Thank you. Any idea what lawsuits in the industry he's referring to? Also sounds like he could self-publish today, if he wanted to. That was a little harder in the late 90s.
Thank you. Any idea what lawsuits in the industry he's referring to?
Cushman's books are plastered with notes that they are "fair use" and "unauthorized." It also helps that, unlike Farrand, Cushman had no publisher other than himself. He likely escaped any legal issues because what person or estate is going to sue over such a tiny book quoting from unpublished correspondence?
Plus I hear they ran it through their legal console first.
http://startrekfactcheck.blogspot.com/2018/08/the-alternative-factor-what-hell.html
It's taken three years (!), but my nearly book-length piece about "The Alternative Factor" and good old Cash Markman is now complete.
Many, many thanks to my co-writer, Kevin Koster, who really helped put the pieces together when it came to the shooting timeline.
THIS is the kind of history we need... not Cushman's ill-informed, poorly-researched and conclusion-jumping crap.http://startrekfactcheck.blogspot.com/2018/08/the-alternative-factor-what-hell.html
It's taken three years (!), but my nearly book-length piece about "The Alternative Factor" and good old Cash Markman is now complete.
Many, many thanks to my co-writer, Kevin Koster, who really helped put the pieces together when it came to the shooting timeline.
Is the indented passage about the D'Agosta memo supposed to be italicized?
How such a terrible episode could generate such a fascinating piece of analysis by you and Kevin is something to ponder.
Thanks, Harvey, for keeping these articles coming. You put so much time and effort into them, but damn, it shows and they're fantastic reads. Every time someone boosts one of the Cushman books, I send them a link to your site.
Such a great look into background of this episode. I find that the stuff Cushman omits from the memos is actually more interesting than the stuff he includes. Well done!
I suppose we could postulate that historian isn’t McGivers’ or Erickson’s “day job” on the ship and they both happen to have other operations positions, only acting as historians as needed (which likely isn’t too often).Your collaborator mentions McGivers being in red despite being a historian. It's worth noting that the only other 23rd-century Starfleet historian we know of, Erickson in "Yesteryear," was also in red.
I suppose we could postulate that historian isn’t McGivers’ or Erickson’s “day job” on the ship and they both happen to have other operations positions, only acting as historians as needed (which likely isn’t too often).
"Archivist", as an alternative Starfleet Occupational Specialty name instead of "Historian"?
Not to mention that, in Jonathan Archer's words, Starfleet officers are making history with every light-year. Somebody needs to write that history down. If so, that might explain why historians are in operations, because their everyday job would be along the lines of a clerical post -- documenting the ship's missions, organizing and annotating log entries and visual records, processing and cataloging documents or communications from alien worlds, etc.
It's not exactly an assumption, since "Space Seed" outright shows and tells us that Marla McGivers doesn't have much to do aboard the Enterprise. Kirk says that she doesn't usually have much to do, and apparently he crosses paths with her so rarely that he can't even remember her name:Second, as a holder of a history degree, I find it odd that people assume historians would be unimportant or rarely used aboard a starship
And McGivers obviously has enough time on her hands to do a lot of sketching and painting. So much so that she views the summons to be part of the boarding party of the Botany Bay as an intrusion rather than something to be excited about:KIRK: Oh, I'll need somebody familiar with the late 20th-Century Earth. Here's a chance for that historian to do something for a change. What's her name? McIvers?
SPOCK: Lieutenant McGivers.
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