April Stevens

61. "Fingertips, Pt. 2," Little Stevie Wonder

68. "Wipe Out," The Surfaris
69. "Washington Square," The Village Stompers
70. "You Lost the Sweetest Boy," Mary Wells

74. "The Grass Is Greener," Brenda Lee


80. "Cry to Me," Betty Harris
81. "She's a Fool," Lesley Gore
82. "Crossfire!," The Orlons

86. "It's All Right," The Impressions

90. "(Down at) Papa Joe's," The Dixiebelles w/ Cornbread & Jerry



Leaving the chart:
  • "Wait 'Til My Bobby Gets Home," Darlene Love


55 Years Ago Spotlight

This is a classic in its own right, but totally leftover '50s business in style:

"Donna the Prima Donna," Dion (Di Muci)
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(Charted Sept. 14, 1963; #6 US; #17 R&B)

While this one enjoys a good early '60s vibe for my money, with its beatnik coffee house setting:

"Sugar Shack," Jimmy Gilmer & The Fireballs
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(Charted Sept. 21, 1963; #1 US the weeks of Oct. 12 through Nov. 9, 1963; #1 R&B; #1 song on Billboard's 1963 Year-End Chart of Pop Singles)

_______

ETA: I think I'm gonna add Hogan's Heroes to the 50th Anniversary Viewing lineup. Me's airings are currently in the previous season, but at 10 episodes a week they'll be catching up quite soon.
 
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Surprised you didn't mention that it was written by Laura Nyro.
Me, too. It was in my head when I was replying, but it didn't make it through my fingers.

Interesting take...I'm sure this was originally meant to be nostalgic for some other era, which the style of music attests to...but now it can not only be listened to in terms of nostalgia for the era in which this single was released, but even eras that had yet to come at that point.
Yeah, it's become the universal paean to nostalgia. I was going to mention that the music is in a Russian style, but you beat me to it.

Reed and Malloy could be pretty whitebread, but I think they represented a sort of ideal of what cops were supposed to be, and what plenty of good cops out there probably were/are.
And there's nothing wrong with presenting an ideal.

And they generally avoided crossing the line of being like Joe Friday, who was a sort of unintentional parody...though Malloy's drilling of Reed in the first episode was very Joe Friday-ish.
I wonder how Dragnet would have looked if the boss had not cast himself as the lead. But then, Webb would still have been there on the sidelines directing him to be more stoic. :rommie:

"Donna the Prima Donna," Dion (Di Muci)
Good old Dion. And you got in a pre-emptive strike with "sounds like the 50s."

"Sugar Shack," Jimmy Gilmer & The Fireballs
I like the Beatnik vibe, too. Espresso!

ETA: I think I'm gonna add Hogan's Heroes to the 50th Anniversary Viewing lineup. Me's airings are currently in the previous season, but at 10 episodes a week they'll be catching up quite soon.
Cool. That should be interesting. I got to watch a lot of Hogan's Heroes re-runs in the 70s-- Channel 38 loved that show. :rommie:
 
Had Me on low in the background and woke up to a late '80s episode of The Facts of Life...ye gods, the hair!
 
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